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Adorno, Theodor W. 'Modern music is growing old', trans. Rollo H. Myers, The
Score, 18 (18 December 1956), pp. 18-29
Philosophy of New Music (New York: Seabury, 1980)
Quasi una Fantasia, trans. Rodney Livingstone (London: Verso, 1994)
Antokoletz, Elliott. The Music ofBela Bartok (Berkeley: University of California
Press, 1984)
Bela Bartok: Guide to Research (New York: Garland, 1988)
Austin, William. 'Bartok's Concerto for Orchestra', The Music Review, 18/1
(February 1957), pp. 21-47
Bartok, Bela. Bela Bartok Essays (London: Faber & Faber, 1976)
Bela Bartok Letters, ed. Janos Demeny (London: Faber & Faber, 1971)
Hungarian Folk Music (London: Oxford University Press, 1931)
Rumanian Folk Music, ed. Benjamin Suchoff, 5 vols. (The Hague: Martinus
Nijhoff, 1967-75)
Serbo-Croatian Folk Songs (with Albert B. Lord) (New York: Columbia
University Press, 1951)
4
Die Volksmusik der Araber von Biskra und Umgebung', Zeitschrift fiir
Musikwissenschaft, 2/9 (June 1920), pp. 488-522
Bonis, Ferenc. Bela Bartok: his Life in Pictures and Documents, 2nd edn (Budapest:
Corvina, 1981)
'Quotations in Bartok's music', Studia musicologica, 5 (1963), pp. 355-82
Boulez, Pierre, 'Entries for a musical encyclopaedia - Bela Bartok', in Stocktakings
(Oxford: Clarendon Press, 1991), pp. 237^2
Cooper, David. 'Paul Wilson: The Music ofBela Bartok', review, Music Analysis,
13/2-3 (1994), pp. 305-11
Cooper, David, and Henderson-Sellars, B. 'Has classical music a fractal nature?
— a reanalysis', Computers and the Humanities, 27 (1993), pp. 43—50
Del Mar, Norman. Anatomy of the Orchestra (London: Faber, 1981)
Dille, Denijs. Bela Bartok (Antwerp: Metropolis, 1974)
Dorati, Antal. 'Bartokiana (some recollections)', Tempo, 136 (March 1981),
pp. 8-13
Downey, John. La musiquepopulaire dans Vceuvre de Bela Bartok (Paris: Centre de
Documentation Universitaire, 1966)

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 Select bibliography

Fassett, Agatha. The Naked Face of Genius: Bela Bartok's American Years (London:
Victor Gollancz, 1958)
French, Gilbert G. 'Continuity and discontinuity in Bartok's Concerto for
Orchestra', The Music Review, 28/1-2 (1967), pp. 122-34
Frigyesi, Judit. 'Bela Bartok and the concept of nation and volk in
modern Hungary', The Musical Quarterly, 78/2 (Summer 1994),
pp. 255-87
Gillies, Malcolm (ed.). The Bartok Companion (London: Faber & Faber, 1993)
Bartok in Britain (Oxford: Clarendon Press, 1989)
Bartok Remembered (London: Faber & Faber, 1990)
Griffiths, Paul. Bartok (London: Dent, 1984)
Heinsheimer, Hans. Fanfare for 2 Pigeons (New York: Doubleday, 1952)
Helm, Everett. Bartok (New York: Cromwell, 1972)
Hesse, Hermann. Musik, Betrachtungen, Gedichte, Rezensionen und Briefe (Frank-
furt am Main: Suhrkamp, 1985)
Howat, Roy. 'Review article: Bartok, Lendvai and the principles of proportional
analysis', Music Analysis, 2/1 (1983), pp. 69-95
Juhasz, Vilmos (ed.). Bartok's Years in America (Washington DC: Occidental,
1981)
Karpati, Janos. Bartok's String Quartets (Budapest: Corvina, 1975)
Kodaly, Zoltan. Folk Music of Hungary (London: Barrie and Rockliff, 1960)
Kroo, Gyorgy. A Guide to Bartok (Budapest: Corvina, 1974)
Lambert, Constant. Music Ho (London: Penguin, 1948)
Lampert, Vera, and Somfai, Laszlo. 'Bela Bartok', in The New Grove: Modern
Masters (London: Macmillan, 1984)
Leibowitz, Rene. 'Bela Bartok ou la possibility du compromis dans la musique
contemporaine', Les temps modernes, 2/25 (1947), pp. 705-34
Lendvai, Erno. Bela Bartok: an Analysis of his Music (London: Kahn and Averill,
1971)
The Workshop of Bartok and Kodaly (Budapest: Editio Musica, 1983)
'Remarks on Roy Howat's "Principles of Proportional Analysis'", Music
Analysis, 3/3 (1984), pp. 255-64
Lenoir, Yves. Folklore et transcendance dans I'wuvre de Bela Bartok (Louvain-la-
Neuve: Institut Superieur d'Archeologie et d'Histoire de l'Art, College
Erasme, 1986)
Lesznai, Lajos. Bela Bartok (London: Dent, 1973)
McCabe, John. Bartok Orchestral Music, BBC Music Guide (London: BBC, 1974)
Milne, Hamish. Bartok (London: Omnibus, 1982)
Moreux, Serge. Bela Bartok (London: Haverill, 1953)
Somfai, Laszlo. 'Manuscript versus Urtext: the primary sources of Bartok's
works', Studia musicologica, 23 (1981), pp. 2-66

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 Select bibliography

Stevens, Halsey. The Life and Music ofBela Bartok, 3rd edn, ed. Malcolm Gillies
(Oxford: Clarendon Press, 1993)
Szabolcsi, Bence. A Concise History ofHungarian Music (Budapest: Editio Musica,
1974)
Tallian, Tibor. Bela Bartok: the Man and his Work (Budapest: Corvina, 1988)
Ujfalussy, Jozsef. Bela Bartok (Budapest: Corvina, 1971)
Volek, Jaroslav. 'Uber einige interessante Beziehungen zwischen thematischer
Arbeit und Instrumentation in Bartok's Werk: Concerto fur Orchester', Studia
musicologica, 5/1-4 (1963), pp. 557-86
Weissman, John S. 'Bela Bartok: an estimate', The Music Review, 1 (1946),
pp. 221-41
Wilson, Paul. The Music ofBela Bartok (New Haven and London: Yale University
Press, 1992)

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