The document discusses the different levels of progression in a play, from smallest to largest: beats, units, scenes, acts, and the play as a whole. Beats are individual moments that progress the play. Units contain a character's objectives. Scenes are separated by events and have a purpose. Acts are divided by climaxes and move the plot forward. Finally, the overall play has a theme conveyed by the playwright.
The document discusses the different levels of progression in a play, from smallest to largest: beats, units, scenes, acts, and the play as a whole. Beats are individual moments that progress the play. Units contain a character's objectives. Scenes are separated by events and have a purpose. Acts are divided by climaxes and move the plot forward. Finally, the overall play has a theme conveyed by the playwright.
The document discusses the different levels of progression in a play, from smallest to largest: beats, units, scenes, acts, and the play as a whole. Beats are individual moments that progress the play. Units contain a character's objectives. Scenes are separated by events and have a purpose. Acts are divided by climaxes and move the plot forward. Finally, the overall play has a theme conveyed by the playwright.
we were to describe a complete play as a house, the beats would be the steps entering the home and the movement in every room of the house. There are many beats in a complete play. In these beats we search for the moments that progress the play. The next progression is a unit. In this analogy, a unit would be the details and purpose of a room (Ex. Kitchen, Bathroom, Basement etc.,). We go into different rooms for different reasons or objectives. In a unit, the character is seeking an objective. In the play Ruined by Lynn Nottage, in Act 1, Scene 1, Christian’s 1st objective: PLEASE (soften her up) MAMA w/ lipstick and flirting. 2ND objective GET SOPHIE A HOME 3rd SEAL THE DEAL (chocolate, cigarettes, whatever it takes). A scene in a play would be the physical walls and doors that separate each room. Without walls it would be difficult to determine where you are in the house. Just as walls let you know what room you are in, scenes let you know where you are in the play. Most likely there is a door in each room. For a scene, the door would be the event. I will ask you from time to time, ‘What was the event of the scene?’ ‘What would be missing out of the play if this scene were not there? Without a defining event in the scene, the scene is not a determining factor to the play. Acts would be the book after St John. LOL. Making sure you are still with me. Acts would be levels in the home (basement, first and second floor and attic). When we go to another level there are steps that lead you there. As we go up the steps, we slowly receive information about what is up there. We may not have made up there completely. However, as we get closer details become more vivid. The final step before you make it to the next level is the climax. We look for the Climax in an Act. There may be many climatic moments in a play, but there should be a strong climax that separate the acts. Finally, we have the play as whole. This is everything that we have previously talked about. In addition to that, we have the style of the home and decoration. Is it a ranch, flat or colonial? Whether comedic, dramatic, or musical: What do we take from it? WHAT IS THE THEME OF THE PLAY? WHAT WAS THE PLAYWRIGHT TRYING TO CONVEY? We look are looking for the THEME OF THE PLAY.
CONCLUSION: A play has acts. Acts have scenes. Scenes contain units. Units have beats.
Beats have moments.
Unit contain objectives. Scenes have events. Acts have climaxes. Plays have themes.
As we continue to read: Think about moments,
objectives, events, climaxes, and themes. God Bless Take Care, Will