You are on page 1of 1

T

heMas
ter
yofVoi
ceL
eadi
ng-S
uspens
ions
:Over
view Ch.4,pg.
23
4
TheMast
ery
of
VoiceLeading
-Suspensi
ons
CHAPTEROVERVI
EW

Inthischa pter,
Ma rks uppleme ntsthee x
erci
sefr
omCha pte
r
3b yadd i
ngas uspensiont oe ve
rychor dinthecycleof

Youwantt
ob eab
let
o
dominant s.Suspensionsa dd sanextralaye
roft e
ns i
oniny our
p
layt
hen
o t
est
hatgi
ve mu si
c,andb yextension,ane x
trala
y erofexpect
ation.Ma rk
expla
inst hatespecial
lywi ths i
ngle
-noteinst
rument ssucha s
y
outh
emostju
ice
.”
thesaxophone ,
creatinga ne xt
ralayerofe x
pecta
tionc anhelp
—Mar
kTur
ner contr
ol the“ speed”ofy ourme lodiesandhe l
pela
bor at
et he
harmonys urroundingt hem. Thes uspensi
onsals
oe f
fecthow
SUBCHAPTERS thebandwi l
l i
nteractwi t
hy oub yvirtueofthefactthatthey
addas ens eof“ speed ”toy ourli
neswhi chwilli
nt urnchange
therhythmi cflowoft heba nd.
• Sus
pens
ion4-
3

Markal
sopoint
soutt
hatsuspe
nsi
onsmaxi
mizetheharmoni
c
• Sus
pens
ion4-#4 e
ffe
ctofyourli
neswi
thoutaddi
ngmuchext
rainfor
mati
on.
Mast
eri
ngthesubt
let
oolswhic
hhel
pma x
imizethehar
monic
e
ffe
ctofyourli
neswi
llmakeyouamorecompell
ing
i
mprovi
serover
all
.

Thef undame nta


l st
ructureoft heexerci
sesthatMa rk
demons t
ratesinthischa pt
e rarei de
nti
c a
l t
othos e
demons t
ratedinc hapter3. Si
ng ingthroughthev oic
esis
oncea ga
inac rucialele
me nt.Ana ddit
ionaldetail
Ma rkpoint
s
outishowi ntere
stingintervalsc anappeard e
pe ndi
ngont he
ty
peofs uspe nsi
ony ou ’
reu si
ng .Forex a
mpl e
, whenyou
res
olvetothe#4i nonec hord ,that#4ma ke
sab9i nterval
bet
we enther ootnot eoft hef ollo
wingc hordinthec ycl
e.
Ho wever,
be causethisb9oc cursorganical
lyinamu sical
sequence,
Ma rkarguesthati t
se ffec
tismu chs t
rongerthan
i
fy ouwe retoa r
tifi
cial
lyinjectaf la
tnineintoac hordora
l
ine.Thisisthepo we rofv oicel eadi
ng.
El
i
teMus
icMent
or

You might also like