Professional Documents
Culture Documents
A Matter of Rights: A Talk with Lee Tsiantis (2010) Available at: http://selfstyledsiren. | 167
blogspot.ch/2010/02/matter-of-rights-talk-with-lee-tsiantis.html (accessed on 21
April 2016).
Association of European Cinémathèques (ACE) (2010) Results of the Survey on Orphan
Works 2009/10. Brussels: ACE. Available at: http://www.ace-film.eu/wp-content/
uploads/2011/12/ACE_Orphan_Works_Survey_Results_final_1004014.pdf
(accessed on 11 October 2017).
Alberdingk Thijm, Christiaan (2008) Waarom je beter geen regisseur kunt worden. Tips
over auteursrecht en contracten voor als je het toch bent. Amsterdam: Dutch Direc-
tors Guild.
Allen, Barry ([retired] Executive Director of Broadcast Services and Film Preservation,
Paramount Pictures) (2010) Interviewed by Claudy Op den Kamp. Philadelphia,
US, 4 November.
Allen, Robert, and Douglas Gomery (1985) Film History. Theory and Practice. New York:
McGraw-Hill.
Amad, Paula (2010) Counter-Archive. Film, the Everyday, and Albert Kahn’s Archives de la
Planète. New York: Columbia University Press.
Andersen, Thom (2010) ‘At the Digital Intersection’, Reimagining the Archive: Remap-
ping and Remixing Traditional Models in the Digital Age, University of California Los
Angeles, Los Angeles, 12–14 November.
Anderson, Steve (2011) Technologies of History: Visual Media and the Eccentricity of the
Past. Hanover: Dartmouth College Press.
Angelopoulos, Christina (2012) ‘Determining the Term of Protection for Films: When
Does a Film Fall into the Public Domain in Europe?’, IRIS Plus, 2, pp. 7-21.
Arnold, John (2000) History. A Very Short Introduction. Oxford: Oxford University Press.
Aufderheide, Patricia and Peter Jaszi (2004) Untold Stories: Creative Consequences of the
Rights Clearance Culture for Documentary Filmmakers. Washington, DC: Center for
Social Media, American University.
| 181