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This unit should serve as a brief introduction into Italian music and culture while
learning about Duple Meter. This unit is not meant to be an all-encompassing look at either
Italian music or culture. This unit introduces an Italian Children’s song and game, a folk song
and dance, as well as a piece from a larger orchestral work. This unit focuses mainly on the
rhythmic concepts of note value, meter, and 6/8 time. At the end of the unit, students should
have a deeper appreciation of Italian music and culture as well as be able to perform, identify,
compose, and define duple meter. The summative and formative assessments serves as a
benchmark for the teacher to check in and see if they need to re-go over a concept or concepts.
UNIT ESSENTIAL QUESTION: How can we learn about duple meter through Italian Music
Unit Learning Outcomes:
● Students will perform in duple meter
● Students will improvise in duple meter
● Students will define duple meter
● Students will identify duple meter
KENNY MILLSON
MUS 149 ASSIGNMENT 7
Standards MU:Cr1.1.4a Improvise rhythmic, melodic, and harmonic ideas, and explain
What is the framework connection to specific purpose and context (such as social and
for our learning outcome? cultural)
MU:Pr4.1.4a Demonstrate and explain how the selection of music to perform is
influenced by personal interest, knowledge, context, and
technical skill.
MU:Re7.2.4a Demonstrate and explain how responses to music are informed
by the structure, the use of the elements of music, and context
(such as social and cultural).
MU:Cn11.0.4a Demonstrate understanding of relationships between music and
the other arts, other disciplines, varied contexts, and daily life.
***Note: if any dance move requires students to touch another student, teacher
should express the importance of consent and ask students if they feel comfortable
doing the particular move with a partner. If any student is not comfortable, teacher
should offer a different option for the class, as to not exclude student(s)***
Name: ________________________
Date: _________________________
Quarter Note
Eighth Note
KENNY MILLSON
MUS 149 ASSIGNMENT 7
Standards MU:Cr1.1.4a Improvise rhythmic, melodic, and harmonic ideas, and explain
What is the framework connection to specific purpose and context (such as social and
for our learning outcome? cultural)
MU:Pr4.1.4a Demonstrate and explain how the selection of music to perform is
influenced by personal interest, knowledge, context, and
technical skill.
MU:Re7.2.4a Demonstrate and explain how responses to music are informed
by the structure, the use of the elements of music, and context
(such as social and cultural).
MU:Cn11.0.4a Demonstrate understanding of relationships between music and
the other arts, other disciplines, varied contexts, and daily life.
Glossary of Terms & ● Meter: a recurring pattern of stresses or accents that provide the
Abbreviations pulse or beat of music. Meter is notated at the beginning of a
composition with a time signature.
● Tarantella: a rapid whirling dance originating in southern Italy.
Tarantella Napoletana is a dance from the Naples region of Italy.
Section 4: Procedures
Procedures 1. Teacher will invite the students to sit in front of the projector screen.
2. Teacher will play the accompanied YouTube video
3. Teacher will ask students what instruments the students hear.
4. Teacher will explain how common instruments used in Italian folk
music are the accordion, guitar, piano, and violin.
5. Teacher will divide the students into pairs or groups of three
(depending on class size)
6. The students will talk with their partner(s) and try to come up with a
definition of tarantella.
7. The teacher will then explain to the class the “actual” definition of
tarantella
8. The teacher will play the tarantella video over again to the class
9. Teacher will explain to the students how that specific tarantella is in
what is known as duple meter
10. In the same pair or grouping as before, the teacher will have the
students try and figure out what duple meter means
11. The teacher will then give the “actual” definition to the class
12. The teacher will then invite the students to stand up
13. The teacher will have the students stomp to maintain a steady beat
14. The teacher will demonstrate 2 bars (In 4/4; 8 counts) of body
percussion in a duple meter
15. The teacher will then have the class repeat it back, but will do the
first four counts then the second four counts
16. The teacher will add on another 8 counts of body percussion
17. Teacher will have the class repeat it back, first four counts, then the
second four.
18. Teacher will do all 16 counts of the body percussion at once
19. Teacher will have the class repeat the entire 16 counts back
20. Teacher will repeat this 3 times.
21. Teacher will divide the class in to different pairs or trios and then
have them compose 8 counts of their own body percussion in a duple
meter
22. Teacher will have the groups share for the class
23. Teacher will have the students return to their seats and pass out an
exit ticket (attached)
24. Teacher will collect exit ticket on student’s way out the door
Exit Ticket:
NAME__________________________
DATE__________________________
Standards MU:Cr1.1.4a Improvise rhythmic, melodic, and harmonic ideas, and explain
What is the framework connection to specific purpose and context (such as social and
for our learning outcome? cultural)
MU:Pr4.1.4a Demonstrate and explain how the selection of music to perform is
influenced by personal interest, knowledge, context, and
technical skill.
MU:Re7.2.4a Demonstrate and explain how responses to music are informed
by the structure, the use of the elements of music, and context
(such as social and cultural).
MU:Cn11.0.4a Demonstrate understanding of relationships between music and
the other arts, other disciplines, varied contexts, and daily life.
Previous Learning Students will have previously learned about the beat division in 4/4 time,
Topic students have as well as duple meter.
obtained earlier required
in lesson.
Section 4: Procedures
Procedures 1. Teacher will invite students to the open area in the front of the
room
2. Teacher will hand out on tennis ball to each student
3. Teacher will tell students to hold on to their ball for now, or else
KENNY MILLSON
MUS 149 ASSIGNMENT 7
✓-: Student did not have correct definition of (6/8)/(dotted quarter note)
✓-: Students did not perform rhythms in tempo OR did not use only dotted
quarters or a group of 3 eighth notes.
Extension of Teacher can have students break off into small groups again and compose
Lesson their own 8 bar body percussion in 6/8
Where can this lesson go
in context?
KENNY MILLSON
MUS 149 ASSIGNMENT 7
Exit Ticket:
NAME_________________________
DATE__________________________
Compose two bars using only dotted quarters and group of three eighth
notes! Remember, two dotted quarters or 2 groups of 3 eighth notes
make one full Measure!
KENNY MILLSON
MUS 149 ASSIGNMENT 7
Glossary of Terms ● Tarantella: rapid, flowing dance, mainly hailing from Southern Italy
& Translations ● Tarantolo: Italian word for tarantula
● Tarantella | Definition of tarantella in English by Oxford
Dictionaries. (n.d.). Retrieved from
https://en.oxforddictionaries.com/definition/tarantella
Previous Learning Students will have previously learned about duple meter and 6/8.
Topic students have
obtained earlier required
in lesson.
KENNY MILLSON
MUS 149 ASSIGNMENT 7
Section 4: Procedures
Procedures 1. Teacher will invite students to the open space in the classroom.
2. Teacher will say “Remember the tarantella we’ve been using to
learn about meter and time signature? Well, it’s not just a song but
also a dance!”
3. Teacher will show the video (located in materials section) to the
students.
4. Teacher will play the video and invite the students to dance along!
5. Teacher will simplify dance moves for group if visual assessment if
the group proves some moves to be too difficult.
6. Teacher will repeat the song and dance as desired.
7. Teacher will explain the cultural relevance of the dance to the
students: “This dance is usually performed at Italian weddings. This
is why it is believed to be bad luck if performed alone. It was also
once believed to cure spider bites if performed correctly! The name
is similar to the Italian word for tarantula, which is tarantolo. Each
region of Italy had their own version of a tarantella, this one is from
the Naples region of Italy!”
8. If time permits, teacher may have students repeat the dance.
9. Teacher will invite students to return to their desks.
10. Teacher will hand out exit ticket (attached)
11. Teacher will collect exit ticket on the student’s way out the door.
Teacher will evaluate student’s exit ticket using the following scale:
✓: Student correctly identified role the dance has in Italian culture
✓-: Student did not correctly identify the role the dance has in
Italian culture.
Extension of Teacher can have students choreograph their own dance to the Tarantella,
Lesson challenging students to mimic a spider-like quality (to tie it back to the
Where can this lesson
KENNY MILLSON
MUS 149 ASSIGNMENT 7
Standards MU:Cr1.1.4a Improvise rhythmic, melodic, and harmonic ideas, and explain
What is the framework connection to specific purpose and context (such as social and
for our learning outcome? cultural)
MU:Pr4.1.4a Demonstrate and explain how the selection of music to perform is
influenced by personal interest, knowledge, context, and
technical skill.
MU:Re7.2.4a Demonstrate and explain how responses to music are informed
by the structure, the use of the elements of music, and context
(such as social and cultural).
MU:Cn11.0.4a Demonstrate understanding of relationships between music and
the other arts, other disciplines, varied contexts, and daily life..
Glossary of Terms
& Abbreviations
Previous Learning Students will have previously learned about duple meter, 4/4 time
Topic students have signature, how to read music in the treble clef, and simple
obtained earlier required
in lesson. quarter/eighths rhythms. Students will already have plenty of
experience on the Orff instruments and are familiar with the class
rotation for what instruments they should be playing.
Section 4: Procedures
KENNY MILLSON
MUS 149 ASSIGNMENT 7
✓+: students performed in tempo, with the correct rhythm, and the correct
notes.
✓-: students did not perform in tempo, with the correct rhythm, or with
the correct pitches.
Extension of Teacher can have students improvise along to Spring on Orff instruments.
Lesson
Where can this lesson go
in context?
KENNY MILLSON
MUS 149 ASSIGNMENT 7
KENNY MILLSON
MUS 149 ASSIGNMENT 7
Standards MU:Cr1.1.4a Improvise rhythmic, melodic, and harmonic ideas, and explain
What is the framework connection to specific purpose and context (such as social and
for our learning outcome? cultural)
MU:Pr4.1.4a Demonstrate and explain how the selection of music to perform is
influenced by personal interest, knowledge, context, and
technical skill.
MU:Re7.2.4a Demonstrate and explain how responses to music are informed
by the structure, the use of the elements of music, and context
(such as social and cultural).
MU:Cn11.0.4a Demonstrate understanding of relationships between music and
the other arts, other disciplines, varied contexts, and daily life..
Previous Learning
Topic students have
obtained earlier required
in lesson.
Section 4: Procedures
Extension of Lesson If summative assessment proves that a majority of students from a class
Where can this lesson go need to review a particular concept, review that concept by adapting
in context?
lesson plans to better fit student’ needs in that class.
KENNY MILLSON
MUS 149 ASSIGNMENT 7
Give the name of each note and name how many beats it gets in 4/4
time:
Using quarters and eighth notes, compose two bars in 4/4 time:
Using Dotted Quarter Notes and eighth notes, compose two bars in 6/8
time:
KENNY MILLSON
MUS 149 ASSIGNMENT 7
Give the name of each note and name how many beats it gets in 4/4
time:
Using quarters and eighth notes, compose two bars in 4/4 time:
Using Dotted Quarter Notes and eighth notes, compose two bars in 6/8
time: