26 Comiençan los fauordones de todos los ocho tonos(4)

Quatro Fauordones del quarto tono.

Antonio de Cabezón
edited : Shigekazu Nimura

           
    
 
Quarto Tono llano.

       
               
         
                 
     
             
         

                              
         
Glosado.
  
   
17

     
           

           
      
   

tisokuan library
     
                                           
24

          
     
         
       
        
       

    

     
Glosado.
    
34


          

         

           
    

 
  
   
41

     
  
         
      
     
 
                    
    

-2-
   
Glosado.
        
49
3


      3   3   3    3        
3 3
  3 

     3   3        3             
3
3 3 3 3

        3
  

    
   
57

    
 3   3  
               
3 3 3

  3   3   3     3   3  
              
3 3 3


3 3

    
      

-3-