Professional Documents
Culture Documents
Journal
Journal
10-7-18
Journals
Featherston, Anna
looking forward to learning what I can do to improve my style. I am also looking forward to
learning to get out of my comfort zone. The two things I am positive about in my current style of
conducting is that I conduct too low for the people in the back of an ensemble to see me and that
I don’t like to show much emotion. I think I will struggle the most when it comes to learning
how to show emotion. I tend to get very shy and closed up when I get in front of people.
Because I only have a little experience with conducting an ensemble, I am still working
on coordination between my two hands. It’s hard for to do something completely different and
independent of my right hand with my left hand. I did some conducting over the summer and I
was able to start getting some independence. But since I haven’t worked on it since then, I as-
Since I have never worked under a conductor that has an extremely unique style, it brings
up a couple of questions for me. When I say extremely unique style, I think of conductors who
tend to be very artsy with the presentation of their conducting. I wonder how they ended up with
such a unique style. I also wonder how the musicians in that ensemble are able to follow the
conductor. As I grow as a musician, I don’t have to watch the conductor much to keep with the
ensemble, but there are still times during pieces that I turn to the conductor for help guiding me
towards the right direction in the piece. I assume that conductors with unique conducting styles
always conduct in that manner. I also wonder how beginning rehearsal go if there isn’t much of a
Anna Featherston
Anna Featherston
Anna Featherston
Less is more
Thoughts after conducting for the first time in front of the class
Anna Featherston
From watching others, I learned that it is okay to take risks in class to better myself at
conducting. I did not do much of this, but saw others try something different and was inspired.
Through conducting in my own practice, I learned how hard it is to have complete independence
between my two hands. From conducting in front of the class, I learned how important it is to be
firm with my tempo and not take the tempo the ensemble wants to take. As Dr. Yu takes over her