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3.

Mirror Intervals
1. Terry Smith, The Architecture ofAftermath (Chicago: University of
Chicago Press, 2006).
2. Nicholas Baume, "Floating in the Most Peculiar Way," in Anish
Kapoor: Past, Present, Future, exhibition catalog, ed. Nicholas Baume
(Cambridge: MIT Press, 2008), 26. Regarding Kapoor as a late
modernist with minimalist tendencies, see Partha Mitter, "History,
Memory, and Anish Kapoor," in Baume, Anish Kapoor, 107.
3. See Terry Smith, What 1s Contemporary Art? (Chicago: Chicago
University Press, 2009).
4. Anish Kapoor, in Homi Bhabha and Anish Kapoor, "A Conversation:
June 1, 1993," in Anish Kapoor, exhibition catalog (Tel Aviv: Tel Aviv
Museum of Art, 1993), 60.
s. Anish Kapoor, "Mythologies in the Making: Anish Kapoor in
Conversation with Nicholas Baume," in Baume, Anish Kapoor, 50.
6. Svayambh is a Sanskrit term meaning self-generation. Kapoor's
Svayambh consists of a block of red wax that is moved almost
imperceptibly along rails between galleries. The sculpture seems to
transform itself throughout this process by taking on the shapes of
the doorways.

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