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  • Bach Cello Suite 1 Prélude

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    Alexandre Gomes
    28 views2 pages
    The document is a musical score for Cello Suite No. 1 by Johann Sebastian Bach. It contains 41 lines of musical notation written for cello, including variations in tempo, volume, and the interplay of multiple melodic lines. The piece is divided into preludes and movements that are played on the cello.

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    Original Title

    J._S._Bach_-_Cello_Suite

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    The document is a musical score for Cello Suite No. 1 by Johann Sebastian Bach. It contains 41 lines of musical notation written for cello, including variations in tempo, volume, and the interplay of multiple melodic lines. The piece is divided into preludes and movements that are played on the cello.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    28 views2 pages

    Bach Cello Suite 1 Prélude

    Uploaded by

    Alexandre Gomes
    The document is a musical score for Cello Suite No. 1 by Johann Sebastian Bach. It contains 41 lines of musical notation written for cello, including variations in tempo, volume, and the interplay of multiple melodic lines. The piece is divided into preludes and movements that are played on the cello.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    1.

    Prélude
    Suite per violoncello n° 1

           
    Johann Sebastian BACH

                  
         
        

                         3
          
        
    3

           2   1 4 2 
    3             
      
        
     
    5 0

     2    4  1  4 0 3
             2     
          
     
    7 1 4 1

          
     
         
           

    3 0 1


    9
    4

     
                                  

    11

                         2     2 3   
       
    13 4

                                  
      
    15 3 2 0
    0

           
                        
        
    17

          
               
          
          
    19 1 2 2


     
     
     
    1


      
      
            

    21

      

    B. 2013
              4     4      
         
       
    23

                    3 4
         
    25

     

        
         4                 
       
    27


              
                       

    29

     
                                   
     
    31

      
                                 
    1


    33

                                
    3 1 1 1 3 1

       

    35

              1    
    4 3

       
    2 2 4 1 3 1 3


                         

    37 0 1 2 3 1
    4 4

               
             0 0      
      0 

    39

    4
      
               4 
      
     
    41

    2 B. 2013

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