Professional Documents
Culture Documents
PINHEIRO, Victor Sales. Benedito Nunes Filósofo Da Literatura
PINHEIRO, Victor Sales. Benedito Nunes Filósofo Da Literatura
$GPGFKVQ0WPGU
ſNÎUQHQFCNKVGTCVWTC
'QGRHP¿ORVR¿D9LFWRU6DOHV3LQKHLUR
8(5-
(VWHDUWLJRWUDWDGHDOJXPDVGDVSULQFLSDLVFDUDFWHUtVWLFDVGDREUDGR¿OyVR
IR H FUtWLFR OLWHUiULR %HQHGLWR 1XQHV GH PRGR D HYLGHQFLDU D XQLGDGH GH
VHXSHQVDPHQWRKHUPHQrXWLFR$OpPGHXPDLQWURGXomRELRJUi¿FDVREUHD
IRUPDomRLQWHOHFWXDOGH%HQHGLWR1XQHVRVVHJXLQWHVWHPDVVmRDERUGDGRV
UHODomR GH FUtWLFD H HVWpWLFD D IRUPD ¿ORVy¿FD GRHQVDLR XQLYHUVDOLVPR H
UHJLRQDOLVPRDGLPHQVmR¿ORVy¿FDGDREUDGH*XLPDUDHV5RVD
PALAVRAS-CHAVE %HQHGLWR1XQHV)LORVR¿D(VWpWLFD&UtWLFD/LWHUiULD
7KLVDUWLFOHGHDOVZLWKVRPHRIWKHPDLQIHDWXUHVRIWKHZRUNRIWKHSKLORVR
SKHUDQGOLWHUDU\FULWLF%HQHGLWR1XQHVLQRUGHUWRGHPRQVWUDWHWKHXQLW\RI
KLVKHUPHQHXWLFDOWKRXJKW$IWHUDELRJUDSKLFDOLQWURGXFWLRQRQWKHLQWHO
OHFWXDO IRUPDWLRQ RI %HQHGLWR 1XQHV WKH IROORZLQJ WRSLFV DUH GLVFXVVHG
UHODWLRQVKLS RI FULWLFLVP DQG DHVWKHWLFV SKLORVRSKLFDO IRUP RI WKH HVVD\
XQLYHUVDOLVPDQGUHJLRQDOLVPWKHSKLORVRSKLFDOGLPHQVLRQRIWKHZRUNRI
*XLPDUmHV5RVD
KEY-WORDS %HQHGLWR1XQHV3KLORVRSK\$HVWKHWLFV/LWHUDU\FULWLFLVP
&RPH[FHomRGDQRWDLQWURGXWyULDHVWHHQVDLRIRLSXEOLFDGRQD5HYLVWD$3DOR6HFR$QRQ
ǡϐ× Ǥϐϐ
$ FRQFHVVmR GR SUrPLR -DEXWL HP SHOD REUD $ &ODYH GR 3RpWLFR
HGRSUrPLR0DFKDGRGH$VVLVGD$FDGHPLD%UDVLOHLUDGH/HWUDVHP
SHORFRQMXQWRGDREUDUHQRYDUDPRLQWHUHVVHHDDGPLUDomRSHODSURGX
omRLQWHOHFWXDOGH%HQHGLWR1XQHVGHQWURHIRUDGDV$FDGHPLDVGH/HWUDVH
)LORVR¿D(VVHVSUrPLRVDFRPSDQKDPRPRPHQWRGHUHFXSHUDomRHGLWRULDOGH
VXDREUDTXHFRQWDWDQWRFRPDUHSXEOLFDomRGRVOLYURVKiPXLWRHVJRWDGRV±
FRPRRFOiVVLFRDorso do TigreGHH3DVVDJHPSDUDRSRpWLFRGH
QRSUHORSHODHGLWRUD/R\RODFRPSUHYLVmRSDUDVHUSXEOLFDGRDLQGDQHVWHDQR
GH±TXDQWRFRPDSXEOLFDomRGHQRYDVFROHWkQHDVFRPHQVDLRVLQpGLWRV
RXGHSRXFRDFHVVRDH[HPSORGH(QVDLRV¿ORVy¿FRV
$GHPDLVRIDOHFLPHQWRGRJUDQGHHVFULWRUSDUDHQVHHPIHYHUHLURGH
VXVFLWRXJUDQGHLQWHUHVVHSHODVXDELRJUD¿DSHORPRGRGHYLGDUHDOPHQWHPDU
FDQWHGHXP¿OyVRIRTXHSUDWLFDYDDDUWHGRGHVSRMDPHQWR(VTXHFLGRGHVL
LPXQHDTXDOTXHUDIHWDomRDFDGrPLFDGHVSURYLGRGHDUSURIHVVRUDOHGHTXDO
TXHUUHEXVFDPHQWR¿ORVy¿FR%HQHGLWR1XQHVFXOWLYRXPXLWDVDPL]DGHVVHQGR
SURIHVVRUHPHVWUHGHWUrVJHUDo}HVGHLQWHOHFWXDLVSDUDHQVHV3RUTXH%HQHGLWR
1XQHVSUHIHULXSHUPDQHFHUHPVXDFLGDGHQDWDO%HOpP"3RUTXHQmRDFHLWRXRV
LQ~PHURVFRQYLWHVGHJUDQGHVXQLYHUVLGDGHVEUDVLOHLUDVDPHULFDQDVHHXURSHLDV
GHLQVWDODUVHQXPJUDQGHFHQWURGHSHVTXLVD"&RPRUHVXOWDGRGHVVHLQWHUHVVH
SHODULFDSHUVRQDOLGDGHGR¿OyVRIRHFUtWLFROLWHUiULRSURGX]LUDPVHGRLVLQWH
UHVVDQWHVGRFXPHQWiULRV%HQHGLWR1XQHV±XP¿OyVRIRQRVWUySLFRVPLQ
GLULJLGRSRU$GDOEHUWR0OOHUHPH0RUDQD¿ORVR¿DPLQGLULJLGR
SRU-XQLRU%UDJDHP
)RUPDomRHDPL]DGHVOLWHUiULDV
2LQWHUHVVHLQWHOHFWXDOGH%HQHGLWR1XQHVSHORVOLYURVFRPHoRXPXLWRFHGR
GHVGHDLQIkQFLD1DDGROHVFrQFLDDSDL[mROLWHUiULDIRLIHFXQGDGDSHODLQWHUDomR
FRPDPLJRVFRPR0iULR)DXVWLQR+DUROGR0DUDQKmRH0D[0DUWLQVGHFLVLYRV
QDGHVFREHUWDGHVHXWDOHQWRFUtWLFRHQRGHVHQYROYLPHQWRGHVXDSHUVRQDOLGDGH
LQWHOHFWXDO2LQWHUFkPELRGHOLYURVDFRPSDQKDGRSRUGLVFXVV}HVTXHRVYLYL¿
FDPYDORUL]DQGROKHVDGLPHQVmRUHÀH[LYDTXHHQFHUUDPSUHQXQFLDPRIXWXUR
¿ORVy¿FRGH%HQHGLWR1XQHV$DWLYLGDGHOLWHUiULDGRFUtWLFRFRPHoDGHIDWRFRP
DVORQJDVFDUWDVTXHWURFDYDFRP+DUROGR0DUDQKmRDUHVSHLWRGRVOLYURVTXH
WURFDYDP$RVSRXFRVRLPSUHVVLRQLVPRVHFRQYHUWHUiHPDUURMDGRLQVWUXPHQWDO
FUtWLFREDVHDGRQXPDFRPSUHHQVmR¿ORVy¿FDGDOLWHUDWXUDFRPRpoesiaWUDEDOKR
LQWHULRUGDVSDODYUDVTXHGHVYHODPDRKRPHPVHXPRGRGHVHUQRPXQGR
)RLDFRQYLWHGH+DUROGR0DUDQKmRTXHFRRUGHQDYDR6XSOHPHQWR/LWHUi
ULRGRMRUQDO)ROKDGR1RUWHTXH%HQHGLWR1XQHVFRPHoRXDHVFUHYHUUHJX
ODUPHQWHDUWLJRVGHFUtWLFDOLWHUiULDVHPSUHWHPSHUDGRVGHUHÀH[mR¿ORVy¿FD
(VVDSULPHLUDH[SHULrQFLDTXHGXURXGHDFXOPLQRXFRPRHQVDLRA
PRUWHGH,YDQ,OLWLFKHPEOHPiWLFRHPGRLVDVSHFWRVIXQGDPHQWDLVGDPDQHLUD
FRPTXH%HQHGLWR1XQHVSURFHGHUiQDVXDWUDMHWyULDFUtWLFDRSHQGRU¿ORVy¿FR
GHVXDFUtWLFDOLWHUiULDHRHVWLORHQVDtVWLFRTXHOKHSHUPLWHPRYHUVHGLQDPLFD
PHQWHHQWUHDOLWHUDWXUDHD¿ORVR¿DHPLQWHUFkPELR
$IDPRVDQRYHODGH7ROVWRLpLQWURGX]LGDGHPDQHLUDREOtTXD±RTXHVHWRU
QDUiXPDFDUDFWHUtVWLFDPDUFDQWHGHVXDIRUPDH[SRVLWLYD±DUWLFXODGDGHVGH
RSULQFtSLRDXPDTXHVWmRGHRUGHP¿ORVy¿FDRSUREOHPDGDPRUWH$LQGD
VHPPHQFLRQDUDQRYHODTXHOKHPRWLYDRHQVDLR%HQHGLWR1XQHVFDUDFWHUL]D
¿ORVR¿FDPHQWHRVLQGLYtGXRVTXHYLYHPQRHVWDGRLUUHÀHWLGRGRVHQVRFRPXP
IDPLOLDUL]DGRVHDOLHQDGRVQDQRUPDOLGDGHGRFRWLGLDQRRTXHRVLPSHGHGH
DFHGHUjGLPHQVmRPHWDItVLFDGDUHDOLGDGH2Q~FOHRGRHQVDLRDGYpPGHXPD
SUHRFXSDomRUHOLJLRVDFULVWmDOLPHQWDGDSHODOHLWXUDGH&KHVWRYH/DQGVEHUJ
GHUHGLPHQVLRQDPHQWRGDYLGDKXPDQDSHODWUDQVFHQGrQFLDGRLQGLYtGXRSHU
VRQDOL]DGRHFRQFLOLDGRFRPDPRUWHSHODEXVFDGHSHUIHLomRPRUDOTXHOKH
SOHQL¿FDDYLGD6HJXQGR%HQHGLWR1XQHV,YDQ,OLWFKTXHDQWHVYLYLDQDTXHOH
³HVWDGRGHLJQRUkQFLDTXHRFXOWDRVHQWLGRWUiJLFRGDVLWXDomRGRKRPHP
no mundo´LOXVWUDRPRYLPHQWRGHUXSWXUDFRPDEDQDOLGDGHFRWLGLDQDTXHOKH
IUDQTXHLD YLYHQFLDU R PLVWpULR GD PRUWH DWUDYpV GD ³agonia´ TXH ³realiza o
PRYLPHQWRGH)pH(VSHUDQoD´HSDUDRTXDODPRUWHVHULDXP³sair da vida na
direção de Deus´1XQHV
&RWLGLDQRHDPRUWHHP,YDQ,OLWLFKDSRQWDWDPEpPSDUDDIRUPDGLDOyJLFD
HFULDWLYDGDIXWXUDFUtWLFDGH%HQGLWR1XQHVTXHQmRSHUPDQHFHjVRPEUDGDV
REUDVTXHHVWXGDPDVDVWRPDFRPRSRQWRLQLFLDOGHXPDUHÀH[mRTXHJDQKD
IRUoDSUySULD8PTXHVWLRQDPHQWRGHGHQVRYDORUPHWDItVLFRHDWpHVFDWROyJLFR
UHYHODPDYROWDJHPHVSHFXODWLYDGR¿OyVRIRHPÀRUHVFLPHQWR
eVRERLQÀX[RGHRXWURJUDQGHDPLJRRSRHWDHFUtWLFR0iULR)DXVWLQR
TXH%HQHGLWR1XQHVSURVVHJXHQDFUtWLFDOLWHUiULDGHMRUQDOSDVVDQGRDFRQWUL
EXLUFRPHVWXGRV¿ORVy¿FRVSDUDR6XSOHPHQWR'RPLQLFDOGR-RUQDOGR%UDVLO
1HVWHPHVPR6XSOHPHQWR%HQHGLWR1XQHVSXEOLFDUiXPORQJRHVWXGRVREUHD
~QLFDREUDSXEOLFDGDHPYLGDGH0iULR)DXVWLQR2KRPHPHVXDKRUD
DUWLFXODQGRRIXQGDPHQWRWHyULFRGH3RXQGH(OLRWGDSRHVLDGHVHXDPLJR$
SDUWLUGDGpFDGDGHFRPDPRUWHSUHPDWXUDGH)DXVWLQRHP%HQH
GLWR1XQHVVHUiXPGRVUHVSRQViYHLVSHODSURGXomRRUJDQL]DomRGLYXOJDomR
HHVWXGRGDVXDREUDSRpWLFDHFUtWLFD&RPHIHLWRQmRVyjELRJUD¿DGH%HQH
GLWR1XQHVSHUWHQFHP+DUROGR0DUDQKmR0D[0DUWLQVH0iULR)DXVWLQRPDV
WDPEpPjVXDELEOLRJUD¿DSRVWRTXHRLQWHUHVVHTXHOKHVGLVSHQVDGHVGHMRYHP
QmRVHHVJRWDQDGLPHQVmRSHVVRDOGDDPL]DGHPDVDWUDQVFHQGHSDUDRSODQR
LQWHOHFWXDOGDDQiOLVHGHVXDVREUDVGHTXHpXPOHLWRUSULYLOHJLDGRHXPFUtWLFR
DWHQWR%HQHGLWR1XQHVQmRVyOKHVDFRPSDQKRXRGHVHQYROYLPHQWRGDREUDGD
VXDFRQFHSomRjVXD¿QDOL]DomRFRPRRVHVWXGRXHGLYXOJRXRUJDQL]DQGRSUH
IDFLDQGRUHVHQKDQGRRVVHXVOLYURVPXLWRVGRVTXDLVLQWHUYHLRSDUWHMDQGRDV
LGpLDVTXHRVRULJLQDP'HVGHMRYHP%HQHGLWR1XQHVS{GHLQWHUDJLULQWHOHFWX
DOPHQWHFRPHVFULWRUHVUHDOL]DQGRXPDIpUWLOUHODomRHQWUHFUtWLFRHHVFULWRUHV
$SDUWLUGHHQWmRFRQVROLGDVHDPLOLWkQFLDFXOWXUDOGH%HQHGLWR1XQHVTXH
SDVVDDFRQWULEXLUUHJXODUPHQWHFRPHQVDLRVGH¿ORVR¿DHFUtWLFDOLWHUiULDSDUD
A Província do ParáHQWUHHJornal do BrasilHQWUHH
Estado de São PauloHQWUHHEstado de Minas GeraisHQWUHH
H)ROKDGH6mR3DXORHQWUHHVHPSUHMXt]RGHLQ~PHUDVUHYLV
WDVDFDGrPLFDVSULQFLSDOPHQWHSDUDDSRUWXJXHVD&ROyTXLR/HWUDVHQWUHH
6HXVGRLVOLYURVGLGiWLFRV,QWURGXomRj¿ORVR¿DGD$UWHGHHFilo-
VR¿DFRQWHPSRUkQHDGHIRUDPHVFULWRVSDUDDFROHomR%XULWLFRRUGHQDGD
SRU$QWRQLR&DQGLGR(OHVUHVXOWDPGDH[SRVLomRPHWyGLFDGRVWHPDV¿ORVy¿FRV
GLVFRUULGRVDYXOVDPHQWHQDVSiJLQDVGRJornal do Brasil6HXSULPHLUROLYURO
PXQGRGH&ODULFH/LVSHFWRUGHHQIHL[DHQVDLRVSXEOLFDGRVQREstado de
São PauloFRPRRID]O Dorso do TigreGHRSULPHLURDXQLUQRÀDQFR
PRYHGLoRGDOLQJXDJHPRVVHXVGRLVJUDQGHVLQWHUHVVHVD¿ORVR¿DHDOLWHUDWXUD
8QLYHUVDOLVPRHUHJLRQDOLVPR
2VHVWXGRVGH%HQHGLWR1XQHVVREUHDXWRUHVSDUDHQVHVSDWHQWHLDPXPWUDoR
XQLYHUVDOLVWDGDVXDREUD5HLWHUDGDVYH]HVHOHOHPEUDTXHQHQKXPSRHWDDQGD
VR]LQKRTXHSRHWDpVHUGHFRPSDQKLDSRLVDSRHVLDEURWDGDSRHVLDRSULQFt-
³1RSRHWQRDUWLVWRIDQ\DUWKDVKLVFRPSOHWHPHDQLQJ
DORQH +LV VLJQL¿FDQFH KLV DSSUHFLDWLRQ LV WKH DSSUH-
FLDWLRQRIKLVUHODWLRQWRWKHGHDGSRHWVDQGDUWLVWV<RX
FDQQRWYDOXHKLPDORQH\RXPXVWVHWKLPIRUFRQWUDVW
DQGFRPSDULVRQDPRQJWKHGHDG´(OLRWS
'HVVHPRGRQmRVHSRGHMXOJDUXPSRHWDLVRODGDPHQWHPDVGHYHVHLQFOXtOR
QRVHLRGDWUDGLomRTXHDOLPHQWDDVXDexperiência literária individual'HIDWRD
REUDGH%HQHGLWR1XQHVUDWL¿FDRMXt]RGH(OLRW³Honest criticism and sensitive
DSSUHFLDWLRQLVGLUHFWHGQRWXSRQWKHSRHWEXWXSRQWKHSRHWU\´(OLRWS
$RFRVWXUDUDFDGHLDGHLQÀX[RVGDWUDGLomROLWHUiULDSDUDHQVHLQFOXLQGRD
QRFRQWH[WRPDLRUGDOLWHUDWXUDEUDVLOHLUDHVWDMiGLPHQVLRQDGDQDH[SHULrQFLD
OLWHUiULDRFLGHQWDORXQLYHUVDOLVPRGH%HQHGLWR1XQHVVREUHVVDLFRPRRWUD
oRGLVWLQWLYRGHVXDREUDTXHDEDUFDSRUWDQWRDWHRULDHDKLVWyULDOLWHUiULDV
VHPSUHMXt]RGDMiUHIHULGDHODERUDomR¿ORVy¿FDGHXPSHQVDPHQWRSRpWLFR que
WRUQH KHUPHQHXWLFDPHQWH IHFXQGR R GLiORJR HQWUH /LWHUDWXUD H )LORVR¿D &I
1XQHVD'HVWHPRGRRFUtWLFRDVVXPH³DUHOHYkQFLDKLVWyULFR-
-cultural´TXHOKHFDEHSRUTXH
³MXOJDUXPDREUDLQGLYLGXDOpDQWHVGHPDLVQDGDDVVL
QDODUOKHDSRVLomRQRFRQMXQWRGHTXHSDUWLFLSD(
RTXHDFUtWLFDMXOJDHPFDGDFDVRQRFLFORGHFLYLOL]D
omRDTXHSHUWHQFHDH[SHULrQFLDOLWHUiULDUHSUHVHQWDGD
UHÀHWLGDRXPRGL¿FDGDSHODREUDpD¿QDOWRGDDOLWHUD
WXUD´1XQHVDS
(QVDLRFRPRIRUPD
(VVDGLPHQVmRXQLYHUVDOLVWDUHYHODDGLPHQVmRIRUPDWLYDGHVXDREUDVXUJL
GDQRVHVFULWRVSXEOLFDGRVQRMRUQDO1HOHVSHUFHEHVHDSUHRFXSDomRGH%HQH
GLWR1XQHVHPformar OHLWRUHVFXLGDQGRQmRDIXJHQWDUGD)LORVR¿DRVTXHQmR
SXGHUDPFXOWLYiOD(VVHVHQVRGHIRUPDomRHOHKHUGRXGDSURItFXDWUDGLomRGR
HQVDtVPRMRUQDOtVWLFREUDVLOHLURGHTXHDEVRUYHXD³compreensão totalizante
da cultura´±FRPRPRVWURX$OH[DQGUH(XODOLRSQRVHXSUHVWLJLDGR
estudo O ensaio literário no Brasil±HjTXDOFRQWULEXLSHORDSURIXQGDPHQWR
GD)LORVR¿DFRPrQIDVHQRSHQVDPHQWRHVWpWLFR
$IRUPDOLWHUiULDGRensaioFRQWULEXLSDUDFRPSUHHQGHUDIRUoDOLWHUiULDGH
VHXWH[WRUHJLGRQDFODYHGXSODGHFRQFHLWRVHLPDJHQVTXHVHGHVGREUDHP
YiULDVWH[WXUDVDWUDYHVVDQGRDIURQWHLUDTXHDSUR[LPDD/LWHUDWXUDGD)LORVR¿D
(VVDPRYLPHQWDomRpWtSLFDGDHVFULWDHQVDtVWLFDTXHLQIXQGHHQWXVLDVPRSHOD
HQHUJLDLQWHOHFWXDOTXHSRUHMDJR]DQGRGD³OLEHUGDGHGHHVStULWR´&RPREHP
DVVLQDORX$GRUQRS³QmRDGPLWHTXHVHXkPELWRGHFRPSHWrQFLD
OKHVHMDSUHVFULWR´UHQXQFLDQGRTXDOTXHU³GHOLPLWDomRGHREMHWR´
3HQVDGRUUHSOHWRGHKLSyWHVHVHHUXGLomRSDUDtestáODV experimentáODVH
revolvêODV%HQHGLWR³escreve ensaisticamente´SRLVID]GDFRPSRVLomRHQVD
tVWLFDXPDH[SHULrQFLDGRSHQVDPHQWRYLVXDOL]DQGRRREMHWRHVWXGDGRDSDUWLU
GDVP~OWLSODVSHUVSHFWLYDVJHUDGDVSHORSUySULRDWRGDHVFULWDTXHVHUHQRYD
SHORH[HUFtFLRFRQVWDQWHGRSHQVDPHQWR6H3ODWmRVRXEHSODVPDUDYLYDFLGDGH
GR SHQVDPHQWR ¿ORVy¿FR HVFUHYHQGR diálogos FRPSRVWRV SRU GLIHUHQWHV LQ
WHUORFXWRUHV%HQHGLWR1XQHVSUHVHUYDRYHLRGLDOpWLFRGD¿ORVR¿DDWUDYpVGD
abertura GHVHXVHVFULWRVHQVDtVWLFRVTXHUHWRPDPRVPHVPRVWHPDVD¿PGH
HQIUHQWiORVVHPSUHGHXPDQRYDPDQHLUDLOXPLQDQGRRVVRERXWURVkQJXORV
GLVSRQGRVHDQRYDVtentativasQRYDVaproximações
0DVDREUDHQVDtVWLFDGH%HQHGLWR1XQHVSRUVHUFRPSRVWDGHVVDVUHÀH[}HV
HVSDUVDVHDEHUWDVTXHVmRRVHQVDLRVQmRFRQ¿JXUDXPDHVSpFLHGHUDSVyGLD
¿ORVy¿FDDGYHQWtFLDHDOHDWyULD3HQVDGRHPIUDJPHQWRVRROKDUTXH%HQHGLWR
1XQHV ODQoD VREUH D UHDOLGDGH QmR p IUDJPHQWiULR H SDUFLDO disciplinar $R
FRQWUiULRFRPR¿OyVRIRDYLVmRGHFRQMXQWRGDUHDOLGDGHRDOFDQFHGDYLVDGD
sinópticaFRPTXH3ODWmRTXDOL¿FRXRVGLDOpWLFRVQDRepública 9,,Fp
XPGRVWUDoRVGLVWLQWLYRVGHVXDHQVDtVWLFDTXHDEUDQJHRVPDLVGLYHUVRVDV
SHFWRVGDUHDOLGDGHVHPFRQWXGRFRPS{ORVFRQIRUWDYHOPHQWHQXPRUJkQLFR
PRVDLFRPHWDItVLFRFXMDDUTXLWHWXUDVLVWHPiWLFDHFRPSOHWDDMXVWDULDDVSDUWHV
DRWRGR8PDDQiOLVHGDGLYHUVLGDGHHGDDEUDQJrQFLDGHVXDREUDYROWDGDSDUD
DFRPSUHHQVmRGDKLVWyULDGD/LWHUDWXUDHGD)LORVR¿DFRPRXPWRGRDWHVWDD
UHÀH[mR¿ORVy¿FDLQWHJUDOSHUVHJXLGDSHODREUDGH%HQHGLWR1XQHV&RPDUURMR
KHUPHQrXWLFRGHLQWHUSUHWiORVLQWHUHVVDOKHescavar os fundamentos da cultu-
raFRQVLGHUDGDKLVWRULFDPHQWHHQRFRQMXQWRGHVXDVP~OWLSODVPDQLIHVWDo}HV
6REUHDIRUPDXWLOL]DGD%HQHGLWR1XQHVHQFRQWUDXPDIRUPXODomRPXLWRDSUR
SULDGDTXHVHUYHSDUDHOXFLGDUDIRUPDGHVXDREUD
'DtVHURHQVDLRRlócus SULYLOHJLDGRGDLQWHUSUHWDomR
DTXHOH HP TXH VH WHQWD D SURH]D GDV VtQWHVHV RXVDGDV
GDV IRUPXODo}HV FRPSUHHQVLYDV GH FRQMXQWR VHPSUH
IDOKDVPDVVHPSUHLQHYLWiYHLVYLVDQGRRWRGRGD+LV
WyULD GD VRFLHGDGH GD FXOWXUD H TXH D FLrQFLD VRFLDO
URWLQHLUDROKDFRPGHVFRQ¿DQoD&RPELQDQGRDOLEHUGD
GHGHLPDJLQDomRHDRUGHPGRVFRQFHLWRVHVVHDUURMR
KHUPHQrXWLFR VROLFLWD D XWLOL]DomR FRQYHUJHQWH LQWHU
GLVFLSOLQDUGDVFLrQFLDVVRFLDLVGLVSHUVDVQDIRUPDLQ
GLYLGXDGDHVWpWLFDGHXPGLVFXUVRIDYRUiYHOjKLSyWHVH
IHFXQGDHDUULVFDGDjGLVFXVVmRGHTXHVW}HVHPHUJHQ
WHVQmRFRQ¿QDGDVDXPD~QLFDGLVFLSOLQDHjVVROXo}HV
SUREOHPiWLFDV1XQHVS
&UtWLFDH(VWpWLFD
%HQHGLWR1XQHVRFXSDXPOXJDUSHFXOLDUQRSHQVDPHQWRHQVDtVWLFREUDVLOHL
URIURQWHLULoRHQWUHDFUtWLFDOLWHUiULDHD¿ORVR¿D6XDDWLYLGDGHFUtWLFDVHPSUH
VHGHXQDFRQÀXrQFLDGRSRpWLFRHGR¿ORVy¿FRHDVXDULTXH]DFRQVLVWHQR
PRGRIHFXQGRFRPRRVDSUR[LPDHPGLiORJR1DHQWUHYLVWDFRQFHGLGDD0DU
FRV1REUHH-RVp5HJRSS%HQHGLWR1XQHVD¿UPDTXHDHVWpWLFD
QR%UDVLOVHPSUHIRLSUDWLFDSRULQWHUPpGLRGDFUtWLFD'HIDWRDREUDGH%H
QHGLWR1XQHVpFDUDFWHUL]DGDSHODGXSODYDOrQFLDGDFUtWLFDHGDHVWpWLFDHVWD
SUDWLFDGDQmRVykPELWRJHUDOGDHVSHFXODomR¿ORVy¿FDVREUHDDUWHTXDQGR
WUDWD SRU H[HPSOR GH DXWRUHV FRPR .DQW +HJHO H +HLGHJJHU PDV WDPEpP
GHVHQYROYLGDTXDQGRRHQVDtVWDFRQVLGHUDQDFUtWLFDOLWHUiULDREUDVVLQJXODUHV
TXHRLPSXOVLRQDPjUHÀH[mRVREUHDQDWXUH]DGDDUWHFRPRWDOVREUHDIRUoD
RQWROyJLFDGDOLQJXDJHPHDVFRQGLo}HVGDH[SHULrQFLDHVWpWLFD'LVFXUVRKHU
PHQrXWLFRHDQDOtWLFRYROWDGRjFRPSUHHQVmRGHGHWHUPLQDGDVREUDVDFUtWLFD
EDVHLDVHQHFHVVDULDPHQWHHPGHWHUPLQDGDDQJXODomR¿ORVy¿FDHPTXHVXE
MD]HPDVFDWHJRULDVGHFRPSUHHQVLELOLGDGHGDOLWHUDWXUDFRPRWDO(VWDDUWLFX
ODomRSUHVHQWHDRORQJRGHWRGDREUDGH%HQHGLWR1XQHVHTXHDFDUDFWHUL]D
QRSHQVDPHQWREUDVLOHLURUHYHODDFRPSOHPHQWDULGDGHGDFUtWLFDHGDHVWpWLFD
FRPRkPELWRVUHÀH[LYRVVREUHDDUWHSHUPHiYHLVFRQYHUJHQWHVHPXWXDPHQWH
HQULTXHFHGRUHV([SOLFD%HQHGLWR1XQHV³QmRKiFULWLFDVHPSHUVSHFWLYD¿OR
Vy¿FDDFRPSUHHQVmROLWHUiULDDWRGRVXMHLWRLPSOLFDXPDIRUPDVLQJXODUGH
FRQKHFLPHQWRORJLFDPHQWHHVFXGDGRHFRQVWLWXtGRSHORPpWRGRSUySULRGHTXH
VHXWLOL]D´S
'HVVH PRGR %HQHGLWR 1XQHV p crítico QXPD DFHSomR PDLV DPSOD TXH
DFRPSDQKDRXVRGDSDODYUDcríticaHP.DQWSRUFRORFDURIHQ{PHQRDUWtVWLFR
VREDYLVDGDUHÀH[LYDGD¿ORVR¿DTXHGHVHQFDGHLDTXHVW}HVRQWROyJLFDVHJQR
VLROyJLFDV IXQGDPHQWDLV D SDUWLU GD H[SHULrQFLD HVWpWLFD ,QWHUHVVDOKH FRPR
¿OyVRIRHVWDEHOHFHUDVFRQGLo}HVSUHOLPLQDUHVGDH[LVWrQFLDGRWH[WROLWHUiULR
D ¿P GH FRQWUDVWiOR DR WH[WR ¿ORVy¿FR DSUR[LPDQGRRV VHP FRQIXQGLORV
SHODSHUWHQoDGHDPERVDRGRPtQLRGDOLQJXDJHP&UtWLFDH¿ORVR¿DOKHVmR
SRUWDQWRLQVHSDUiYHLVÀDQFRVGRPHVPRKRUL]RQWHHVSHFXODWLYRVREUHRVHUGD
OLQJXDJHP(VWHHQVDLREXVFDDSRQWDUVXEVtGLRVSDUDDFRPSUHHQVmRGRIXQ
GDPHQWR ¿ORVy¿FR GHVWD DSUR[LPDomR HQWUH ¿ORVR¿D H OLWHUDWXUD D SDUWLU GR
SHQVDPHQWRGH*DGDPHUTXHFRQVLGHUDDH[SHULrQFLDKHUPHQrXWLFDXPMRJR
GLDOyJLFRHQWUHWH[WRHLQWpUSUHWHFRPRDSRQWDUHLQDSUy[LPDSDUWH
'H IDWR GHVGH D VXD SULPHLUD FROHWkQHD GH HQVDLRV UHXQLGRV O dorso do
tigre, SXEOLFDGDHPRHVIRUoRGHDSUR[LPDUKHUPHQHXWLFDPHQWHOLWHUD
WXUDH¿ORVR¿DpSDWHQWHHWHPDVXDIXQGDPHQWDomR¿ORVy¿FDEHPGHOLQHDGD
DIHQRPHQRORJLDKHUPHQrXWLFDGH+HLGHJJHU$EVRUYHQGRRLPSRUWDQWHHVFULWR
GR¿OyVRIRDOHPmRA origem da obra de arte%HQHGLWR1XQHVUHFRQKHFHTXH
RVHQWLGRGDDUWHpLQVHSDUiYHOGRVHQWLGRGRVHUHTXHDUHGXomRIHQRPHQR
OyJLFDWDOFRPRDSURSRVWDSHORDXWRUGHSer e tempoQHXWUDOL]DULDDYLJrQFLD
GDHVWpWLFDPRGHUQDFXMDVFDWHJRULDVHQFREULULDPDPHWDItVLFDTXHOKHpVXE
MDFHQWH6HJXLQGRDVVHQGDVHQWUHDEHUWDVSRU+HLGHJJHUHGHSRLVSHUFRUULGDV
SRU *DGDPHU %HQHGLWR 1XQHV DUWLFXOD D VXD FUtWLFD ¿ORVy¿FD QD GLUHomR GD
FRPSUHHQVmRRULJLQiULDGDDUWHTXHpSURSULDPHQWHDGHprojeçãoEntwurf
³IRQWHSRURQGHDYHUGDGHMRUUD´³$DUWHGHSHQGHGRPRYLPHQWRRULJLQiULRGD
YHUGDGHTXHVHUHDOL]DHTXHSRULQWHUPpGLRGHODVHSHUID]´1XQHVD
S$XW{QRPDLQGHSHQGHQWHGHYHUGDGHVTXHOKHVmRDOKHLDVFRPRDVTXH
OKHTXHULDLPSXWDUDWUDGLomRPHWDItVLFDGDHVWpWLFDDDUWHHQFDUQDRIXQGDPHQWR
TXHSRVVLELOLWDDabertura para o mundo$REUDGHDUWHWHPSRLVDVXDRULJHP
QDTXHOHacontecimentoTXHSRUHODRFRUUHTXHpRacontecimento da verdade
+HLGHJJHUS5HGLPHQVLRQDGDRQWRORJLFDPHQWHDDUWHSDVVDDVHU
³XPPRGRGHSURMHomRXPDIRUPDUHTXHULGDSHORDGYHQWRWHPSRUDOL]DGRUGD
YHUGDGH´1XQHVDS
&RPRSHQVDGRUKHLGHJJHULDQR%HQHGLWR1XQHVWHPXPDTXHVWmRGHRUGHP
¿ORVy¿FDTXHOKHGLUHFLRQDDFUtWLFDOLWHUiULDDGRsentido ontológico da arte,
fenomenologicamente incorporada à questão do ser0DQLIHVWDGDMiQRVHXSUL
PHLUROLYURGHHQVDLRVHVWDTXHVWmRVHUiSHUVHJXLGDLQFDQVDYHOPHQWHDRORQJR
GHVXDSURIXVDREUDHSRGHVHUWRPDGDFRPRIXQGDPHQWRGHVXDDWLYLGDGHFUtWL
FDDKHUPHQrXWLFDGRVHQWLGRRQWROyJLFRGDDUWH
eQDVpULHGHHQVDLRVVREUH&ODULFH/LVSHFWRUSUHFXUVRUHVGDDERUGDJHP¿ORVy
¿FDGD¿FFLRQLVWDTXH%HQHGLWR1XQHVGHPRQVWUDPDLVHQIDWLFDPHQWHRYtQFXOR
IHQRPHQROyJLFRTXHXQHDOLQJXDJHPRSHQVDPHQWRjH[LVWrQFLDHTXHFRQIHUH
RFDUiWHUGUDPiWLFRGDHVFULWDGH/LVSHFWRUQDEXVFDSHORVHQWLGRGRVHU1RHQVDLR
/LQJXDJHPHVLOrQFLR%HQHGLWR1XQHVUHYHODPDLVXPDYH]DIRQWH¿ORVy¿FDGH
VXDDERUGDJHPGLDOyJLFDHUHÀH[LYDGDOLWHUDWXUDa arte como jogo ontológico da
linguagem, reveladora do ser.'L]%HQHGLWR1XQHVQRUHIHULGRHQVDLR
2UD VH D DUWH OLWHUiULD UHYHOD R VHU SHOR MRJR GD OLQJXDJHP GH TXH SDUWL
FLSDDRLQWpUSUHWH¿OyVRIRFDEHHVFXWiODFRORFDQGRDHPLQWHUORFXomRSDUD
TXHSRVVDMXQWRFRPHODFRPSUHHQGHURHYHQWRGDYHUGDGHTXHDRULJLQRXWDO
FRPR*DGDPHUGHVFUHYHUiDH[SHULrQFLDOLQJtVWLFRKHUPHQrXWLFDGDREUDGH
arte7UDQVDFLRQDODFUtWLFDGH%HQHGLWR1XQHVFRPRKHUPHQrXWLFDpRGLiOR
JRTXHDSUR[LPD¿ORVR¿DHOLWHUDWXUDVHPKLHUDUTXL]iODVRXFRQIXQGLODVSUH
VHUYDQGRDLGHQWLGDGHGHFDGDLQWHUORFXWRUD³)LORVR¿DQmRGHL[DGHVHU)LORVR
¿DWRUQDQGRVHSRpWLFDQHPD3RHVLDGHL[DGHVHU3RHVLDWRUQDQGRVH¿ORVy¿FD
8PDSRODUL]DDRXWUDVHPDVVLPLODomRWUDQVIRUPDGRUD´1XQHVS
6HRSODWRQLVPRGDWUDGLomRRFLGHQWDODVGLFRWRPL]RXDSDUWLUGDVFDWHJRULDV
PHWDItVLFDVGHYHUGDGHLURHLOXVyULRUD]mRHVHQVDomRlógosHPLWRHVVrQFLDH
DSDUrQFLDHDVVLPSRUGLDQWHFRPDDVFHQVmRGDOLQJXDJHPDRSULPHLURSODQR
GDUHÀH[mR¿ORVy¿FDHIHWXDGDSRU1LHW]VFKHGHVFREULXVHRVRORPHWDIyULFR
GD¿ORVR¿DDVXDPDWUL]HPLQHQWHPHQWHSRpWLFDSRUTXHHQUDL]DGDQRHOHPHQWR
OLQJtVWLFRTXHDYLYL¿FD&I1XQHVS6HJXQGR%HQHGLWR1XQHV
DUHYHODomRGRFDUiWHUSUpUHÀH[LYRHIiWLFRGRKRPHPFRPRVHUDtDasein
GLVWDQWHGRVXMHLWRKXPDQRFRPRFRQVFLrQFLDUHÀH[LYDFDSD]GHFRQKHFLPHQWR
WHyULFRDFDUUHWRX³RJUDQGHEORFRKHUPHQrXWLFRGRSHQVDPHQWRFRQWHPSRUk
QHRFRQVWUXtGRSRU+HLGHJJHUHHQULTXHFLGRSRU+DQV*HRUJ*DGDPHUH3DXO
5LFRHXU´1XQHVS1RFRQWH[WRGDIHQRPHQRORJLDKHUPHQrXWLFDQD
TXDOVHPRYHRSHQVDPHQWRGH%HQHGLWR1XQHVDinterpretaçãoRFXSDUiROXJDU
FHQWUDOQD¿ORVR¿DSRLVRDaseinQmRFRQKHFHWHRULFDPHQWHQHPDQDWXUH]D
QHPDVLPHVPRDQWHVGHLQWHUSUHWDUVHDSDUWLUGDFRPSUHHQVmRDEHUWDSHOR
KRUL]RQWHGDOLQJXDJHP6HQGRDOLQJXDJHPGHWHUPLQDQWHQDH[SHULrQFLDKHU
PHQrXWLFDGRKRPHPFRPRVHUQRPXQGRDSRHVLDUHYHODDYHUGDGHGRVHUna
e pelaOLQJXDJHPGLJQDSRUWDQWRGHVHUHVFXWDGDHLQWHUSUHWDGD)XQGDPHQWR
GDKHUPHQrXWLFDOLWHUiULDGH%HQHGLWR1XQHVHVWDFRPSUHHQVmRRQWROyJLFDGD
OLQJXDJHP p DPSODPHQWH GHVHQYROYLGD SRU *DGDPHU SDUD TXHP R ³diálogo
KHUPHQrXWLFR´HQWUHLQWpUSUHWHHWH[WRQRDWRGDFRPSUHHQVmRGRPXQGRaber-
to na linguagem da obrapPDUFDGRHPVXDHVVrQFLDSRUVXDlinguisticidade
*DGDPHUS
'HVWHPRGRRGLiORJRTXH%HQHGLWR1XQHVSURPRYHHQWUH¿ORVR¿DHOLWHUD
WXUDVHGiQRkPELWRGDKHUPHQrXWLFD¿ORVy¿FD³QRSODQRGRFRQKHFLPHQWRLQ-
terpretativo das obras´1XQHVSFRPEDVHQDIHQRPHQRORJLDTXH
OHYRXD¿ORVR¿DSDUDDGLPHQVmRGDH[LVWrQFLDLQGLYLGXDOSDUDDH[SHULrQFLDOL
WHUiULDHDUWtVWLFDHSDUDDUHÀH[mRRQWROyJLFDVREUHDOLQJXDJHPeSRVVtYHOHQ
WmRFRPSUHHQGHUDVSHFWRVGDKHUPHQrXWLFDOLWHUiULDGH%HQHGLWR1XQHVDSDUWLU
GDFRPSUHHQVmRGDFDUDFWHUtVWLFDGLDOyJLFDGHWRGDLQWHUSUHWDomRGHVHQYROYLGD
SRUXPGRVDXWRUHVIXQGDPHQWDLVGDKHUPHQrXWLFDFRQWHPSRUkQHD*DGDPHU
(VWHSURSyVLWRpPRWLYDGRSRUUHIHUrQFLDVGLUHWDVGH%HQHGLWR1XQHVDRDXWRU
de 9HUGDGHH0pWRGRFRPRQRHQVDLR7UDEDOKRGDLQWHUSUHWDomRHD¿JXUDGR
LQWpUSUHWHQDOLWHUDWXUDQRTXDOHOHGL]
7UDYDVHSRUWDQWRHQWUHRLQWpUSUHWHHRWH[WRXPDHV
SpFLH GH GLiORJR GH GLDOpWLFD GD TXHVWmR H GD UHVSRV
WD LQWHUSHODomR P~WXD GH XP SHOR RXWUR R LQWpUSUHWH
TXHVWLRQDQGRRWH[WRHVHQGRSRUHVWHTXHVWLRQDGRFRP
VHXVLOrQFLRRXDVXDUHVSRVWDTXHID]HPDLQWHUSUHWDomR
DYDQoDURXUHFXDU1XQHVS
8PH[HPSORGHFUtWLFD¿ORVy¿FD*XLPDUmHV5RVD
$LQWHUSUHWDomRGH%HQHGLWR1XQHVVREUH*XLPDUmHV5RVDpHPEOHPiWLFDGH
VXDFUtWLFD¿ORVy¿FD&RQYpPPDUFDUFHUWRVDVSHFWRVTXHDFDUDFWHUL]DPSDUD
FRQFOXLUHVWDDSUHVHQWDomRGR¿OyVRIRGDOLWHUDWXUD
4XDQGRXPHVFULWRUHQFRQWUDXPFUtWLFRFDSD]GHDFRPSDQKiORQDGHQVL
GDGHOLWHUiULDGHVXDREUD¿FFLRQDOGHVFRUWLQDVHXPDQRYDFDPDGDGHOHLWXUD
RQGHDOLQJXDJHPHRSHQVDPHQWRVHHQFRQWUDPQDFRQÀXrQFLDSRpWLFDdas pa
ODYUDV$ULTXH]DGDREUDGH*XLPDUmHV5RVDUHVLGHVREUHWXGRQRVR¿VWLFDGR
WUDEDOKRFRPDOLQJXDJHPFRPTXHDUH¿QRXSODVWLFDPHQWHUHFULDQGRDHPVHX
HVWDGRQDVFHQWHHUHQRYDQGRDVVLPVXEVWDQFLDOPHQWHDVHPkQWLFDHDVLQWiWLFD
GDOtQJXDSRUWXJXHVD8PDXWRUGHVVDPDJQLWXGHFRQYRFDXPDOHLWXUDUHÀH[LYD
LJXDOPHQWH SRpWLFD FDSD] GH SHQHWUDU QD VXD FRPSOH[D HVWUXWXUD SDUD SRGHU
FRPSUHHQGHURSURMHWROLWHUiULRTXHRDQLPD'RWDGRGHXPDSXUDGRHVStULWR
¿ORVy¿FR%HQHGLWR1XQHVDFRPSDQKRXGHSHUWRDREUDGH5RVDVHQGRXPGRV
VHXVSULPHLURVHPDLVRULJLQDLVLQWpUSUHWHV
4XDQGR5RVDSXEOLFRXGrande Sertão: VeredasHP%HQHGLWR1XQHV
MiFRQWULEXtDUHJXODUPHQWHFRPHQVDLRVGHFUtWLFDOLWHUiULDH¿ORVy¿FDSDUDR
6XSOHPHQWR'RPLQLFDOGRJornal do BrasilSXEOLFDQGRVREUHXPDJDPDPXL
WRYDULDGDGHDXWRUHVHWHPDVSUHIHUHQFLDOPHQWHVREUH/LWHUDWXUD0RGHUQDH
(VWpWLFDFRPGHVWDTXHjIHQRPHQRORJLDGH+XVVHUO'LIHUHQWHGRPRGRFRP
TXHDERUGDUDDSRHVLDGH%DXGHODLUHH)HUQDQGR3HVVRDDSULPHLUDUHVHQKDGH
%HQHGLWR1XQHVVREUHGrande Sertão: VeredasWHPXPWRPDOJRGXELWDWLYR
HUHJLVWUDDIRUWHLPSUHVVmRFDXVDGDSRUDTXHOH³OLYURWXPXOWXRVRHLPHQVR´
³URPDQFHH[WUDRUGLQiULRHVFULWRHPOLQKDVWRUWDV´FXMDOLQJXDJHP³TXHQmRp
DULJRUQHPGLDOHWRUHJLRQDOQHPFULDomRDUELWUiULD´³FRQ¿QDFRPDSRHVLD´
2VHQVDLRVGH%HQHGLWR1XQHVVREUH*XLPDUmHV5RVDFLWDGRVQHVWDSDUWHGRHVWXGRIRUDP
UHXQLGRVQROLYUR$5RVDRTXHpGH5RVD±OLWHUDWXUDH¿ORVR¿D(GLWRUD'LIHORUJDQL]DomR
9LFWRU6DOHV3LQKHLURTXHHVWiQRSUHOR3RUHVWDUD]mRFLWDVHVRPHQWHRQRPHGRHQVDLRVHP
DUHIHUrQFLDELEOLRJUi¿FD
GH VL PHVPR SHOD UXSWXUD GD OLQJXDJHP SURVDLFD GR HQWHQGLPHQWR FRWLGLDQR
O mito em Grande Sertão: Veredas(LVFRPR%HQHGLWR1XQHVGHVFUHYHHP
DVXDH[SHULrQFLDHVWpWLFDGHOHLWXUDGRHSLVyGLRGDPRUWHGH'LDGRULP
³$WpKRMHGHSRLVGHWDQWRVDQRVGDSULPHLUDOHLWXUDGH
Grande Sertão: VeredasQmRSRVVRGHL[DUGHHPRFLR
QDUPH QHVWD SDVVDJHP &RPSDUWLOKR R VRIULPHQWR GR
RXWUR SDUD TXHP QHQKXPD FRQVRODomR KXPDQDPHQWH
IDODQGRpSRVVtYHO(FRPSUHHQGRDDomRGRURPDQFH
FRPSUHHQGHQGRPHMXt]RDWUDYpVGHODHPPLQKDFRn
GLomR GH VXMHLWR IDGDGR DR VRIULPHQWR 2 PRYLPHQWR
FRPSOHWRXVHIRUDGROLYURDH[SHULrQFLDHVWpWLFDGR
FRQÀLWRSURORQJDGDQDH[SHULrQFLDGDYLGDGROHLWRUka-
WKDUVLV´1XQHVES
&RPRVHYrDREUDGH5RVDSURYRFDOKHGHVGHRLQtFLRXPDIRUWHDIHFomR
PRWLYDQGRRDXPDDSUR[LPDomRSRpWLFDGDUHDOLGDGH Podemos compreendê
ODDSDUWLUGDGHVFULomRGH*DGDPHUVREUHDUHODomRGLDOyJLFDTXHVHLQVWDXUD
HQWUHLQWpUSUHWHHWH[WRFDUDFWHUtVWLFDGDOHLWXUDKHUPHQrXWLFDGH%HQHGLWR1X
QHV&RPHIHLWRpRGLiORJRKHUPHQrXWLFRTXH³LQWHUURJDRWH[WRjEXVFDGD
TXHVWmRTXHRPXQGRGDREUDSURS}HDRSHQVDPHQWR´FRPRH[SOLFDRFUtWLFR
¿OyVRIRHP$0DWpULD9HUWHQWHRPpWRGRFUtWLFRSUHGRPLQDQWHGRVHQVDLRV
DTXLUHXQLGRV
(PEOHPiWLFRVREPXLWRVDVSHFWRVGDKHUPHQrXWLFDGLDOyJLFDGH%HQHGLWR1X
QHVHYHUGDGHLURFOiVVLFRGDELEOLRJUD¿DFUtWLFDURVHDQDRHQVDLR O amor na obra de
Guimarães RosaTXHDEUHHVWHOLYURSURFHGHH[DWDPHQWHFRPRLQWHUORFXomRLQWHU
FDODQGRDHVFXWDGRWH[WRFRPGLJUHVV}HV¿ORVy¿FDVTXHOKHTXHVWLRQDPRVHQWLGR
D¿PGHIRUPXODURTXHVHULDD³YLVmRHUyWLFDGDYLGD´H[SUHVVDPLWRSRHWLFDPHQWH
HP ULFD VLPERORJLD DPRURVD D SDUWLU GH FHUWR SODWRQLVPR KHUPpWLFRDOTXtPLFR
SHORTXDOErosVHULDIRQWHGHEHOH]DHGHVHMRGHLPRUWDOLGDGHTXHLPSXOVLRQDDYLGD
QXPDVpULHGHVXEOLPDo}HVGRVHQVtYHODRLQWHOLJtYHOGDFDUQHDRHVStULWR
1HVVHFRQWH[WRGHFRPSUHHQVmR¿ORVy¿FDGDOLWHUDWXUDFRPTXH%HQHGLWR
1XQHVDJXoDDVXDFRQVFLrQFLDFUtWLFDHTXHGiDRVVHXVHQVDLRVXPDGLPHQVmR
SURSULDPHQWHHVSHFXODWLYDDREUDGH*XLPDUmHV5RVDVREUHVVDLFRPXPSDSHO
IXQGDPHQWDOSRUWUD]HUHPVHXLQWHULRUDIRUoDHPLQHQWHPHQWHSRpWLFDGDSDOD
YUD2EVHUYDRFUtWLFRHPA viagem
³3DUD*XLPDUmHV5RVDQmRKiGHXPODGRRPXQGRHGHRXWURR
KRPHPTXHRDWUDYHVVD$OpPGHYLDMDQWHRKRPHPpDYLDJHP²
REMHWRHVXMHLWRGDWUDYHVVLDHPFXMRSURFHVVRRPXQGRVHID](OH
DWUDYHVVDDUHDOLGDGHFRQKHFHQGRDHFRQKHFHDPHGLDQWHDDomRGD
poiesis RULJLQiULDGHVVDDWLYLGDGHFULDGRUDTXHQXQFDpWmRSURIXQGD
HVREHUDQDFRPRQRDWRGHQRPHDomRGDVFRLVDVDSDUWLUGRTXDOVH
RSHUDDIXQGDomRGRVHUSHODSDODYUDGHTXHIDOD+HLGHJJHU´
,PSRUWDQRWDUTXHQRVHXOLYUR¿ORVy¿FRPDLVLPSRUWDQWHPassagem para o
SRpWLFR±)LORVR¿DH3RHVLDHP+HLGHJJHUXPDSDVVDJHPGHGrande Sertão:
Veredas HSLJUDIDR~OWLPRFDStWXOR$5HVLGrQFLD3RpWLFDFRQFOXVLYDDUWLFX
ODomRGRTXHVHULDR³SHQVDPHQWRSRpWLFR´RtQWLPRYtQFXORTXHXQHpoesia e
pensamento QDVHLYDRULJLQiULDGDOLQJXDJHP
3RpWLFDDSDODYUDGH5RVDp³OLQJXDJHP>TXH@VHWUDQVIRUPDHPPHLRGH
UHYHODomRSDUDGL]HURTXHDQWHVQmRSRGLDVHUGLWR´GLUi%HQHGLWR1XQHVQR
ensaio 7XWDPpLD'HVVHPRGRFDEHOKHFRPR¿OyVRIRHPLQWHUORFXomRFRPD
3RHVLDescutar as palavrasHID]HUGRpensamentoFRPRTXHULD+HLGHJJHU
uma atenção à linguagem&ODURHVWiSRUWDQWRTXHDUHODomRHQWUH)LORVR¿DH
3RHVLDHQWUH%HQHGLWR1XQHVH*XLPDUmHV5RVDpXPHQFRQWURSRpWLFRXP
GLiORJRKHUPHQrXWLFRHQmRXPDWHQWDWLYDGHLPSRUXPDFRQFHSomR¿ORVy¿
FDDOKHLDjREUDOLWHUiULD(PXPHQVDLRFRPRGrande Sertão: Veredas: Uma
%HQHGLWR1XQHVDUWLFXODDLQGDRXWURHOHPHQWRLQVHSDUiYHOGHVVDformaGHVVD
estrutura literária,TXHKDUPRQL]DRVWUrVSODQRVPHQFLRQDGRVRUHJLRQDORpWL
FRHRPHWDItVLFRUHOLJLRVRRSURFHVVRHYRFDWLYRGDOLQJXDJHPTXHDWXDFRPR
³DomRYHUEDOGHDEHUWXUDGRPXQGRGHJrQHVHSRpWLFDGDUHDOLGDGH´FRQMXJDQGR
R³VHUWmRPXQGR´HR³VHUWmROLQJXDJHP´D³DomRYHUEDO´HD³DomRURPDQHV
FD´FXMDVYHUHGDVFRQVLGHUD³FDPLQKRVGDOtQJXDSRUWXJXHVD´3DUDR¿OyVRIR
DSHUVSHFWLYDURVHDQDpDGHXPUHDOLVPRSRpWLFR³HPTXHDWUDPDGDVFRLVDVH
GRVVHUHVQDVFHDFDGDPRPHQWRGDWUDPDRULJLQiULDGDOLQJXDJHP´WUDWDQGRD
OtQJXDSRUWXJXHVDFRPRVXMHLWRDWXDQWHQDFRQ¿JXUDomRYHUEDOGRPXQGR
Referência Bibliográfica
$'2512 7: Notas de literatura I 7UDG -RUJH GH BBBBBBBBBBB Pluralismo e teoria social ,Q Ensaios
$OPHLGD6mR3DXOR(G filosóficos 2UJDQL]DomR 9LFWRU 6DOHV 3LQKHLUR 6mR
3DXOR0DUWLQV)RQWHV
&$1','2 $QWRQLR No *UDQGH VHUWmR ,Q
Textos de intervenção6HOHomRDSUHVHQWDomRHQRWDVGH BBBBBBBBBBBB 0HX FDPLQKR QD FUtWLFD ,Q A clave
9LQLFLXV'DQWDV6mR3DXOR(G GR SRpWLFR 2UJDQL]DomR H DSUHVHQWDomR 9LFWRU 6DOHV
3LQKHLUR6mR3DXOR&LDGDV/HWUDV
(/,27 76 7UDGLWLRQ DQG WKH LQGLYLGXDO WDOHQW ,Q
6HOHFWHGHVVD\V/RQGUHV)DEHUDQG)DEHU BBBBBBBBBBB&UtWLFDOLWHUiULDQR%UDVLORQWHPHKRMH
,Q $ FODYH GR SRpWLFR 2UJDQL]DomR H DSUHVHQWDomR
(8/È/,2$OH[DQGUH³O ensaio literário no Brasil´
9LFWRU6DOHV3LQKHLUR6mR3DXOR&LDGDV/HWUDV
,Q Escritos 2UJ %HUWD:DOGPDQ H /XL] 'DQWDV 6mR
3DXOR8QLFDPS8QHVS
BBBBBBBBBBBConceito de forma e estrutura literária
(P $ &ODYH GR SRpWLFR 2UJDQL]DomR H DSUHVHQWDomR
*$'$0(5 +* Verità e metodo (GLomR ELOtQJH
9LFWRU6DOHV3LQKHLUR6mR3DXOR&LDGDV/HWUDV
7UDGXomRHLQWURGXomR*9DWWLPR0LOmR%RPSLDQL
BBBBBBBBBB&RWLGLDQRHPRUWHGH,YDQ,OLWFK%HOpP
6XSOHPHQWR /LWHUiULR GD )ROKD GR 1RUWH Q GH
DQRHGLomR