PATASDILO

CARLOS VIECO ORTIZ

REARMONIZACION
Music by JUAN SEPULVEDA
MELODIA
Standard tuning
Moderate  = 140


 = 120 Em    
Em7/B
 1 2 3
      4
 
      
n.guit.

  
   
       
pno.

       
i im76/4
Am

      F#m7b5
    B7 B7/D#

       
5 6 7 8

      
     

 

 
                
   
iv iim7b5 v7
v7 6/3

Bº Em/G
Em Bm7b5 Em Bm7b5
 9 10 11
      12
     
           

         
         
            
 
 
i iim7b5/ iv ii / iv i iim7b5/ iv
i 6/3
Am/C
  13     14 Am      15 Em/B    16
B7 B7/F#

         

     
           
           
 
 
iv 6/3 iv i 6/4 V7 V7 4/3

Em D7  Ab7 G
    
Am7
 17
   18 19 20

         


   
   
 
        
       
      
i V7/III
iv susV/III III

1/3
 G/D
  
 B7/D#
21 22
B7
23 24 Em
      
n.guit.

  
    
    
  

     
  
       
pno.

 
III/6/4 V7 V7/6/5 i
F#m7b5

  25
B7
26       27
B7
      28 Em7     
 
   
           
           
V7 iim7b5 v7 im7

  Am   Ab7  G   F#m7b5 B7/A

      
Em/G
29 30  31
  32 B7   
   

               
              
             
     
i 6/3 iv susV/III III iim7b5 V7 V7 2
 Modulacion a E Mayor
Em
tonalidad paralela E C#m7
     F#m7
     
               
33 34 35 36

 

   
 
     


      
        
i I ivm7 iim7
 F#m7 B7   B7/A
  E/G#    
 
37 38 39 40

      
iim7 V7 V7 2 I 6/3
      
     
      
           

F#m7 F7 E C#m7
  F#m7
     
           
41 42 43 44

  
   
                
        
ivm7 iim7
iim7 susV/I I

2/3
Prestamo tonalidad
menor F#m7b5 E B7 B7/D#
  45 46   47   48
E/B

  
n.guit.

         
iim7b5 I V7 I 6/4 V7 6/5

          
pno.

         

D.S. al Fine
1. 2.
     E E

        
49 50

 
   
   
I

3/3