Santa Cruz

Chamber Players

Divertimento:
Entertaining Music for
Winds and Piano

Saturday, April 20 at 8 pm
Sunday, April 21 at 3 pm
 The Santa Cruz
Chamber Players
2012-2013 Season
Please join us for our thirty-fourth year, as we offer fine chamber music, beautifully performed by pro-
fessional musicians who live and work in our own community. This year our music spans the globe
and the centuries. We’ll hear from some of Russia’s greatest composers and take a trip on the Orient
Express; we’ll experience mystical meditations and moments of happiness; we’ll be entertained and
surprised – all of this presented in a comfortable and intimate setting, where the music is so close you
can almost touch it.
Music from around the world = Musicians from around the corner
Board of Directors & Staff
Catherine Pickerrell, President = Hila Michaelsen, Vice President = Rick Zinman, Treasurer
Jeff Gallagher, Musician Liaison & Secretary = Patti Julin = Lavinia Livingston
Merilyn Neher = Nick Royal
Michael Stamp, General Manager
Ivan Rosenblum, Celebrating Youth Director
Carol Panofsky, Graphic Design & Advisory Board
For more information
call (831) 425-3149 or visit our web site: www.scchamberplayers.org
For advance tickets
call (831) 420-5260 or visit www.santacruztickets.com

Santa Cruz Chamber Players is a nonprofit organization. Our goals are to provide a forum for local musicians and to
promote live chamber music. Our season is supported in part by the Cultural Council of Santa Cruz County and with
donations from many individuals. Thank you!

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 Divertimento: Entertaining Music for Winds and Piano

Carol Panofsky, artistic director and oboe

Jeff Gallagher, clarinet • Jane Orzel, bassoon
John Orzel, French horn • Elizabeth Lee, piano

Program

b
Quintett in E , K452 (1784) Wolfgang Amadeus Mozart (1756-1791)
Largo-Allegro moderato
Larghetto
Rondo Allegretto
oboe, clarinet, bassoon, horn, and piano

Cinq Pièces en Trio (1935) Jacques Ibert (1890-1962)
Allegro vivo
Andantino
Allegro assai
Andante
Allegro quasi marziale
oboe, clarinet, and bassoon

• INTERMISSION •
Suite pour Trio d’Anches (1954) Alexandre Tansman (1897-1986)
Dialogue
Scherzino
Aria
Finale
oboe, clarinet, and bassoon

Quintett, op. 43 (1888) Heinrich von Herzogenberg (1843-1900)

Allegro
Adagio
Allegretto
Allegro giocoso
oboe, clarinet, bassoon, horn, and piano

This concert is sponsored by Pat and Rowland Rebele.

Carol Panofsky, Jane Orzel and John Orzel are sponsored by Pat and Rowland Rebele.

Thank you for your support.

•3•
 Music Teachers’ Association of California
Santa Cruz County Branch
831.423.9658
Barbara Jirsa,

Austin B. Comstock President

www.sccmtac.org
Lawyer
providing outstanding music education since 1936
strings, winds, voice, & piano
scholarships, recitals, & other opportunities

716 Ocean Street, Suite 100

Santa Cruz
California 95062

831 427-2003
FAX 831 457-3788
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Merilyn Neher
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piano instruction
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•4•
 Santa Cruz Chamber Players 2012-2013: Divertimento

Thank You !
This concert is sponsored by Pat and Rowland Rebele.
Carol Panofsky , Jane Orzel, and John Orzel are sponsored by Pat and Rowland Rebele.

• Friends and Donors •

Anonymous (2) Sandra Ferguson Catherine Pickerrell
Faye Alexander Jeff Gallagher Martha Powell
Richard & Evie Alloy Margaret Gordon Gordon & Teresa Pusser
Art Anton Richard & Diane Hart Rowland & Pat Rebele
Mary Fran Archer Brian & Marcia Heath Bruce & Phyllis Rosenblum
Rolf Augustine Paul & Audie Henry Nick Royal
Sheila & Murray Baumgarten Galen & Henry Hilgard Pauline Seales
Alan & Gwen Brown Paul Johnson Paul Seever
Charmion Burns Patti Julin Gabrielle Stocker
Barbara E. Carey Robert Kaswen Lee & Lincoln Taiz
Pat & Paul Carrick Robert & Michele Kibrick Robert Taylor
Aude Castagna Linda Larkin Rae & Robert Tobey
Mary James & George Cook Eliza Linley Katheryn Tobish
Maribeth Craig Lavinia Livingston Richard & Phyllis Wasserstrom
Barbara Cronise Steven Menzel Stephanie Wells
Jane Dawson Hila & Jacob Michaelsen Harold Widom
Robert & Esther Donovan Robert Milby Marni & Larry Williams
Natalia Duarte Merilyn Neher Stanley Williamson
John & Janet Duncan Joan Osborne Georgina Wong
Jim Emdy Irene Osterbrock Rick Zinman
Robert E. Finke

• 2012-2013 CONCERT SPONSORS •

Anonymous Art Anton
Paul Johnson Gordon and Teresa Pusser
Rowland and Pat Rebele

• Business, Foundation, and Corporate Sponsors •

Community Printers Monterey Peninsula Foundation
Complete Mailing Services KUSP 88.9
Cultural Council of Santa Cruz County

Donations and season ticket orders received as of April 1st, 2013

•5•
 THOMAS S. YOUNG, D.D.S.
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Telephone (831) 462-6300 Fax (831) 462-6383

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1505 SOQUEL DRIVE

Phone: (831) 462-4500 SUITE 2
Fax: (831) 426-2201 SANTA CRUZ, CA 95065

Santa Cruz Chamber Players

concerts are taped live and are rebroadcast on…

2012-2013 Concert 1 Rachmaninoff, Prokofiev,

Shostakovich, Arensky,
Rebroadcast: Friday, Nov. 2, 2012, 8PM
2012-2013 Concert 2 Rota, Jolivet, Cowell, Main,
Greibling-Haigh, Davenport
Rebroadcast: Friday, Dec. 7, 2012, 8PM
2012-2013 Concert 3 Mozart, Schubert, Brahms, Rare and Contemporary
Turina, Jacob, Ives violins, violas, cellos, and Bows
Rebroadcast: Friday, Feb. 1, 2013, 8PM
2012-2013 Concert 4 Bach, Schöenberg, Messiaen
Rebroadcast: Friday, March 1, 2013, 8PM Roland Feller
2012-2013 Concert 5 Pierné, Waldteufel, Mahler,
Schubert, Doppler
Violin Makers
Rebroadcast: Friday, March 29, 2013, 8PM
2012-2013 Concert 6 Mozart, Herzogenberg, Ibert 551 Divisadero Street, SF 94117
Rebroadcast: Friday, May 17, 2013, 8PM 415-567-3708
Member, The American Federation of
For more information visit kusp.org

•6•
 Santa Cruz Chamber Players 2012-2013: Divertimento
PROGRAM NOTES
Divertimento describes a piece of music – and
sometimes a larger musical event – written to take
you away from your everyday concerns. During the
15th through 19th centuries, most divertimenti took
place outside, so woodwinds were the norm. And
divertimenti were usually written one-on-a-part.
Some divertimenti are large compositions. The
Herzogenberg Quintett is a prime example: its
structure is similar to a fully realized symphony
in four movements with a grand first movement
in sonata-allegro form. And some divertimenti
are very small. The Ibert, Cinq Pièces is a collection
of tiny gems, more in the style of Haiku: each
movement, with a minimum of development,
creates a clear image. None of today’s music bears
the title “Divertimento,” but you will find that
individually and together the various pieces will
provide a nice diversion. Let us take you to a place
free from worry and pain! Carol Panofsky
Quintett für Oboe, Klarinette, Horn,
Fagott und Klavier (1784), KV 452
Wolfgang Amadeus Mozart (1756-1791)
(Johann Chrysostom) Wolfgang Amadeus Mozart,
was an Austrian composer, son of Leopold Mozart.
His style essentially represents a synthesis of many
different elements, which coalesced in his Viennese
years from 1781 on, into an idiom now regarded as
a peak of Viennese Classicism.
This mature music, distinguished by its melodic
beauty, formal elegance, and richness of harmony
and texture, is deeply colored by Italian opera
though also rooted in Austrian and South German
instrumental traditions. Unlike Haydn, his senior
by 24 years, and Beethoven, his junior by 15, he
excelled in every medium current in his time.
He may thus be regarded as the most universal
composer in the history of Western music.
Mozart was baptized on the day after his birth at
St. Rupert’s Cathedral as Johannes Chrysostomus
Wolfgangus Theophilus. The first two names
record that 27 January was the feast day of St. John
Chrysostom, while Wolfgangus was the name of
his maternal grandfather and Theophilus a name
of his godfather, the merchant Joannes Theophilus
Pergmayr.
Mozart sometimes preferred the Latin form,
Amadeus, but more frequently Amadè, Amadé
or the German form Gottlieb. He was the seventh
and last child born to Leopold Mozart and his wife
Maria Anna, née Pertl; only he and the fourth child,
Maria Anna (‘Nannerl’), survived.
b
A masterpiece in every sense of the word, the
Quintett in E was written in Vienna after most
of his string quartets had been completed; all of
the masses except the Requiem; and all of the
numbered symphonies except for the final three. In
this piece we hear the work of one of history’s finest
composers, at the very top of his game, literally
showing off: a rare and conspicuous treat by any
standard. Enjoy! Jeff Gallagher
Cinq Pièces en Trio (1935)
Jacques Ibert (1890-1962)
Ibert’s mother was a pianist who used to play
Chopin, Bach, and Mozart, composers that Jacques
loved all of his life. He was trained at the Paris
Conservatory, and it was in a special orchestration
class that he met Honneger and Milhaud. He might
have joined Les Six, but ended up serving as nurse
and a stretcher-bearer in WWI and then won the
Prix de Rome in 1919, which took him away from
France all together.
•7•
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•8•
 Santa Cruz Chamber Players 2012-2013: Divertimento
Jacques Ibert
By 1922, Ibert was beginning to make a name for
himself as a composer, and in 1937 the French
government appointed him director of the
Académie de France in Rome, the center of studies
for winners on the Prix de Rome, which he, himself
had won as a young man.
Ibert’s music has a remarkable variety, sometimes
festive and gay; lyrical and inspired; or descriptive
and evocative; and often tinged with a gentle
humor. Neither atonal nor serial, and very rarely
poly-tonal, the elements of his musical language
are always close to the classical traditions that were
his inspiration.
The Cinq Pièces was written in 1935, the period
between his studies in Rome on scholarship and
his appointment to Rome as Director. The writing
is clear and bright. Each of the five pieces is un-
der two minutes in length, several much shorter.
Although short, each one is a tiny mood painting,
complete in itself. Carol Panofsky
Suite pour Trio d’Anches (1954)
Alexandre Tansman (1897-1986)
Alexandre Tansman was born in Lodz in 1897.
He was raised in Poland (at the time of his birth,
Czarist Russia) and studied music in Lodz and
Warsaw. He relocated to Paris after his education
where he lived until 1941, when he emigrated to Los
Angeles with the aid of his friend Charlie Chaplin,
thus escaping Nazi oppression. He returned to Paris
after the war where he lived until his death in 1986.
He was a virtuoso pianist as well as a composer. His
works are in a neoclassic style and possess lively,
exciting rhythms and the expressiveness of a dry
wit. The influence of Polish and Jewish folk music
is quite prominent in his works, though he never
used folk tunes outright, nor did he re-harmonize
existing melodies. Like other composers, he would
write his own melodies which had the essence of
folk music within them. He was asked by Honegger
and Milhaud to join the Les Six composers, but
declined because he felt he needed more creative
independence. He wrote a biography of Stravinsky
which was very well received. He wrote some film
music, and some jazz works under the pen name
of Stan Alson. Some of his best known works are
guitar pieces he wrote for Andres Segovia.
The work we play today is from a twentieth century
French infatuation with the reed trio: oboe, clarinet
and bassoon. It exhibits the vivacious, complex
rhythms of Tansman, piquant harmonies, sparse
textures and humor typical of this genre. Jane Orzel
•9•

• 2012-13 •
• Daniel Greenbush: Sat, Sept 22
• James D'Leon: Sat, Oct 21
• Benjamin Verdery: Sun, Nov 4
• Cellist Amit Peled: Sun, Mar 17
• Yevgeny Sudbin: Fri, Apr 5
• Pianist Ang Li: Sat, Apr 27
www.distinguishedartists.org
(831) 539-0000
• The Cabinet of Dr. Caligari: Fri, Oct 26
• Koreamerica III: Sat, Feb 2
• Ellis Island or Bust: Sat, Apr 27
• Avant Garden Party: Jun 9
www.newmusicworks.org
(831) 425-3526
• Christmas with the Chorale:
Sat/Sun/Sat, Dec 15/16/22
• San Jose Choraliers: Sun, Mar 17
• Vaughn-Williams: Sat/Sun, Jun 8/9
www.santacruzchorale.org
(831) 427-8023
• 10 •
These 5 longstanding local
music organizations offer the
following concerts to our
community this season:
• From Russia with Love:
Sat/Sun, Oct 13/14
• A Moment of Happiness:
Sat/Sun, Nov 10/11
• Transcriptions & Transgressions:
Sat/Sun, Jan 19/20
• Mystical Sojourns: Sat/Sun, Feb 16/17
• Orient Express: Sat/Sun Mar 2/3
• Divertimento: Apr 20/21
• Celebrating Youth: Sat, May 4
www.scchamberplayers.org
(831) 425-3149
• Fall Benefit - 40 for 40: Dec 2
• Mandolino Barocco: Sat, Feb 9
• Bach for Strings: Feb 23
• Music of Scotland: Sat, Mar 16
• Hasten to the Sea: Sat, Apr 13
• Popular Baroque Revival: Sat, May 11
• A Tropical Affair: Sun, May 26
• Boomeria Extravaganza: Sat, Jul 13
www.scbaroque.org
(831) 457-9693
Subscribers receive
Hi 5 BONUS TICKETS!
 Santa Cruz Chamber Players 2012-2013: Divertimento

Quintett, op. 43 (1888) administrator, and teacher. He was also an ardent

Heinrich von Herzogenberg (1843-1900) admirer of Brahms (1833-1897).

b
Eight years after the composition of Mozart’s In 1866, Herzogenberg married Elisabet von Stock-
stunning Quintett in E , the young Beethoven was hausen, a piano student of Brahms. Through the
trying to get himself established in the musical world years, Brahms, Herzogenberg, and Elisabet car-

b.
of Vienna. He decided that the perfect introduction
to himself would be another Quintett in E
Beethoven’s quintet is in the same key as Mozart’s,
uses the same instrumentation, and even the same
form. And it worked! The young composer attracted
the attention of the Right People.
ried on a lively correspondence. Even so, Brahms
almost never praised Herzogenberg’s work. It was
theorized that he would not do so because he had
fancied Elisabet for himself! Towards the end of his
life, Brahms grudgingly admitted that Herzogen-
berg “was able to do more than any of the others.”
Carol Panofsky

b
In 1888, 104 years after the composition of Mozart’s

b
stunning Quintett in E , Heinrich von Herzogen-
berg wrote yet another Quintett in E . But other
than the key and instrumentation, it is a substantial
work, unique unto itself.

The quintet is beautifully written. Herzogenberg,

rather than contrasting the wind group to
the piano, integrates all of the instruments
seamlessly, sometimes as soloists and sometimes
in varying and shifting combination.

The first movement, in formal sonata-allegro

form, starts out with a triumphant main theme,
both sunny and martial. The second theme has
a dreamlike quality. Combined and developed,
it is a movement of many moods and colors. The
second movement is a long, leisurely Adagio.
Except for a moment or two, quiet reigns.
Imagine yourself sitting by a pond on a warm
sunny day. The third movement, Allegretto,
is a real surprise: rhythmic with bounce and
humor. The concluding Allegro giocoso is lively
and a continuation of the mood of the previous
movement, full of good spirits. There is a march-
like middle section that has a Turkish flavor to it.

Although originally educated in law, philosophy,

and political science, Herzogenberg soon turned
to music. He became a respected composer, Heinrich von Herzogenberg and Elisabet

,
• 11 •
Santa Cruz Chamber Players 2012-2013: Divertimento
The Musicians
Jeff Gallagher, clarinet, has lived in the Santa
Cruz area for over 22 years. During this time
he has greatly enjoyed working regularly with
a wide variety of musical ensembles including
the Santa Cruz Chamber Players; the Cabrillo
Festival of Contemporary Music with Marin Al-
sop; the Monterey Jazz Festival; the Carmel Bach
Festival; San Jose Stage; Ensemble Monterey with
John Anderson; the Monterey Bay Symphony;
Carmel’s PacRep Theater; the Western Stage in
Salinas; Cabrillo Stage; New Music Works with
Phil Collins; the Camerata Singers; Cantiamo!
with Cheryl Anderson; Mountain Community
Theater; the Peninsula Clarinet Quartet; West
Bay Opera; Bay Shore Lyric Opera; and the Viole-
to Trio. Jeff studied clarinet at Ohio State Univer-
sity with Dr. Robert Titus, and at Bowling Green
State University with Ed Marks. In addition to
clarinet, Jeff also performs on flute, oboe, English
horn, bass clarinet and soprano, alto, and tenor
saxophones. Further, Jeff has worked for the Intel
Manycore Testing Lab, working with universities
throughout the world enabling them to modern-
ize their software programming curricula.
Elizabeth Lee, piano, trained with Robert Mer-
feld (Apple Hill Chamber Players), Debbie Sobol
(Longy School of Music), and Carol Rankin and
Eliane Lust in San Francisco. She is currently
Specializing in Band and Orchestral Instruments
New & Used • Expert Repairs • Lessons • Sheet Music
(831) 425-0110
1010-H Fair Avenue, Santa Cruz
www.thomasmusical.com
• 12 •
studying with Thomas LaRatta. Solo appear-
ances in the Bay Area include San Francisco’s
Noontime Concerts, the Palo Alto Performance
Series, Pacifica Performances, Star Classics, and
the National Association of Composers USA.
She was pianist for Michael Kimbell’s chamber
opera The Hot Iron in Petaluma and frequently
appears in collaboration with singers. She has
been a member of the Trio Arcadia for the last
fourteen years.
Jane Orzel, bassoonist, has a B.S. in Music and
Journalism from Indiana University and a M.A.
in Music History from San Jose State Univer-
sity. She has played Principal Bassoon with the
Monterey Symphony for the last 24 years, and
also plays Principal for the Santa Cruz County
Symphony. She has played with the Tulsa Phil-
harmonic, Tulsa Opera Orchestra, Eugene Opera
Orchestra, Oregon Bach Festival, Santa Barbara
Symphony, San Jose Symphony, Carmel Bach
Festival and Bay Shore Lyric Opera Orchestra.
She has an active private bassoon studio, teaches
Music Appreciation at Monterey Peninsula Col-
lege, and is the Music Director and organist at the
First United Methodist Church in Salinas.
John Orzel, horn, was born in Redwood City,
CA. He started on the horn at the age of eleven.
certified acupuncturist, lic. # CN2356
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 Santa Cruz Chamber Players 2012-2013: Divertimento
Educated at San Jose State University, California
State University, Northridge and Chapman Col-
lege, Mr. Orzel studied horn with Jack Russell,
William George, Wendell Ryder, Froydis Ree
Wekre, and James H. Winter. He is currently a
member of the Santa Cruz County Symphony
and has also been a member of orchestras in
Monterey, San Jose, Santa Barbara, and Los Ange-
les. He is also a composer. Mr. Orzel, of primarily
Eastern European background, is a scholar of folk
music from that part of the world, his concentra-
tion being on Polish, Hungarian and Romanian
music. He is also a deeply interested devotee of
the music of Anton Bruckner. A lifelong music
educator, Mr. Orzel is currently on the staff of the
El Sistema program in Salinas. He has appeared
with the New Music Works ensemble in Santa
Cruz and the Worn Chamber Ensemble in San
Francisco, performing various new works.
Now in Scotts Valley:
Kathleen Kasdorf Voice Studio
4637 B-1 Scotts Valley Drive
www.kathleenkasdorf.com
Carol Panofsky, oboe, can be heard in perfor-
mances of the Albany Consort, Jubilate, Santa
Cruz Chamber Players, and, on occasion, with
the Santa Cruz County Symphony, Carmel
Bach Festival, Palo Alto Chamber Orchestra,
and Ragazzi Boys Chorus. As an active free-
lance musician she has been provided with op-
portunities to perform on both coasts as well as
in Italy, Croatia, Hungary, Austria, the Czech
Republic, Hong Kong, China, and Korea. She re-
ceived a Masters of Music in the Performance of
Early Music from the New England Conserva-
tory of Music. She performs and teaches early
music, modern oboe, and piano, and has been
on the faculties at the Music School of the Uni-
versity of Idaho and at U. C. Santa Cruz. She has
many private music students, both children
and adults, and is Theory Director of Ragazzi
Boys Chorus.
Pushing the envelope for
the Central Coast since 1976
(831) 425-5556
Complete Mailing Service, Inc.
108 Du Bois Street
Santa Cruz, CA 95060-2109
• 13 •
 Ivan Rosenblum
pianist, teacher &
chamber music coach

428 Capitola Road Extension, Santa Cruz

831 479-1968
email: irpiano@sbcglobal.net
websites: www.ivanpianolessons.com • www.wrduo.com

408.298.8168

• 14 •
 Santa Cruz Chamber Players
2012-2013
◊ 34rd Season ◊

From Russia With Love October 13: 8 PM & October 14: 3 PM

Music by Rachmaninoff, Prokofiev, Arensky, and Shostakovich
Rebroadcast on KUSP: Friday, November 2, 2012, 8pm
Ian Scharfe, artistic director and piano ◊ Paul Brezina, violin ◊ Roy Malan, violin ◊ Polly Malan, viola
Stephen Harrison, cello

A Moment of Happiness: November 10: 8 PM & November 11: 3 PM

Music by Rota, Jolivet, Cowell, Main, Griebling-Haigh, and Davenport
Rebroadcast on KUSP: Friday, December 7, 2012, 8pm
Jennifer Cass, artistic director and harp ◊ Lars Johannesson, flute ◊ Peter Lemberg, oboe ◊ Susan Brown, viola
Judith Roberts, cello

Transcriptions and Trangressions: January 19: 8 PM & January 20: 3 PM

Music by Purcell, Mozart, Schubert, Brahms, Turina, Jaacob, and Ives
Rebroadcast on KUSP: Friday, February 1, 2013, 8pm
Ivan Rosenblum, artistic director and piano ◊ Jeremy Flanagan, clarinet ◊ Brian Thorset, tenor

Mystical Sojourns: February 16: 8 PM & February 17: 3 PM

Music by Bach, Schöenberg, and Messiaen
Rebroadcast on KUSP: Friday, March 1, 2013, 8pm
Daniel Lewin, artistic director and violin ◊ Erin Wang, cello ◊ Michael Corner, clarinet
Helene Wickett, piano

Orient Express: March 2: 8 PM & March 3: 3 PM

Music by Pierné, Waldteufel, Mahler, Schubert, Doppler, and Enescu
Rebroadcast on KUSP: Friday, March 29, 2013, 8pm
Lars Johannesson, artistic director and flute ◊ Alissa Roedig, flute ◊ Amy Brodo, cello
Susan Bruckner, piano ◊ Sheila Willey, soprano

Divertimento: April 20: 8 PM & April 21: 3 PM

Music by Mozart, Herzogenberg, Ibert, and others
Rebroadcast on KUSP: Friday, May 17, 2013, 8pm
Carol Panofsky, artistic director and oboe ◊ Jeff Gallagher, clarinet ◊ Jane Orzel. bassoon
John Orzel, horn ◊ Elizabeth Lee, piano

Celebrating Youth 2013: Saturday, May 4, 3:00 PM

Bringing the Joys of Chamber Music to the Next Generation…

All Santa Cruz Chamber Players concerts take place at

Christ Lutheran Church, 10707 Soquel Drive, Aptos
HELPING KEEP FINE MUSIC
FINELY PLAYED
IN OUR FINE COMMUNITY

PAT AND ROWLAND REBELE