Professional Documents
Culture Documents
Unit Tutors :
Dr Xiao (Lucia) Lu (xiao.lu@uca.ac.uk)
Kathleen Hinwood (kathleen.hinwood@uca.ac.uk)
Dr Yue Wang (402622382@qq.com)
© Xiao Lu (2020), Business School for the Creative Industries, University for the Creative Arts
UNIT TITLE Business Seminars: Understanding Consumers
Location Epsom
Level Level 4
Duration 12 weeks
Credit Value 15
CONTENT
With the rise of global consumerism, recent studies aim to deepen the knowledge of consumer
behaviour to enhance organisations’ commercial performance. In the 21st century, sociology,
anthropology, psychology, economics, and marketing studies pay special attention to consumers and
the emerging or contemporary forms of consumption, ranging from services, tourism, and
entertainment to high technologies.
From a theoretical perspective, Baudrillard, Bourdieu, and Veblen’s arguments on consumption play
a crucial role in social distinction, tastes and consumer identification. Their theories have a profound
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influence on today’s business research and strategies. However, the power of the internet facilitates
the rapid change of consumer choice, purchase and experience. The internet is revolutionising
consumption patterns and consumer behaviour in contemporary societies. Online platforms are
becoming more important in terms of the impact that digital and social media alter people’s
behaviour.
This unit provides an insight into consumer studies with a focus on the experiential, social, and cultural
aspects of consumption in the digital age. This unit applies marketing and consumption theories to
understand consumers especially highlighting the role of consumers in creative sectors.
Syllabus
• Introduction to understanding consumers
• Key debates in consumer studies
• Socio-cultural aspects of consumption
• Consumer society, culture, and identity
• Consumer tastes in the 21st century
• Experiential and cultural consumption
• Online communities and consumers
• Consumers and brands
• Consumer privacy in the digital age
• Consumer research methods
• Consumer analysis practices
AIMS
A2 To explore the role of consumers in digital platforms and how new technologies shape consumer
experience and decision making;
A3 To develop practical skills and abilities to analyse and evaluate consumer behaviour and its
relationship to marketing/branding strategies.
LEARNING OUTCOMES
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LO1 Understand key theories of consumers and consumption from the social, cultural and
experiential aspects;
LO2 Apply theoretical concepts to practical business environments dealing with consumer and
market challenges and opportunities;
LO3 Understand and identify appropriate theories and methods to analysing consumers.
ASSESSMENT REQUIREMENTS
1
This data is required for CMA/published information purposes. Further guidance about classification of ‘scheduled’
activity can be found in the Unit Descriptor Guidance in Annex 5 of the QAH
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Report Coursework
Dissertation Coursework
Portfolio Coursework
Project output (other than dissertation) Coursework
Set exercise (not under exam conditions, e.g. critiques) Coursework
Oral assessment and presentation 0% Practical
Practical skills assessment (including production of an
Practical
artefact)
Set exercise testing practical skills Practical
READING LIST
Essential Reading
Beer, D. and Burrows, R. (2010). Consumption, Prosumption and Participatory Web Cultures: An
Introduction. London: Sage.
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Carù, A. and Cova, B. (2006). How to facilitate immersion in a consumption experience: appropriation
operations and service elements. Journal of Consumer Behaviour, 5(1), pp. 4-14.
Chan, T.W. and Goldthorpe, J.H. (2007). Social stratification and cultural consumption: The visual arts
in England. Poetics, 35 (2), pp. 168–190.
Gabriel, Y. and Lang, T. (2008). New faces and new masks of today’s consumer. Journal of Consumer
Culture, 8 (3), pp. 321–340.
Mooij, M. (2010). Consumer Behaviour and Culture: Consequences for Global Marketing and
Advertising. London: Sage.
Recommended Reading
Allen, D.E. (2002). Toward a theory of consumer choice as sociohistorically shaped practical
experience: the fits‐like‐a‐glove (FLAG) Framework. Journal of Consumer Research, 28 (4), pp.515–
532.
Baudrillard, J. (1998). The Consumer Society: Myths and Structures. London: Sage.
Bauman, Z. (2001). Consuming Life. Journal of Consumer Culture, 1 (1), pp. 9-29.
Bourdieu, P. (1984). Distinction: A Social Critique of the Judgement of Taste. London: Routledge.
Chua, B.-H. (2002). Consumption in Asia: Lifestyle and Identities. London: Routledge.
Davies, A., Fitchett, J. and Shankar, A. (2003). An ethnoconsumerist enquiry into international
consumer behaviour. European Advances in Consumer Research, E-06, pp. 102-107.
Denny, R.M. and Sunderland, P.L. (2016). Handbook of Anthropology in Business. London: Routledge.
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Freshwater, H. (2012). Consuming authenticities: Billy Elliot the musical and the performing child. The
Lion and the Unicorn, 36 (2), pp. 154–173.
Fung, A.Y. (2009). Fandom, youth and consumption in China. European Journal of Cultural Studies, 12
(3), pp. 285–303.
Halliday, S.V. and Astafyeva, A. (2014). Millennial cultural consumers: co-creating value through brand
communities. Arts Marketing: An International Journal, 4 (1-2), pp. 119–135.
Miller, D. (1987). Material Culture and Mass Consumption. Oxford: Basil Blackwell.
O’Reilly, D. (2012). Maffesoli and consumer tribes: developing the theoretical links. Marketing Theory,
12 (3), pp. 341–347.
Peter, J.P. and Olson, J.C. (2010). Consumer Behaviour & Marketing Strategy. New York: McGraw-Hill
Irwin.
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