The first Medieval plays told religious stories and were
performed in or near churches. These first plays were called Miracle plays or Mystery plays. They were derived from the Bible and used events of religious history as subjects for drama: The disobedience of Adam and Eve, Noah and the great flood, Abraham and Isaac; events in the life of Jesus Christ, and so on. The plays were performed by traveling groups of actors, on a kind of stage on wheels called a pageant and that could be moved to different places. Another kind of plays in the Medieval period were the Morality plays. The characters in these plays were not persons (such as Adam or Abraham in previous plays) but embodiments of virtues or bad qualities (such as truth, vice, greed, revenge…). On the whole medieval drama was very simple in theme and action without real plot or characterization. 2 Elizabethan Drama:
The 16th century, or the Elizabethan Age (named after Queen
Elizabeth I) is the golden age of British drama. An unprecedented movement of playwriting and performing in theatres began first reviving the classical tradition. For a long time, classical Greek and Roman plays (mainly tragedies) were studied and performed in University theatres (1560s to 1580s) and the first British plays of this period were written by graduates from these Universities, the so-called University Wits that include Christopher Marlowe, Thomas Kyd, Robert Greene, Ben Jonson,… And their plays achieved huge success and contributed to establishing drama as a popular and dominant cultural and literary form of the period. How to explain this success and the importance of drama? -The general context (the Renaissance) and spirit of the age also explain this popularity of drama. The Elizabethan Age is a period of deep reform and achievement in different fields. The spirit of the age is evidenced in its interest in such fields as exploration, navigation, geography, science but also theatre. -In The Routledge History of English Literature we can read: ‘It was the dramatists who brought the issues of the age into clearest focus’. The 1rst Elizabethan plays were derived from Latin sources (Seneca, Plautus, Terence) and were also influenced by Medieval Morality plays. 1rst comedy: Ralph Roister Doyster (1552), 1rst tragedy: Gorboduc (1561) Despite the adherence to classical models, there is a very important new element in the first plays: the essential Englishness of the characters and the settings.
In 1592 an important tragedy by Thomas Kyd The Spanish
Tragedy, established the revenge play tradition showing the influence of Seneca. The same period The Comedy of errors: a reworking of a Plautus comedy by the young Shakespeare. Christopher Marlowe, considered as a pioneer of British drama wrote plays of great originality and richness that were very popular and will become masterpieces until the present, despite the short life of the writer (he was killed in a pub raw at the age of 26). Marlowe’s Dr Faustus, Tamburlaine, The Jew of Malta, Edward the Second… these plays explore the boundaries of the new world and the risks that mankind will run in the quest for power and for knowledge. Marlowe is also known for introducing a form of writing called blank verse (verse without rhyme)