BIBLIOGRAFÍA COMPLEMENTARIA:

Música en el cine
Casetti, Francesco, y Federico di Chio. 1991. Cómo analizar un film. Barcelona: Paidós.
Cohen, Annabel J. (2000) "Film Music: Perspectives from Cognitive Psychology " en BUHLER, J.; FLINN, C; y
Neumeyer, D. eds., Music and Cinema, Hanover, New Hampshire: Wesleyan UP.
____. 2001. "Music as a source of emotion in film" en Sloboda, J. y Juslin, P. (eds.), Music and Emotion:
Theory and Research. Oxford: Oxford UP.
Flinn, Caryl. 2001. Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. Princeton: Princeton
University Press.
Lipscomp, Scott D.; Tolchinsky, David E. (2004) “The role of music communication in cinema” en MIELL;
McDonald y Hargreaves (Eds.) Musical Communication. Oxford UP.
Lissa, Zofia. 1965. Ästhetik der Filmmusik. Berlin: Henschelverlag.
Miceli, Sergio. 2009. Musica per film. Storia, Estetica, Analisi, Tipologie. Milano: Ricordi-LIM.

Sergi, Gianluca. 1999. 'The Sonic Playground: Hollywood Cinema and its Listeners', publicación electrónica
http://filmsound.studienet.org/articles/sergi/
Stillwell, Robynn J. 2002. "Music in Films: A Critical review of literature, 1980 – 1996" en The Journal of Film
Music nº 1 vol. 1: pp. 19-61
Tagg, Philip. 1995. "Studying music in the audio-visual media: an epistemological mess" discurso de
apertura en "Screen", IASPM. Glasgow, julio de 1995.
____. 1999. "Music, moving image, semiotics and the democratic right to know" artículo basado en el paper
presentado en "Music and Manipulation", Estocolmo, 18 de septiembre de 1999
____. 2004. "Gestural interconversion and connotative precision", Film International 13 (2005/1)
Vitouch, Oliver (2001). "When your ear sets the stage: Musical context effects in film perception".
Psychology of Music 29: pp.70-83.

Documental:
Aitken. Ian (ed.). 2013. The Concise Routledge Encyclopedia of the Documentary Film.
Routledge: New York and Oxon.
Aprà, Adriano. 2003. «Documentario» En Enciclopedia del Cinema. Roma: Treccani.
Barnouw, Erik. 1993. Documentary: A History of the Non-fiction Film. Oxford University Press.
Bertozzi, Marco. 2008. Storia del documentario italiano. Immagini e culture dell’altro cinema. Venezia:
Marsilio Editori.
Birdsall, Carolyn. 2014. «Resounding City films. Vertov, Ruttmann and Early Experiments with Documentary
Sound Aesthetics». En Holly Rogers (ed.) Music and Sound in Documentary Film. New York and Oxon.
Routledge. 20-40.
Breschand, Jean. 2002. Le documentaire : l’autre face du cinéma. Paris: Cahiers du cinéma.
Time, Event and Meaning in Feature Documentary» En Holly Rogers (ed.) Music and Sound in Documentary
Film. New York and Oxon. Routledge. 123-192.
Gauthier, Guy. 1995. Le Documentaire, un autre cinéma. Paris: Nathan.
Griergson, John. 1933. «The Documentary Producer. Cinema Quaterly 2/1: 7-9
Rogers, Holly. 2014. «Music, Sound and the Nonfiction Aesthetic.» En Music and Sound in Documentary
Film. New York and Oxon: Routledge. 1-19.
Rouff, Jeffrey. 1992. «Conventions of Sound in Documentary.» En Rick Altman (ed.). Sound Theory/Sound
Practice. New York: Routledge, Chapman and Hall. 217-234.
Burckhardt Qureshi, Regula. 1987. “Musical Sound and Contextual Input: A Performance Model for Musical
Analysis.” Ethnomusicology 31 (1): 56–86.

Audiovisual en el arte contemporáneo

Abramović, Marina, Nancy Spector, Erika Fischer-Lichte, y Sandra Umathum. 2007. Seven Easy Pieces.
Milano & New York: Charta - Solomon R. Guggenheim Museum.
Birnbaum, Daniel, y Mechtild Widrich. 2007. Sounding the Subject. Video Trajectories: Selections from the
Pamela and Richard Kramlich Collection and the New Art Trust. Cambridge, Massachusetts: MIT List
Visual Arts Center.
Baigorri, Laura. 1997. El vídeo y las vanguardias históricas. Barcelona: Edicions Universitat de Barcelona.
___. 2004. Vídeo: Primera etapa. El vídeo en el contexto social y artístico de los 60/70. Madrid: Brumaria.
Jones, Amelia. 2006. Self image : technology, representation, and the contemporary subject. Oxon & New
York: Routledge.
Krauss, Rosalind. 1976. «Video: The Aesthetics of Narcissism». October 1: 50-64.
London, Barbara. 2020. Video Art. The First Fifty Years. London: Phaidon
McClary, Susan. 1991. «This is Not a Story My People Tell. Musical Time and Space According Laurie
Anderson». En Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota
Press.
Pérez Ornia, José Ramón. 1991. El arte del vídeo. Introducción a la historia del vídeo experimental. Madrid:
RTVE SERBAL.
Rainer, Cosima, Stella Rollig, Dieter Daniels, y Manuela Ammer, eds. 2009. See This Sound: Promises in
Sound and Vision. Köln: Lentos
Kunstmuseum Linz; Walther König
Voegelin, Salomé. 2014. «Soundwalking the Museum: A Sonic Journey through the Visual Display». En The
Multisensory Museum Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space,
editado por Nina Levent y Alvaro Pascual-Leone, 119-30. Maryland: Rowman & Littlefield.
Westgeest, Helen. 2016. Video Art Theory : A Comparative Approach. Oxford: Wiley Blackwell.