Figure 1. Giorgio de Chirico, The Uncertainty of the Poet, 1913.

Figure 2. Giorgio de Chirico, The Melancholy of Departure, 1916.

Figure 3. Giorgio de Chirico, The Transformed Dream, 1913.
Figure 4. Giorgio de Chirico, The Soothsayer’s Recompense, 1913.
Figure 5. Giorgio de Chirico, The Two Sisters (The Jewish Angel), 1915.
Figure 6. Fang Mask, 19th century.
Figure 7. Giorgio de Chirico, The Revenant (The Child’s Brain), 1918.
Figure 8. Giorgio de Chirico, The Dream of Tobias, 1917.
Figure 9. Giorgio de Chirico, The Disquieting Muses, 1916-1918.
Figure 10. Giorgio de Chirico, The Amusements of a Young Girl, 1915.
Figure 11. Giorgio de Chirico, Self-Portrait (And what shall I love if not the
metaphysical?), 1920.
Figure 12. Giorgio de Chirico, Portrait of a Beloved Girl, 1920.
Figure 13. Giorgio de Chirico, The Condottiero, 1918 and The Faithful Wife, 1918.
Reproduced in Valori Plastici, 1920.
Figure 14. Giorgio de Chirico, Self-Portrait (And what shall I love if not the enigma?),
1911.
Figure 15. Giorgio de Chirico, Roman Villa, 1922.
Figure 16. Giorgio de Chirico, Great Metaphysical Interior, 1918.
Figure 17. Federico da Montefeltro’s Studiolo, mid 1470s, Palazzo Ducale, Urbino.
Figure 18. Giorgio de Chirico, Geometric Composition with Factory Landscape, 1917.
Figure 19. Justus of Ghent or Antonio Berruguete, Portrait of Dante.
Figure 20. Justus of Ghent or Antonio Berruguete, Portrait of Solomon.
Figure 21. Piero della Francesca, The Duke and Duchess Federico da Montefeltro and
Battista Sforza, c.1473-75.
Figure 22. Giorgio de Chirico, Self-Portrait (Se ipsum), 1922.
Figure 23. Domenico Rosselli, Marble Relief Portrait of the Duke of Montefeltro,
1490.
Figure 24. Francesco di Giorgio Martini or Sandro Botticelli, Cristoforo Landino
Dedicating His Disputationes camaldulenses Libri I-IV to Federico da Montefeltro,
1475.