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INTRODUCTION
One of my favorite things about the sound of the guitar is the resonant quality of chords played with open strings. The
tone and nature of open strings help to add a richness and depth to the instrument, giving it a greater timbral range and
allowing for overlapping, flowing arpeggios and scalar lines.
The first consideration when building open-string chords is that the open strings must be used as part of the chords
themselves. For example, in the figure below, the open G string is the fifth of the C major chord, while the open E string
is the third. In the G13 chord, the open B string is the third, and the open E string is the thirteenth (sixth). In the
Bbmaj13#11 chord, the open G string is the thirteenth, and the open E string is the sharped eleventh.
• Root
By incorporating open strings into your chords, you should be able to discover enough new, great-sounding chords to keep
you busy for years. One good exercise, in fact, is to locate an open-string chord for each note found on the sixth string.
Then do the same with the fifth string—and don’t forget to think in terms of major, minor, dominant, minor seventh flat-
five, diminished, etc.
AUDIO CLIP
EX. 1
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FENDER PLAYERS CLUB CREATIVE CHORD SHAPES
AUDIO-EX.2
EX. 2
AUDIO-EX.3
EX. 3
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FENDER PLAYERS CLUB CREATIVE CHORD SHAPES
This book/CD pack in the Private Lessons Series lets guitarist explore lush sounds of
open-string chords. The CD includes 19 full-demo examples covering: arpeggiated
progressions, apreggiated chords and scalar lines, adding open string to diatonic
chords, and more.
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