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Bridgerton
Regency romance
Genre
Period drama
Based on Bridgerton
by Julia Quinn
Lorraine Ashbourne
Jonathan Bailey
Ruby Barker
Sabrina Bartlett
Harriet Cains
Bessie Carter
Nicola Coughlan
Phoebe Dynevor
Ruth Gemmell
Florence Hunt
Claudia Jessie
Ben Miller
Luke Newton
Regé-Jean Page
Golda Rosheuvel
Luke Thompson
Will Tilston
Polly Walker
Julie Andrews
No. of seasons 1
No. of episodes 8
Production
Betsy Beers
Holden Chang
Sarah Dollard
Distributor Netflix
Release
present
Bridgerton is an American streaming television period drama series created by Chris
Van Dusen and produced by Shonda Rhimes. It is based on Julia Quinn's novels set in
the competitive world of Regency era London's ton during the season,
when debutantes are presented at court. Bridgerton is Shonda Rhimes's first scripted
Netflix series.
Bridgerton premiered on Netflix on December 25, 2020. The eight-episode first season
was met with positive reviews. With a viewership of 82 million households, it has
become the most-watched series on Netflix.[1] The series reached No. 1 in 76 countries
on Netflix. In January 2021, the series was renewed for a second season.
Contents
1Plot
o 2.1Main
o 2.2Recurring
o 2.3Guest
3Episodes
4Production
o 4.1Development
o 4.2Casting
o 4.3Filming
o 4.4Music
5Release
6Historical accuracy
7Reception
o 7.1Critical response
o 7.2Audience viewership
o 7.3Accolades
8References
9External links
Plot[edit]
The drama takes place in Regency era London in 1813, centering on the aristocratic
Bridgerton family. The widow Violet, Dowager Viscountess Bridgerton is mother to eight
children: her four sons, Anthony, Benedict, Colin, and Gregory, and her four daughters,
Daphne, Eloise, Francesca, and Hyacinth. Also featured are their gaudy neighbors, the
Featheringtons: Portia, Lady Featherington; her husband the Baron; and their three
daughters, Philippa, Prudence and Penelope; as well as their mysterious cousin Marina
Thompson. Each episode includes narration by actress Julie Andrews, who voices the
anonymous and ever-scandalous newsletter columnist known as Lady Whistledown.
Lady Whistledown knows all the information in London, and everyone focuses on Lady
Whistledown's article, even Queen Charlotte.
As eldest daughter Daphne Bridgerton enters her first season with Queen Charlotte's
favor, she meets Simon Bassett, Duke of Hastings and best friend of her eldest brother,
Anthony. Despite being encouraged by his mentor, Lady Danbury, the Duke is
determined not to marry and plots with Daphne to secure his bachelordom and her a
suitable marriage.
Unlike the series of novels,[2] Bridgerton is set in an alternate history with a racially
integrated London where people of color are members of the ton, some with titles
granted by the sovereign. Creator Chris Van Dusen was inspired by historical debate
over the 1940s African ancestry claims of Queen Charlotte "...to base the show in an
alternative history in which Queen Charlotte's mixed race heritage was not only well-
established but was transformative for Black people and other people of color in
England."[3][4][5][6] Van Dusen says the series is not "color-blind" because "that would imply
that color and race were never considered, when color and race are part of the show." [7]
Ruby Stokes as Francesca Bridgerton, the third Bridgerton daughter who has spent
the season in France with relatives.
Molly McGlynn as Rose Nolan, Daphne's loyal maid and confidant
Joanna Bobin as Lady Cowper, Cressida's mother
Jessica Madsen as the debutante Cressida Cowper, Daphne's rival
Jason Barnett as Jeffries, the Basset butler
Hugh Sachs as Brimsley, the Queen's secretary
Martins Imhangbe as Will Mondrich, a boxer and confidant of the Duke of Hastings
Geraldine Alexander as Mrs. Wilson, the Bridgerton housekeeper
Kathryn Drysdale as Genevieve Delacroix, a high society modiste/dressmaker
Simon Ludders as Humboldt, a Bridgerton footman.
Julian Ovenden as Sir Henry Granville, an artist who befriends Benedict.
Guest[edit]
Episodes[edit]
No. Title Directed by
In 1813, households are preparing for the social season of arranging matches for marriage. Among the debutantes presented t
whom Queen Charlotte praises highly, giving her an edge over the other young ladies. A new scandal sheet written by the mys
distant cousin of Lord Featherington, Marina Thompson, comes to stay for the season under the supervision of Lady Featherin
Simon's confidante, Lady Danbury, pressures him into joining the season. Viscount Anthony Bridgerton deems all potential sui
Lord Berbrooke. Miss Thompson picks up the slack, to the anger of the queen and Lady Featherington. Lady Danbury and Lady
Siena Rosso. Lady Featherington deduces that Miss Thompson is pregnant. Simon and Daphne agree to pretend to court so th
have respite from ambitious young ladies and their mothers.
Flashbacks reveal Simon's tragic childhood. After his mother died in childbirth, Simon was left under the control of his cruel fat
assisting him in managing his stammer and supervising his education. On his father's deathbed, Simon vows he will never sire
Whistledown's writings. Eloise and Penelope are confused as to how one becomes with child. Marina remains confined to her
Crane who is fighting in Spain. Simon and Daphne's ruse works perfectly, but Anthony is upset, knowing of Simon's rakish beha
Anthony cancels his offer with Lord Berbrooke. Hastings and Berbrooke fight over Daphne's honor. Berbrooke acquires a speci
tables on him, however, after successive teas with the Queen and Lord Berbrooke's mother reveal a scandal that makes its wa
Simon and Daphne become quite close, leading to Daphne turning down multiple proposals. Simon meets Siena, who invites h
waits for George to write back. Determined to prove that she is still the true ruler of London society, the Queen schemes to m
tells Simon that he needs to propose to Daphne or step aside to make way for the superior match. Simon reluctantly calls off t
with Siena again but she turns him down, as she does not wish to be only loved in the dark. Sir George writes to Marina that th
Featherington. Lady Bridgerton pushes Anthony to think about a match for himself. Simon decides to leave London ahead of s
Prince Friedrich invites Daphne to the palace and gifts her a beautiful necklace. Marina is presented to older suitors in want of
Daphne attends a boxing match with Prince Friedrich. Marina is set up with an older suitor and is saved by Colin. At a sumptuo
approaches her to say goodbye and apologize. Daphne, upset, runs into a hedge maze, followed shortly by Simon, and the two
Anthony challenges him to a duel at dawn. Penelope is crushed by Colin's attention to Marina which causes a fight with Eloise.
discovers the extent of her husband's gambling debts. Daphne realizes that Cressida Cowper, her rival for Friedrich's affections
reason he cannot marry her is because he cannot provide her with children. Weighing her options, Daphne firmly declares the
Daphne and Simon petition the Archbishop of Canterbury for an expedited marriage license, but he refuses at the behest of th
they cannot be together, but Genevieve claims she has left town. Money issues boil up at the Featherington home. Penelope b
other during a dress fitting. Benedict attends a party at the invitation of Sir Henry Granville. Lady Featherington intends for Ma
Queen to allow for an early wedding; faced with losing her beloved King George to his increasing dementia, the Queen is move
the wedding reception, Marina gets a proposal from Colin, but with the request of a long engagement. The Queen takes intere
awkward conversation about sex which leaves her with more questions than answers. Simon and Daphne leave for Clyvedon,
his avoidance of her, and the pair realize that they are in fact madly in love. He takes her virginity, consummating their marriag
The Duke and Duchess arrive at Clyvedon for their honeymoon and spend much time together. Daphne has difficulty building
Daphne and Simon mingle with the villagers. Penelope tries to ruin the engagement by confiding in Colin that Marina is in love
traveling to Scotland. Simon turns his attention to the books after hearing that his tenants' rent has increased. Daphne is told t
more about Simon's upbringing to Daphne. Penelope discovers that George's letter was faked, but Marina chooses to marry C
that Simon can have children, but does not want to. She confronts him about it later that night and they argue. Lady Whistledo
Simon and Daphne's dispute continues and Daphne decides to return to London after Lady Whistledown’s latest publication su
convince her to restore the Featherington name. Daphne arranges a chaperoned meeting for Colin and Marina. Simon threate
uncovering Lady Whistledown. She throws the Featheringtons out of her luncheon because of Marina's scandal. Lady Danbury
help Marina, flexes her social power to locate Sir George Crane. To settle his debts, Lord Featherington approaches Will to con
discovers why Simon does not want to have children. Eloise realizes that Madame Delacroix is the most likely person to be Lad
menstruation, therefore she is not pregnant. She cries in her mother's arms with Simon overhearing.
This episode's plot summary may be too long or excessively detailed. Please help improve it
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George Crane's brother, Sir Phillip Crane, arrives with news that George died in battle. An unfinished letter from George revea
Marina himself, but she turns him down. Eloise confronts Genevieve and, believing her to be Lady Whistledown, tries to convi
relationship with Benedict. Daphne finds the letters Simon wrote to his father and Lady Danbury fills in the blanks about his ch
spending time with Daphne's younger siblings. Anthony reunites with Siena, who has married, and invites her to Daphne and S
and receives his winnings from Archibald, who is poisoned and murdered by his "associates". Marina realizes that her abortion
to marry Phillip Crane. Before Penelope can profess her love for him, Colin announces he is leaving for his tour immediately. T
downpour interrupts Simon and Daphne's ball, but the couple reconcile, leading Lady Whistledown to declare it the best ball o
Genevieve is not Lady Whistledown, who is revealed only to the audience to be Penelope. A flash forward shows the birth of D
Production[edit]
Development[edit]
Bridgerton executive producer Shonda Rhimes
Release[edit]
Bridgerton was released on December 25, 2020. [9] The teaser and promotional posters
were released in the months prior.[31][32]
Historical accuracy[edit]
In regards to the historical accuracy of the show, Chris Van Dusen has said that the
show "is a reimagined world, we’re not a history lesson, it’s not a documentary. What
we’re really doing with the show is marrying history and fantasy in what I think is a very
exciting way. One approach that we took to that is our approach to race".
[33]
The aristocratic Bridgerton family, Lady Whistledown and most of the other characters
in the show are entirely fictional.[34][35][33]
The theory that Queen Charlotte may have had African ancestry has been
characterized as an unhistorical assertion by most scholars. [36][37][38] In an interview
with Insider magazine, American historian Marlene Koenig said the show's
representation of Regency-era London was more diverse than it was in reality, adding
that "diversity as we know what the word means did not exist" in Britain during that
period.[38]
Some classical music pieces used in the first season were composed later than 1813,
the year the first season was set in. Examples include Dmitri Shostakovich's Suite for
Jazz Orchestra No. 2, which was written in 1938, and "Belle nuit, ô nuit d'amour"
from Jacques Offenbach's 1881 opera The Tales of Hoffmann.[30]
Reception[edit]
Critical response[edit]
For the first season, the review aggregator website Rotten Tomatoes reported an
approval rating of 89% based on 91 reviews, with an average rating of 7.88/10. The
website's critics' consensus reads, "Sumptuous design, soapy drama, and a sterling
cast make Bridgerton a delightful treat."[39] Metacritic gave the series a weighted average
score of 74 out of 100 based on 33 reviews, indicating "generally favorable reviews." [40]
Kristen Baldwin of Entertainment Weekly gave the series a B+ and wrote, "Bridgerton, it
seems, is a wonderful diversion for those who love Pride & Prejudice but wish it had
more stairway sex."[41] Richard Roeper of Chicago Sun-Times gave the series four out of
four stars and called it "A show that will give you that unmistakable binge twinge and
have you activating that "Next Episode" time and again, until there are no more "Next
Episodes"."[42]
British GQ described Bridgerton as a cross between Downton Abbey and Gossip Girl,
but noted that it "may just end up being another disappointment" and "it could have
been brilliant."[43] Salamishah Tillet of The New York Times said "Bridgerton provides a
blueprint for British period shows in which Black characters can thrive within the
melodramatic story lines, extravagant costumes and bucolic beauty [...] without having
to be servants or enslaved."[44] Erum Salam of Cosmopolitan wrote "I kept wanting more.
I wanted more explanations of how race factored into this society..." [45]
Carolyn Hinds from The Observer stated "Bridgerton has been praised as a racially
diverse show set in the Regency Era".[46] Vanity Fair's Caroline Framke describes the
sex in the series "isn't altogether shocking material for Shondaland to mine for its first
drama series absent broadcast restraints."[47]
Audience viewership[edit]
On January 27, 2021, Netflix announced that 82 million households had watched the
series in its first 28 days of availability, significantly higher than its January 4 projection
of 63 million. It is the most-watched original series launch to date on the service. [48][49]
Accolades