Professional Documents
Culture Documents
Sources
Carl Philipp Emanuel Bach: The Complete Works, a complete edition of his music, has been in progress since 2005 and is
somewhat more than halfway finished as of 2014.
Baynes, T. S., ed. (1878), "Karl Philipp Emmanuel Bach" (https://en.wikisource.org/wiki/Encyclop%C3%A6dia_Britannica,_Nint
h_Edition/Karl_Philipp_Emmanuel_Bach), Encyclopædia Britannica, 3 (9th ed.), New York: Charles Scribner's Sons, p. 196
Ratner, Leonard G. (1980), Classic Music: Expression, Form and Style, New York: Schirmer
Rochlitz, Friedrich (1824–1832), Für Freunde der Tonkunst (in German), 4 vols., Leipzig
Thompson, Alton (1998). Formal Coherence in Emanuel Bach's Auferstehung (DMA thesis). Peabody Institute of Johns
Hopkins University.
Ottenberg, Hans-Günter (1987), Carl Philipp Emanuel Bach, translated by Whitmore, Philip J., OUP, ISBN 0-19-315246-0.
Attribution
This article incorporates text from a publication now in the public domain: Hadow, William Henry (1911), "Bach, Karl Philipp
Emanuel", in Chisholm, Hugh (ed.), Encyclopædia Britannica, 3 (11th ed.), Cambridge University Press, pp. 130–131
Further reading
The New Grove Dictionary of Music and Musicians (2001) contains a biography and list of his compositions.
Oleskiewicz, Mary, ed. J.S. Bach and His Sons, vol. 11 of Bach Perspectives, Illinois University Press, 2017. See also the Web
Companion (https://www.press.uillinois.edu/books/oleskiewicz/bp11/index.html), which shows images of historical keyboards he
played, and places where C.P.E. Bach performed, at the Prussian Court.
Oleskiewicz, Mary. "Carl Philipp Emanuel Bach and the Flute" Flutist Quarterly 39/no. 4 (Summer 2014): 20–30.
Oleskiewicz, Mary. "Like Father, Like Son? Emanuel Bach and the Writing of Biography," in Music and Its Questions: Essays in
Honor of Peter Williams, edited by Thomas Donahue (Richmond, Va.: Organ Historical Society Press, 2007), 253–79.
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