Professional Documents
Culture Documents
CONFIRMATORY STAGE
ILLUSTRATION
“Inside your Coffee Cup”
Personal Confirmatory Study Title Specialist Area/s e.g. Fine Art, Graphic
Design, Textile Design
I have experimented with multiple processes and materials, researched about the history
of different types of art and found artists that inspire me like Milton Glaser, Tadeusz
Gronowski, Cheyenne Barton, Jessica Meyrick, Sha'an d'Anthes (AKA Furry Little Peach),
Diego Oquendo, Muhammed Sajid, Lucy Fleming, Elena Gual and many more.
Additionally, in my projects about Fine Art, Illustration and briefs about environmental
problems I have learned about the creative process and how to show my development
and ideas through sketches and research. Before doing this course, I didn’t know much
about digital art, neither had I tried it. Making a map, poster and practicing packaging
design made me like it more and understand it better.
Section 2
After exploring different types of art in the course, it has only confirmed me even more
that I want to pursue illustration as a career. It is a versatile field that gives you creative
freedom and space to explore different styles. With this course I have realised how many
fields of illustration there are and it has given me a taste of how it will be to study this
career and the different types of work there are.
Making a poster and creating a character for a brand helped me to explore typography,
layout, how to transmit an idea through an image and sparking my interest in editorial
illustration. I am interested in giving positive messages to people and help our
community in any way I can by making images that make people stop for a bit in this
fast-paced world.
For my project I decided to apply editorial illustration methods to create a book about
coffee and its global impact on our society. Coffee drinking is a very common daily ritual
for many. However, not many people know where it comes from, the work behind its
production, how big the industry is and the many types of coffee there are.
My final outcome will be a physical book but I also intend to make GIFS and add an
interactive aspect.
TIMETABLE
Week 1: March 23-29 Make statement of intent
Start Research
Week 2: March 30-April 5 Finish Research
Start sketching
Week 3: April 6-12 Finish development sketches
Figure out colour palette and style
Figure out what section and
information will be used and written
in the book
Week 4: April 13-19 Start illustrating and simultaneously
writing the texts that go with the
drawings
Week 5: April 20-26 Keep making illustrations and texts
Week 6: April 27-May 3 Keep making illustrations and texts
Week 7: May 4-10 Make digital edits to illustrations
and put together with text
Week 8: May 11-17 Make cover
Make back cover
Week 9: May 18-24 Assemble book
Week 10: May 25-31 Review any last corrections and
edits that need to be made
Week 11: June 1-7 Evaluation of process and project
Section 4
To evaluate my project, I will record my process in my sketchbook and analyse what
could be improved by making comments beside the sketches and images. I will consult
families and friends of their opinions and ideas. For further evaluation I will use social
media to make poles about coffee asking people if they drink coffee and how much etc.
The idea is to use an Instagram account focused on art and record the process by taking
images of the development of the illustrations until the final outcome.
April 2020 P.S
In the beginning of this project I wanted to do a book. However, after doing some work
and deciding what contents would be included, I was not sure if it fit in the format of a
book or a pamphlet. For this reason, I researched about the type of editorial products to
decide in what category my project falls in (research found on page 24). After much
deliberation I decided a book suited my ideas best. I could see myself adding things like
a title page, flyleaf and formats that fell into a book. The information I was researching
would not have fit to what I thought could be a pamphlet. My ideas for the illustration
and the texts where more extensive and story driven in comparison to the quick and
direct information given from a brochure.
DECLARATION OF AUTHENTICITY
15th June
Signature Date
2020
1Unless otherwise stated e.g. for some entry level qualifications, learners can work together but should
identify sections which are their own work.
Research
Coffee research
Brief History
In the 15th century word started spreading from the Monastery and reached the Arabian
Peninsula in Yemen, where coffee started to be cultivated and traded. In the 16th century
it reached other countries like Persia, Egypt, Syria, and Turkey.
In the Near East coffee houses started to
emerge (called qahveh khaneh). It
became a social spot where people
played chess, listened to music, watched
performances and conversed. At one
point they called these cafés “school of
the wise” because it was such a big
centre for information exchange. It was a
very popular drink among the Muslims
now that they weren’t allowed to drink
alcohol. However, in 1511 Khair Bey
prohibited coffee and demanded coffee shops to close because he thought it altered
people’s behaviour. In the end it was not possible because of its immense popularity.
Around the 18th century coffee reached New York (before called New Amsterdam) to
later reach Boston where the first coffee shop in America opened. There was a revolt
called the Boston Tea Party when King George III set the tax for tea really high so the
preferred drink became coffee.
The seed is planted at the start of the rain season depending on the region. After around
two months of the seed being planted the knots and leaves will start to grow. At eight
months when it is the end of the dry season the flowers will start to bloom. When a year
and a half has passed a small amount of fruits will grow. At the end of the dry season the
amount of cherries increases and in the third year the same pattern will follow, more
flowers and less fruits in humid conditions and less flowers and more fruits in the dry
season. The harvesting time is long as there are different levels of mature fruit on the
same tree.
These plants can reach a height of 3 to 7 meters when cultivated and in the wild they
can grow up to 10 meters. It is originally from Africa; however, most plantations are found
in South America. The coffee plant has become one of the principal sources of oxygen
as it produces half of the amount as a rainforest
in the same hectares.
Arabica
(Coffea arabica)
Arabica occupies approximately 75-80% of coffee
production. It is cultivated mainly in Colombia, Brazil and
Central America. This bean contains less caffeine, it is more
aromatic and less bitter than Robusta. It has an oval shape
with a curved cut like an “S” in the middle. The best
temperatures for Arabica are 15 to 24 °C and altitudes
around 800 to 3000 meters. The fruit matures in between
seven to nine months and is self-pollinating.
Robusta
(Coffea canephora)
Coffee is a very common and loved drink. However, not many know the process behind
each cup. Here are the steps from plant to brew.
First the seed is planted and when it is fully grown it is harvested by hand or using a
machine. To harvest, the fruit has to have a bright red or purple tones to be completely
mature. The state of matureness will change and determine the flavour of the coffee.
Each cherry is carefully selected making sure there are no diseases. Then the pulp is
removed from the bean by drying it in the sun for two to four weeks until the skin cracks
or by fermenting it and washing it. Because the seed is still not completely clean it has
to go through a process called milling, here the extra layer is cleaned by hulling and
polishing.
A professional coffee grader observes the bean and roasts it to make a brewed coffee,
they look for defects and test their quality, this procedure is called cupping. After
shipping when the beans have arrived to the countries that import it, the coffee is toasted
in large machines at approximately 200 degrees Celsius. The coffee is grinded to
enhance the flavour either finer or coarse. After, it is packaged in many different forms
to sell in stores and cafés. Though coffee is sometimes packaged with just the roasted
bean some people prefer to buy coffee that has been grinded because they don’t have
the machines at home. The coffee is then brewed in the preferred method of the
consumer.
Producers of Coffee/Coffee around the world
Coffee is the second most consumed drink after water, a lot of people have a cup every
day, however, do you really know where it comes from? Approximately 75 countries are
in the coffee business. Here are some facts about the top five producers according to
amount of coffee produced.
1. Brazil
Brazil has been the largest producer of
coffee in the world for more than 150 years.
Most of their plantations are found in Sao
Paulo, Parana and Minas Gerais, with a
total of around 27,000 km of plantations
and in 2019, 2,598,000 metric tons of
Coffee were produced. They grow both
Arabica and Robusta. They make their
coffee with different methods like drying
the fruit under the sun, making Brazilian
coffee a sweet and low acidic drink.
2. Vietnam
Vietnam’s coffee production consists of 96%
Robusta and is grown in the south of the
country. Today they grow 1,700,000 metric
tons of coffee every year, the amount of
production has increased immensely as in
1975 they were only producing 6000 tons.
Coffee is a big part of Vietnamese culture
and it is usually prepared my mixing it with
condensed milk. The coffee itself is used for
blends and has a well-balanced low acidic
taste.
3. Colombia
4. Indonesia
There are many more top producers like India, Honduras, Uganda, Mexico, and
Guatemala. Coffee is a loved drink internationally produced all over the world in many
different forms. Each country has its own way of drinking and its own culture. From the
most expensive coffee like the “Kopi Luwaik” in Indonesia and “La Hacienda La
Esmeralda” in Panama for more than 2000 euros a kilogram to a simple cappuccino at
the café in the corner of your street.
Colombian Coffee
Colombian coffee is famous all over the world for its
quality and taste, so it is no secret that at one point it was
their main source of income and is today their most
exported product over 90 countries.
In 1959 a character called Juan Valdez that illustrates Colombian coffee producers was
created. That same year a Colombian coffee office opened in Tokyo, making Japan the
second largest country in consuming Colombia’s coffee. In 1984, a logo (top left corner)
was created to represent Colombian coffee.
Espresso
An Espresso is the base for most coffee drinks, it is
coffee diluted in water but a lot more concentrated.
Also drunk on its own, there are different variations like
the Doppio which is a double shot, a Ristretto that uses
less water or an Americano which has a softer flavour
because of the added water.
Cortado
Macchiato
Latte
This is probably the one of the most popular coffee
drink. A Latte is a shot of Espresso with steamed milk
and a bit of foam. It is sometimes found with added
flavours like vanilla and pumpkin. There is a Portuguese
version called Galão where double the milk is used.
Cappuccino
Like the Latte it’s a shot of Espresso with steamed milk,
however, it has a lot more foam and is usually topped
with cocoa or cinnamon powder. There is an Australian
version called the Flat White, it’s the same principle
however, it is made with Ristretto and less foam.
Mocha
Affogato
Irish
Cold Brew
Nitro
Frappuccino
Mazagra
Tinto Campesino
Impact on Society
The have also been made works of art like the soap opera “Café con
aroma de mujer” that takes place in el Eje Cafetero in Colombia about a
women coffee harvester who falls in love with the owner of the
plantations and leaves a difficult situation with her own means. There is
also a song called “Ojalá que llueva café” by Juan Luís Guerra that tells
the importance of agriculture and plantations. Multiple books have been
written that take place in coffee shops or are made a main topic of
conversation, for example, “Il Primo caffe mattino”, Diego Galdino and
“La piramide del caffe”, Nicola Lecca.
Coffee has created an international movement as countries import and export thousands
of kilograms. Supermarkets dedicate shelfs to all types of
coffee from capsules and different types of grinding to instant
coffee. Coffee is not only a drink, but also a part of our daily
vocabulary as a social invitation. This product has had such an
impact that it is certain that somebody somewhere in the
world is having a cup of coffee right now.
What is editorial illustration?
For most people the illustration is what will capture their attention first. This is why it has
to give a clear message to what the person is about to read. Additionally, a good
illustration will also tell you what is in between the lines of the text. It will give a larger
message of what is said in the words written. Illustration is not only a decoration on the
page, it is probably one of the most important parts of the editorial world.
“Product illustrations are there to make the user’s experiences easier; editorial
illustrations are there to make the reader’s experience more interesting—even more
challenging.”- Khoi Vinh
Illustration and types of Print Media
There are many types of print media and illustration has a big role in the industry. Some
are used for advertisement and news, other are a form of entertainment and education.
My intention is to create something similar to a book or brochure. I am not entirely sure
which category my project falls in or the differences between the print media that exists.
For this reason, I have investigated the types below to have a clear idea of what I want
to do.
Newspapers
Their purpose is to deliver up to date information, the majority of newspapers print every
day and they are the most traditional and effective way to reach a large amount of people
all over the world in an inexpensive way. Because of this, newspapers are printed in a
lower quality. Topics from politics, world happenings, sports, celebrities, arts and many
more can be accessed through these pages. Companies advertise daily or weekly in the
paper, the prizing depends on how much space the advertisement occupies in the
newspaper. Illustrations are used to capture the attentions of readers in certain articles
or advertisements.
Magazines
Magazines are bit more expensive to develop but just as common as the newspaper.
Instead of looking to reach a large amount of people they are targeted to certain
audiences. The print is of higher quality and each magazine usually specializes on a
certain subject: Fashion, gardening, celebrities, arts, sports, politics, traveling etc. One
of the main functions of a magazines is to inform and advertise products. In this case
illustration has a bigger role as many magazines use illustrators for the covers, articles
and other, now that they are a more artistic and designed publishing form. Readers
usually subscribe yearly, by season, monthly or weekly depending on each magazine.
Books
Books are a wide area of print media, that deliver a story or information. There is an
immense amount of different types: Novels, short stories, fiction, non-fiction, textbooks
for schools and universities, comics, graphic novels, children books etc. Their purpose is
solely to educate or entertain the reader. They contain a lot of information created and
delivered by writers and artists. Unlike the above types of print media books do not look
to sell or advertise and neither do they need be read the day or month they are
published; they are still valuable years later. Books also have a longer and more
developed publishing form, they take a lot longer to create and can also be quite
expensive.
Comics/Graphic Novels
Much similar to a book, graphic novels and comics are a way of telling stories through
drawings and illustrations. The story is created by communicating with the order and
layout of the panels, onomatopoeia, speech bubbles, small lines of text, movement and
action of the character, etc. The styles of illustration used in this form of publishing vary
depending on the story. Most of the book is told through drawings and the amount of
text is very little.
Children books
These books are similar to graphic novels as they are mostly told visually with small
blocks of text that accompany the illustrations. As the names states they are directed to
children. Because of this they are quite short, however, the length depends on the age.
The use of illustration is very prominent and has a very naïve and sweet looking
illustration, though it can also vary. format is a bit different to comics as most of them do
not include speech bubbles but are instead narrated in a similar way to a novel.
Brochure/Pamphlet
A brochure consists of around four pages that informs people about a company,
university or event. They are a form of advertising made by graphic designers or
illustrators that is usually printed on shiny paper and is very well presented. This form of
publishing is most commonly delivered by mail, found in stands in shops or handed out
on the streets.
Artists
It is not always easy to know exactly where knowledge and inspiration come from, it
could be from someone you admire or a teacher. Even though I have an idea of how I
want the book to look like, my purpose is to research different techniques and styles
from other artists. By looking at the work of artists I admire I will have a clearer
understanding of the techniques I want to use and I will be able to learn from them the
way they work and apply it to the project.
Atelier Sentô
This studio was created by Cécile Brun and Olivier Pichard. Most of their work is inspired
by their travels in Japan, their objective is to illustrate the unusual places of this Asian
country. The colour palettes they use are very colourful and vibrant and there is good
contrast between cool and warm tones which is something I would love to implement in
my work.
Atalier’s images tell stories in a beautiful way. They pay a lot of attention to detail;
wherever you look you will find intricate little things, small patterns, textures and objects
related to japan. In the illustrations I make for the book I would like to apply the way they
reference a certain place. When I draw places like Colombia or Ethiopia, I want to add
details that can put the reader in that country.
Sha’an d’Anthens
Sha’an d’Anthens (AKA Furry Little Peach) is an illustrator based in Sidney Australia. The
techniques she uses include watercolour, risographs and digital drawings. Her
illustrations have a naïve style and are very endearing. D’Anthens characters are lovable
and her colour palettes are bright and vibrant
She is one of my favourite illustrators. Her philosophy is beautiful as she believes there
is enough distressing imagery so she would like to draw more positive things. I would
love to apply the naïve and wholesome style of her characters to the ones I will draw. It
gives off a very calming feeling and makes the illustrations very enjoyable and easy to
look at. It adds a more interesting reading experience and it is nice way to learn
something. The coffee book is information oriented but expressed through imagery, this
is why I want to tell stories in a similar way to Sha’an.
Lucy Fleming
UK based illustrator Lucy Fleming specializes in children book illustration. Her styles as
she describes it in an interview is very playful and whimsical. In the same interview she
says her driving force is being part of storytelling, to put faces to characters in stories
and maybe be part of a person’s childhood nostalgia.
The warm and bright colours she uses suit the tropical and lively style I want to use in
the book about coffee. I would like to apply the contrast and small details that drive the
eye to a certain part of the image. She also highlights what she wants people to notice
very well by contrasting it with the background, which I personally would like to get
better at. I love the way she suggests light as it gives a very warm feeling and good
atmosphere. Her characters are very friendly and that is something I find important when
wanting to approach the reader.
Jessica Meyrick
Jessica was born in the UK in Bristol. She is now based in Sidney Australia after studying
a BA (Honors) in illustration in Falmouth. Her style is quite minimalistic with the use of
simple shapes and could be defined as flat illustration.
I am inspired by the way she inputs and demonstrates the importance of diversity. When
drawing I want to be conscious about this and include all types of people in my
illustrations. I find that drawing by hand and later editing it digitally not only makes it
more efficient to work but the hand painted quality is still visible. Due to this I would like
to experiment with this technique for the coffee illustrations. I really like the mix of pastel
colour palettes and bright bold colours she uses; I think that it would suit the book as
the light tones make the rest pop as well as giving a visual break. Her illustrations tell
stories as the characters almost look like they are moving. I would love to try and add
this kind of motion to the characters that work in the coffee business.
Diego Oquendo
Diego is a Colombian self-taught artist who is known mostly for his architectural drawings
from all over the world, though he also does a lot of live portraits and is always drawing
the world around him. Oquendo’s style is quite realistic and at the same time illustrative.
Sometimes parts of the drawings are left unfinished or there is only a couple of details in
colour, this way he directs the eye of the viewer telling you what he wants you to look
at.
Diego’s realistic style might not apply to the way I will illustrate. However, I want to pay
attention to detail the way he does. When drawing simple people, the outline he creates
gives a clear message and the details chosen are enough to suggest that someone is
there. When I have to draw people far away, for example people picking coffee in big
fields, I would like to do it this way.
Carolina Grosa
Carolina is an Italian illustrator. Her style is very versatile as it works for both children
illustrations and advertisement work. She draws plants by using simple shapes and
adding textures. I find them very cheerful and I would love to try a similar style when
illustrating the coffee plantations. I am not sure yet what materials I will be using,
however, I want to experiment with the way Carolina mixes different brushes and textures
digitally. Her characters have a lot of personality and some of her illustrations give off a
sense of humour. In the project I wish to carry this out as it adds a fun element to an
informative oriented book.
COFFEE BOOK
DEVELOPMENT
Planning
I made these
To find a similar colour of the beans
leaves as the images above I inspired by
played with different the images in
materials. the collage
above. I
wanted to try
and get a
similar
shadowing
effect.
Live dra
wing fro
grinder m a coff
I found ee
kitchen. in my
COVER DESIGN
When researching
about coffee
illustrations I found
multiple with a
drawing inside a
coffee cup (seen in
illustration collage
above). I wanted to try
this style and see how
it would work for the
cover. In the end I
didn’t think it worked,
as the cup looked a
bit cluttered and it
was too storybook
like.
Leaves inspired
by Carolina Grosa
The chairs are too
cartoon like
Watercolour Gouache
Between all the covers I chose, the coffee machine illustrates the
tittle better and doesn’t have a children’s book style like the one in
the next page. I will make the illustration digitally mixing different
brushes, as it is a faster and more forgiving versatile medium.
Watercolour Gouache
I like the mix of brushes on the right, I will apply this technique to the final cover using the illustration with the coffee machine.
These illustrations have more texture, however, the colours are too similar to each other and need more contrast.
“On this part of the book I will show the stages of growth, parts of the
coffee plant and the main species.”
Layout for Coffee Plant section
Coffee Plant sketches
Illustrations Coffee plant
Typography
for title page
for coffee plant
The layout on this page is
successful and the colours
suit each other really well. I
helped to add boxes
behind some of the texts
as before they would get a
bit lost. However, the
timeline could be more
illustrative by adding some
elements that represent
the passing of time.
“How production takes place is one of the most important factors in the
flavour. In this section I will explain the ten steps to make coffee.”
Layout for Production of Coffee section
Coffee Production sketches
1. GROWING
2. HARVESTING
3. PROCESSING
4. MILLING
5. CUPPING
6. SHIPPING
7. ROASTING
9. GRINDING 8. PACKAGING
10. BREWING
Typography
for title page
for coffee
production
From
crop
To cup
Production of Coffee illustration
development
COFFEE PRODUCTION
PAGES IN PROGRESS
To make it more dynamic
and illustrated I will be
adding some details and
arrows that will help guide
the page
I was inspired to do the arrows from the illustration I found whilst researching production of coffee. On the illustration
the arrows connect with the drawing and interact with the next step in some way. I wanted to follow a similar principle,
but I found it a bit hard. Though the drawings turned out well I think the arrows should have been made at the same
time as the illustrations for there to be more coherence between them.
COFFEE AROUND THE
WORLD SECTION
“In this section of the book, I illustrate the biggest producers of coffee
around the world and some interesting facts about their coffee.”
Layout for World of Coffee section
World of Coffee sketches
The sketches are very lively and
represent each country well. Some of
them could be cleaned up and
improved in shape.
World of Coffee Illustrations
Brazil
Brazil
Colombia
Ethiopia
Indonesia
Vietnam
Typography
for title page
for coffee
production
Pages ‘Coffee around the world” – Development
COFFEE DRINKS SECTION
“There are countless of types of coffee drinks. Below I will illustrate the
classics, some new recipes and interesting ingredients.”
Layout for Types of Coffee Drinks section
Coffee drinks sketch
Drinks of Coffee Illustrations Background
Illustrations Coffee Drinks- Background
Drinks of Coffee Illustrations
Types of Drinks
Illustrations Coffee Drinks – Types of drinks
Tinto
ESPRESSO CORTADO
Campesino
IRISH Mocha
AFFOGATO
NITRO
Cold Frappuccino
Brew
“Colombia holds the place for best quality coffee. To honour the years I
lived there, in this section of the book will talk about their culture
surrounding coffee.”
Layout for Colombia section
Colombia sketch
Version 1 Version 2
Colombia Illustrations
Typography
for title page
for coffee
production
Colombia – Development
IMPACT OF COFFEE IN
SOCIETY SECTION
“In this part of the book will write and illustrate about the immense impact
coffee has had on the world.”
Layout for Impact of Coffee section
Impact of coffee sketches
Impact of coffee Illustrations
Health
Social
Economic Art
Typography
for title page
for coffee
production
Impact of coffee – Development
I tried a lot of different layouts to
see what would work best. In the
end I preferred having two pages
as this would let the coffee shop
be bigger. I wanted the café to
be a focal point.
BACK COVER
Illustration
Illustration
Illustration
When beginning the book I didn’t completely keep in mind that with a vertical book the things in the middle would be cut
when printed. Later on when I learned to apply this I tried my best to keep things out of the middle. However, it proved to
be a bit difficult which left some elements in the spine.
Thanks to the suggestion of others I decided to turn around the book and make it horizontal, leaving the spine at the right
of the pages I had made. Because of this I had to make the cover longer as it was in a vertical position and design the
bacover the same way. This also helped improve the illustration as I could make some of the elements larger and add
tropical leaves around the page that would drive the eye to the coffee cup and espresso machine in the middle.
Mock-ups
Self-Evaluation
Creating this last project for Foundation in Art and Design has been an experience that
taught me many lessons and helped me grow as an artist. The research has not only
helped me gain knowledge in areas that I am passionate about but has also taught me
how to filter information when studying and not spend valuable time documenting things
I might not need.
Whilst investigating about coffee I have learned about cultures all over the world that
will help me in future illustrations. It was a great opportunity to be able to base a project
on a drink I enjoy every day. Even though I have been interested in editorial illustration
for quite some time I had not had the chance to learn more about it, until now.
Researching the different areas helped me understand it better so I could execute the
project in the best way possible.
For the past year I have come across many illustrators who are now inspiring my art. For
this reason, I wanted to analyse the work of some of the artists and see what I could gain
from them. I slowly learned to filter the information and concentrate on the things that
were useful for the project.
The plants I drew were inspired by Carolina Grosa and I was able to apply some of Jessica
Meyrick’s colour palettes. I would have liked to include the feeling and atmosphere that
Lucy Fleming’s whimsical illustrations give, more often though, I practiced lighting in the
Coffee Drinks section. Moreover, I was inspired from Sha’an d’Anthens and Lucy Fleming
when creating the characters for History of Coffee and Production.
Outside of the project I have come across more illustrators that I have not had the chance
to research. For example, Cheyenne Barton and Tiffany Tan (AKA: Apple Cheeks) have
been big influences in terms of style. In my day to day life I have also been inspired by
illustration books like Pikku Nikku that gave me an idea for the title pages in each section.
When it came to drawing and technique, I explored many types of different materials in
my sketchbook. In the beginning, I didn’t know what style I was going to follow in the
book so illustrating objects related to coffee not only taught me how to draw elements I
hadn’t before but slowly made me develop a style for the book. At first, I wanted to do
it traditionally, however I realised that for the size of the project it would be a slow
medium and I would run out of time. Because of that I decided to do it on my iPad Pro
with the Apple Pencil and create the layout in InDesign. I have had some experience with
digital mediums, but not a lot. Creating other projects for Foundation has helped me
gain more knowledge in this area. I still have a lot to learn and it was a great learning
curve to do the whole book digitally.
As time went by, I discovered new techniques and the illustrating process became more
fluid. In the first section I got the pixel amount wrong which created some difficulties
when putting it into InDesign. I started to learn the things I had to take into account if it
was to be printed, like changing the colour to CMYK.
Though I did find a general style for the book I have noticed that it has not remained
completely consistent in the whole book. I have learned a lot of techniques and found
new textures and brushes since the start of the project. The colour palettes might be
similar but when I compare the first illustrations from the last, the final pages are more
illustrative and developed. In the book it can be noticed how my style changes and how
I grow. It is an interesting thing to see, however in the future I would like to try harder to
maintain a more consistent style.
Throughout my foundation program I have been learning to take critiques from others
to enhance my learning process and to critique myself. In the statement of intent, I
specified that I would actively seek feedback from family, friends and teachers. Though
it was sometimes a challenge and there were differences of opinion, it helped in decision
making and creating a better book. Without the help of other people’s suggestions and
support there are things I would have not realised or thought of. At the start of this
project I wanted to implement this even more, so I wrote that I would put up polls and
ask questions on social media or start an art account. I do believe this could have
improved some elements, unfortunately because of lack of time I was not able to do it
but is something I will definitely do in the future.
When I made illustrations, I had to do a lot of thumbnails and different tries for the same
layout, I made comments where I wrote why something worked and something didn’t. It
was a challenge as I had to analyse why I didn’t like something, I learned to read my work
better and critique myself for further improvement. However, I would still like to learn
that some things need to be left as they are and to not tweak everything as there has to
be a balance. I sometimes found myself spending too much time in certain sections
risking the quality of my work in other parts.
During this project I have realised even more, that things don’t always go to plan and
specially when it comes to art. At the beginning I made a timetable that said the research
would be done first and the cover last. I then learned that the cover should be done first,
which was something that helped when choosing the material and style. I also ended up
alternating between the research and the illustrations related to that investigation. In this
way the information was more fresh giving me a better idea of what I wanted to draw.
As I was a bit pressed for time, I also removed a section, which in the end suited the
book.
This project has been an amazing journey that has shown me many things about the
illustration world. I loved learning about one of my favourite drinks and illustrating things
like characters and objects I never thought I would. I had a great time playing with the
new medium, learning new tools, expressing myself through my drawings and trying new
and bright colour combinations. I still have a long way to go to learn my illustration style,
however this book has brought me come closer and taught me about myself as an artist.
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