I carry a lot of tension when I sing
in my mix range (especially around
Humming through parts of the
song that sit in my mix range
Counting beats and chord changes
at half time
Yawning into each line
As and Bs) and I have trouble
releasing all my air. Humming
helps me to have better placement
and forces me to release my air
If not sung with the right timing, the
riff at the end of the song can really
clash with the accompaniment.
Slowing down the tempo helps to
solidify the pitches and rhythm of
the riff.
When singing in my mix, I close my
air off to create a more powerful
sound, however it sounds strained.
This technique helps me to keep
my soft palette lifted and produce a
healthier mix-belt.
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 I chose to flip to my head voice on
this line because it has a more airy
Flipping ranges on “Am I sound which matches the words
just blowing air?” being sung.

The bridge is building a lot of character

and has a lot of significance. As
Crescendo through the
I become more passionate it should be
bridge
reflected in my voice.

This is right after number 3, but the beat

changes from convincing the audience to
Pull back on “On my own” an introspective moment of realization. It
makes sense to pull back here because it
makes the moment more personal

As the character, I don’t like the girls

who would wear an “awesome-tastic
Speaking in a mocking
pink barrette” or even just call
tone for “awesome-tastic”
something awesome-tastic and I am
making fun of them when I say this

I chose to do this because it is

easier for me to hear the
Simplifying the melody
accompaniment leading into the
before the key change
key change. It helps me to find
my first pitch in the new key.

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