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INTRODUCTION
• The Greek Civilization Flourished from 3000
B.C. to 30 A.D.
• This period is also known as the Golden Period
of Human Civilization.
• During this time the major developments
which took place were:
– Development of Civic Culture through City States
– Growth of commerce through marine trade
– Grid Iron Pattern based Town Planning system
TIMELINE OF GREEK CIVILISATION
New Stone Age – small houses or huts with wooden walls around them.
Early Bronze Age – One big house in the middle and small ones around it.
Late Bronze Age – Palaces, big stone tombs, paved roads and bridges, and dams.
Greek Dark age – palaces were burned, roads, bridges, and dams fell apart.
Iron Age – Temples of houses were built.
Classic period – more temples bigger and new designs; Democracy uprised the
development of public places.
Hellenistic Period - Theaters are built, road planning comes into the picture.
Chronology
• Greek Dark Ages 1100 – 700 BCE
First Olympic Games 776 BCE Collapse of the Palace
economies/return to villages. No monumental architecture, but
beginning of development of the temple form – in perishable materials,
brick, wood, some rubble masonry. Greek myths and Trojan War, great
epic poems written.
• Archaic Period 700 – 480 BCE
Persian Wars 497 -479 BCE
• Classical Period 480 – 323 BCE
Peloponnesian War 421 – 404 BCE Archaic and Classical are Hellenic
periods. Rise of the city-state (polis). Temples (Doric in mainland and
Ionic in Ionia) evolve from megaron of Mycenaeans, intellectual
approach to architecture with emphasis on form.
• Hellenistic Period 323 – 146 BCE (death of Alexander the Great 323
BCE)
Major centers no longer on mainland, but at Ephesos, Alexandria,
Antioch, Pergamon. Greater elaboration of decoration and
development of Corinthian order. More monumental civic buildings.
Greece taken over by the Romans, 146 BCE
Cultural Identity and Religion
• Town and city were closely • The Greek gods were seen as one
knit—except in those more large, harmonious family, though they
remote parts, like Arcadia did not always get along together. The
and western Greece, where Greeks felt the gods inhabited every
there were no towns at all. rock, brook, and mountain or tree.
They were apt to appear anywhere, and
• On occasions, the Greek at any time.
city-states joined together
to face a common enemy, • All potential building sites, even the site
notably Persians, but they of a new city, were checked by
were also intermittently in ceremonial means before any building
conflict with each other. was begun. There was a ritual for
• In addition to grid-plan every daily undertaking; the Greeks
towns, the major were very religious.
contribution to architectural
history in the Archaic Greek • Because each god has his or her area
era was the temple, which of expertise, several would be
originated as a home for consulted and temples built to ensure
the gods and was based on the success of the new colony.
the design of the Greek’s
own houses.
Greek geography
• Greece is mountainous
• Greek communities
mostly developed
independently because of
the mountains nature,
thus they were diverse
developments.
• As a result, there was a lot
of discord within greece.
Site and Culture
(enabling factors, not determining)
• No floods
• Abundant and diverse resources
– Fish, grain, grapes, olives,
chestnuts, figs • Alphabet derived from
Phoenician consonant system,
• Many isolated valleys and islands promoted democracy and public
(natural barriers) life
• Sea ≈ moat • Money (local)
• Isolation meant greater security, • Decentralized political power
so power took a less aggressive • Ritual blended with competition
to produce a fairly relaxing life
form both externally and
• Tremendously creative society:
internally drama, poetry, sculpture,
painting, logic, mathematics,
geometry
Origins of Greek Architecture and Greek City Planning
• Culture disappears with some • Artist’s Rendition of King Minos’ Palace of Knossos on
natural disaster, earthquake? Crete (1700-1400BCE) excavated by Sir Arthur Evans in
early 20th c.
In Greek mythology, the labyrinth of
Palace of
Crete was derived from the elaborate
floor plan of the Palace at Knossos. King Minos
Daedalus the Athenian craftsman, was
the architect and inventor who designed
for King Minos of Crete the labyrinth in
which was imprisoned the Minotaur, a
man-eating monster that was half man
and half bull.
The labyrinth was so skillfully designed
Knossos, Crete,
that no one could escape from the maze ca. 1500 B.C.
or the Minotaur. Daedalus revealed the
secret of the labyrinth only to Ariadne, Excavated by Sir
daughter of Minos, and she aided her Arthur Evans in
lover, the Athenian hero Theseus, to slay
the monster and escape. the early part of
In anger at the escape, Minos imprisoned
the century, the
Daedalus and his son Icarus in the elaborate palace
labyrinth. Although the prisoners could
not find the exit, Daedalus made reminded the
waxwings so that they could both fly out excavator of the
of the maze. Icarus, however, flew too
near the sun; his wings melted, and he legend of Theseus
fell into the sea. Daedalus flew to Sicily,
where he was welcomed by King
and The Minotaur.
Cocalus. Minos later pursued Daedalus
but was killed by the daughters of
Cocalus.
Built several stories high around a
central courtyard, the palace had light
wells to admit light into the lower
reaches of the palace. The palace is
also noted for columns that taper
downward instead of upward, and the
beautiful frescoes on the walls.
Early People of the Aegean Sea: The Mycenaeans
• The Mycenaeans evolved on
the Greek mainland and
eventually conquered the
Greek mainland and Crete.
• Mycenaeans absorbed
Egyptian and Mesopotamian
influences and passed them
on to later Greeks.
•In the earlier years, the Greek city was a maze of wandering unpaved lanes.
•Assembly place : pnyx/an open air-podium, where citizens consider and discuss
affairs of state .
•Agora: market place, the center of urban activity and irregular in form.
•Distinction between the dwellings: of well-to-do- citizens and less privileged men
The few rooms were grouped about an interior court behind a windowless façade
that faced one of the randomly placed streets.
•Temple: For Greeks, this was the symbol of democratic life and the equality of men.
And hence, on temples the refinement of line and beauty of form is seen
and creative energy lavished
AGORA AND ACROPOLIS
Agora and Acropolis
• Agora • Acropolis
• Gathering place and market • Elevated temple district
• On the road from the • Contained various temples
harbor • Architectural “vocabulary”
• Bordered by temples, used well into the 20th c. for
workshops, vendors’ stalls, banks, courthouses, town
statues halls, etc.
• Place for public event • Periodic processions to
Acropolis also celebrated
the polis
Acropolis of Athens
•Supreme example of Greek sanctuary.
•Massive fortification