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Bushology

For Alto Sax and Tape

This piece is based on the approval and disapproval rating of President Bush (ABC News 28-29 Oct. 2005). The sax motives are either derived from the
spectromorphological analysis of his voice, from Persian scales, from Jazz elements, or are totally improvised based on the rhythm of the tape part, with an
augmented 4th interval prominence. The form of the piece (A section) is derived out of the fibonacci series.The audio part is based on his public speeches
(dated back from 2001 to 2005). The middle (B section) is again based on his speeches, but the audio samples are streached creating a liturgical atmosphere.
If you put the snippets of sounds together, it creates the phrases "New World Order" and "Bohemian Grove". Bohemian Grove is a campground in California
(and not only!), where the elite men of the World are gathering once a year.

Index:

A bold note head and letter = distorted sound (A section)

Air note. Blow air through the reed without any pitch.

A black triangle with a decrescendo = Reverberated sound.

A black dot = distorted sound (B section)

Growl = Sing , hum or scream while playing a pitch.

Word in parenthesis = not exact notation of each syllable of the word

 = quarter sharp  = Three quarter sharp  = quarter flat


Bushology
Transposed score
B

         
Tf

q=80
     
      
              
         
                   
  

D#

Alto Sax
       

sfz p mf


Be

   
Be - - a,


 "M"     

    
Be - - a, bi, o Bea, Be o o o o
Tape

               
Simile (with slight changes)

   
(Bass Drum)

   

                                            
            
A. Sax.


"M"

© 2008
 
2
  
     
            

gliss. gliss.


(lip) (lip)
sfz p f sfz p f

   
"M" "M" "M" "M"


(Distortion)

5 3 3
               
 
Bush

A man can be jailed in Af - gha - ni - stan, if his

    
        
            

                                      


q=100


  
mf

           
  
beard is not long e - nough. And thread to all.

 Bush                               
  
A - - - - - - - Simile (with slight fluctuations)
       
               
    
        
3
   
   
f.t
 
 mf
sfz

        
 
           
(distorted) (distorted)

              
   
A A A And that is And And that is good And (And that i(s) Axi(s)

 
  
   
         
  
     
sfz p ff ff
mf
t
  
   
  (distorted)
if build
     
terrible weapons

                        

       


3 3
  
And if build and te build E E E te t build E if and build E if E t build E if build and Axis

                         


   
     

                    
   
        
 
mf sfz p ff mf ff mf

   
And war
 
3
  
                                                                  


   
li o o o li o li A o li A A - - - - -
ando li A o oA A A
4

       

  
                      
     
   
       

        

p ff mf f

 
A A (Axis of Evil) (terrible weapons)
    
                                        
                  
(distorted)

 
  
    AA A - - - -


th th thread to all A AA
t th A A A th A t

  

                              
 
        
  

 
   
   
mf

   Die (a - way)
                        
terrorists Zarqawi (be ready) terrorists Zarqawi (beready)
       
   
        
       

betha
 
be be

be tha tha be te be te te te

betha
  be
be be
 tha thank you


with sympathy

      
q=80
              
 
     

     
Bo Bo Bo Bo

               
   
twe - nty two (hundred and) four two (two hundred) twe - nty two hu (two hundred million) bombs and
(million)
5

     
            
   
             
         
      
 

 
(bolder action) (A - gainst the killers)
     
(bolder action)(A - gainst the killers) (bolder action) (bolder action)

                           
     
shells hu A hu
A hu A ba ha hu A ba ha
Af ba (Af 

                
  
      
 
      
  p mp

 
   

hu bombs bombs 3 A hope - full day

3 3
                     
                            
  
ghanistan) fo two fo t two free I - raq hope - full day has arr - ived die a - way Thank you
hu hu a ba ha hu hu a ba ha hu hu a ba ha

            
         
      
         
                     
mf


                                              
die a - way
   
thank you
        
   
t wi t da t wi t da t wi   
bol Ir kes be bol Ir kes be i(s) tha ke be bol be ken e A A e A A e A bo be Ir
6

           

           
                        
         

 
sfz p ff mf



     
thank you with sym - pa - thy ju - stice of this na tion die a - way with sym - pa - thy
                      
          
                        
t wi t da t wi t da    bombs and shells two bo hu ba te hu two
Ir kes
bol be ba h hu bo - mb h ba hu te te

               


                       
      
    
   

te te
 
(terrible weapons) ju - stice of this na tion
 die a- way with sym - pa - thy

                        
                                                
 
A and A andA A and and Aand bekebe
ba h hu bo mb h ba hu
 
tete
te be ke be bo hu of bo of hu bo of hu

    
q=80

     
               
     
     

 to

 
die a - way meet my ve

     
3
  
                        
         

    
   
i(s) tha ke be bo za ke be bo za ke be bo be ter - ro - rists to pro - mise ty - ra - ny to pro - mise ty - ra - ny to
5
< x = x >

   
q=100
            
7
                  

5 5

 to de whe de tu ba de whe de tu ba


meet my ve 5
5 medem de whe dem de whe me de whe me dem whe
                             
3

                           


pro - mise ty - ra - ny to pro - mise ta - xes, for e- very A - me - ri - can to re - new pa - triot act, for
5
< x = x >

       
       
q=80
              
   
5 5 5 5
p ff

de whe de tu ba de whe de tu ba de tu whe de tu de whe de tu ba


me dem de whe me dem de whe 5 5 5 5





 
 








       
 


      
  
 

  
 
 
e - very A - me - ri - can to re - new pa - triot act nu - cle - ar nu - cle - ar


8va 8va
C3 C1
C2


q=60
                   q=80 3

   
               
q=100
       
3

   
5
mf fff mf

            
and and and and Simile
A A A A A A Simile
3 3 5 3 3
                    
                                        
A - - - - - Simile (with slight fluctuations)
3 
and and and and A Simile (with slight fluctuations)
                 
  
q=100
      
8
 
              
5 5

3
                         
ter - ri - ble wea - pons nu - cle - ar che - mi - cal d dan - ger pro - mise

 t b
5 
t t b
  5  
t t b t t
ba ba fo ba ba ba fo ba hu bo ba bo Af bo ba bo
                         
                    

3 3 3 3 3
and Simile twe two twe twe two twe fo of ter fo hu Af

   


     
(weapons of mass destruction)

    
        
meet my ve - to
ty - ra - ny

               
Simile

            


3 3 3 3
Simile


          
 
              
   
    
    
mp

                           
   
A A And (that is) And And (that is good) And A A A A A (And that is)

hu bo ba bo
               
Simile

  
    
                 
  

      

(Air note.Blow air q=100

 
through the reed (Growl=sing the note while glissing)
Sax rip. (Growl)
Choose pitch) (Ord.) 8va
(Growl)
gliss.

C# gl iss .
 
C2
(Chromatic slide gliss.Make as few
(no key change) finger changes as possible)

ta ka ta D# f mp (Split tone) mp ff ta ka ta ka p
(Choose any key clicks you like preferably pp C

   
lower ones for better resonance. Speak the

   (Wispers)
good. words inside the mouthpiece at the same time)

    

Tape
q=100

 Drone for 41 sec

Bell sound l.v

 
          
rip.


(Growl)


 gliss.
(Split tone) ta ka (Choose any two notes)

mp ff

 (Wispers)
 
 (Wispers)

q=100 q=100
Alto Sax


Tape    (4/4 intro rhythms )


(Wispers)  (Simile)

(Wispers)

 
 
 gliss.   
   
Proportional


notation

mf


Choose any notes you like from the altissimo range.
Two consecutive pitches must be different from each other.

   
You can also use squeaks/ split tones/ multiphonics (ad. lib.) instead of pitched notes.
 

     
9
             
  
      


ff

(Wispers)

4/4 rhythms ending before q=60 section

                    

     
 

          
(Freedom) F (Freedom) Death F (Freedom) Death F (Freedom) Death Death Death

              


       i
e  
And e e e i e e i e And e e e i e i e


8va 8va
G#

   
            
       rip.
Ta Tc


3 3

  
       
sfz p ff mf

    
      
      
  

  
(Freedom) Free (Freedom) Death F (Freedom) Death F (Freedom)

                      
 

build build e bi if ... ... A A a li li

                


           
       

          
      
Death D De Death (Freedom) Free (Freedom) Death Death Death
A A A A A A A A A A A A

 
3 3
           
3 3

                

a And war a end a a a e
 x. y (Swing)

 rip.
q=60 iq


  
10

  

     

 
     
 
          



f.t

     

    
       

         
ff
  
mf sfz mf

  
4/4 R&B rythm

  
Continues until end


                       
(Non swing)
f.t

    
       
       
f.t

    
  
sfz mf sfz mf


    


B

                


   
                    
      

gliss. gliss. gliss.
mp (lip)
mf
(lip)
f
(lip)
ff mp 

o o o o o o  o o o o 
o o o o oo o o O - rder
     
          
 + Bush Voice    

Bass drum

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