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John Hutchings
To cite this article: John Hutchings (1997) Folklore and Symbolism of Green, Folklore, 108:1-2,
55-63, DOI: 10.1080/0015587X.1997.9715937
Article views: 90
RESEARCH PAPER
Abstract
Colour is not a quality of an object, but a perception. As such, it can symbolise anything
we want it to symbolise. This paper reports the results of a survey of the use of colour in
folklore and tradition supported by the Folklore Society and the Colour Group (GB).
Drawing attention to the diversity of colour symbolism worldwide, it posits two basic
principles, the Principle of Adaptation of Ideas and the Principle of Singularity, to account
for apparently contradictory usages.
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1
e v a n c e to t h e c o m m u n i t y . " • Envy, jealousy ("Beware, m y lord, of j e a l o u s y ; I t i s
Both the Principle of Singularity a n d t h e Principle the g r e e n - e y e d monster," Othello A c t 3 s c e n e 3 ; " . . .
of A d a p t a t i o n of I d e a s are i m p o r t a n t factors in u n d e r g r e e n - e y ' d jealousy," Merchant of Venice A c t 3 s c e n e
s t a n d i n g the folklore of g r e e n in the three traditional 2); a m o r e m o d e r n expression is " t o l o o k t h r o u g h
c o n t e x t s c o n s i d e r e d i n this p a p e r — s y m b o l i c g r e e n , g r e e n glasses."
h e a l i n g green, a n d u n l u c k y green.
• Melancholy ("Green a n d yellow m e l a n c h o l y , " Twelfth
Night Act 2 scene 4).
Symbolic Green
• Neutrality, passivity and indecision—emotions that
T h e traditional function of a flag is t o reinforce a sense m i g h t well surface in the s p r i n g w h e n f o o d is s c a r c e
of p u r p o s e , to act as a focus, a n d t o inflate e m o t i o n s . a n d t h e diet poor. S u c h a diet c a n i n d u c e a n a e m i a
W h e n feelings a n d e m o t i o n s are s y m b o l i s e d in writ a n d g r e e n n e s s of skin in y o u n g girls ( " O u t y o u ,
i n g a n d speech, colours act like flags t o reinforce m e a n green-sickness carrion! You tallow face!" Romeo and
i n g s a n d associations. Juliet Act 3 scene 5).
Positive feelings linked w i t h green, according to the
A t t e m p t s are occasionally m a d e t o a t t a c h m e a n i n g s ,
s u r v e y results, i n c l u d e :
n o t just to green, b u t to subtle s h a d e s thereof. A m i d -
• Freshness and fertility: h e n c e y o u t h a n d innocence n i n e t e e n t h - c e n t u r y text n o t e d that w e d d i n g d r e s s r i b
([Romeo] " H a t h n o t so green, so quick, so fair a n b o n s coloured grass-green i n d i c a t e d y o u t h f u l jollity,
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eye, A s Paris h a t h , " Romeo and Juliet Act 3 scene 5); popinjay-green meant wantonness, w i l l o w - g r e e n
hence also unripeness, inexperience, ignorance ("You m e a n t forsaken, a n d sea-green i n d i c a t e d i n c o n s t a n c y
speak like a green girl," Hamlet Act 1 scene 3). (Monsarrat 1973,55). S u c h subtleties s e l d o m g a i n w i d e
acceptance b e c a u s e of differences i n c o l o u r v i s i o n o f
• Permanence, immortality, resurrection, faithfulness:
i n d i v i d u a l s a n d b e c a u s e of d i s a g r e e m e n t s a b o u t t h e
( " T h o u g h yet of H a m l e t o u r d e a r b r o t h e r ' s d e a t h /
n a m e s t o b e attached t o p a r t i c u l a r s h a d e s .
T h e m e m o r y b e g r e e n ..." Hamlet Act 1 scene 2);
h e n c e joy in n e w crops, a n d also the joy of the p e n i
t e n t received b a c k into t h e fold of t h e c h u r c h o n
Healing Green
G r e e n T h u r s d a y (Newall 1971, 232).
The u s e of g r e e n in cures revolves m a i n l y a r o u n d t h e
• Liberty (breaking t h e b o n d s of the earth).
green of vegetation. That "like cures like" h a s l o n g b e e n
• Hospitality (crops a t o n e w i t h t h e earth). a principle of folk cures; for green, t h e t h e m e is " c u r
ing h u m a n a n d a n i m a l life w i t h v e g e t a b l e life." E v e r
• Knowledge, insight, wisdom, meditation, obedience to
greens, particularly those w h i c h b e a r fruit i n w i n t e r ,
the laws of nature.
h a v e long b e e n powerful life s y m b o l s ( D r u r y 1987,194).
• Lovers ("Green i n d e e d is t h e colour of lovers," Love's
• G r e e n e r y w a s u s e d to cure a crick in t h e n e c k ( U C D ,
Labours Lost Act 1 scene 2); h e n c e expectation a n d
Louth Archive J IV 1918,121-225).
h o p e , as in t h e p o e m s u n g at H u n g a r i a n w e d d i n g s
in p r a i s e of the colours of the b r i d e ' s dress: • Eating s h a m r o c k w a s t h o u g h t to s w e e t e n t h e b r e a t h
(Dinely 1858. Q u o t e d D a n a h e r 1972, 58).
S p r i n g is the m o s t beautiful season,
W h i t e a n d g r e e n flowers b l o o m . • Eating lettuce, or g r a s s from c h u r c h y a r d s , o r d o s
Red signifies health, w h i t e p e a c e i n g w i t h concoctions p r e p a r e d from fresh o r d r i e d
T h e c o l o u r g r e e n is o u r h o p e for h a p p i n e s s . b r a m b l e arches, holly, p a l m , m a n d r a k e , v e r v a i n o r
I h o p e the y o u n g couple will enjoy eternal s p r i n g y a r r o w w e r e t h o u g h t to cure, or p r o t e c t f r o m , a
Health, peace and h a p p y hopes n u m b e r of c o m p l a i n t s .
( H o n k o , T i m o n e n a n d Branch 1993).
• P r e p a r a t i o n s involving the m a g i c of r u n n i n g w a t e r
• A 1990s v i e w of g r e e n w a s o b t a i n e d from a long or the w a t e r from t h e first pail of the y e a r i m p r o v e d
t i m e s u p p o r t e r of P l y m o u t h Argyll A s s o c i a t i o n p e r f o r m a n c e in certain cases (Opie a n d T a t u m 1989,
Football C l u b team, w h o w e a r green shirts: "I feel 428).
the s y m b o l i s m of t h e w o r d in these d a y s c o u l d be:
• Vegetation w a s u s e d to protect from w i t c h e s ( G u t c h
a signal to g o f o r w a r d a n d a d v a n c e (the traffic sig
1967, 230; B a k e r 1974, 57) a n d to w a r d off b a d
nals are s o e v i d e n t to children at a v e r y y o u n g age
w e a t h e r a n d lightning (see C h r i s t m a s d e c o r a t i o n s
at t h e p r e s e n t time). It gives a n impression of b e i n g
in the William a n d M a r y r o o m of t h e Geffrye M u
y o u n g a n d flourishing as distinct from red a n d w i t h
s e u m 1991).
e r e d " (Sam Rendell, pers. comm.).
• Juices of fennel a n d sage w e r e u s e d t o relieve t h e
N e g a t i v e associations d e r i v e from the c o l o u r of u n
falling sickness.
ripe fruit, m o u l d , d e c o m p o s i t i o n a n d decay. T h e y in
c l u d e the g r e e n of p o i s o n , a n d those e m o t i o n s related • Leaves of t h e r o w a n w e r e p r e p a r e d a s a salve for
to poison: sore eyes.
Folklore and Symbolism of Green 57
h a v e g o n e to t h e c h u r c h to b e m a r r i e d in their com
b e e n in short supply, or of restricted access, b e c a u s e
m o n e v e r y d a y c o s t u m e t h a n in a green d r e s s " (Mor
the account goes o n to state that other curers u s e d
ris 1892. Q u o t e d G u t c h a n d Peacock 1901, 29).
g r e e n t h r e a d . A c c o u n t s of t h e s e t r e a t m e n t s a p
p e a r e d i n p u b l i c a t i o n s of t h e l a t e - s i x t e e n t h a n d • " M a r r i e d in May, a n d k i r k e d in g r e e n / B a i t h b r i d e
early-seventeenth centuries (Dalyell 1834, 121). a n d b r i d e g r o o m w i n n a l a n g b e s e e n " (anon. 1892,
367).
• G r e e n t h r e a d o r r i b b o n h a s b e e n u s e d in c u r e s for
epilepsy (ribbon bracelet. SSS); r h e u m a t i s m (wool • " M y g r a n d f a t h e r w a s a p o o r barefoot c o u n t r y b o y
len bracelet. CECTAL archive) a n d n o s e b l e e d s (rib in the 1800s in K i n c a r d i n e s h i r e . M y m o t h e r w a s
b o n r o u n d the neck. M u r r a y 1979, 134). b o m in 1910. In Perthshire, in h e r early teens, she
c a m e h o m e in a n e w g r e e n d r e s s . H e r father be
• A c u r e for " h e a r t fever" i n v o l v e s a r i t u a l w h i c h
c a m e u p s e t a n d w a r n e d ' D o n ' t w e a r that! Wear
starts w i t h m e a s u r i n g the victim r o u n d the w a i s t
green and soon you'll wear black'" (Margaret
" w i ' a g r e e n t h r e a d in t h e n a m e o ' t h e Trinity"
Cathcart, p e r s . comm.).
(M'Clintock 1913, 474).
• " B u y a green d r e s s a n d y o u r next will b e black for
• O n e p e r s o n w a s told that h e r g r a n d m o t h e r "tied a
m o u r n i n g . . . Never, n e v e r w e a r g r e e n for y o u r w e d
g r e e n r i b b o n r o u n d m y w r i s t w h e n I w a s a b a b y in
d i n g " (recounting s a y i n g s of 1910s a n d 20s. Joan
1925 so that I s h o u l d h a v e ' s e c o n d sight"' (Patricia
Eltenton, p e r s . comm.).
Dawson, pers. comm.).
• "... green, s u r e to b r i n g a n y w e a r e r b a d luck! There
• Green stones such as green jade (otherwise nephrite,
w a s a positive taboo o n green in t h e h a m l e t ; n o
kidney-stone, axe-stone or g r e e n jasper) w e r e a n
b o d y w o u l d w e a r it until it h a d b e e n h o m e - d y e d
ciently u s e d to assist w o m e n in childbirth, or those
n a v y or b r o w n " ( T h o m p s o n [1945] 1979, 92-3).
suffering from kidney troubles, as well as to improve
fertility in m a n a n d beast (Wallis-Budge 1930, 326). • " N o m a d a m , w e h a v e n o g r e e n twinsets; w e find
w e c a n ' t sell t h e m a s p e o p l e are s u p e r s t i t i o u s "
• In n i n e t e e n t h - c e n t u r y I r e l a n d g r e e n a n d b l a c k
(overheard in L o n d o n store. Coote Lake 1955, 298).
stones g a t h e r e d in a m o v i n g s t r e a m w e r e u s e d in a
c h a r m for hip-joint disease ( U C D Longford 1 m l a96 • "Wear green today, w e a r black t o m o r r o w " ; "Black
la359). follows g r e e n " (Radford 1961, 354; H o w a r t h 1993,
• In St Molio's C a v e , C o u n t y of Bute, Scotland there 136; G w e n A u b r e y p e r s . comm.; M a r g a r e t D a v i e s
w a s a s m o o t h green stone called the Baul Muluy, pers. comm.; Roy Vickery, p e r s . c o m m . ) .
t h e stone globe of St M o l i n g u s . This w a s the size of • " A 72-year-old C a m b r i d g e m a n said in 1964 t h a t
a goose e g g a n d it w a s believed to h a v e the v i r t u e h i s g r a n d m o t h e r k n e w 'if s h e w o r e a n y t h i n g green
of causing diseases a n d p r o c u r i n g victories for the t h e r e ' d b e a d e a t h in the family a n d she never liked
M a c D o n a l d s (Black 1884, 173). to see a n y o n e else in that c o l o u r ' " (Porter 1969,24).
• "... t h e r e is n o w a y I'll cross that t h r e s h o l d b e c a u s e • "The fairies claimed green as their colour a n d w e r e
y o u r front d o o r is g r e e n " (City Architects of Hull consequently d e e p l y grieved if p r o p e r attention w a s
receive c o m p l a i n t s w h e n t h e y p a i n t street furniture n o t p a i d to their claims, a n d invariably r e s e n t e d a n
green. Gill 1993, 100). injury d o n e t h e m " (Friend 1884, 318).
• Daoine sidhe w e r e r e p o r t e d w e a r i n g d r e s s e s of
A s can b e seen, the link b e t w e e n green a n d misfor
s h a d e d green (Campbell 1889, 56).
t u n e in c o u r t s h i p a n d m a r r i a g e is particularly s t r o n g
(but p r e s u m a b l y it w a s not a w i d e s p r e a d belief in the • In the O u t e r H e b r i d e s , g r e e n objects w e r e c a l l e d
s e v e n t e e n t h c e n t u r y w h e n b o t h C h a r l e s I a n d his b r i d e " b l u e " ; " g r e e n m u s t not b e m e n t i o n e d , lest it s h o u l d
m a r r i e d in green. M o n s a r r a t 1973, 43). In the n o r t h e a s t call u p the fairies" (Goodrich-Freer 1899, 265).
Folklore and Symbolism of Green 59
• T h e fairies of Ross-shire, the Sithichon (peaceful • Tree-spirits lived in the S h e r w o o d Forest area:
folks), w e r e associated w i t h green clothes
Now all you young fellows take heed what I tell,
(MacDonald 1903, 369). In yonder greenwood a green lady doth dwell,
• "It is the fairies colour a n d its w e a r i n g b y m o r t a l s Her hair it is green and all green is her gown,
a r o u s e s their jealousy" (Rose 1953, 427). And she calleth to all, draw near, come here
(Tongue 1967, 299).
• T h e c h o r u s of a traditional s o n g describing t h e fair
T h e result of the m e e t i n g w a s inevitably d e a t h .
ies from the B l a c k d o w n Hills in Somerset:
• Green is also the colour of devils a n d d e m o n s (anon.
Green, green, green,
All a-green, all a-green 1892, 367). A s a h u n t e r w h o w e a r s g r e e n to h i d e
A-dancing round the tree (Tongue 1967, 298). a m o n g the greenery so that h e m a y kill a n i m a l s shel
tering there, so the Devil w e a r s green to h i d e h i m
• " A s a child o n a n Argyllshire farm, m o r e t h a n 70 self a m o n g m e n so t h a t h e m a y c a p t u r e their souls
years ago, I r e m e m b e r g o i n g into a hayfield w e a r (Robertson 1954, 472).
i n g a green dress, a n d b e i n g greeted b y o n e of the
h a y w o r k e r s w i t h : ' O h t h a t ' s t h e fairies colour y o u ' r e • G o d ' s control o v e r n a t u r e is cited a s a r e a s o n for
w e a r i n g , they'll b e after y o u ! ' " (C. Mclntyre, p e r s . u n l u c k y green: " M y father w a s a H i g h l a n d Scot,
comm.). w h e n w e w e r e y o u n g h e w o u l d not a l l o w u s to w e a r
green. I d o n ' t t h i n k h e w a s superstitious, h e w a s a
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o u r for their shirts also ( L u n n e y 1992, 16). longs to the fairies w h o m i g h t resent its u s e b y m u m
m e r s a n d actors (Piatt 1925,139). It is s u g g e s t e d t h a t
a m o r e practical explanation of this fear is t h a t d u r
Rationalist Explanations i n g the era of green-tinged limelight, i n v e n t e d i n
1826 a n d u s e d until t h e b e g i n n i n g of t h e p r e s e n t
• R a t i o n a l r e a s o n s for u n l u c k y g r e e n i n c l u d e t h e
century, a n actor w e a r i n g green w o u l d n o t s t a n d o u t
s t o m a c h a c h e t h a t c o m e s after e a t i n g g r e e n m e a t or
a s well as h i s colleagues (anon 1970-2, 522). T r a v e l
u n r i p e g r e e n fruit. In the n i n e t e e n t h c e n t u r y it w a s
ling s h o w m e n are so c o n c e r n e d over this b a d l u c k
t h e colour of a r s e n i c - p i g m e n t e d w a l l p a p e r which,
that grass pictured o n fairground d e s i g n s is n o r m a l l y
w h e n d a m p , g a v e off t h e p o i s o n o u s g a s arsine.
p a i n t e d b l u e (Vanessa Toulmin, p e r s . c o m m . ) .
• G r e e n is t h e c o n t i n u a l c o l o u r of t h e c h u r c h y a r d ,
• T h e fairy e x p l a n a t i o n of u n l u c k y g r e e n is n o t s u i t
w h e r e , in a d d i t i o n , p o i s o n o u s y e w trees are g r o w n .
able for Ireland for Irish fairies d o n o t w e a r g r e e n .
" A green C h r i s t m a s m a k e s a fat c h u r c h y a r d " a n d
Most are " t r o o p i n g fairies w h o live a n d look l i k e
" b r i n g s a h e a v y h a r v e s t " (CECTAL Archive,
n o r m a l mortals. O t h e r fairies are t h e b a n s h e e w o m e n
Hallamshire Traditions, n.d.).
w h o w e a r w h i t e a n d t h e smaller l e p r e c h a u n , t h e
• C h a r l o t t e B u r n e r e c o r d e d t h e e v e n t of 1876 n e a r s h o e m a k e r , w h o is m o r e likely to w e a r r e d t h a n
Eccleshall, w h e n a n old w o m a n w a s found d r o w n e d green. T h e e x p l a n a t i o n for t h e b a d l u c k i n I r e l a n d
in h e r well: " A p a t c h of particularly green turf long s e e m s to revolve a r o u n d the ease a n d c h e a p n e s s of
m a r k e d the s p o t w h e r e h e r b o d y w a s laid o n being d y e i n g cloth green a n d b r o w n . O n l y t h e rich c o u l d
t a k e n o u t of t h e water, a n d t h e n e i g h b o u r s , w h o h a d afford scarlet, b l u e a n d p u r p l e clothes. G r e e n a n d
suspicions of foul play, p o i n t e d to this in confirma b r o w n are therefore the d r e s s of the p o o r e s t of t h e
tion of their o p i n i o n " (Burne 1883, 240). p o p u l a t i o n , a n d it m u s t b e u n l u c k y t o b e p o o r "
(Miceal Ross, p e r s . c o m m ) .
• T h e Venerable Bede w a s the first to w r i t e a b o u t this:
" A t the s a m e t i m e a traveller, a Briton, c a m e near
t h e place w h e r e [St] O s w a l d h a d b e e n killed, a n d Historical Explanations
s a w the g r a s s w a s g r e e n e r t h a n in o t h e r places, a n d
• Certain historical e v e n t s m a y h a v e p r o v i d e d r e a s o n s
c o n c l u d e d that s o m e holy m a n h a d been slain t h e r e ' "
for u n l u c k y green.
( Q u o t e d B u r n e 1883, 240).
• T h e d e s c e n d a n t s of t h e O g i l v i e s , G r a h a m s a n d
• T h e b a d l u c k of g r e e n m a y h a v e d e v e l o p e d from
Sinclairs of Caithness, all of w h o m w o r e g r e e n i n
the e q u a t i o n of the green g o w n s y m b o l i s i n g the loss
their tartans at the battle of F l o d d e n Field in 1513,
of' virginity. In 1351 W m . Fox, p a r s o n of Lee n e a r
thereafter h e l d t h e colour in d i s r e p u t e after t h e ter
G a i n s b o r o u g h w a s indicted for forcibly taking a n u n ,
rible defeat w h e n m o s t w e r e killed (anon. 1892,368).
M a r g a r e t d e E v e r i n g h a m . [He] " r e m o v e d h e r habit
The a u t h o r J a m e s G r a h a m e believed t h a t green w a s
a n d p u t o n h e r a w o r l d l y green robe (robam viridem
fatal t o t h e n a m e of G r a h a m e , h e w o u l d n o t " s o
secularem)" (Lean 1903, 276). By Elizabethan t i m e s
m u c h as to a l l o w a green cover to b e p l a c e d o n t h e
the phrase was s y n o n y m o u s with pregnancy
table" (Lean 1903, 276).
( M a l c o l m Jones, p e r s . c o m m . ) . T h e t u n e " G r e e n -
s l e e v e s " w a s n o t h e l d in h i g h e s t e e m (The Merry • In E n g l a n d violence revolved a r o u n d the c o l o u r in
Wives of Windsor, Act 2 scene 1 a n d Act 5 scene 5). the s e v e n t e e n t h a n d e i g h t e e n t h centuries. T h e W h i g
Folklore and Symbolism of Green 61
G r e e n R i b b o n C l u b w a s formed d u r i n g t h e p e r i o d Acknowledgements
of religious intolerance t h a t followed the d e a t h of
I a m p l e a s e d to a c k n o w l e d g e the h e l p received from
C h a r l e s I a n d the Civil War. M e m b e r s of t h e C l u b ,
R a l p h B r o c k l e b a n k , T o n y Buckley, M a l c o l m J o n e s ,
w h o w o r e green r i b b o n s in their h a t s , a d v o c a t e d a
Venetia N e w a l l , M i c e a l Ross, Roy Vickery, J o h n
P r o t e s t a n t succession to t h e throne. Anti-Catholic
W i d d o w s o n , Juliette Wood a n d Gillian Bennett, for t h e
m a r c h e s e n d e d at the C l u b at Temple Bar w i t h the
g e n e r o u s a m o u n t of time e a c h h a s d e v o t e d to m y e d u
b u r n i n g of the P o p e ' s effigy. H a l b e r d s w e r e secretly
cation.
m a n u f a c t u r e d t o a r m t h e m o b at W a p p i n g a n d
S o u t h w a r k b u t a plot t o kill Catholic King C h a r l e s
II a n d his b r o t h e r J a m e s in 1683 failed. The W h i g Folklore Society
m o v e m e n t w a s disgraced, membership became a
risk, a n d the C l u b d i e d (Bryant 1952).
Notes
• D u r i n g O l d h a m w a k e s w e e k in 1819 Radical Re
'This is a development of the Principle of Adaptation of
formers, w e a r i n g g r e e n a n d red r i b b o n s inscribed Physical Resources (or, originally, simply the Principle of Ad
"liberty or d e a t h " in their hats, d e m o n s t r a t e d against aptation, proposed by Crawley to explain, for example, the
the C o r n L a w s a n d the c o n s e q u e n t h i g h g r a i n prices. near universality of mourning colours (Crawley 1931, 102).
This w a s closely followed b y the m a s s a c r e of d e m belief that green is unlucky has travelled to North America
onstrators at Peterloo o n 16 A u g u s t t h a t y e a r (Bee also, no doubt imported by immigrants from Britain and Ire
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