You are on page 1of 10

Folklore

ISSN: 0015-587X (Print) 1469-8315 (Online) Journal homepage: http://www.tandfonline.com/loi/rfol20

Folklore and Symbolism of Green

John Hutchings

To cite this article: John Hutchings (1997) Folklore and Symbolism of Green, Folklore, 108:1-2,
55-63, DOI: 10.1080/0015587X.1997.9715937

To link to this article: http://dx.doi.org/10.1080/0015587X.1997.9715937

Published online: 16 Jan 2012.

Submit your article to this journal

Article views: 90

View related articles

Full Terms & Conditions of access and use can be found at


http://www.tandfonline.com/action/journalInformation?journalCode=rfol20

Download by: [Emory University] Date: 27 February 2016, At: 07:20


Folklore 108 (1997):55-64

RESEARCH PAPER

Folklore and Symbolism of Green


John Hutchings

Abstract
Colour is not a quality of an object, but a perception. As such, it can symbolise anything
we want it to symbolise. This paper reports the results of a survey of the use of colour in
folklore and tradition supported by the Folklore Society and the Colour Group (GB).
Drawing attention to the diversity of colour symbolism worldwide, it posits two basic
principles, the Principle of Adaptation of Ideas and the Principle of Singularity, to account
for apparently contradictory usages.
Downloaded by [Emory University] at 07:20 27 February 2016

Introduction T h e a n s w e r lies in the n a t u r e of colour. C o l o u r is, a s


G.J. v a n Allesch h a s p o i n t e d out, "a c o m p l e x of quali­
This p a p e r forms p a r t of a s u r v e y of colour in folklore ties of w h i c h certain o n e s b e c o m e m o r e or less p r o ­
a n d tradition, s u p p o r t e d b y t h e Folklore Society a n d n o u n c e d a c c o r d i n g to a p e r c e i v e r ' s e x p e r i e n c e a n d
t h e C o l o u r G r o u p (GB), w h i c h c o m m e n c e d in 1984. a t t i t u d e " (van Allesch 1925, 42). In o t h e r w o r d s , col­
C o n t r i b u t i o n s from Britain a n d Ireland h a v e b e e n s u b ­ o u r is a p e r c e p t i o n n o t a p r o p e r t y ; it exists as a func­
jected to a p r e l i m i n a r y analysis ( H u t c h i n g s 1991), a n d tion of o u r vision a n d cerebral function ( H u t c h i n g s
results from the international s u r v e y h a v e already b e e n 1994). Hence, a colour can symbolise a n y t h i n g w e w a n t
p u b l i s h e d ( H u t c h i n g s et al. 1996). T h e p r e s e n t account it t o symbolise.
focuses o n s y m b o l i s m a n d folklore associated w i t h a S o m e a u t h o r s , however, s e e m u n c o m f o r t a b l e w i t h
single colour, green, a n d further limits the field of en­ the idea that colours can h a v e o p p o s i n g m e a n i n g s . E.A.
q u i r y to the UK a n d Ireland. I a m p l e a s e d to a c k n o w l ­ Wallis-Budge, for example, w r i t e s that a colour is ei­
e d g e the h e l p also received from the Directors a n d staff ther g o o d or b a d . Green, h e says, is " g o o d " a n d s y m ­
of the C e n t r e for English Cultural Tradition a n d Lan­ bolises h o p e a n d confidence (Wallis-Budge 1930, 487).
g u a g e , Sheffield University (CECTAL), the School of C l a i m s s u c h as these are n o t confirmed b y the p r e s e n t
Scottish Studies, E d i n b u r g h University (SSS), t h e D e ­ study, which illustrates only the apparent con-
p a r t m e n t of Irish Folklore, University College D u b l i n tradictoriness of colour s y m b o l i s m . Such contradictory
(UCD), the Welsh Folk M u s e u m , the Ulster Folk a n d u s a g e can b e explained t h r o u g h positing a Principle of
Transport M u s e u m (Cultra), a n d the Geffrye M u s e u m . Singularity w h i c h states that: "at any o n e time, to a n y
T h e information given b y contributors to the colour in o n e p e r s o n , a colour symbolises only o n e e m o t i o n or
folklore s u r v e y h a s b e e n e n r i c h e d b y a d d i t i o n a l infor­ feeling regardless of w h a t that colour m a y symbolise
m a t i o n from these archives. to a n o t h e r p e r s o n or to the s a m e p e r s o n o n a n o t h e r
T h e u s e of colour in s y m b o l i s m a n d folklore is var­ occasion."
ied a n d contradictory. Ireland p r e s e n t s a n e x t r e m e ex­ However, t h o u g h green is u s e d as a n indicator to
a m p l e . There, green is u n l u c k y so it must not b e w o r n . reinforce b o t h positive a n d negative e m o t i o n s , all com­
O n the other h a n d , g r e e n is a s t a t e m e n t of Irish na­ m o n symbolic m e a n i n g s are d e r i v e d either from the
t i o n h o o d so it must b e w o r n (particularly b y s p o r t i n g g r e e n g r o w t h t h a t occurs in s p r i n g t i m e or from t h e
h e r o e s o n the international r u g b y a n d soccer fields). green m o u l d of decay. This p h e n o m e n o n a p p e a r s to
T h i s can s o m e t i m e s b e confusing, a s o n e I r i s h m a n b e cross-cultural a n d non-regional. T h e form it takes,
p o i n t e d out: " A s y o u p r o b a b l y know, green is o u r n a ­ however, is specific to a particular c o m m u n i t y . There
tional colour. I h a v e often h e a r d t h a t it w a s w o r n as a is, for e x a m p l e , n o e x p l a n a t i o n for t h e w i d e s p r e a d
sign of h o p e . P e r h a p s it h a s n ' t b r o u g h t u s m u c h luck" belief that green is a n u n l u c k y colour; however, there
(John Kearney, pers. c o m m . ) . T h e positive-negative n a ­ h a v e b e e n m a n y r e a s o n s w h y this belief h a s b e e n con­
t u r e of symbolic green is n o t confined to Britain a n d tinually reinforced, a n d these are highly regional, b a s e d
Ireland. For H i n d u s a n d B u d d h i s t s , it can m e a n b o t h o n the geography, beliefs, o c c u p a t i o n s a n d history of
life a n d d e a t h (Cooper 1978,40); for Chinese, b o t h life the g r o u p s involved. To account for this w e can p o s t u ­
a n d d i s g r a c e ( E b e r h a r d 1989, 134); for M u s l i m s in late a n e o - D a r w i n i a n Principle of A d a p t a t i o n of Ideas:
N o r t h Africa, b o t h g r o w t h a n d c o r r u p t i o n ( C r a w l e y "to s u r v i v e w i t h i n a c o m m u n i t y a belief m u s t h a v e
1931, 43). H o w can a colour c o m e to r e p r e s e n t b o t h relevance t o that c o m m u n i t y " ; or, m o r e simply, " a s be­
life a n d death, b o t h g r o w t h a n d decay? liefs persist t h e y get u p d a t e d a c c o r d i n g to their rel-
56 John Hutchings

1
e v a n c e to t h e c o m m u n i t y . " • Envy, jealousy ("Beware, m y lord, of j e a l o u s y ; I t i s
Both the Principle of Singularity a n d t h e Principle the g r e e n - e y e d monster," Othello A c t 3 s c e n e 3 ; " . . .
of A d a p t a t i o n of I d e a s are i m p o r t a n t factors in u n d e r ­ g r e e n - e y ' d jealousy," Merchant of Venice A c t 3 s c e n e
s t a n d i n g the folklore of g r e e n in the three traditional 2); a m o r e m o d e r n expression is " t o l o o k t h r o u g h
c o n t e x t s c o n s i d e r e d i n this p a p e r — s y m b o l i c g r e e n , g r e e n glasses."
h e a l i n g green, a n d u n l u c k y green.
• Melancholy ("Green a n d yellow m e l a n c h o l y , " Twelfth
Night Act 2 scene 4).
Symbolic Green
• Neutrality, passivity and indecision—emotions that
T h e traditional function of a flag is t o reinforce a sense m i g h t well surface in the s p r i n g w h e n f o o d is s c a r c e
of p u r p o s e , to act as a focus, a n d t o inflate e m o t i o n s . a n d t h e diet poor. S u c h a diet c a n i n d u c e a n a e m i a
W h e n feelings a n d e m o t i o n s are s y m b o l i s e d in writ­ a n d g r e e n n e s s of skin in y o u n g girls ( " O u t y o u ,
i n g a n d speech, colours act like flags t o reinforce m e a n ­ green-sickness carrion! You tallow face!" Romeo and
i n g s a n d associations. Juliet Act 3 scene 5).
Positive feelings linked w i t h green, according to the
A t t e m p t s are occasionally m a d e t o a t t a c h m e a n i n g s ,
s u r v e y results, i n c l u d e :
n o t just to green, b u t to subtle s h a d e s thereof. A m i d -
• Freshness and fertility: h e n c e y o u t h a n d innocence n i n e t e e n t h - c e n t u r y text n o t e d that w e d d i n g d r e s s r i b ­
([Romeo] " H a t h n o t so green, so quick, so fair a n b o n s coloured grass-green i n d i c a t e d y o u t h f u l jollity,
Downloaded by [Emory University] at 07:20 27 February 2016

eye, A s Paris h a t h , " Romeo and Juliet Act 3 scene 5); popinjay-green meant wantonness, w i l l o w - g r e e n
hence also unripeness, inexperience, ignorance ("You m e a n t forsaken, a n d sea-green i n d i c a t e d i n c o n s t a n c y
speak like a green girl," Hamlet Act 1 scene 3). (Monsarrat 1973,55). S u c h subtleties s e l d o m g a i n w i d e
acceptance b e c a u s e of differences i n c o l o u r v i s i o n o f
• Permanence, immortality, resurrection, faithfulness:
i n d i v i d u a l s a n d b e c a u s e of d i s a g r e e m e n t s a b o u t t h e
( " T h o u g h yet of H a m l e t o u r d e a r b r o t h e r ' s d e a t h /
n a m e s t o b e attached t o p a r t i c u l a r s h a d e s .
T h e m e m o r y b e g r e e n ..." Hamlet Act 1 scene 2);
h e n c e joy in n e w crops, a n d also the joy of the p e n i ­
t e n t received b a c k into t h e fold of t h e c h u r c h o n
Healing Green
G r e e n T h u r s d a y (Newall 1971, 232).
The u s e of g r e e n in cures revolves m a i n l y a r o u n d t h e
• Liberty (breaking t h e b o n d s of the earth).
green of vegetation. That "like cures like" h a s l o n g b e e n
• Hospitality (crops a t o n e w i t h t h e earth). a principle of folk cures; for green, t h e t h e m e is " c u r ­
ing h u m a n a n d a n i m a l life w i t h v e g e t a b l e life." E v e r ­
• Knowledge, insight, wisdom, meditation, obedience to
greens, particularly those w h i c h b e a r fruit i n w i n t e r ,
the laws of nature.
h a v e long b e e n powerful life s y m b o l s ( D r u r y 1987,194).
• Lovers ("Green i n d e e d is t h e colour of lovers," Love's
• G r e e n e r y w a s u s e d to cure a crick in t h e n e c k ( U C D ,
Labours Lost Act 1 scene 2); h e n c e expectation a n d
Louth Archive J IV 1918,121-225).
h o p e , as in t h e p o e m s u n g at H u n g a r i a n w e d d i n g s
in p r a i s e of the colours of the b r i d e ' s dress: • Eating s h a m r o c k w a s t h o u g h t to s w e e t e n t h e b r e a t h
(Dinely 1858. Q u o t e d D a n a h e r 1972, 58).
S p r i n g is the m o s t beautiful season,
W h i t e a n d g r e e n flowers b l o o m . • Eating lettuce, or g r a s s from c h u r c h y a r d s , o r d o s ­
Red signifies health, w h i t e p e a c e i n g w i t h concoctions p r e p a r e d from fresh o r d r i e d
T h e c o l o u r g r e e n is o u r h o p e for h a p p i n e s s . b r a m b l e arches, holly, p a l m , m a n d r a k e , v e r v a i n o r
I h o p e the y o u n g couple will enjoy eternal s p r i n g y a r r o w w e r e t h o u g h t to cure, or p r o t e c t f r o m , a
Health, peace and h a p p y hopes n u m b e r of c o m p l a i n t s .
( H o n k o , T i m o n e n a n d Branch 1993).
• P r e p a r a t i o n s involving the m a g i c of r u n n i n g w a t e r
• A 1990s v i e w of g r e e n w a s o b t a i n e d from a long­ or the w a t e r from t h e first pail of the y e a r i m p r o v e d
t i m e s u p p o r t e r of P l y m o u t h Argyll A s s o c i a t i o n p e r f o r m a n c e in certain cases (Opie a n d T a t u m 1989,
Football C l u b team, w h o w e a r green shirts: "I feel 428).
the s y m b o l i s m of t h e w o r d in these d a y s c o u l d be:
• Vegetation w a s u s e d to protect from w i t c h e s ( G u t c h
a signal to g o f o r w a r d a n d a d v a n c e (the traffic sig­
1967, 230; B a k e r 1974, 57) a n d to w a r d off b a d
nals are s o e v i d e n t to children at a v e r y y o u n g age
w e a t h e r a n d lightning (see C h r i s t m a s d e c o r a t i o n s
at t h e p r e s e n t time). It gives a n impression of b e i n g
in the William a n d M a r y r o o m of t h e Geffrye M u ­
y o u n g a n d flourishing as distinct from red a n d w i t h ­
s e u m 1991).
e r e d " (Sam Rendell, pers. comm.).
• Juices of fennel a n d sage w e r e u s e d t o relieve t h e
N e g a t i v e associations d e r i v e from the c o l o u r of u n ­
falling sickness.
ripe fruit, m o u l d , d e c o m p o s i t i o n a n d decay. T h e y in­
c l u d e the g r e e n of p o i s o n , a n d those e m o t i o n s related • Leaves of t h e r o w a n w e r e p r e p a r e d a s a salve for
to poison: sore eyes.
Folklore and Symbolism of Green 57

• G r e e n o i n t m e n t m a d e from h e r b s , a n d elder oint­ • Traditional song, Mormond Braes


m e n t can b e u s e d to cure j a u n d i c e (Wilde 1890,18).
I'll pit on ma goon o' green
In general, n a t u r a l g r e e n s can b e u s e d for t h e c u r e of It's a forsaken token
specific c o m p l a i n t s or to deflect the glances of t h e evil Jist tae let the laddies ken
eye. That the bonds o' love are broken
G r e e n objects such as r i b b o n s or stones can b e u s e d , (Tom McKean, pers. comm.).
at least s o m e t i m e s , in lieu of p l a n t - b a s e d m e d i c i n e s of • "[The b r i d e w a s ] b e d i z e n e d w i t h r i b b o n s . . . of every
the s a m e colour. ... colour... except forsaken green, w h i c h I w a s g l a d
to perceive w a s n o t w o r n b y o n e of t h e t h r o n g "
• There is at least o n e e x a m p l e w h e r e g r e e n t h r e a d
(Rambler 1793).
a p p e a r s t o h a v e b e e n u s e d as a substitute for h o o p s
of " g r e e n e w o o d b y n e . " • " G r e e n ' s love d e e n " (Gregor 1881, 87).
• A cure for "children u n d e r hetic fever" a n d for con­ • " G r e e n is r e g a r d e d b y the Scotch as a n u n l u c k y col­
s u m p t i v e patients involved the sufferer b e i n g o u r at w e d d i n g s , in c o n s e q u e n c e of w h i c h n o kale,
p a s s e d t h r e e t i m e s t h r o u g h a " r e b i r t h h o o p " of cabbage, or other g r e e n vegetable m a y b e s e r v e d
w o o d b y n e w h i c h h a d b e e n "cut d u r i n g the encrease u p o n t h e occasion" (Friend 1884, 318).
of the M a r c h m o o n . " A f t e r w a r d s t h e h o o p w a s cut
• T h e r e w e r e m a n y in W h i t b y " w h o w o u l d r a t h e r
u p a n d b u r n e d or b u r i e d . T h e real t h i n g m a y h a v e
Downloaded by [Emory University] at 07:20 27 February 2016

h a v e g o n e to t h e c h u r c h to b e m a r r i e d in their com­
b e e n in short supply, or of restricted access, b e c a u s e
m o n e v e r y d a y c o s t u m e t h a n in a green d r e s s " (Mor­
the account goes o n to state that other curers u s e d
ris 1892. Q u o t e d G u t c h a n d Peacock 1901, 29).
g r e e n t h r e a d . A c c o u n t s of t h e s e t r e a t m e n t s a p ­
p e a r e d i n p u b l i c a t i o n s of t h e l a t e - s i x t e e n t h a n d • " M a r r i e d in May, a n d k i r k e d in g r e e n / B a i t h b r i d e
early-seventeenth centuries (Dalyell 1834, 121). a n d b r i d e g r o o m w i n n a l a n g b e s e e n " (anon. 1892,
367).
• G r e e n t h r e a d o r r i b b o n h a s b e e n u s e d in c u r e s for
epilepsy (ribbon bracelet. SSS); r h e u m a t i s m (wool­ • " M y g r a n d f a t h e r w a s a p o o r barefoot c o u n t r y b o y
len bracelet. CECTAL archive) a n d n o s e b l e e d s (rib­ in the 1800s in K i n c a r d i n e s h i r e . M y m o t h e r w a s
b o n r o u n d the neck. M u r r a y 1979, 134). b o m in 1910. In Perthshire, in h e r early teens, she
c a m e h o m e in a n e w g r e e n d r e s s . H e r father be­
• A c u r e for " h e a r t fever" i n v o l v e s a r i t u a l w h i c h
c a m e u p s e t a n d w a r n e d ' D o n ' t w e a r that! Wear
starts w i t h m e a s u r i n g the victim r o u n d the w a i s t
green and soon you'll wear black'" (Margaret
" w i ' a g r e e n t h r e a d in t h e n a m e o ' t h e Trinity"
Cathcart, p e r s . comm.).
(M'Clintock 1913, 474).
• " B u y a green d r e s s a n d y o u r next will b e black for
• O n e p e r s o n w a s told that h e r g r a n d m o t h e r "tied a
m o u r n i n g . . . Never, n e v e r w e a r g r e e n for y o u r w e d ­
g r e e n r i b b o n r o u n d m y w r i s t w h e n I w a s a b a b y in
d i n g " (recounting s a y i n g s of 1910s a n d 20s. Joan
1925 so that I s h o u l d h a v e ' s e c o n d sight"' (Patricia
Eltenton, p e r s . comm.).
Dawson, pers. comm.).
• "... green, s u r e to b r i n g a n y w e a r e r b a d luck! There
• Green stones such as green jade (otherwise nephrite,
w a s a positive taboo o n green in t h e h a m l e t ; n o ­
kidney-stone, axe-stone or g r e e n jasper) w e r e a n ­
b o d y w o u l d w e a r it until it h a d b e e n h o m e - d y e d
ciently u s e d to assist w o m e n in childbirth, or those
n a v y or b r o w n " ( T h o m p s o n [1945] 1979, 92-3).
suffering from kidney troubles, as well as to improve
fertility in m a n a n d beast (Wallis-Budge 1930, 326). • " N o m a d a m , w e h a v e n o g r e e n twinsets; w e find
w e c a n ' t sell t h e m a s p e o p l e are s u p e r s t i t i o u s "
• In n i n e t e e n t h - c e n t u r y I r e l a n d g r e e n a n d b l a c k
(overheard in L o n d o n store. Coote Lake 1955, 298).
stones g a t h e r e d in a m o v i n g s t r e a m w e r e u s e d in a
c h a r m for hip-joint disease ( U C D Longford 1 m l a96 • "Wear green today, w e a r black t o m o r r o w " ; "Black
la359). follows g r e e n " (Radford 1961, 354; H o w a r t h 1993,
• In St Molio's C a v e , C o u n t y of Bute, Scotland there 136; G w e n A u b r e y p e r s . comm.; M a r g a r e t D a v i e s
w a s a s m o o t h green stone called the Baul Muluy, pers. comm.; Roy Vickery, p e r s . c o m m . ) .
t h e stone globe of St M o l i n g u s . This w a s the size of • " A 72-year-old C a m b r i d g e m a n said in 1964 t h a t
a goose e g g a n d it w a s believed to h a v e the v i r t u e h i s g r a n d m o t h e r k n e w 'if s h e w o r e a n y t h i n g green
of causing diseases a n d p r o c u r i n g victories for the t h e r e ' d b e a d e a t h in the family a n d she never liked
M a c D o n a l d s (Black 1884, 173). to see a n y o n e else in that c o l o u r ' " (Porter 1969,24).

• " N e v e r w e a r a green coat w h e n y o u g o o n a jour­


Unlucky Green
ney, it's terribly u n l u c k y — t h e w o r s e thing y o u can
In Britain, as in Ireland, green is a n u n l u c k y c o l o u r d o " (heard in the 1960s. Informant from East Lon­
a n d m a n y p e o p l e will n o t w e a r it, as the following se­ d o n p r o b a b l y b o r n in the 1890s. Roy Vickery, p e r s .
lected s u r v e y results indicate. comm.).
58 John Hutchings

• "I b o u g h t a green b a g t h e o t h e r day, b u t I k n o w I of Scotland, if a y o u n g e r sister m a r r i e s first t h e l u c k ­


w o n ' t u s e it, b e c a u s e I t h i n k green is unlucky. I'm less a n d disgraced elder sister is t a u n t e d b y b e i n g m a d e
g o i n g o n h o l i d a y next w e e k , b u t I k n o w I w o n ' t take to w e a r green stockings or g a r t e r s at t h e d a n c e a f t e r
it w i t h m e ... M y m o t h e r h a d a l w a y s said that green the w e d d i n g (SSS Archive, C r o m b i e MSS FLS). " I n t h e
w a s u n l u c k y " ( h e a r d in 1984. Roy Vickery, p e r s . e v e n i n g a d a n c e w o u l d be h e l d a n d t h e g r e e n g a r t e r s ,
comm.). which h a d b e e n knitted in anticipation b y t h e b e s t m a i d ,
w e r e p i n n e d s u r r e p t i t i o u s l y o n t o t h e c l o t h i n g of t h e
• "Welsh p e o p l e t o d a y still will n o t w e a r green. In Car­
elder u n m a r r i e d brother or sister of t h e b r i d e . W h e n ,
diff all t h e g r e e n clothes are t o b e found in the e n d -
discovered they w e r e r e m o v e d a n d tied r o u n d t h e l e f t
of-season sales" (Alison Bielski, pers. c o m m . ) .
a r m a n d w o r n for the rest of the e v e n i n g " ( S i m p k i n s
• " M y b r o t h e r s in-law (from Forres in M o r a y ) w e r e 1914, 393). This c u s t o m w a s certainly o b s e r v e d i n 1 9 8 1
m o s t k e e n t o p r e v e n t m e w e a r i n g green to his w e d ­ at t h e w e d d i n g of i n f o r m a n t L o r n a M c H a t t i e ( p e r s .
d i n g — t h e y k n e w it w a s a favourite colour b u t in­ comm.). A current e x p l a n a t i o n is that t h e g r e e n s t o c k ­
sisted it w a s m o s t u n l u c k y to w e a r at a w e d d i n g " i n g is w o r n " o u t of e n v y " ( M a r g a r e t D a v i e s , p e r s .
(Tig L a n g 1985). comm.). According to Charlotte Burne, " a n y y o u n g m a n
w h o takes t h e m off is destined to b e h e r f u t u r e h u s ­
• " G r e e n is n o t w o r n at w e d d i n g s " (flautist from Ar-
b a n d " (Burne 1908, 339). A n alternative e x p l a n a t i o n i s
r a n in S a n d y ' s Bar, E d i n b u r g h ) .
that: " G r e e n is the colour of the G o r d o n H i g h l a n d e r
• "... w h a t a b o u t g r e e n — t h a t ' s m e a n t to b e u n l u c k y — tartan, w h i c h is the local r e g i m e n t of A b e r d e e n , s o t h e r e
Downloaded by [Emory University] at 07:20 27 February 2016

lots of p e o p l e w o n ' t h a v e g r e e n clothes or cars. I could very well b e s o m e t r u t h in the g a r t e r b e i n g g r e e n


d o n ' t m i n d w e a r i n g green, I like green clothes, b u t I in the A b e r d e e n area at least" (Alf Smith, p e r s . c o m m . ) .
w o n ' t h a v e a green p u r s e — n o t a p u r s e , " (an elderly This t h o u g h t w a s also p r o p o u n d e d b y a d r u n k e n S c o t ­
w o m a n . Roy Vickery, p e r s . c o m m . ) . land football s u p p o r t e r in a D u b l i n b a r in 1987. T h e
first of the t w o regiments of that n a m e w a s in e x i s t e n c e
• " M a r r i e d in green, a s h a m e d to b e s e e n " ( M o n g e r
d u r i n g the Seven Years War (1756-63), a n d it w a s a g a i n
1991, 30).
raised in 1794, recruits being e n c o u r a g e d b y a kiss f r o m
• " M a r r i e d in green, a s h a m e to b e s e e n " (Bennett the g l a m o r o u s D u c h e s s of G o r d o n . Their m a i n c o l o u r s
2
1992, 128). ( " A l t h o u g h still q u o t e d , this v i e w h a s are green a n d b l u e (Grant 1987, 121 ).
n o t b e e n e n c o u r a g e d b y etiquette b o o k s since the
1960s, g r e e n n o w b e i n g r e g a r d e d as typifying y o u t h ,
Reasons for the Bad Luck
h o p e a n d h a p p i n e s s . " M o n g e r 1991, 26.)
Reasons given for this b a d luck are n u m e r o u s a n d a s
• In 1953, it w a s claimed that, because sales of lovat
m u c h a p a r t of folklore as the belief in b a d luck itself.
green t w e e d s in Scotland h a d b e c o m e popular, this
They can be d i v i d e d u n d e r the h e a d i n g s of
belief "of b o t h u p p e r a n d l o w e r classes" h a d died
supernaturalist, rationalist a n d historical.
o u t (Rose 1953, 427). H o w e v e r , contributions to the
present survey, n o w thirty-two of them, indicate that
the belief is still c u r r e n t ( H u t c h i n g s 1991, 59). Supernaturalist Explanations
T h e u n l u c k y green belief g o e s further t h a n dress: • A m o n g mythical characters, fairies take m u c h of t h e
b l a m e . T h e y are associated w i t h green t h r o u g h t h e i r
• "I h a v e k n o w n several instances of m o t h e r s abso­
habit of d a n c i n g in green fairy circles (cf. The Tem­
lutely forbidding it... in the furniture of their h o u s e s "
pest Act 1 scene 5), from the belief t h a t their g r a v e ­
( L a t h a m 1878, 12).
y a r d s n e v e r b r o w n (Cultra A r c h i v e , Tim M c C a l l ,
• " A chemist g i v i n g o r d e r s for h o t w a t e r bottles said: n.d.), a n d because in m a n y areas they are r e p o r t e d
'For h e a v e n ' s sake d o n ' t s e n d a n y m o r e green ones. to w e a r green.
Folk d o n ' t w a n t t h e m . Superstition, I s u p p o s e . I've
• A n n e Jeffries, a nineteen-year-old, w a s sitting i n t h e
still ten left!'" (Sunday Express. Q u o t e d Coote Lake g a r d e n w h e n "there came over the h e d g e , of a s u d ­
1962, 132). d e n , six p e r s o n s of small stature all clothed in g r e e n ,
• "I will h a v e n o t h i n g g r e e n in t h e h o u s e " (Kate w h i c h frightened h e r so m u c h as to t h r o w h e r i n t o a
Chatterton, pers. comm.). great sickness" (Brand 1841, 80).

• "... t h e r e is n o w a y I'll cross that t h r e s h o l d b e c a u s e • "The fairies claimed green as their colour a n d w e r e
y o u r front d o o r is g r e e n " (City Architects of Hull consequently d e e p l y grieved if p r o p e r attention w a s
receive c o m p l a i n t s w h e n t h e y p a i n t street furniture n o t p a i d to their claims, a n d invariably r e s e n t e d a n
green. Gill 1993, 100). injury d o n e t h e m " (Friend 1884, 318).
• Daoine sidhe w e r e r e p o r t e d w e a r i n g d r e s s e s of
A s can b e seen, the link b e t w e e n green a n d misfor­
s h a d e d green (Campbell 1889, 56).
t u n e in c o u r t s h i p a n d m a r r i a g e is particularly s t r o n g
(but p r e s u m a b l y it w a s not a w i d e s p r e a d belief in the • In the O u t e r H e b r i d e s , g r e e n objects w e r e c a l l e d
s e v e n t e e n t h c e n t u r y w h e n b o t h C h a r l e s I a n d his b r i d e " b l u e " ; " g r e e n m u s t not b e m e n t i o n e d , lest it s h o u l d
m a r r i e d in green. M o n s a r r a t 1973, 43). In the n o r t h e a s t call u p the fairies" (Goodrich-Freer 1899, 265).
Folklore and Symbolism of Green 59

• T h e fairies of Ross-shire, the Sithichon (peaceful • Tree-spirits lived in the S h e r w o o d Forest area:
folks), w e r e associated w i t h green clothes
Now all you young fellows take heed what I tell,
(MacDonald 1903, 369). In yonder greenwood a green lady doth dwell,
• "It is the fairies colour a n d its w e a r i n g b y m o r t a l s Her hair it is green and all green is her gown,
a r o u s e s their jealousy" (Rose 1953, 427). And she calleth to all, draw near, come here
(Tongue 1967, 299).
• T h e c h o r u s of a traditional s o n g describing t h e fair­
T h e result of the m e e t i n g w a s inevitably d e a t h .
ies from the B l a c k d o w n Hills in Somerset:
• Green is also the colour of devils a n d d e m o n s (anon.
Green, green, green,
All a-green, all a-green 1892, 367). A s a h u n t e r w h o w e a r s g r e e n to h i d e
A-dancing round the tree (Tongue 1967, 298). a m o n g the greenery so that h e m a y kill a n i m a l s shel­
tering there, so the Devil w e a r s green to h i d e h i m ­
• " A s a child o n a n Argyllshire farm, m o r e t h a n 70 self a m o n g m e n so t h a t h e m a y c a p t u r e their souls
years ago, I r e m e m b e r g o i n g into a hayfield w e a r ­ (Robertson 1954, 472).
i n g a green dress, a n d b e i n g greeted b y o n e of the
h a y w o r k e r s w i t h : ' O h t h a t ' s t h e fairies colour y o u ' r e • G o d ' s control o v e r n a t u r e is cited a s a r e a s o n for
w e a r i n g , they'll b e after y o u ! ' " (C. Mclntyre, p e r s . u n l u c k y green: " M y father w a s a H i g h l a n d Scot,
comm.). w h e n w e w e r e y o u n g h e w o u l d not a l l o w u s to w e a r
green. I d o n ' t t h i n k h e w a s superstitious, h e w a s a
Downloaded by [Emory University] at 07:20 27 February 2016

• O n very rare occasions, a n d only in the H i g h l a n d s , d e v o u t P r e s b y t e r i a n a n d h e felt as the A l m i g h t y h a d


w e a r i n g a g r e e n d r e s s can protect from the m a l e v o ­ clothed H i s w o r l d in green, it w a s p r e s u m p t u o u s of
lent attentions of the fairies (Briggs 1956-7, 276). u s to w e a r it—a k i n d of i r r e v e r e n c e " ( M a r g a r e t
Davies, p e r s . comm.). Alec Gill says t h e reason w h y
A l t h o u g h in Britain fairies are u s u a l l y r e p o r t e d to
o n e s h o u l d n e v e r b u r n a n y t h i n g green, " t h e t h i n g s
w e a r green, this is n o t the case in Ireland. P r e l i m i n a r y
of life," is that the green of n a t u r e is G o d ' s colour.
searches at University College D u b l i n a n d Ulster Folk
Green-leafed trees are followed b y b l a c k b a r k in
a n d Transport M u s e u m revealed that t h e fairies w o r e
w i n t e r a n d black is for m o u r n i n g . H e n c e to a v o i d
red (16 instances), or w h i t e (7), green (4, all in the north),
death, avoid w e a r i n g green (Gill 1993, 102).
black (3), b l u e (1), or b r o w n (1). These findings confirm
A n d r e w s ' s s t a t e m e n t that, " i n m o s t p a r t s of Ulster, a n d There are a n u m b e r of instances w h e r e green is u n ­
i n d e e d of Ireland, the fairies are said t o w e a r red not lucky for fishermen.
green. In A n t r i m , like their Scotch kinfolk, [they] dress
in green, b u t e v e n they are often said to h a v e red or • "In this area (Argyll), a n d p e r h a p s in m o s t of the
s a n d y h a i r " ( A n d r e w s 1913, 27). This a u t h o r ascribes w e s t coast, t h e f i s h e r m e n u s e d t o d i s l i k e t h e
the regionalism in d r e s s to different tribes a m o n g the r a n g e of o r a n g e - b r o w n - y e l l o w s h a d e s o b t a i n e d
aboriginal inhabitants. Those dressing in green, chiefly from lichens a n d u s e d for d y e i n g w o o l . This w a s
h e a r d of in northeast A n t r i m , m a y b e the tradition of e x p l a i n e d a s b e i n g a d a n g e r to t h e b o a t s — t h e
p e o p l e " w h o s t a i n e d t h e m s e l v e s w i t h w o a d or s o m e colour came from rocks a n d w o u l d 'attract' t h e m .
other p l a n t . " In s o m e p a r t s of that c o u n t y they are said M y grandfather, as a y o u n g m a n , once h a d to
to w e a r tartan, " b u t in other p a r t s of Ulster the fairies w a l k 20 miles r o u n d a sea-loch b e c a u s e a m a n
are usually, a l t h o u g h n o t universally, described as dress­ w h o h a d u n d e r t a k e n t o ferry h i m across refused
ing in red. D o these represent a p e o p l e w h o d y e d t h e m ­ to let h i m into the b o a t in his crotal-dyed stock­
selves w i t h r e d ochre, or w h o s i m p l y w e n t n a k e d ? " In i n g s " (Marion C a m p b e l l , p e r s . c o m m . ) .
Tory Island fairies d r e s s in black; the islanders w e r e
• "Staying in the w e s t of Ireland (Bantry Bay) w i t h
said to b e of African stock (ibid., 88).
m y cousins w h o live there I w a s told t h a t fisher­
• In the s o u t h w e s t of E n g l a n d the Piskies are b l a m e d m e n t h e r e n e v e r w e a r green o n a fishing t r i p "
for the u n l u c k y aspect of green. In D e v o n in 1910 it (Tig Lang, p e r s . comm.).
w a s r e c o r d e d t h a t t h e y are of a green colour. A green
• " A c o m m i t t e e m e m b e r k n o w s of at least o n e c a p ­
d r e s s w a s the object of m u c h criticism in the village
tain w h o will not a l l o w g r e e n o n his s h i p u n d e r
of Beesands, "if y o u w e a r green, y o u will s o o n after
a n y c i r c u m s t a n c e s ..." ( N o r t h D e v o n . P.M.
w e a r m o u r n i n g " (Partridge 1916, 307). Also, "I w a s
once told off b y a C o r n i s h ' G r a n d m o t h e r in l a w ' for Wiggett, p e r s . c o m m . ) .
w e a r i n g green, the piskies colour" (Hilary Belcher, • " G r e e n a n d b r o w n w e r e u n l u c k y colours, p r e ­
p e r s . comm.).
s u m a b l y b e c a u s e t h e y w e r e e a r t h c o l o u r s " (Hull.
• A c c o r d i n g to a contributor to the S t o w m a r k e t Folk­ A.G. C r e d l a n d , p e r s . c o m m . ) .
lore Society conference in S e p t e m b e r 1985, " g r e e n
• " G r e e n w a s a l w a y s t a b o o t o t h e fisher folk of
g o w n s are w o r n b y w i t c h e s . "
G r i m s b y ... the w i v e s of f i s h e r m e n w o u l d n o t
• A t H a l l o w e ' e n , t a b b y cats w e r e t r a n s f o r m e d into w e a r a n y t h i n g green a n d ... G r i m s b y g o a l k e e p ­
coal-black steeds for g r e e n - r o b e d w i t c h e s (Guthrie ers n e v e r w o r e green. The tradition w a s b r o k e n
1885, 69). in the 1960s w h e n Charlie Wright d o n n e d a green
60 John Hutchings

jersey, t h e r e w a s a few letters in t h e local press Also, Lean r e m a r k e d in 1902 t h a t " B r o t h e l s a r e s t i l l


b u t the majority of p e o p l e accepted the c h a n g e " p a i n t e d green for distinction" (Lean 1902-4, 2 : P a r t
(Sid W o o d h e a d , p e r s . comm.). 1 276).

I n d e e d t h r o u g h o u t t h e c o u n t r y v e r y few Association In s o m e instances a possible " s u p e r n a t u r a l i s t " e x p l a ­


football t e a m s w e a r a green outfit. A t first glance a sur­ nation is c o u n t e r e d b y a "rationalist" o n e :
p r i s i n g exception is t h e choice of green for P l y m o u t h
• Rivers a n d pools in the n o r t h of E n g l a n d a r e o f t e n
A r g y l e Football C l u b : " T h e choice of green w a s , I u n ­
said to b e h a u n t e d b y a m a l e v o l e n t spirit k n o w n a s
d e r s t a n d , m a d e w h e n t h e club w a s f o r m e d in 1886. The J e n n y Greenteeth, w h o d r a g s d o w n t h o s e w h o c o m e
P l y m o u t h coat of a r m s featured the colour green a n d it too near. Peg Powler, a bloodthirsty b e i n g w i t h g r e e n
w a s a p p r o p r i a t e to chose that colour ..." (Sam Rendell, hair, d o e s the same, especially in the vicinity of P i e r s e
p e r s . c o m m . ) . T h e l e g e n d a r y links b e t w e e n P l y m o u t h , Bridge o n the river Tees (Radford 1961, 219). T h e
C a p t a i n D r a k e , the Spanish A r m a d a a n d the b o w l i n g legend s e e m s d e s i g n e d to w a r n of t h e p r e s e n c e o f
g r e e n a p p e a r t o h a v e g a i n e d the u p p e r h a n d over u n - the giant green d u c k w e e d , Lemna minor, w h i c h c o v ­
lucky-to-wear green. G l a s g o w Celtic Football C l u b w a s e r s large stretches of w a t e r t h e r e a n d is d a n g e r o u s
f o r m e d b y Brother Walfrid ( A n d r e w Kerins), a n Irish t o step o n (Vickery 1983, 247).
Catholic priest w o r k i n g a m o n g t h e Irish c o m m u n i t y of
Glasgow, in 1887. A s green is the colour of Irish nation­ • T h e t h e a t r e p r o v i d e s its o w n r e a s o n for a c t o r s '
h o o d (Hayes-McCoy 1979, 42) g r e e n is the n a t u r a l col­ s u p e r s t i t i o n a b o u t w e a r i n g green. T h e y s a y it b e ­
Downloaded by [Emory University] at 07:20 27 February 2016

o u r for their shirts also ( L u n n e y 1992, 16). longs to the fairies w h o m i g h t resent its u s e b y m u m ­
m e r s a n d actors (Piatt 1925,139). It is s u g g e s t e d t h a t
a m o r e practical explanation of this fear is t h a t d u r ­
Rationalist Explanations i n g the era of green-tinged limelight, i n v e n t e d i n
1826 a n d u s e d until t h e b e g i n n i n g of t h e p r e s e n t
• R a t i o n a l r e a s o n s for u n l u c k y g r e e n i n c l u d e t h e
century, a n actor w e a r i n g green w o u l d n o t s t a n d o u t
s t o m a c h a c h e t h a t c o m e s after e a t i n g g r e e n m e a t or
a s well as h i s colleagues (anon 1970-2, 522). T r a v e l ­
u n r i p e g r e e n fruit. In the n i n e t e e n t h c e n t u r y it w a s
ling s h o w m e n are so c o n c e r n e d over this b a d l u c k
t h e colour of a r s e n i c - p i g m e n t e d w a l l p a p e r which,
that grass pictured o n fairground d e s i g n s is n o r m a l l y
w h e n d a m p , g a v e off t h e p o i s o n o u s g a s arsine.
p a i n t e d b l u e (Vanessa Toulmin, p e r s . c o m m . ) .
• G r e e n is t h e c o n t i n u a l c o l o u r of t h e c h u r c h y a r d ,
• T h e fairy e x p l a n a t i o n of u n l u c k y g r e e n is n o t s u i t ­
w h e r e , in a d d i t i o n , p o i s o n o u s y e w trees are g r o w n .
able for Ireland for Irish fairies d o n o t w e a r g r e e n .
" A green C h r i s t m a s m a k e s a fat c h u r c h y a r d " a n d
Most are " t r o o p i n g fairies w h o live a n d look l i k e
" b r i n g s a h e a v y h a r v e s t " (CECTAL Archive,
n o r m a l mortals. O t h e r fairies are t h e b a n s h e e w o m e n
Hallamshire Traditions, n.d.).
w h o w e a r w h i t e a n d t h e smaller l e p r e c h a u n , t h e
• C h a r l o t t e B u r n e r e c o r d e d t h e e v e n t of 1876 n e a r s h o e m a k e r , w h o is m o r e likely to w e a r r e d t h a n
Eccleshall, w h e n a n old w o m a n w a s found d r o w n e d green. T h e e x p l a n a t i o n for t h e b a d l u c k i n I r e l a n d
in h e r well: " A p a t c h of particularly green turf long s e e m s to revolve a r o u n d the ease a n d c h e a p n e s s of
m a r k e d the s p o t w h e r e h e r b o d y w a s laid o n being d y e i n g cloth green a n d b r o w n . O n l y t h e rich c o u l d
t a k e n o u t of t h e water, a n d t h e n e i g h b o u r s , w h o h a d afford scarlet, b l u e a n d p u r p l e clothes. G r e e n a n d
suspicions of foul play, p o i n t e d to this in confirma­ b r o w n are therefore the d r e s s of the p o o r e s t of t h e
tion of their o p i n i o n " (Burne 1883, 240). p o p u l a t i o n , a n d it m u s t b e u n l u c k y t o b e p o o r "
(Miceal Ross, p e r s . c o m m ) .
• T h e Venerable Bede w a s the first to w r i t e a b o u t this:
" A t the s a m e t i m e a traveller, a Briton, c a m e near
t h e place w h e r e [St] O s w a l d h a d b e e n killed, a n d Historical Explanations
s a w the g r a s s w a s g r e e n e r t h a n in o t h e r places, a n d
• Certain historical e v e n t s m a y h a v e p r o v i d e d r e a s o n s
c o n c l u d e d that s o m e holy m a n h a d been slain t h e r e ' "
for u n l u c k y green.
( Q u o t e d B u r n e 1883, 240).
• T h e d e s c e n d a n t s of t h e O g i l v i e s , G r a h a m s a n d
• T h e b a d l u c k of g r e e n m a y h a v e d e v e l o p e d from
Sinclairs of Caithness, all of w h o m w o r e g r e e n i n
the e q u a t i o n of the green g o w n s y m b o l i s i n g the loss
their tartans at the battle of F l o d d e n Field in 1513,
of' virginity. In 1351 W m . Fox, p a r s o n of Lee n e a r
thereafter h e l d t h e colour in d i s r e p u t e after t h e ter­
G a i n s b o r o u g h w a s indicted for forcibly taking a n u n ,
rible defeat w h e n m o s t w e r e killed (anon. 1892,368).
M a r g a r e t d e E v e r i n g h a m . [He] " r e m o v e d h e r habit
The a u t h o r J a m e s G r a h a m e believed t h a t green w a s
a n d p u t o n h e r a w o r l d l y green robe (robam viridem
fatal t o t h e n a m e of G r a h a m e , h e w o u l d n o t " s o
secularem)" (Lean 1903, 276). By Elizabethan t i m e s
m u c h as to a l l o w a green cover to b e p l a c e d o n t h e
the phrase was s y n o n y m o u s with pregnancy
table" (Lean 1903, 276).
( M a l c o l m Jones, p e r s . c o m m . ) . T h e t u n e " G r e e n -
s l e e v e s " w a s n o t h e l d in h i g h e s t e e m (The Merry • In E n g l a n d violence revolved a r o u n d the c o l o u r in
Wives of Windsor, Act 2 scene 1 a n d Act 5 scene 5). the s e v e n t e e n t h a n d e i g h t e e n t h centuries. T h e W h i g
Folklore and Symbolism of Green 61

G r e e n R i b b o n C l u b w a s formed d u r i n g t h e p e r i o d Acknowledgements
of religious intolerance t h a t followed the d e a t h of
I a m p l e a s e d to a c k n o w l e d g e the h e l p received from
C h a r l e s I a n d the Civil War. M e m b e r s of t h e C l u b ,
R a l p h B r o c k l e b a n k , T o n y Buckley, M a l c o l m J o n e s ,
w h o w o r e green r i b b o n s in their h a t s , a d v o c a t e d a
Venetia N e w a l l , M i c e a l Ross, Roy Vickery, J o h n
P r o t e s t a n t succession to t h e throne. Anti-Catholic
W i d d o w s o n , Juliette Wood a n d Gillian Bennett, for t h e
m a r c h e s e n d e d at the C l u b at Temple Bar w i t h the
g e n e r o u s a m o u n t of time e a c h h a s d e v o t e d to m y e d u ­
b u r n i n g of the P o p e ' s effigy. H a l b e r d s w e r e secretly
cation.
m a n u f a c t u r e d t o a r m t h e m o b at W a p p i n g a n d
S o u t h w a r k b u t a plot t o kill Catholic King C h a r l e s
II a n d his b r o t h e r J a m e s in 1683 failed. The W h i g Folklore Society
m o v e m e n t w a s disgraced, membership became a
risk, a n d the C l u b d i e d (Bryant 1952).
Notes
• D u r i n g O l d h a m w a k e s w e e k in 1819 Radical Re­
'This is a development of the Principle of Adaptation of
formers, w e a r i n g g r e e n a n d red r i b b o n s inscribed Physical Resources (or, originally, simply the Principle of Ad­
"liberty or d e a t h " in their hats, d e m o n s t r a t e d against aptation, proposed by Crawley to explain, for example, the
the C o r n L a w s a n d the c o n s e q u e n t h i g h g r a i n prices. near universality of mourning colours (Crawley 1931, 102).
This w a s closely followed b y the m a s s a c r e of d e m ­ belief that green is unlucky has travelled to North America
onstrators at Peterloo o n 16 A u g u s t t h a t y e a r (Bee also, no doubt imported by immigrants from Britain and Ire­
Downloaded by [Emory University] at 07:20 27 February 2016

1819, 3). land. Hence, it is unlucky to m a r r y in green in Texas


(Hendricks 1956, 344), it ought not be used for racing cars
• T h e following y e a r a n o t h e r e v e n t reinforced t h e h a ­
(Kostner 1992,69), and it is even bad luck to ride in any vehi­
t r e d of green in Britain. Until 1820 official g o v e r n ­
cle of that colour in Arkansas (Randolf 1964, 60).
m e n t b a g s w e r e green. This w a s the y e a r of the trial
of Q u e e n Caroline, wife of the Prince Regent, later
the u n p o p u l a r G e o r g e IV. A s evidence against h e r
w a s laid o n the table in the H o u s e of L o r d s in g r e e n References Cited
bags, these b e c a m e hateful to L o n d o n e r s w h o s e s y m ­ Allesch, G. J van. Die aesthetische Erscheinungsweise der Farben.
p a t h y she h a d a r o u s e d . "It w a s a c o m m o n t h i n g d u r ­ Berlin, 1925.
ing the trial to get u p bonfires to b u r n the g r e e n b a g
Andrews, Elizabeth. Ulster Folklore. London: Elliot Stock,
... After this green b a g s silently d i s a p p e a r e d " (anon.
1913.
1911).
Anon."Green: Its Symbolism." Chamber's Journal (4 June
1892):367-8.
Conclusion
Anon. Note. Daily Chronicle (16 May 1911).
Each g r o u p h a s its o w n i n d i v i d u a l e x p l a n a t i o n of its Anon. Man, Myth and Magic. London: Purnell, 1970-2.
belief in u n l u c k y green. T h e n o n c o n f o r m i s t s of Scot­
l a n d a n d Wales, the fisher folk, a n d those in t h e s o u t h ­ Baker, Margaret. Folklore and Customs of Rural England. New­
w e s t of E n g l a n d d o n o t w i s h to u p s e t the local piskies; ton Abbot: David and Charles, 1974.
those living e l s e w h e r e in Britain w a n t to k e e p o n the Bede, the Venerable. Ecclesiastical History of the English Na­
right side of the fairies (and, p e r h a p s , t h e devil, witches tion. Edited by Leo Shirley-Price. London: Penguin, 1990.
a n d d e m o n s ) ; t h e d e s c e n d e n t s of the Ogilvies despise
Bee, Malcolm. Letter. The Times (6 September 1819).
g r e e n as the colour of defeat; a n d so on. To m e m b e r s of
all these g r o u p s belief in u n l u c k y green is logical. The Bennett, Margaret. Scottish Customs From the Cradle to the
o n e t h i n g all e x p l a n a t i o n s h a v e in c o m m o n is the rel­ Grave. Edinburgh: Polygon, 1992.
e v a n c e of t h e belief to the p o p u l a t i o n involved. Black, W.G. "Holy Wells in Scotland." Folk-Lore 2 (1884):173-
In g e n e r a l , g r e e n s y m b o l i s e s g r o w t h , a n d g r o w t h 5.
s y m b o l i s m can refer to a p p a r e n t l y irreconcilable posi­ Brand, John. Observations on Popular Antiquities. Newcastle:
tive a n d n e g a t i v e feelings a n d e m o t i o n s . For e x a m p l e , J. Johnson, 1777; reprint London: Charles Knight, 1841.
n o t o n l y is g r e e n seen as n a t u r a l a n d g o o d for the envi­
Briggs, K.M. "The English Fairies." Folk-Lore 68 (1957):270-
r o n m e n t (as in " g r e e n " farming), b u t it is also u s e d to
87.
symbolise n o x i o u s g r o w t h (green for p o i s o n o u s pack­
a g i n g a n d for atomic p o w e r stations). T h e p o s t u l a t e s Bryant, Arthur. Samuel Pepys: The Years of Peril. London: The
p r o p o s e d to account for the b e h a v i o u r of green in oral Reprint Society, 1952.
tradition (the Principle of Singularity a n d the Principle Burne, C.S. Shropshire Folk-Lore. London: Triibner, 1883.
of the A d a p t a t i o n of Ideas) can h e l p account for s u c h
seemingly irreconcilable beliefs. This freedom to form Burne, C.S. "Wedding Customs." Folk-Lore 19 (1908): 339-40.
variations w i t h i n e a c h r u l e arises from the n a t u r e of Campbell, Lord Archibald. Waffs and Strays from Celtic Tradi­
colour b e i n g p u r e l y a perception, n o t the p r o p e r t y of tion. 5 vols. London: David Nutt, 1889.
a n object.
62 John Hutchings

Cooper, J.C. An Illustrated Encyclopedia of Traditional Symbols. Latham, Charlotte. "West Sussex Superstitions." Folk-Lore
London: Thames and Hudson, 1978. Record 1 (1878):7-67.
Coote Lake, E.F. "Unlucky Green: Lucky Amber." Folk-Lore Lean, Vincent Stuckey. Lean's Collectanea. 4 vols. Bristol:
66 (1955):298-9. Arrowsmith, 1902-4.
, comp. "Folk Life and Traditions." Folk-Lore 73 Lunney, Paul. Celtic. Derby: Breedon, 1992.
(1962):129-33.
M'Clintock, Letitia. "Donegal Cures and Charms." Folk-Lore
Crawley, Ernest. Dress, Drinks and Drums. London: Methuen, 24 (1913):473-8.
1931.
MacDonald, Sheila. "Old World Survivals in Ross-shire." Folk-
Dalyell, John Graham. The Darker Superstitions of Scotland. Lore 14 (1903):368-84.
Edinburgh: Waugh and Innes, 1834.
Monger, George. "Colour in Marriage." In Colour and Appear­
Danaher, Kevin. The Year in Ireland. Cork: Merrier, 1972. ance in Folklore, ed. John Hutchings and Juliette Wood. 2 6 -
30. London: Folklore Society, 1991.
Dinely, Thomas. Observations on a Tour Through the Kingdom
of Ireland in 1681. Dublin, 1858. Monsarrat, Ann. And the Bride Wore .... London: Gentry
Books, 1973.
Drury, Susan. "Customs and Beliefs Associated with Christ­
mas: Evergreens." Folklore 98 (1987):194-9. Morris, M.C.F. Yorkshire Folk-Talk. London: Henry Frowde,
1892.
Eberhard, Wolfram. Dictionary of Chinese Symbols. London:
Downloaded by [Emory University] at 07:20 27 February 2016

Routledge and Kegan Paul, 1989. Murray, Hilda Chaulk. More Than Fifty Percent—Women's Life
in Newfoundland. Canada: Breakwater Books, 1979.
Friend, Hilderic. Flowers and Flower Lore. London: George
Allen, 1884. Newall, Venetia. An Egg at Easter: A Folklore Study. London:
Routledge and Kegan Paul, 1971.
Gill, Alec. Superstitions—Folk Magic in Hull's Fishing Commu­
nity. Beverley, Humberside: Hutton Press, 1993. Opie, Iona and Moira Tatum. A Dictionary of Superstitions.
Oxford: Oxford University Press, 1989.
Goodrich-Freer, Miss A. "The Powers of Evil in the Outer
Hebrides." Folk-Lore 10 (1899):259-82. Partridge, J.B. "Notes on Folklore." Folk-Lore 27 (1916):307-
11.
Grant, Niel. Scottish Clans and Tartans. London: Country Life,
1987. Piatt, Charles. Popular Superstitions. London: Herbert Jenkins,
1925.
Gregor, Revd Walter. Notes on the Folk-Lore of the North-East of
Scotland. London: E. Stocks for the Folklore Society, 1881. Porter, Enid. Cambridgeshire Customs and Folklore. London:
Routledge and Kegan Paul, 1969.
Gutch, Mrs E. North Riding, York and the Ainsty. County Folk­
lore Series, vol. 2. London: David Nutt for the Folklore Radford, E. and M.A. Encyclopaedia of Superstitions. Edited
Society, 1901; reprint Nendeln: Kraus, 1967. by Christina Hole. London: Hutchinson, 1961.

Guthrie, E.J. Old Scottish Customs. Glasgow: Hamilton Adams, Ramblei; A. "Village Wedding, 1793." In G.L. Gomme, ed.
1885. The Gentleman's Magazine Library: Manners and Customs.
61-2. London: Elliot Stock, 1883.
Hayes-McCoy, G.A. A History of Irish Flags. Dublin: Acad­
emy, 1979. Robertson, D.W. Jr. "Why the Devil Wears Green." Modern
Language Notes 64 (1954):470-2.
Hendricks, George D. "Superstitions Collected in Denton
Texas." Western Folklore 15 (1956):1-18. Rose, H.J. "Unlucky Green." Folklore 64 (1953):427.

Honko, Lauri, Senni Timonen and Michael Branch. The Great Simpkins, John Ewart. Fife, Clackmannan and Kinross. County
Bear. Helsinki: Suomalaisen Kirjallisuuden Seura, 1993. Folklore Series, vol. 7. London: Folklore Society, 1914.
Thompson, Flora. Lark Rise to Candleford. Oxford: Oxford
Howarth, Ken. Ghosts, Traditions and Legends of Old Lanca­
University Press, 1945; 1979.
shire. London: Sigma Leisure, 1993.
Tongue, Ruth L. "Folk-Song and Folklore." Folk-Lore 78 (1967):
Hutchings, John. "A Survey of the Use of Colour in Folklore:
293-303.
A Status Report." In Colour and Appearance in Folklore, ed.
John Hutchings and Juliette Wood. 56-60. London: Folk­ Vickery, Roy. "Lemna Minor and Jenny Greenteeth." Folklore
lore Society, 1991. 94 (1983):247.
. Food, Colour and Appearance. Glasgow: Blackie, 1994. Vries, A.D. de. Dictionary of Symbols and Imagery. Amsterdam:
North-Holland, 1976.
. Munehira Akita, Noriko Yoshida, and Geraldine
Twilley. Colour in Folklore, with Particular Reference to Ja­ Wallis-Budge, Sir E.A. Amulets and Superstitions. London:
pan, Britain and Rice. London: The Folklore Society, 1996. Oxford University Press, 1930.
Kostner, Michael. "Beliefs about the Colour Green in Auto Wilde Lady. Ancient Cures, Charms and Usages of Ireland. Lon­
Racing." Midwestern Folklore 18 (1992):69-72. don: Ward and Downey, 1890.
Folklore and Symbolism of Green 63

List of Personal Communications John Kearney, County Offaly, Letter 18 February 1985.
Gwen Aubrey, Welsh Folk Museum, Conversation 1987. Tig Lang, Letter 23 January 1985.
Hilary Belcher, Letter to Roy Vickery, July 1990. Loma McHattie, Aberdeen, Conversation 14 June 1983.
Alison Prosser Bielski, Letter 8 August 1984. C. Mclntyre, Argyll, Letter 9 March 1985.
Marion Campbell, Kilberry, Letter 27 December 1984. Tom McKean, Conversation 24 March 1996.
Margaret Cathcart, Inverness, Letter 16 November 1984. Sam Rendell, Plymouth, Letter 6 January 1996.
Kate Chatterton, Bedford, Conversation c. 1978. Miceal Ross, Letters 4 July 1991; 20 November 1995.
A.G. Credland, Town Docks Museum Kingston-upon-Hull, Alf Smith, Letter 11 September 1991.
Letter 6 July 1985.
Vanessa Toulmin, Conversation 24 March 1996.
Margaret Davies, Letter 27 October 1984.
Roy Vickery, Letters 2 August 1984; 18 February 1987; 1 March
Patricia V. Dawson, Letter 28 January 1985. 1990.
Joan M. Eltenton, Letter 9 February 1985. RM. Wiggett, North Devon Museum Trust, Letter 19 July 1985.
Malcolm Jones, Conversation 24 March 1996. Sid Woodhead, Letter 15 October 1995.
Downloaded by [Emory University] at 07:20 27 February 2016

You might also like