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heMas
ter
yofModes& Pent
atoni
cs-Over
view Ch.5,pg.
45
5
TheMastery
ofModes&
Pent
atonics
CHAPTEROVERVI
EW
I
nthischapter
,S e
amusd emonst
rat
essever
almod a
l
“
Th emoreyouli
mit a
ppli
cat
ionsoft hema j
orpentat
onicsc
ale
.Hee xpl
ainshow
t
hema j
orpe nt
a t
onicca
nbepl ay
edo ve
ras i
ngl
epeda lnot
e
y
ourse
lf
,t
h emoref
ocu
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tar
ti
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iousint
erval
sfromthenotetocrea
te“ l
i
g ht
”
y
ourprac
ti
cecanbe.
” a
nd“ da
rk”s oundingmod e
s.Forexample
,theli
ght
estmod e,
“
lydi
an,
”isma d ebypla
yinganEma j
orpenta
toni
csc a
le
—SeamusBl ake
o
veraDd rone.
Tot a
k ethistechniquefurther, S
e amussho wsho wonec an
mixa ndpa irthesediff
erentmod estogethertoc r
eat
ea
combi nati
onofl ightandda rksou nds.
Topr ac
tic
ethisi
dea,
takefore xampletheEma j
orpe ntat
onicscalewhichcreat
es
thelydianmod e,t
hel i
ghtestmod eoveraDdr one,andpa i
r
i
twi t
ht heAbpe ntatonicov ertheDdr onewhi chcreat
es
alocriansou nd.So,atanyg ivenpoi ntinyou rimprovi
sat
ion
youca nnotonl yinjectanope n,“outsi
de”s oundu s
inga
pentatonicscalebuta l
soex pandont hi
sc onceptby
ela
bor at
ingo vervari
ou sma jorpe ntat
onicscalecombinati
ons.
Thi
stechni
quei
spart
icul
ar
lyus
eful
forpl
ayi
ngov
erpe
dal
poi
ntsormodal
tunesandusi
ngite
ffe
cti
vel
ywi
l
lunl
ocka
newdimensi
oni
ny ourpl
ayi
ng.
El
i
teMus
icMent
or