Professional Documents
Culture Documents
Welcome!
I’m glad you decided to learn the secrets of face analysis.
This course is very much “hands on” – I do not waste your time with
theory or “filler” material. Every single page of the book contains hard
facts relating to face analysis – you can start anywhere you like but it
may be best to just read from the beginning.
We’ll start with celebrity faces you may be familiar with in order to
make things easier, then jump into more detailed illustrations showing
specific traits to watch for before closing with the Face Reading Index.
I want to hear your face reading stories! Let me know how this book
has helped you – email me at elitesocialcontrol@gmail.com
Best of luck,
Hamilton Miller
Nicole Kidman
Her low‐set eyebrows and stunning eyes indicate that Ms Kidman is not
opposed to saying what is on her mind – even if it might offend
someone.
Her lips are rather pouty, so she probably enjoys whining occasionally,
and because they are often pursed she may be repressed emotionally.
The high‐set, upturned nose points to her being rather social. Strong
jaw‐line shows tenacity, persistence.
Gwyneth Paltrow
She seems to have a “glow” about her but people with this “glow”
often tend to exhibit an obsessive personality.
Her temples are set deep and this gives her face a “diamond” shape.
This results in her being unhappy in relationships and projecting that
unhappiness onto her partner.
Paris Hilton
If there existed a “Rosetta Stone” of face analysis, Paris Hilton would be
it.
Her nose and cheeks are strong, with the long nose showing a tendency
to hedonism. Full lips make contact with her cheek lines when she
smiles, indicating a love of partying. The strong under tip of her nose
shows a calculating nature. This girl is trouble and it is written all over
her face.
Hugh Grant
His asymmetrical eyes and very low eyebrows show poor judgment in
choosing his associates.
His particular sort of “brooding” face usually indicates someone who is
“wishy‐washy” and has difficulty being happy.
George Clooney
His long face shows he can be interested in money, people, power,
recognition, and security. They like to win. They are often sly, cunning,
belligerent, practical, successful, good organizers, dominant, self‐
centered, competitive, aggressive, and active.
His low forehead and hairline hampers his ability to think logically
under pressure. The straight angle indicates he thinks in a logical, step‐
by‐step process, and has trouble taking in information if it is presented
out of sequence or too fast. He needs time to digest information.
Because of this he doesn’t perform well under pressure. Two
horizontal lines crossing the forehead indicate middle level government
positions, and above average power. The brow ridge shows he likes to
stay within known policies and standards. His indented temples
indicate he is tactful.
His low set eyebrows show he wants to get the job done and do it now.
He is quick minded yet easy‐going, informal, and friendly. He just needs
to practice more patience. The bushy brows indicate he is a non‐stop
thinker, full of ideas and thoughts. He has a powerful intellect, and
enjoys good health. He is stubborn, proud, and tough. The straight
brows means he is direct, factual, and logical. He needs all the facts
before accepting something as true.
The large eyes are emotional and close to his family. He is a very visual
person, and needs to respond emotionally. No upper eyelid is visible.
This means he is analytical and needs his own space. The lower lid sags
showing his strong sexual appetite. The deep‐set eyes are observant,
cautious, reflective, and reserved. The puffs under the eyes show he is
impatient and critical.
The long and straight nose wants control at work. And he is logical, and
a long‐range planner. The closed wings indicate he is independent, self‐
made and self‐sufficient. Usually he can pull himself up, and receives
little support from others. The round tip indicates he is creative,
resourceful, self‐sacrificing, and work towards security. His thin nostrils
are conservative and a spendthrift. He knows the value of money. The
flat groove under his nose indicates he has a diminishing life force in
later life.
His large mouth means he is an extroverted, outgoing, talkative, and is
confident. He has a dip in the lip meaning he is romantic, dreamy, and
creative in love. The crooked/lopsided mouth indicates he is can be
deceitful. His thin lips means he guards his feelings and emotions. He
has a cool calculating disposition, and he mistrusts flattery. The thicker
lower lip shows he has the gift of gab and can be very persuasive. He
focuses on the outcome, the doing of it.
The large ears are open, kind, and receptive. The tops of his ears are
equal or higher than his eyes. He gathers information quickly. His
approach is “do it now”. He wants to see results right away. The ears
sit tight to the head to the head. He prefers to conform to social
standards. He is good at what most people think. He doesn’t like to
appear too different from other people. The inner rim is prominent
indicating he goes by instinct and focuses on his inner world. The large
notch and ear hole means he can be argumentative and generous.
His strong jaw shows he is stubborn. His long chin is well grounded,
innate physical powers. His High bony cheekbones show he is tempted
to use authority for personal gain.
The left side of his face (personal life) appears happy and relaxed. The
right side of his face (professional life) appears somber and guarded.
Reese Witherspoon
Her well‐balanced features and radiant eyes helped make her a success
in Hollywood, and her smile indicates someone who is full of life.
Her broad nose shows a willingness to do hard work and that she is
idealistic. The deeply‐carved cheek lines are what the Chinese face
readers call “Fa Ling” and show that she should live a long and healthy
life.
The extremely prominent chin indicate that she may get involved in the
problems of other people and even be seen as a “meddler” at times.
The well‐formed earlobes (nicknamed “money bags” in face analysis)
show a desire for wealth and “the good life.”
Tom Cruise
The square face is frank, direct, to the point. He is tough, persistent,
and selfish.
The hairline is angular showing he is career minded, practical,
methodical, orderly. The hair in the temples indicates he has trouble
thinking under pressure and has to work hard.
The thick eyebrows are low and very close together. He is informal,
easygoing, intolerant, energetic, impatient, and jealous. He gets
depressed easily and takes offense easily.
The king’s eyes have charisma, courage, leadership. He is ambitious
and doesn’t like people opposing him. His lids show he is analytical and
critical. The dark blue irises mean he is affectionate, friendly, moody.
The long nose is crooked with a pointed tip. He is proud and likes the
good life. He likes to use people and is selfish. The triangular nostril
shows he likes to take risks and adventures.
The large mouth has a wavy lip line. He is close to his family, optimistic,
and likes to talk a lot. He is also reliable, but suspicious. The thin lips
indicate he likes to fight his own battles.
The groove under the nose is short and wide meaning he can have
many children, but his life may be shortened.
The ears are radiant and even with his brows. He will have success and
popularity. No ear lobe shows he has a strong sexual drive.
The jaw and chin are firm and strong meaning strength and
stubbornness. The square chin indicates leadership abilities.
Christina Aguilera
Christina’s slightly pouting lips speak of her scorn for tradition and
conventional ways of living.
Christina’s eyes are animated and her pupils are large indicating a
vivacious and exciting approach to life. Her tapering chin an
aggressively independent and free thinking spirit who questions others’
motives.
Christina’s eyebrows are a little too sparse in relation to the other
features on her face and can indicate health weaknesses in her early to
mid 30s as well as conflicts with family members. Her rather large nose
tells of an underlying playful and fun loving side which is part of her
hedonistic streak.
Her eyelids are slightly developed which reflect an intuitive flip side to
her creative being but that she needs heed those intuitive promptings
just a little more in the future.
Heidi Klum
Heidi's straightforward face could be a little too much for some to
handle. Heidi's nose reveals her sometimes forthright and blunt
approach to dealing with others but shows a constant seeking to
understand others, which gives her a natural psychological edge.
Her low set eyebrows tell us she's impatient and a little intolerant of
others and likes to get things done quickly. Heidi's face exhibits
considerable angularity, particularly in the chin and jaw area, indicating
her love of sports and outdoors.
Heidi excels at activities that give her ample movement to express her
repressed emotions. In contrast to these harsher personality traits, her
eyes exhibit a softness and idealism in love. Because this part of Heidi's
face relates to her mid‐thirties, it's a time she can explore and begin to
fully appreciate her potential in relationships.
Heidi's lips tell us she's not your typical model, but has an intellectual
and progressive attitude with a leaning towards self knowledge.
Jack Nicholson
Jack Nicholson has a complex and unusual looking face. Jack’s impish
face mixes animal magnetism and intelligence of a high order and a zest
for life that may ultimately prove his undoing. This is seen by the very
strong single crease on his forehead.
Jack’s dramatic nature and love of humour and dry sarcasm can be seen
in his highly arched and wedged eyebrows. Jack has an enormous
sexual drive and this will not abate even into old age. How do we know
this? Look carefully into his eyes the next time you see him on screen or
in an interview. You'll observe a rather sultry look. The single crease at
the end of Jack’s nose indicates that he is not all that easy to live with.
B.
Belief—When the hairs at the outer extremity of the left eyebrow
stand up the subject is likely to believe in creeds and dogmas; this
will certainly be the case when the hairs of the right eyebrow do the
same.
Caution — Nostrils that lie flat to the face and the nose terminating
in a thin, pointed tip.
Coldness — A flat chin with thin lips and very small ears.
Cruelty — Large ears that stand out very far from the head, and
thin, compressed lips.
D.
Deceit — Eyes that are obliquely set close together. Eyebrows that
meet or which droop down to the roots of the nose.
Egotism — The jaws and lower part of the face larger than the
upper, with a flat chin and prominent cheek bones. Selfishness is also
found with a head so shaped as to present a flat appearance at
the back, and a long chin measuring downward from the centre,
more especially if the chin be pointed.
Energy — The root of the nose bony and broad. Long, narrow nos-
trils, an aquiline nose, and that part of the cheek lying between the
nose and the cheek bone very prominent.
Even Disposition — Eyebrows that lie wide apart. They must not
present a ruffled appearance to bear this interpretation.
Flippancy—The tip of the nose broad and tilting upward, and lips
that have a tendency to curve up at the corners.
G.
Generosity—A very thin bridge tc the nose. Full lips, which at the
corners are pressed together, imply the same quality.
Geniality — A slightly projecting under lip. But the lower lip must not
project far, or the signification is unfavorable.
Gratitude — When the hairs of the right eyebrow near the root of
the nose turn up a grateful spirit is shown.
H.
Heartlessness—A high forehead, with a conspicuously rounded
brow, while the lower portion is very flat. A flat chin, with an aperture
in the centre of the mouth, which shows the teeth even when the
mouth is closed.
I.
Idealism — The upper portion of the face strongly developed
above the temples and the lower part proportionately small.
Imagination — The crown of the head high, viz. : the distance from
the tip of the ear to the crown long.
Indecision — A long, flat chin with the upper lip hanging down.
Inordinately large ears, which are most strongly curved at the upper
part. A mouth, which is always a little open, points to indecision and
weakness.
Intellectuality— A wide space between the tip of the ear and the
outer corner of the eye. The greater the space the more intellectual
the subject will be. Large pupils are also indicative of intellect.
Ruffled, irregular eyebrows, that are well-pronounced, and not far
from the eyes, give intellectuality and irritability, a not unusual
combination.
J.
Jealousy — Oblique fullness at the side of chin just below the
upper lip.
Justice — Two upright lines planted between the eyes denote love
of justice.
L.
Labor (love of) — A sharply delineated mouth, with the lips inclin-
ing slightly upward at the corners under an arched lip. The nose will
also be well-pronounced, and not of the Grecian type.
Love (ardent)—The lower part of the face at the side of the chin
full. The chin will be round and broad and recede very much in the
upper portion, but project in the lower.
Love of the Opposite Sex—Eyes that are very round, large, full and
clear.
M.
Magnanimity — A round nose, the bridge of which is broad.
Ostentation (love of) — Full lips, with the upper one turning
outward.
P.
Passion — Eyes which display the whole iris. A broad chin with un-
even surface denotes violent passion.
Poetry (love of) — A small lump at the base of the nose, with great
length from the tip of the ear to the crown of the head.
R.
Reason — Great width across the front of the forehead in the
centre and the wing of the nostrils long.
Reserve—Lips that are gently but firmly closed, and a long nose
that droops at the tip.
Resistance — The moral force which gives strength to resist temp-
tations is found with eyebrows which describe an angular curve
outward.
Resolution —To be expected when the jawbone is developed in
the centre, producing fullness there. The eyebrows must not arch
high above the eyes, as this is always a sign of weak will.
Restlessness —The whites of the eyes visible above and below the
pupil.
S.
Scorn — An upward curve to the upper lip, with a slight crease or
fold under the lower lip.
Sentiment — Small ears lying close to the head, the back of which
is well-developed.
Stupidity — When the eyes are far removed from each other,
thoughtlessness and stupidity are shown. We see this strikingly
demonstrated in the animal world in the head of the cow. Stupidity,
combined with obstinacy, is shown by large ears, the upper part of
which are particularly broad and high.
Subtlety — A mouth which readily dilates and contracts, especially
if the line of the mouth be somewhat oblique when seen in profile.
T.
Talent—Gray eyes, and a low, broad forehead.
Temper (passionate) —The ears rising higher than the eyes. Violent
temper is more common with eyes of a brown shade than those of
the blue type.
Will (firm) — Eyebrows lying close to the eyes, and a nose which
is arched from the root, the chin being prominent and indented.
Will (steadfast)—The upper lip slightly projecting and both
meeting in a bold, full, noble form.
Wit — A thin, sharply defined angular nose, pointed at the tip and
slanting toward the lips, with the upper part of the forehead sloping
gently backward. One often finds three short lines on the nose which
denote wit.
Why are some people lucky - and some aren't?