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Rousseau's most overt influence was on later philosophers and political theorists; several of his
ideas are clearly paralleled in their works. For example, in Rousseau’s book The Social
Contract he writes about general will; that is, the will and interests of the public as a whole.
Immanuel Kant, another 18th century philosopher, later echoed this concept in his own work,
Groundwork of the Metaphysic of Morals, with the categorical imperative (Cooper), the
obligation of a self-governing society (McCormick). Another example is Rousseau’s notion of
amour propre, or self love, which guided Georg Hegel’s Phenomenology of Spirit (in which
Hegel expands on this problem of recognition). Rousseau also argued that citizens will choose
just laws because of their own self-interest; this led to Rawls’ argument in A Theory of Justice,
where he uses the device of “original position” to argue that when citizens determine justice
they will be motivated by self-interest and free choice (Bertram). Rousseau’s theories clearly
resounded with multiple philosophers who spanned centuries, and laid solid ground for later
thinkers.
Beyond prominent philosophers, Jean Jacques Rousseau created a stir in the general public as
well. In 1750, he wrote his Discourse on the Sciences and Arts for an essay competition hosted
by the Academy of Dijon. He won first place after arguing that social improvement corrupts both
society as a whole and individual morals (Bertram). The Discourse was Rousseau’s first major
published success; it shocked contemporary thinkers and provoked response from the public.
Historian and literary critic Lytton Strachey (Alexander) said of Rousseau: “... he possessed one
quality which cut him off from his contemporaries, which set an immense gulf betwixt him and
them: he was modern ... he belonged to another world” (178). Rousseau dared to openly and
seriously discuss unconventional topics that caused the citizens of France – and people in other
areas – to question what they considered intrinsic ideas (Conroy). Rousseau’s brazen attitude
provided forward momentum for the Enlightenment and caused the rapid diffusion of his
philosophy.
Rousseau later used much of this philosophy to lay a foundation for his educational theories. He
believed education should be a natural process, tailored to match a child’s development, with
the child “discovering” concepts with the help of a teacher (“Jean-Jacques Rousseau”, 1998).
Rousseau’s work Emile was one of the first examples arguing for this discovery within
education; the standard model at the time defined a teacher as a figure of authority who
conveyed skills and knowledge based on a curriculum (“Jean-Jacques Rousseau”, 2003).
Montessori education, a modern system employed by about 20,000 schools worldwide
(NAMTA), makes use of many of Rousseau’s theories: the basic values of the system include
“guided choice of work activity” (“Introduction to Montessori”), with teachers matching
instruction to a child’s growth. Both systems emphasize the importance of learning not from
teachers but from experience and mistakes. Rousseau’s ideas also impacted 20th century
psychologist John Dewey, who stressed the importance of a student’s involvement in
curriculum in his book My Pedagogic Creed. Dewey may have helped popularize Rousseau’s
and others’ values that led to the Montessori system (Goncalves). Although his theories on
education were popular at the time, they are just as relevant in society now as people question
and debate the workings of the public and private school systems.
Rousseau’s philosophy also led to change in government and ruling authorities. In his work
Government of Poland, he carefully designed a government state with checks and balances,
which included inspection of the king, and elections and supervision of the Diet (Williams). His
firm conviction in natural rights and general will is found throughout the American Constitution,
which would in turn shape the governments of other countries. Likewise, France’s National
Assembly would later incorporate his concept of general will into Declaration of the Rights of
Man, which states that “law is the expression of the general will” (Lauritsen). Rousseau’s ideas
elicited an emotional connection with people and eventually made their way into important
historical documents.
Rousseau’s more obscure yet no less important influences survive through music. His opera Le
Devin Du Village (or, The Village Soothsayer) experienced such good rehearsals that it was
immediately played at a command performance in Fontainebleau for the royal court. The opera
remained popular for centuries and was later played at the wedding of Louis XVI and Marie
Antoinette (“Jean-Jacques Rousseau”, 2003). Rousseau imbued his philosophical ideas into
his music, which is undoubtedly why it remained so popular. Since people give up personal
freedoms for society, he therefore believed that music should not be too restrictive in regard to
rules and conventions. He created dynamic, emotional music that displayed many early
characteristics of the Romantic Period; indeed, it is possible his style anticipated this entirely
new period of art, literature, and music (Bertram). Le Devin also inspired other composers such
as the 12-year-old Mozart, who wrote a parody of the play called Bastien und Bastienne
(Zaslaw). However, the public was not so accepting of all his musical creations; he later caused
an uproar, initiated by the Academie des Sciences, when he attempted to establish a new
system of musical notation he had designed. Although the system was widely disparaged, it is
still in use in some parts of Europe and South Asia because of its compatibility with typography
(Simon).