Aquella Carmen - Arr. Juan Villodre - Voz y Banda - Copla - Concert Band - Banda de Musica - Sheet Music

Aquella Carmen Quiroga
  
h = 50 Copla - Voz y Banda Arr. Juan Villodre
         
3
           
3
Voice
             
 
Cuan
do Carmen cuandoCarmenquedo
quie ta a lasclaritasdel al ba yse_hi
zomár
molsu
   
Flute 1          
mf mf
Clarinet in Eb  

  
      
mf
 
Clarinet Pral. in Bb  
           
mf
              
Clarinet 1 in Bb    
mf
   
Clarinet 2 in Bb        
mf
  
Clarinet 3 in Bb
       
mf 

         
Alto Saxophone 1
 
mf
Alto Saxophone 2
 
 
         
mf
 
         
Tenor Saxophone 1

mf
Tenor Saxophone 2  
                  
mf
  

  
   





   
Baritone Saxophone

mf
        
Horn in F 1    
mf mf
Horn in F 2  
          
mf mf

solo con sord. senza sord.
Trumpet 1 in Bb           
mf mf
         
Trumpet 2 in Bb

mf
         
Flugelhorn 1

       
mf
Trombone 1
 
         
mf
 
         
Trombone 2        
mf
Trombone 3
                   
mf
               
Euphonium
   
mf
   
 
    
Tuba
         
  
mf

Timpani
               

mf
     
h = y50timbal agudo
                    
base
Drum Set  
mf
Bombo y
          
Platos
         

lira
        
Láminas

mf
Copyright © Juan Villodre 2008
2
            
9
    3

                 
               
3 3 3 3 3
Voice
         
cuerpo more nodepurara za Barce lo na. . Bar ce lo na dando gritos. . man
dodoblarsus campa nas y sequedo sinalien to elcompá s de
          

Fl. 1       

Eb Cl.        
           
Cl. Pral.    
                    
Cl. 1  
               
Cl. 2
  
Cl. 3 
         
  
A. Sax. 1         

A. Sax. 2          
  
       
T. Sax.      
        
Ten. Sax.
    


                   
       
 
B. Sax.
  
  
Hn. 1                  

             
 



 
 
 

 
Hn. 2
Tpt. 1        
              
Tpt. 2
          
Flug.        
   
                    
Tbn. 1 
        
Tbn. 2                      
                        
Tbn. 3 
  
Euph.                           

  
         
Tba.
                
 
 
Timp.       
                 

Dr.                
Perc.        


Mall.                 
3
                          
16
                
3 3 3
Voice
               

      
la s a r dana , quel momentomis mo se_apago_el sol de la zambra , Ca rmen, gi ta nana cí ade un sarmi
ento y deuncora
     
    
    
 
 
Fl. 1      
    
f mf

     
        
 
Eb Cl.   

f
      
mf
            


Cl. Pral.    
    
f mf
        
         


Cl. 1  
f mf
 
                       
 
Cl. 2
f mf
 
                   
    
Cl. 3
    
f mf
      
         
A. Sax. 1     
f mf
                 
       
 
A. Sax. 2
f mf
     
           
T. Sax.        
f mf
            
         
  
Ten. Sax.
f mf
 

  
      
  





 f
 
 
B. Sax.
mf
  
              
  
Hn. 1
f mf
   
        
    
Hn. 2

f

mf
    
      
Tpt. 1  
f
  
Tpt. 2      

 
 
    
f
  
             
  
Flug.

f
  
mf
  
                
Tbn. 1   

f mf
        
              
Tbn. 2   
f mf
   
                
    
f
 
Tbn. 3
mf
       
      
 
  
  
  
f
Euph.
mf
 
             
      
f    
Tba.
 
mf

 
           
f
 
Timp.
        
           
caja
Dr.        
f
   mf
      
Perc.           
f
  
 
Mall.          
mf
4
 3  
22
   
6
          
3 3
Voice
                           

je.. . Carmen, eratu ba taencen dí a la co lade_un
pavoreal Cuan
dopa saste la raya, y tulla ma se_apago ya nocanto la zu
  
      



   

   
      
 
Fl. 1 

Eb Cl.        
  




    
     
      
Cl. Pral.    

 
 
  
     
       
   

Cl. 1
         
Cl. 2
  
        
Cl. 3
  


        
    
solo
      
A. Sax. 1


A. Sax. 2             
T. Sax.             
        
Ten. Sax.
   

B. Sax.
  
        
    
 solo
Hn. 1     
     
  
    
  
Hn. 2
Tpt. 1        
Tpt. 2        

solo
                
Flug.
   
           
Tbn. 1
               
           
Tbn. 2

             
                          

Tbn. 3

 
             
Euph.
 
  
 
 
Tba.
          
 
 
 
Timp.       
  
Dr.                 

triángulo
  
Perc.         
 
     

lira
      

 
Mall. 
5
 3  3                    
rit. A tempo

29 3
                          
1.
      
3
Voice
     
ma 3 ya ni3laguita rra tem bló Ca r men, Ca r men, Ca r m en, Ca r m en semu rióCar menA ma ya. .
 y_España_ente 3ralloro
             

        
Fl. 1       
6 3 3 3 3

ff
       
    
Eb Cl.      

  
      
3 3 3

3 ff
      
           
Cl. Pral.


6 3 3 3 3 ff 

               
3
         
3
Cl. 1        
6 3 3 ff
               
3
       
3
Cl. 2             
6 3 3 ff
    
3 3

3 3
  
Cl. 3                
        


6 ff
     
                  
3 3
      
3
A. Sax. 1     
6
  
3 ff
     
A. Sax. 2           
ff
         
3
T. Sax.   
         
3 3 3 ff
                 
 
3
Ten. Sax.    
3 ff



           
      
 
B. Sax.

ff
              
Hn. 1

fff
  
  
        
Hn. 2
 
fff
      
Tpt. 1  
Tpt. 2           
ff
   

            
Flug.
   
ff
                
     
Tbn. 1 
 
 
ff
       
           
Tbn. 2


 
ff
              
Tbn. 3  
  
ff
     

                      
Euph.
3 3 3 3 3 3

ff

 
       
 
  
 
 
  
Tba.
  
       
ff
     
    
  
Timp.

rit. ffA tempo

                   
1.
    
Dr.
 
 
ff
           
     

Perc.       
ff
               

3

3
    
3
Mall.
   
3
6
   
35
Voice      

  
       
EnSe ro -
   
                 
+ picc

Fl. 1 
      
 
     
6 6 3
               
ff
   
Eb Cl.              
         
3

ff
  
6 6
               
Cl. Pral.       
  
6 6 3
        
ff
                 
Cl. 1       
6 6 3
 
ff
     
 3
             
    
6 6
 
Cl. 2
      
 
ff
        
Cl. 3
   
 
ff
               

A. Sax. 1        
  
6 6 ff
      
A. Sax. 2     
 
ff
            
  
6 6
T. Sax.    
 
ff
    
Ten. Sax.
    
ff
       

B. Sax.
    
   

6 ff
  6
 
                  
Hn. 1
  
 
ff
 6
                
Hn. 2
 
         
ff
    
 3
          
Tpt. 1
     
6

ff
            
     6 6

Tpt. 2
       
 
ff
            
     6 6
 
Flug.
       

ff

 
 
        
Tbn. 1 
  
ff
Tbn. 2
 
             
  
ff
 
           
Tbn. 3

                  
ff
 
               
Euph.
   
3

6 6 ff

   
 
6
                 
Tba.
ff
    
        

Timp.
     
 
  
ff
                          

Dr.  
      
3 ff



Perc.      
  

ff
  
 
     
Mall.
  
ff
7

41
        
3 3
Voice
              

Cuan
dopasastela raya, y tulla ma se_a
pago

                           
          
     
Fl. 1    
 

3 3 3 3 3
 

              
           
       
 
     
    
Eb Cl.


        
                         
3 3 3 3
3
    
     
   
 
Cl. Pral. 
                       
3 3 3 3 3 mf
               
Cl. 1      
3 3 3 3 3 mf
 3
                 
        
3
    
3 3
         
 
Cl. 2
3 mf
 

           
Cl. 3
               
    mf
  

   

solo
                  
A. Sax. 1
   
mf

   
   
A. Sax. 2          
    
    

mf
   
T. Sax.                        

mf
         
Ten. Sax.

mf


           
B. Sax.
     

mf
    
solo
  
Hn. 1
        
          
   
     
Hn. 2
 
 3
              
  
       
3
     
3 3
          
Tpt. 1
3
 
      
Tpt. 2     
         

solo
        
Flug.
   
   
 
mf
  
Tbn. 1             


mf
   
Tbn. 2

                    

mf
          
Tbn. 3   
 
mf
                               
Euph.           


3 3 3 3 mf
3

          
Tba.
        
 mf
 
    
        
Timp.
  
   
Dr.                    
   
mf
Perc.        

 

    

      
 
 
Mall. 
8
    
48 3
                        
6 3 3
             
3
Voice
    
3 ni 3la gui ta rra tem bló

 
ya no can to la zu ma ya Ca r m en, Ca r m en, Ca r m en, Ca r m en
          
      
Fl. 1  
6 3 3 3 3
     

       
Eb Cl.
3 3 3

3
    

         
Cl. Pral.     
6 3 3 3 3
  
3
            
3
Cl. 1     
6 3 3

    
3
         
3
Cl. 2      
6 3 3
       
3 3 3 3
    
Cl. 3
       
6 
         
3

3
  
3
A. Sax. 1         
6

3

        
A. Sax. 2
 
   
3
         
T. Sax.
 
3 3 3


      
3
     
Ten. Sax.   
3
 
B. Sax.
         
 
  
     
Hn. 1  
 
Hn. 2     
Tpt. 1     
Tpt. 2     

Flug.               

  
          
    
Tbn. 1 
 

          
Tbn. 2
      

Tbn. 3


            
        

            
Euph.     
3 3 3 3 3 3
 
       
     
 
Tba.
 
  
 
      
Timp.

               
    
Dr.
 
         
Perc.        
  
3

3
      
3
Mall.     
3
9
                   

rall.

52
Voice     
   
 y_Es pa ña_en te 3ra llo ro
  

  
se mu rió Car men A ma ya . .
       
  
 


Fl. 1 
 
 
  
  
           
Eb Cl.
 
  

 
  
       
    

Cl. Pral.
  
   
     
Cl. 1
 
 
   
     

Cl. 2

 
    
   
Cl. 3

    
      
  
          
A. Sax. 1
 
  
   
  
              
A. Sax. 2
  
   
      
T. Sax.
 
   
     
Ten. Sax.
  
  



               
 
B. Sax.
  
 

  
Hn. 1      
    
     
  

Hn. 2
   
Tpt. 1        
 
      
 
Tpt. 2
 
Flug.  

  

     
     

  
 
Tbn. 1   
           

Tbn. 2   
    


      

Tbn. 3 
  
         
     
Euph.    
  
  

  
        
 
 
Tba.
 
    
    
        
 
Timp.
    
rall.
 

Dr.       
      
        

Perc.
 
  

         
Mall.
  
Clarinet in Eb
 

Copla - Voz y Banda
              
h = 50 Arr. Juan Villodre

    
mf f
  
19
  rit.
    
   
  
     
mf 3 3 3 3
 

    
     
A tempo

32
 
1.
    
ff 6 6
                            
39

      
ff 3 3 3 3 3
3
                   
   
44

  

   
 

3 3 3
51
   
rall.

  
           
   
3


Clarinet Pral. in Bb
  
 
      
  
mf
  
         
11
               
f
             
 
    
18
  
    
mf



           

 
  
rit.
 
25
   
        
 
 
6 3 3 3
31
     
    A tempo
1.



  
 
   
3 ff 6 6
                  
 
  
 
38
    
ff 3 3 3 3

               
      
43
     


3 3  mf
  

 
49
           

6 3 3 3 3
  

 
  
      
rall.
 
52
    
Clarinet 1 in Bb

          
      

mf
11
                             

          
        
17

     
f mf
   
  
   
23
      
 

rit.
               
29

3
  
3
      
6 3 3
  
  
 
                  

34 A tempo
1.

ff 6 6
                                  
40
        
ff 3 3 3 3 3 3

          
45

3
          
  
mf 6 3 3
   
rall.
    
51
   
 
3
  
Clarinet 2 in Bb

        
mf
    
      
12
                   
  
f

     
18
               


mf
              
27 rit.
3
   
3
        
6 3 3
   
A tempo
        
33
    
1.
  
6 6
    
ff
      
 3   3 
        
39

3
       
3 3
      
 ff 3

44
               
   
  mf 6
     3   

50 rall.
3

         
    
3 3


Clarinet 3 in Bb

   
mf
         

 
12
     
          
 
f
19
       
       
   
mf
rit.
 
28
  
3 3 3 3
                
6   
  
34 A tempo
1.
       
         
ff ff
42

                    

          
 mf
49
      
3 3 3 3
               
6     
 
rall.

52
    
    

Alto Saxophone 1
 
 
      
    
mf

             
12
 
        
f
    
            
 
19
       

mf
  
 
rit.
               
26 solo 3 3
 
3
    
6
3
 

    
 
A tempo

32
    
1.
   
ff 6 6

          
39
                     
ff
   
         
46
        
solo 3 3
   
mf 6
3
    
rall.
  
51
       
        
   
3

Alto Saxophone 2
 
    
         
mf
        
12
            
f

  
19
      
        
mf
        

27 rit.
    
    
       
 1.
34 A tempo
             

ff ff

                
42
    
   
mf
         
  
rall.
  
50
  
   
    
 

Tenor Saxophone 1


    
      
mf
   
       
12
       
    
f
 
  
19
              
mf

rit.
                
28

3
        
3 3 3
  
A tempo
          
 
34 1.
6 6
   
ff ff
42

                       
 mf
    
rall.
        
50
   
3
           
3 3 3

Baritone Saxophone

 

     







mf
    

10
            
                 


17
       
        

  
 
f  mf

24 rit.
        
      
     
    

A tempo

32 1.
 
    
      
ff 6

40
              
     
ff mf

48
             
 
  
  
53 rall.

              
 

Tenor Saxophone 2
   
  
            
mf
       
        
17
                        
 
f mf
rit.
 

25
         
   
3
    
3
  
33 A tempo
 
1.
      
    
ff ff
 
43
       
3
  
mf 3
   
rall.
 

50
      
  

Horn in F 1


 
          

mf mf
12

  
  





 

 
        
   
f
18  solo 
           
mf

30 rit. A tempo
           
1.
        
 
fff
  

           
37 6
         




  
ff
44 solo 
       
 
 
 
   rall.


51
         

Horn in F 2


  
         

mf mf
12

  
                
             
f
18   rit.
     
  
  
mf

31 A tempo
             
1. 6
   
   
   
fff
  
38
 
   

   

ff
 
47   
rall.


 
    
  


Trumpet 1 in Bb
 

solo con sord. senza sord.
     

mf mf
11    
   rit.

 
    
f
          
34 A tempo
        
1.
    
   6  
     
 3  3  3  
           
40
               3 3


ff 3
45   
rall.

          


Flugelhorn 1
  


 
       
mf
 
f


18 solo
     
 
 
 
    
mf
rit.
 
27
                 
  
A tempo

         
34
 
1.
   
6 6
     
ff ff
          

41 solo
       
  
mf

48
              
 
rall.
  
52
     
   

Trumpet 2 in Bb
 

      







mf
13
         
           
17  rit.

          

f

 
A tempo

         
34
 
1.
  
6 6
   
 
ff ff
 
41
     
    
47  
rall.

       

Trombone 1
            
 
      

mf
                              
11


       
  
    
17
        

f mf
        
  
23
          
      
  
    
  
29 rit.
  

  
  

     
34 A tempo
  
1.
 
ff ff
   
 
   

41
          
mf

  
48            
   

     

  
52 rall.
   


Trombone 2

 
 
Copla - Voz y Banda
         
h = 50 Arr. Juan Villodre
      

mf
11
                               


             
17
           

f mf
      
          
23
    
      
 
    rit.
    
28
  

            
34 A tempo
    
1.
    

ff ff

                 
  
41
    
 
mf
      

48
      
    
      

rall.
 
52
   


Trombone 3

   
 
               
mf
11
                   
 
17
               
         
f mf
                
23
      


 
rit.
          
28
  
       

34 A tempo
   
1.
      
  
ff ff
      
42
        
mf
  

         
   
rall.
   
49
   

Euphonium

  
             
     
mf
11
                    
         
17
                 
    
 
f mf
       
24
      
 
3 3
rit.
   
             
30
 
 
3 3 3 3
                   
A tempo

34
   
1.
       
    
ff 6 6
                                    

40

      
ff 3 3 3 3 3
3

                
45
         
   
mf 3 3 3 3 3
                
      rall. 
51
        
3

Tuba

 
     
       
mf
    
10

            
            

17
     
    
        
f   mf    
rit.
 
24
  
     
       
A tempo

31
 
1.
 
  
6
  
       
 ff
   
38
 
 
  
  

      
ff
46
       
    
mf    
 
52 rall.
       
 
   
  
   

Drum Set
                                
h =y50 Copla - Voz y Banda Arr. Juan Villodre
base timbal agudo
mf
                               
7
 
 
 
12
              
caja
     

         
f
18
                   

mf
24 rit.
                
 
A tempo

        
31
                 
 
1.
         
 ff 
                           
38
   
3 ff
44 
              
 
mf
   
rall.
        
51
    

Timpani

 

         
          
mf
 
f

     
18 rit.
       

  
     
A tempo

34
 
     
1.
       
ff ff

   
43
   
  
     
 
rall.

51
       
 
  

Bombo y Platos
    


      
 
f
           
25
   
triángulo  rit.
 
   


            
A tempo

34 1.

          
ff ff
45     
    
      
     
52 rall.
      

  

Láminas
 
      

lira
       
mf
11

  
                 
 
    rit.
 
20
        
lira 3 3
       
 

mf 3
 
A tempo

 
31
 
1.
        
3
   
 
  
 



39
   
     

  
ff
47

 
           
3 3
   3

   
3
 
 
rall.

52
         
   

Voice

    
                
 3

   
3
          
Cuan
do Carmen cuan
doCarmenquedo
quie ta a lasclaritasdel al ba yse_hi
zomár
molsu
    3   
9
      
                       
       
3 3 3
cuerpo more nodepurara za Bar ce lo na. . Barce lo na dando gritos. . man

dodoblarsus
14
  
                                  
3
3 3
 
campa nas y sequedo sinalien to el compá s de la s a r dana , quel momentomismo se_apa
go_el
   3        
18
                     
3 3
  
       
sol de la zam
 
bra , Carmen, gi ta nanací ade un sarmen
ito y deuncora je.. .
                     

23
   3 3
          
Carmen, eratu ba taencen dí a la co lade_un
pavoreal Cuan
dopa saste la raya, y tulla ma se_apago
 3  3 
rit.

28 3
   
6
            
3

                  
        
ya nocanto la zu ma 3 ya ni3laguita rra tem bló Ca rmen, Ca rmen, Ca rmen,

Ca rmen

                         
A tempo

32 1.
   
 

semurióCar menAma ya. .
 y_España_ente3ralloro EnSe ro
40
 
 3
6
    
3
       

Cuando pa saste la raya , y tu lla ma se_apago ya nocan to la zu
   
49 3
  
3 3

                                  
3
ma 3 ya ni 3la gui ta rra tem bló Ca r m en,

 Ca r m en, Ca r men, Ca r m en
                          
rall.

52
 
  
se mu rió Car menA ma ya. . y_España_ente 3ralloro
Flute 1
    
 
  
   
mf mf
      
   
9
     
 
    
         
         

17

        
f mf

 


 
      
23


    

 

 6
rit.
       
      
30
 
  
3 3 3 3

                
  
   
   
  
34 A tempo
1.
 
ff 6 6
   + picc
          
                    
 
40
     
ff 3 3 3 3 3 3
                 
     
45

  


 

6 3 3 3
 
     
   
      rall. 
51
     
 
3

Aquella Carmen - Arr. Juan Villodre - Voz y Banda - Copla - Concert Band - Banda de Musica - Sheet Music

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Aquella Carmen - Arr. Juan Villodre - Voz y Banda - Copla - Concert Band - Banda de Musica - Sheet Music

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Aquella Carmen Quiroga

                 

                          

             

     

    

        

Copyright © Juan Villodre 2008

  

     3   

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

                 

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

                                    

Copyright © Juan Villodre 2008

Copyright © Juan Villodre 2008

Aquella Carmen Quiroga

                   

Copyright © Juan Villodre 2008

Aquella Carmen Quiroga

Copyright © Juan Villodre 2008

Aquella Carmen Quiroga

Copyright © Juan Villodre 2008

Aquella Carmen Quiroga

cuerpo more nodepurara za Bar ce lo na. . Barce lo na dando gritos. . man

       

ma 3 ya ni 3la gui ta rra tem bló Ca r m en,

Copyright © Juan Villodre 2008

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