Edgar Barroso

METAMORPHOSEON
(2010)
For Six Soloist Voices

50699315
 TEXT / Metamorphoseon - Book IV

Narrator: Translation:

Dixit, et ut serpens in longam tenditur alvum durataeque cuti squamas increscere sentit nigraque Even as he spoke he was stretched out in long snaky form; he felt his skin hardening and scales

caeruleis variari corpora guttis in pectusque cadit pronus, commissaque in unum paulatim tereti growing on it, while iridescent spots besprinkled his darkening body. He fell prone upon his belly,

tenuantur acumine crura. bracchia iam restant. and his legs were gradually moulded together into one and drawn out into a slender, pointed tail.

Cadmus:

Cadmus:

"Accede, o coniunx, accede, miserrima, dumque aliquid superest de me, me tange manumque "Come near, oh, come, my most wretched wife, and while still there is something left of me, touch

accipe, dum manus est, dum non totum occupat anguis." me, take my hand, while I have a hand, while still the serpent does not usurp me quite."

Narrator:

Ille quidem vult plura loqui, sed lingua repente in partes est fissa duas, nec verba volenti He wanted to say much more, but his tongue was of a sudden cleft in two; words failed him, and

sufficiunt, quotiensque aliquos parat edere questus, sibilat: hanc illi vocem natura reliquit. whenever he tried to utter some sad complaint, it was a hiss; this was the only voice, which Nature

left him.
Harmonia:

"Cadme, mane teque, infelix, his exue monstris! Cadme, quid hoc? ubi pes, ubi sunt umerique O Cadmus, stay, unhappy man, and put off this monstrous form! Cadmus, what does this mean?

manusque et color et facies et, dum loquor, omnia? cur non me quoque, caelestes, in eandem Where are your feet? Where are your shoulders and your hands, your color, face, and, while I

vertitis anguem?" speak, your — everything? Why, O ye gods of heaven, do you not change me also into the same

serpent form?

Narrator:

Ille suae lambebat coniugis ora inque sinus caros, veluti cognosceret, ibat et dabat amplexus He licked his wife's face and glided into her dear breasts as if familiar there, embraced her, and

adsuetaque colla petebat. at illa lubrica permulcet cristati colla draconis, et subito duo sunt sought his wonted place about her neck. But she only stroked the sleek neck of the crested dragon,

iunctoque volumine serpunt, donec in adpositi nemoris subiere latebras, nunc quoque nec fugiunt and suddenly there were two serpents there with intertwining folds, which after a little while

hominem nec vulnere laedunt quidque prius fuerint, placidi meminere dracones. crawled off and hid in the neighboring woods. Now also, as of yore, they neither fear mankind nor

wound them, mild creatures, remembering what once they were.

!
 2
METAMORPHOSEON
Characters:
For Six Voices a Capella
Cadmus - Represented by the three male voices Based on the Fourth Book of "Methamorphoses" by Ovid
Harmonia - Represented by the three female voices "The End of cadmus"
Narrator - Represented by all the voices
Edgar Barroso
To the Neue Vocalisten Stuttgart Cambridge, MA / February 1 - 2010
A
q = 45 Sempre leggero, poco vibrato et molto legato
pp mf pp

 
NAR RAT O R - S E C T I O N - I


5:4

S1      
(No change of Position gam
throughout this section)
Initial Position -
Front View pp mf pp


5:4

S2

     
Gradually (very slowly) change lon
into the second position
Initial Position -
Front View
pp (sempre)

 
5:4

             

5:4 5:4 5:4

3:2

   
3:2 3:2

Mzzo  
Di - - xit et ut ser - pens in lon - gam ten - di - tur
Gradually (very slowly) change
into the second position pp (sempre)

 
Initial Position -

         
5:4 5:4 5:4
Front View
 3:2

  
3:2
   

T

Gradually (very slowly) change
et ut ser - pens in lon - gam ten - di - tur
into the second position
Initial Position -
Front View


pp mf pp
   
5:4
 
Bar. 
Gradually (very slowly) change
into the second position
lon
Initial Position -


Front View pp mf pp
 
     
5:4
Bass
Gradually (very slowly) change gam
into the second position
Initial Position -
Front View
 3

pp mf pp pp mf pp

6         
5:4 5:4

S1      
al ti s - - qua - mas

pp mf pp pp pp
mf

       
5:4

3:2 5:4

S2       
vum s - qua - mas in

pp (sempre)

         
 5:4      
5:4

  
5:4 5:4 3:2 5:4
Mzzo  
al - vum du - ra - tae que cu - ti s - qua - mas al - vum

pp (sempre)

            
5:4

 
5:4 5:4

  
5:4 5:4 3:2

  

T
  
al - vum du - ra - tae que cu - ti s - qua - mas al - vum

pp mf pp pp pp

  
mf

     
5:4


5:4 3:2

Bar.      
vum s - qua - mas in

pp pp mf pp

        
mf pp


 
5:4
  
5:4
Bass
al ti s - - qua - mas
 4

mf f

12
5:4

   
3:2

S1       
que cae - ru - leis va -

mf f

 
5:4 5:4

 

3:2

          
3:2
    
S2 
cre - sce - - re sen - tit ni - gra - que cae - ru - leis va -

f
mf

       


3:2 5:4

   
Mzzo 
ni - gra - que cae - ru - leis va -

mf f

       
 3:2 5:4

    

T
ni - gra - que cae - ru - leis va -

mf f

            
5:4


5:4
  
3:2 3:2
Bar.   
cre - sce - - re snt - tit ni - gra - que cae - ru - leis va -

mf f


   
 
3:2


5:4
   
Bass 
que cae - ru - leis va -
 5
Tutti - Front View
at this point
p


mf

    
5:4 5:4 pp mf pp

     
5:4


ppp

    
5:4 3:2 5:4
17

5:4

 
      
S1 
- ri - a - ri cor - po - ra gu - ttis in pec - tus - que ca - dit pro - nus
Second Position -
Front View

p pp mf pp mf

        
5:4 5:4 ppp

     
5:4 5:4 5:4 5:4 3:2

    
  
S2     
- ri - a - ri cor - po - ra gu - ttis in pec - tus - que ca - - dit pro - nus

Second Position -
Front View

p
pp mf pp

     
5:4 5:4 5:4 5:4 mf

      
5:4

   
5:4
   
3:2

 
  
Mzzo
- ri - a - ri cor - po - ra gu - ttis in que ca
pec - tus -
Second Position -
Front View

p pp mf pp mf

      
 3:2
5:4 5:4

        
5:4 5:4 5:4 5:4

  
    
 -
T 
ri - a - ri cor - po - ra gu - ttis in pec - tus - que ca

Second Position -
p Front View

   
mf 5:4

 
5:4

         
5:4 5:4 pp mf pp

      
5:4
 
3:2
 
5:4
Bar.  
- ri - a - ri cor - po - ra gu - ttis in pec - tus - que ca - - dit pro - nus
Second Position -
Front View

    
p pp mf pp mf 5:4

      
5:4

  
  
5:4 5:4 5:4 5:4
 
3:2

 
  
Bass     
- ri - a - ri cor - po - ra gu - ttis in pec - tus - que ca - - dit pro - nus

Second Position -
Front View
 6

22  
pp

  
5:4

      
5:4
S1  
co -mmi - ssa - que in u - num

mp
pp

  
5:4 5:4 5:4

S2           
co - mmi - ssa - que pau - - - la - - - - tim

mf
mp 5:4 5:4

   
5:4 5:4

     

5:4

  
Mzzo      
pau - la - - tim te - - re - ti te - nuan - tur


mp 5:4 mf

        
3:2
  
5:4


T

pau - la - tim te - re - ti

  
pp

     
mp
   
5:4 5:4


5:4

Bar.     
co - mmi - ssa - que pau - la - tim te - re - ti nuan

       
pp 5:4


5:4


Bass      
co - mmi - ssa - que in u - num
 7


mp

      
ppp
27

      
5:4 5:4 5:4
S1
Bra - cchi - a i - - - am

mp
ppp

       
5:4 5:4

   
5:4

     
5:4
S2  
a - cu - mi - ne cru - ra Bra - cchia - a i - - am

 
5:4 ppp

    
5:4

      
 
   
Mzzo    
a - cu - mi - cru - ra res - - tant
ne

 
ppp
 3:2   
      
       
5:4 5:4
  
 a - cu - mi
T
- ne cru - ra res - - tant

mp

 
Whispering

             
mf (audible) 5:4 5:4

        

5:4 5:4 5:4 5:4

Bar.      
res -tant res -tant
a - cu - mi - ne cru - ra Bra - cchi - a - i - am

    5:4    
mp

 
ppp

5:4
 
Bass       
Bra - cchi - a i - am
 8
Front View

Front View

This parts should be sing independently from each other. They are ment NOT to be in sync.
 9
CADMUS
B

33
S1    
Gradually (very slowly) change
into the second position
Initial Position -
Front View

S2     
Gradually (very slowly) change
into the second position
Initial Position -
Front View

Mzzo     
Gradually (very slowly) change
into the second position
Initial Position -
Front View

mp mf

  
3:2 f mp 3:2

 
3:2

      
     
   
 A - cce
T 
- de o co - ni - unx a - cce - - de mi - se - rri - ma
(No change of position
in this section)
Initial Position -
Front View

  
mp mf f p

  
   
Bar.       
(No change of position o co - ni - unx a - cce - de mi - se - rri - ma
in this section)
Initial Position -
Front View

 

Bass      
cce - de
(No change of position
in this section)
Initial Position -
Front View
 10

37
S1
FRONT VIEW
  

Second Position -
Front View

S2    

Second Position -
Front View

Mzzo    

Second Position -
Front View

3:2 mp f p
3:2 mp 3:2 3:2
ppp

      
                      

T
dum - que a - li - quid su - pe - rest de me, me

      
p mf p p mf p
mp 3:2 ppp
       
3:2 f p
Bar.          
dum que dum que a - ti - quid rest sss ssss


Bass      
 11

42     
S1 

S2      

Mzzo      

pp
f p

          
      
 tan
T


- ge ma num- que a - cci - pe sss ma - nus

f p mp mp

          
pp p
 
3:2 3:2

3:2

Bar.      
a - cci - pe dum ma - - nus est

p mf p
pp p
    
  

Bass       
ma - num - que ma - nus sss
 12

47      
S1 

S2       

Mzzo       

pp

            



T

o - ccu - pat an - guis

f p

 
f

      
f pp f pp pp
  
Bar.          
dum non to tum o - ccu - pat an - guis an

p p
  
f f

              
f pp
3:2
 pp pp

   
3:2

  
Bass     
dum to tum o - ccu - pat an - guis o - ccu - pat an - guis
 13

This parts should be sing independently from each other. They are ment NOT to be in sync.
 14 NAR RAT O R abruptly
C pp (Subito) - loudly


mf

 
inhale

53
p Whispering Whispering
pp 3:2

   pp

f 3:2
  
pp

    
Ord.

Ord. f
S1               
shh I - lle qui - - dem vult plu - ra lo - qui sed -
Whispering

Whispering pp f
pp (Subito)
pp 
p Whispering
  
    
Ord.

Ord.

S2             
shh I - lle qui - - dem vult plu - - - - - - ra

abruptly
- loudly


inhale pp (Subito)
mf mf
p
3:2 Whispering
pp 
  
Whispering
   
3:2 f Whispering
Ord.
         
Mzzo          
shh I - lle qui - den vult shh lin - gua
I - lle
abrupt
- loud


inhale
pp (Subito)

p
mf 3:2 pp  mf

  
Whispering 3:2 Whispering
   
f Whispering

 
Ord.

                
 shh
T  
I - lle I - lle qui - den vult shh lin - gua

abruptly
pp (Subito) - loudly

pp  f
mf


inhale

  
p Whispering pp
    
f Whispering 3:2 3:2

  
pp
  
Ord.
      
Ord.
Bar.       

shh I - lle qui - - dem vult plu - ra lo - qui sed -

Whispering
abruptly
pp (Subito) - loudly

p 
mf inhale

f Whispering Ord.
p Whispering pp pp 3:2
  pp
    
3:2
        

f
    
Ord.

Bass   

shh I - lle qui - - dem vult plu - - - - - - ra lo - qui sed -

Whispering
 15
Ord.
Shouting Shouting mf

Whispering mp
f Ord.


57 f mf f 5:4

 
3:2 Ord. pp 3:2 p

mf

       
p pp
              
S1     
shh in par -tes est fi - ssa du - - as nec ver - ba vo - len - -

Shouting Shouting

Shouting
f f f f

  
pp Ord.
Ord. mf pp 3:2

p pp
     
S2             
shh re - pen - te est fi - ssa du - - as nec ver - ba


Whispering Shouting Shouting
Ord. f f
f mf mp Ord.

  
mf pp 3:2
    
p pp
    
3:2

Mzzo          
shh in par -tes est fi - ssa du - - as nec ver - ba

Shouting Shouting

Shouting
f

 
f f Ord.
f
Ord. mf pp 3:2
pp

pp p
     
T              
shh re - pen - te est fi - ssa du - - as nec ver - ba


Whispering Ord. Shouting Shouting


f mf mp f Ord. mf pp f
p pp
  
3:2 3:2

                 
Bar. 
shh in par -tes est fi - ssa du - - as nec ver - ba


Shouting Shouting
Shouting mf


f f Ord. f Ord. pp f
pp

p

 
pp 3:2
   

            
Bass  
shh re - pen - te est fi - ssa du - - as nec ver - ba
 16

pp Shout  
f inhale Whisper ff Inhale

62   
3:2 pp p 3:2

   
 
Ord.
   
Shout

S1      
- ti su - ffi - ci - unt si - - - bi - - - lat

 
f inhale ff Inhale
Whisper p 3:2

  
3:2 pp
  Ord.

Shout

S2  
Shout
          
su - ffi - ci - unt si - - - bi - - - lat


f inhale Whisper
mf Shout
pp 3:2 p

           
3:2 3:2 f

Mzzo  
Shout
   

     

 
su - ffi - ci - unt a - li - qu - os pa - - rat qu - es - tus,

mf


f inhale Whisper Ord. 5:4 p Shout

       
    
3:2 pp p 3:2 3:2
  
f
             
Shout
T  
su - ffi - ci - unt quo - ti - ens - que a - li - qu - os pa - - rat qu - es - tus,

 
f inhale Whisper ff Inhale
p

  
pp

   
3:2 3:2
Ord.
         
Shout

Shout
Bar.
su - ffi - ci - unt si - - - bi - - - lat

 
ff Inhale
f inhale Whisper
p
pp 3:2

   
  
3:2

    
Ord. Shout

Bass  
Shout
 
  
su - ffi - ci - unt si - - - bi - - - lat
 17
ff



pp pp ppp
 
     
3:2

           
67
S1  
vo - cem na - tu - ra re - li - - qu - it shh shh


ff
mf pp ppp
3:2
   
S2                
na - tu - ra re - li - - qu - it shh shh


ff
mf f

3:2 pp ppp

 
p
   
          
Mzzo  
  
hanc i - - lli re - li - - qu - it shh shh


ff
pp ppp
 
p
 
f 3:2
        
T        
de - re re - li - - qu - it shh shh


mf ff
pp ppp
        
3:2

Bar.  
         
na - tu - ra re - li - - qu - it shh shh


ff
pp 3:2 pp ppp
        

          
Bass 
vo - cem na - tu - ra re - li - - qu - it shh shh
 18

This parts should be sing independently from each other. They are ment NOT to be in sync.
 HARMONIA 19


D pp ff
72 3:2
  
S1       
(No change of position mons - - - tris!
in this section)
Initial Position -
Front View

pp

   
3:2 3:2 ff

       
 
3:2

         
S2 gliss.

Cad - me ma - ne te - que in - fe - lix, his e - xu - e mons - - - tris!

(No change of position
in this section)
Initial Position -
Front View
pp ff

  
3:2

3:2

    
  
3:2

    
 
Mzzo     gliss. 
Cad - me ma - ne te - que in - fe - lix, his e - xu - e mons - - - ris!
(No change of position
in this section)
Initial Position -
Front View

T      
Gradually (very slowly) change
into the second position
Initial Position -
Front View

Bar.      
Gradually (very slowly) change
into the second position
Initial Position -
Front View



Bass     
Gradually (very slowly) change
into the second position
Initial Position -
Front View
 20

    
p

pp

          
pp
   
    
3:2
    
77 3:2

    
S1
 
Cad - me qu - id hoc? u - bis pes u - bi sunt u - me - ri - que


S2        


Mzzo        


T        

Second Position -
Front View

 
Bar.       

Second Position -
Front View

 
Bass        

Second Position -
Front View
 21


82  
mp

 
mf
     3:2

S1         
ma - nus - que et co - lor qu - o - que in e - an - dem

mf mp

     
    
3:2 3:2

 
S2           
et fa - ci - es et dum lo - qu - or cur non me

mf

    
     
mp

Mzzo        
om - ni - a? cur non me

Front View

T 

Bass Mezzo

Bar.  Baritone Soprano 2

Soprano 3
Tenor


Bass 
 22
ppp mp

      
f

 
    
pp (subito)

 
 
  
3:2

87

S1     
qu - - - - o - - - - que ver - - ti - tis an - gu - - em?

   
f

    
 
  
pp (subito)
 
  
    
3:2
  
3:2

S2       
cae - les - tes in ver - - ti - tis an - gu - - em?

mp ppp

 
p f
 
pp (subito)
 
            
 
Mzzo 
in ver - - - - ti - tis an - gu - - em?

T     

Bar.     


Bass     
 23

This parts should be sing independently from each other. They are ment NOT to be in sync.
 24
NAR RAT O R inhale
ppp


f Ord.

   
5:4 mf


5:4
E 5:4 5:4 f

S 1             
f mf pp

     
91 5:4 5:4
5:4
 
I - lle lam - be - bat ve - lu - ti et da - bat pe - te - bat.
Gradually (very slowly) change
into the second position
Initial Position -
Front View shout
ff ppp
mf

  
pp

                 
f 3:2 5:4

     
mf

p 5:4 3:2 5:4

S2    

sua - e cu - ni - u - gis in - que si - nus ca - ros xus pe - te - bat
Gradually (very slowly) change
into the second position
Initial Position - inhale


Front View shout ppp
f mf
5:4
ff pp

          
Ord. 5:4

                
f mf 5:4

3:2 5:4 5:4
5:4 5:4
 
5:4
Mzzo  
I - lle lam - be - bat in - que am - - ple - - xus pe - te - bat.
Gradually (very slowly) change
into the second position
Initial Position -
Front View

  
mf p p p

      
f mf mf

  
f
  
mf ppp

       
5:4 pp

T  
sua - e o - ra cog - no - sce - ret ad - sue - ta - que co - - lla.
Gradually (very slowly) change
into the second position
Initial Position -
Front View
f p mf p
mf mf mf ppp

              
f mf p pp


5:4

 
  
5:4
  
5:4 5:4 5:4
Bar.  
sua - e o - ra re - lu - ti et da - bat pe - te - bat.
Gradually (very slowly) change
into the second position


f pp mf ppp
Initial Position -
mf p mf p

  
f Front View mf 5:4

   3:2          
5:4 5:4

  
5:4
 
Bass 
5:4

     
sua - e o - ra i - - bat et da - bat pe - te - bat.
Gradually (very slowly) change
into the second position
Initial Position -
Front View
 25
mp pp

97   
5:4

S 1        
5:4 5:4
5:4
      

at dra - co - nis i - unc - to - que vo - lu - mi -

inhale


f
5:4 whisper
mf

  
Ord.

S 2                    
5:4 mf
5:4 5:4 p

 
     
lu - bri - ca per - mul - cet et to - que vo - lu - mi -

mf
Whisper Ord. mp pp

         
5:4 5:4

5:4

       
Mzzo

I - lla I - lla dra - co - nis nec

f whisper
Whisper mf p

    

Ord. mp

 
        
mp 3:2

   
5:4 5:4

5:4
T    
I - lla du - o sunt dra - co - nis i - unc - to - que

mf

 
pp

  
Whisper

          
pp 5:4 mp p

3:2
  
5:4

Bar. 
 
    
I - lla co - lla - - - bi - tu i - unc - to - que vo - lu - mi -

Whisper / Spoken
mp Ord.
(audible)
p

 
5:4 mp

             

3:2 5:4 pp
  
Bass 

 
      

cris - ta - ti su - - bi - - to bi - tu co - lla -
 26
 
ppp

  
5:4

  
102 5:4

S1    
ne ser - punt in


Whisper
Inhale
pp pp
          
5:4

S2   
5:4
  
do - nec in ad - - po - si - ti ti

f
Whisper


 pp pp
5:4
Inhale

             
5:4 5:4
 
Mzzo  
in do - nec in ad - po - si - ti


Whisper Whisper

     
pp ppp mf ppp mp

        
pp pp

5:4
 
3:2
    
T 
ne do - - - nec in ad - po - ti ad - po -
si - -

pp


  
    
5:4
Bar.
ne - mo - ris

 Whisper

 
5:4 pp

     
Bass     
ne- ser - punt ad - po -
 27
f
p

  
5:4 mp

     
107  5:4 5:4

S1     
qu - - o - que ho - - -

inhale


f

 
p

 
p

5:4

 
3:2

     
S2 
nunc nec fu - gi

inhale


f mp
mf p

          
5:4 5:4

p

   
5:4
 3:2

  
Mzzo   
si - ti bras nunc nec ho - - -

p
p mf 5:4 5:4 mp

                

5:4

3:2 5:4 5:4

     
    
T
- si - ti su - bie - re bras fu - gi - unt ho -

     
p mf

  
  
   
5:4
Bar.
su - bie - re bras

p mf

      5:4
p mp mf

          
 
     
5:4 5:4

    
 


5:4
 
5:4 5:4
Bass
- si - ti la - te - bras nunc o que nec ho - - - -

Second Position -
Front View
 28
f p ff

 
5:4


5:4 mp f

S1      

113

 
5:4 5:4


- mi - - - - nem nec vul - ne - re
Second Position -
Front View

f mp
5:4 5:4 p ppp

                    
5:4 5:4 ff 5:4

   
5:4
S2
mi - - - - - nem nec lae - dunt.
Second Position -
Front View

ff


f p ff p
5:4 ppp

     
5:4 5:4 5:4

      
 
3:2
        
Mzzo  
- mi - - nem nec lae - lae - dunt
Second Position - dunt
Front View
ff
 
    
f 5:4 ppp

 
p 5:4

    
5:4

  
3:2

 
T      
- mi - - nem lae - dunt fu - e - lae - dunt
Second Position - rint
Front View

ff


         
p mp ppp

  
ff 5:4
3:2 5:4

    
5:4

Bar.  
5:4

5:4
 

lae - dunt pri - us fu - e - lae - dunt
Second Position - rit
Front View
f mp

   
p ff p

   
5:4 ff

          
5:4

5:4 5:4 5:4 5:4

Bass 
 
5:4

  
 
- mi - nem lae - dunt qu - id - que pri - us fu - e - rint
 29

118  

 

  


S1 

mf ff

 
5:4
    
S2        
pla - ci - di


Whisper
mf ff Whisper
Whisper
pp
p Subito

 

  5:4  
    
3:2 5:4 p 5:4

Mzzo       
 

nessssssssssssssssssssss...
me - mi ne - re dra co - - -

mf ff Whisper Whisper Inhale

Whisper
pp 
 
p Subito 5:4

Inhale

 
p
   
3:2 5:4

 
   
T     
nessssssssssssssssssssss...
me - mi - ne re dra Exhale
co - - - -

mf ff

 
3:2
  5:4    
Bar.         
pla - ci - di

   
Bass         
30
 31
124 TRANSITION 1

        
Whispers (Should sound like gossip)

5:4

      
3:2 5:4
ni - gra - que cae - ru - leis va - ri - a - ri

      
Whispers (Should sound like gossip)

3:2

3:2

   
5:4
5:4 5:4

Di - - xit et ut ser - pens in lon - gam

 
Whispers (Should sound like gossip)

   
5:4

   
ti s - - qua - mas

Whispers (Should sound like gossip)

       
5:4

3:2

   
cre - sce - - re sen - tit que cae -

           
Whispers (Should sound like gossip) 5:4 5:4 5:4
5:4
    

que cae - ri - a - ri cor - po - ra gu -ttis

Whispers (Should sound like gossip)

       
5:4 5:4

3:2 3:2
  
   
re snt - tit ni - gra - ru - - leis va
 32
TRANSITION 2

     

128

     

     

3:2

     
3:2
              
ss - t t t t t t t t hhh t -shh - hh shh t t t t t t t t sss
-gh - tt -shh -k - ss -hhh

3:2 3:2

          

            
gh shh tt- sss gh -hh k k k k k k k k ss shh rrr gh -tt -shh -k - ss -hh

3:2 3:2

                  
k - tt - ss k gh t t t t t t t t t t t t t t t t gh -tt - sh - k - ss - hh - ss
 33
TRANSITION 3
132 Shouting Shouting
Whispering

      
Ord. 3:2

        
3:2
 
Ord.
    
 
shh in par - tes est fi - ssa du - - - as nec ver - ba



inhale


 
3:2 Whisper

  
 
Ord.

   
Shout
     
ti su - ffi - ci - unt si - - -

Shouting
Shouting f


Ord.


p
  
Ord.

            
plu - - - - - - - ra shh re - pen - te est fi - ssa

 
Whispering
  
Whispering

              
shh I - lle qui - dem vult


inhale
Whisper

     

3:2
 
Ord.

Shout
     
 
su - ffi - ci - unt si - - -

3:2 
 
Whispering Ord. Shouting Ord.


   
3:2 3:2

 
Ord.

                
plu - ra lo - qui sed - shh in par - tes est fi - ssa du - - - as
Whispering
34
136
TRANSITION 4


         
  
3:2
           
 
Cad - me qu - id hoc? u - bis pes


3:2

           
dum lo - qu - or

 
3:2 5:4

 
 
           
cre - sce - - re sen - tit ni - - gra - - que cae -

    

    


    