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IS IT OKAY TO PRAW SH1NIGAMI?
WONT I BE CURSEP FOR POING THIS?
I PRAW THIS MANGA WITH FEAR ANP TREMBLING
-TAKESHI OBATA

Tsugumi Ohba
Bom in Tokyo.
Hobby: Collecting teacups
Day and night, develops manga plots
while holding knees on a chair.

Takeshi Obata was bom in 1969 in Niigata, and is the


artist of the wildly popular SHONEN JUMP title Hikaru
no Go, which won the 2003 Tezuka Shinsei “New Hope”
award and the Shogakukan Manga award. Obata is also
the artist of Arabian Majin Bokentan Lamp Lamp,
Ayatsuri Sakon, and Cyborg Jichan G.
DEATH NOTE VOL 2
SHONEN JUMP ADVANCED Manga Edition
STORY BY TSUGUMIOHBA
ART BY TAKESHI OBATA
Translation & Adaptation/Pookie Rolf
ConsuItanl/AIexis Kirsch
Touch-up Art & Lettering/Gia Cam Luc
Design/Sean Lee
Editor/Pancha Diaz
DEATH NOTE © 2003 by Tsugumi Ohba, Takeshi Obata.
All rights reserved. First published in Japan in 2003 by SHUEISHA Inc.,
Tokyo. English translation rights arranged by SHUEISHA Inc.

Some art has been modified from the original Japanese edition.

The rights of the author(s) of the work(s) in this publication to be


so identified have been asserted in accordance with the Copyright,
Designs and Patents Act 1988. A CIP catalogue record for this book is
available from the British Library.

TTie stories, characters and incidents mentioned in this publication


are entirely fictional.

No portion of this book may be reproduced or transmitted in any form or by


any means without written permission from the copyright holders.
Printed in the U.SA
Published by VIZ Media, LLC
P.O. Box 77010
San Francisco, CA 94107

First printing, October 2005


Nineteenth printing, April 2012
HP
DEATH NOTE
Vol.2

CONTENTS
Chapter 8 Woman
Chapter 9 Slots 27
Chapter 10 Confluence 47
Chapter 11 One 71
Chapter 12 God 93
Chapter 13 Countdown 115
Chapter 14 Temptation 135
Chapter 15 Phone Call 157
Chapter 16 Handstand 179
w S-i1
LOOKS UKE
YOUPEPONE
PUT ALL FIVE
ENVELOPES

bWHYjH
®cant3| WHK
REMEMBER*
WHOSE®
FoICEiTHIS1
"'IS..:?

.WHO
-DAMN:
THE
KIRA.
HELL f,
IS IT...
mms
» |BUT IF
DEDUCTION j
■ IS CORRECT
Kthe order-
— IN WHICH*
■f these
^Tagents'
■received!
■the file is
■an IMPOR-:

■tant clue!
YOU WERE,
| IN TOUCH f
—with ONE
BrOF THE,"
ZFIRST ONESj
aWHO,GOT<IT]
* .V©**C *
0
W *i*
vfy 1
©You tvsa.y also write the cause anW/er Je-tsf||$
of death prior to filling in the hawt of
individual. Bt sure to insertt|u name in
front of tkfr written cause of death.
Vou havc'aWout 19 day$ (according to the
Human calendar) in order to fill in a name-.

•€■©81, llklk s-rffliiiMttAilSe-ela 19b®L

°Evcn if yoU da het *cfua||jr possess tW


IDp/ktR fyof£, t^fc effeetVi|| We tfye Same if
you c-an reca^niie tfye person and (y£/Hfi|r
name t© place int^e l»|a.nl<;.
f^y-h^wM§jmxbMt$,mMM^k^x^iim^'ksba,
Ws mm 5 % t s.
I would like to meet the six of you who have my trust
as soon as possible.

Do not speak of our meeting, or having met me, or


what we will be doing, to anyone who is not in the
room now. That includes anybody in the NPA, your
families, and your friends.

Please leave the NPA building to discuss whether


you can swear to the above, and whether you can
trust me. Only those who agree to work with me in
this investigation shall return to the room, and I will
send my further conditions for our meeting to this
computer.

Bra | c?
I am now in a room in the Imperial Hotel.

i din iiuw in d iuuiii 111 mt; impelled nuitn.

Every few days, I will move to a


different hotel in the Tokyo area.

I would like the task force office


in the NPA building to serve as
a front from now on
with my hotel room serving as the
de facto center of the investigation.

Of course, this is a defensive measure to prevent Kira


from learning what I look like, and I realize this means I
will have an unfair advantage over all of you in that regard.

However, this is as far I am able to go at this point in order


to gain your trust and work with you on this investigation.

If you are able to cooperate with me on these terms,


please split into two teams and come to my room by
midnight, that is by the year 2004, leaving at least a
30-minute interval between the two teams. Watari will
hand you a memo with my room number.

I’ll be waiting.
I'M SHOKO
MAKI. THE
"SHO" IS THE
KANJI FOR
'SHINE/ AND
'KO' IS
'CHILD/ MAKI
IS WRITTEN
WITH THE
KANJI FOR
'BETWEEN"
AND "TREE/
[THERE'S] WHEN I „
[NO WAyi SPOKE f
■THEy M TO HER
■ COULD,, WIN THE
■ READ P ■NPA BUILD-/
UAY LIPS j ING TO I
■ FROM CATCH ||
■.THAT
■ANGLE. INTEREST
I MADE I
SURE J
THAT \
My BACK'
LlO THE
rsECURiTy
■ CAMERA.
|THE SECURITY _'S PRETTY*!
^CAMERA|" itv DESERTED
RECORDED ME BECAUSE OFJH
WITH THIS) NEW YEAR'S,'
WOMAN, JUST BUT THERE AREM
10 MINUTES ; PEOPLE AROUND.
AGO. LET'S NOT CAN'T CAUSE A -
FORGET THAT. DISTURBANCE.
\\av/~(« U^E vf
lx
wi|/ net affpttthos« uwJtr
7£Q^qU.
l'&78O01Cilfc^HAilC«, =r7.J-hffllllJlttfistt&K

)JdfL wi/l it rrn4erpJ use|t$$


if the victim's name i$ mi$$|K||^ four tjiu$
w£Mm%w%mtz.% t,
■e© Alt fetf y- h < *5„
5S5
«E«
^FATHER'S
RECOMMENDATION,
k^+H.v®+ic
\\Gv/-|o if
* \f?l

, X
o “£ukWe" i$ a va|ji caqse of V^atlv
a(| arc thought fo possess
tH* ^oSSitili+y to commit ?uic|i«. ]t j$,
therefore, not something “urtk«|i«,'/jk|<.1oll|jh|('
of”
r|pj 0, S(|St© AWfclj
isn, lettAS&K

®V/hether tt\e cause of individuals Jeath ‘,5


Either a suicide or accident, If the ^eaiH |ea4$
to the Jeaih of Ivor* iHan tV\e {n+^v»W«W, the
person w\|[ simply Vie. of \ he^rt attlck,
“t(\i$ is to ensure that other liV«$ are not
inf(iiene$4.
|f3feM5ET-%,
ffi©AM®5EsS<^*na, t)j
— BUT TODAY USUALLY I AFTER I
WHEN REMOVE CLOSE THE
I CAME IT BEFORE DOOR, I SET IT
HOME, IT SOING IN 'SO IT HARDLY
SHOWS FROM
THE OUTSIDE.

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