Professional Documents
Culture Documents
Author(s): P. J. Connor
Source: The Journal of Egyptian Archaeology , 1988, Vol. 74 (1988), pp. 240-242
Published by: Sage Publications, Ltd.
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The Journal of Egyptian Archaeology
Publication of Hildesheim PM 11 90, a hydria of Egyptian clay, which can be attributed to the Workshop of the
Branchless Laurel. It bears an ink inscription naming an official Philon, here styled agorastes, who is known from
texts dated to 243-233 BC.
OBJECTS relegated to museum storerooms can in time be forgotten. So, although the 1921
catalogue listed four Hadras in the Pelizaeus Museum,' two of these were not brought to the
attention of B. F. Cook during his visit, and came to light again only recently, during a more
systematic search and organization of the museum's collection. The two which were
accessible to Cook (PMi i88 and PMi I89) have recently been allocated by him to,
respectively, his Group IV (the Thunderbolt Group) and Group III (the Two-line
Group).2
It is hoped to produce soon a full publication of these Hadras, together with the remainder
of the collection of Greek vases in Hildesheim.3 In the meantime it seems appropriate to
draw attention to PM 190 (pl. XXXIV, 1-3), a Hadra with an inscription, since, in the
present state of our knowledge, it breaks new ground in several ways.
The hydria4 with, in particular, its pronouncedly ovoid body and extremely high pedestal
foot, cannot easily be paralleled in published material. It should be noted, however, that the
pale buff clay is gritty with a brown-red tinge, especially on the lip, neck, shoulders, and on
the obverse to the bottom of the principal decorative zone, whose lower boundary can be
made out just below the horizontal handles. The clay is clearly local Egyptian and so places
the hydria with that group named recently by Enklaar as from the Workshop of the
Branchless Laurel.5
Whatever the validity of the arguments of P. Callaghan that Hadras were made in Crete
and imported;6 the vases in this Workshop were certainly made in Alexandria. The hydria
Amsterdam 8723,7 itself also from the Workshop of the Branchless Laurel, is close to
PM 1I90 in some respects, such as the neck, the flattened spread of the foot, and the
lateral handles, which are round in section and strongly turned up to vertical. How-
ever, Amsterdam 8723 has a shoulder which is slightly pronounced, unlike the steady,
uninterrupted curve of the body of PM 1190 from neck to foot. PM 1190 does not have
rotellae on the vertical handle but, like Amsterdam 8723,8 it has a dropped floor.
On PM 1190, the painted decoration has almost completely disappeared. However,
beneath the lateral handles, the lower boundary of the principal decorative zone is clearly
visible: a double band which circles the pot.9 Beside the left horizontal handle can be seen
1 G. Roeder, in Mitwirkung von A. Ippel, Die Denkmaler des Pelizaeus Museum zu Hildesheim (Berlin, 1921),
178.
2 B. F. Cook, 'Some Groups of Hadra Vases', in Alessandria e il mondo ellenistico-romano. Studi in onore di
Achille Adriani (Rome, I984), 795-803. PM i 88 is p. 800, no. 50; PM 1189 is p. 798, no. 36.
3 I thank the Director, Dr A. Eggebrecht and also Dr Bettina Schmitz for their kind invitation to pursue this
study. My research was supported by grants from the Australian Research Grants Scheme.
4 Ht. 40.4 cm, d. lip 14.6 cm, d. foot I cm. A portion of the foot is reattached, some chips missing; the fabric is
cracked on the belly below and to the right of the right handle; otherwise intact. Provenience unknown
(Alexandria?). 5 A. Enklaar, BA Besch, 60 (I985), io6-46; at io8f. and 137 f.
6 For Callaghan's arguments about Cretan manufacture, see his articles
(I980), 33-47; BSA 76 (I981), 35-85; and especially now BSA 80 (I985), I-I7 (with R. E. Jones).
7 See now Enklaar, Vereniging van Vrienden Allard Pierson Museum Amsterdam, Mededelingenblad, Nr. 33
(juni I985), ioff.
8 See Enklaar, Vereniging... i I, fig. 3. The general similarities with Amsterdam 8723 are important because
normally the proportions of hydriae from this workshop are quite heavy: see Enklaar, BA Besch, 60, 137.
9 For the two usual schemes for defining the principal decorative zone, top and bottom, see Enklaar, BA
Besch, 6o, i 6, fig. 4. For the double band in the Workshop of the Branchless Laurel, see, for example, Enklaar,
op. cit. 107, fig. ib (Alexandria 8817) and Amsterdam 8723, Enklaar, Vereniging . ..
the usual narrow vertical panel, criss-crossed by a wide net-pattern, with a long vertical
line, decending from the bottom of it across the double band to the body below. From the
middle of the vertical panel springs a fluid but simple rinceau with one volute downward,
followed by two upward.
The inscription is inked on the body, a little below the double band and slightly to the
right of the vertical panel near the left handle. It reads:
1 H. Braunert, Jdl, 65-6, 1950- , 235, no. 7. See the map in Enklaar, BA Besch, 60, 146, fig. 23.
2 See now Enklaar, Vereniging . . .
3 Cf., for example, P. Callaghan, BICS 30 (1983), 123, 125: 'A late date is particularly implied by the high
pedestal.' See also Enklaar, BA Besch, 60, 117, who approves a similar opinion of Cook, at least for his Laurel
Workshop, 'slender forms appeared suddenly in the 220's'.
4 SeeR. Pagenstecher, AJA 3 (1909), 407, nos. 13, I8-20, and p. 411 for no. 13 as the earliest mention of
Philon. See also Cook, Alessandria, . . . 796, no. 3; 797, nos. I6, I8-19; Enklaar, BA Besch, 60, 1I; Braunert,dl,
65-6, 234, nos. 5-I0; Cook, Inscribed Hadra Vases in the Metropolitan Museum (New York, 1966).
5 Cf. Braunert, Jdl, 65-6, 235, nos. 21, 23-6, and his comments on p. 238. For the office of agorastes, ibid.
231 f. esp. 238 with n. 2; Cook, IHV I9; idem, Brooklyn Museum Annual, 10 (1968), 121 and n. II, 'it is not clear
why an official so titled should be in charge of the burial of foreigners'.
6 See J. Sundwall, supplement to J. Kirchner, Prosopographica Attica (repr. 1981), 127; P. Roussel, BCH 32
(1908), 350, no. 404. See also 178/7 Meritt Agora XV 194.90, and later, SEG 17. 698, 702, 723, 731, 736(?), 737,
740 (Mivis).
7 Kirchner, Prosopographica Attica II, 266, no. i2sof.; W. Peremans and E. Van't Dack, Prosopographia
Ptolemaica vi (Leuven, I975), 15242. The genitive may possibly be t r ivOrpoa from £TTLvO'Yp (so P. M. Fraser).
significant in that at least one inscription is now to be found on hydriae of the Workshop of
the Branchless Laurel. Since the agorastes Sarapion was active from at least 233 BC,2 it might
be reasonable to date the Hildesheim hydria to shortly before that date, say 234 BC, in order
to bring it as close as possible to the flowering of the more slender hydriae which Enklaar
dates to the 220S.
This date, however, will be difficult to use as a reference point within the Workshop of th
Branchless Laurel, since the shape of the Hildesheim hydria is so different from the others
attributable to the Workshop. It does nevertheless fit within 260-225 BC, the years proposed
by Enklaar as the Workshop'sprincipal principal period of activity.3
P. J. CONNOR
A Latin papyrus with a recruit's request for service in the auxiliary cohorts
Publication of a papyrus from the later years of Trajan, found at Theadelphia, which preserves a draft letter in
Latin from a recruit to the Prefect of Egypt. The writer asks to be enrolled in the auxiliary cohorts, which shows
that probatio in the Roman army was for a specific branch, such as the legions, the alae, the cohorts, or the fleet.
Letters of recommendation were required, even if written by the applicant himself.
IN 1 927, at Theadelphia in the Fayyum, fellahin found a trove of papyri that were afterwards
brought to the Egyptian Museum in Cairo. One of these, a Latin letter from the later years of
Trajan, is published here for the first time.4 Shown on pl. XXXVI, i in its original size, it
was once I 2 cm wide and i 9 cm high, although it is now torn in two pieces that do not fully
join. The lower left is lost, but since the writing covers only the upper half of the sheet,
the whole letter is still there.
The text, neatly written in 'Old Roman Cursive',5 can be read as follows;
To Marcus Rutilius Lupus, Prefect of Egypt, from Gaius Valerius Saturninus, recruit. I ask
you, Sir, to judge me worthy to be enrolled in a cohort so that I may be able, by your favour, to
serve under the standards of the Emperor, our Lord, and to thank your good spirit.
3. Detail of inscription