Danny

Boy
Transc. June Lee
Traditional, arr. Jacob Collier, Harry Michell

 
    
Intro  = 65, out of time; rhythm is approximate

Voice 

 
     
Fsus2/C

      


Harmonizer

 

     
C /G B♭/F Fsus4 B♭- F-/A♭

        

 
       


    
Piano

   
  
6

 


Harm.

      
   
Cadd4/G B♭-/F F2/G G-7/D F2/A C /G B♭/F F-7/E♭ G-7/D

             
  
    



     

Pno.


 
         
9

Vo.
 Oh,Dan ny


    
    
Change Instr: Elec. Pno





         
Harm.

 
r.h

  



 
  
  
G-11/F C13/F


F▵7/C G-7/B♭ F♯-▵7/A F-/A♭ G7 G-7/C F

                    

 
 
rit.

      
Pno.

        
  

          
  

  
A


cresc.

 
14

Vo.

boy the pipes, the pipes are call ing from glen to glen and


        
      B♭
 
   

 
C /E F2 B♭ F/A F C /E D- B♭ /D F G-11 F/A B♭

 

 

 
cresc.

         
El. Pno.

        
     

2
 

         


   
(cresc.)


B

  
19

Vo.
down the moun tain side. The sum mer's gone, and all the ros es

  B♭


 F /A F
    
   /D C /E F2
  C B♭2
  
 C /E F2  F/A F
 
C


B♭2 /D C9sus

  

 
 


(cresc.)

        
El. Pno.



    
         
 

       cresc.
       

  

24 


Vo.

fall ing. It's you, it's you must go an d I must bide.

            

         
Cm11

  
F 69(no3)


C /E D- B♭ C D-7 C/E F G-11 F2/A F2 B♭ B♭2




cresc. 

    
El. Pno.

               

 

      
    

C


29

Vo.
But come ye back when sum mer's in mea

     

 
   
          
 
G-11/F C13/G B♭ 69 F▵7/C F▵sus C9/B♭ F2/A D♭▵7(♯11)

  
F

 

  
3

       
 

  
cresc.

 
El. Pno.

      
 

3
    
       
      
33

Vo.
dow. When fields are hushed, and white with snow

       F2
 /A   
 G11
   
   
B♭2/D

 
B♭▵sus


D-7 F

  
   
          

El. Pno.

       
   

   
          
D

       
37

 
Vo.

For I'll be there in sun light or in sha dow.

F9/A 

                        /C  

 
Cm11 F2 B♭ A- C♯ø7 D- B∅7

 
   
   
dim. 

 
            
El. Pno.

      
    
 
         
        
    
41

Vo.
Oh, Dan ny Boy, oh Dan ny Boy I love you so.

  
      
                   
B♭ F

    
F D-11 Csus /A F C F




              
El. Pno.

          
  
4
 
 
     
E

 
45 various vowels

Vo. 



       
     
B♭ Cadd4 B♭ 69/D B♭ F2/A B♭6 F24/A

 
F▵7/C B♭2/D E♭2/D

      
   
       


        
El. Pno.

   

  
      
F

 
51

Vo.

    
         
B♭-69/D♭

 
E♭2/D B♭▵9/D

 
B♭-2/D♭ B♭▵9/D B♭-11/D♭ F▵7/C B♭-11

 


            
   
El. Pno.

  
         

55


Vo.

   E♭-11
  

     
     

D♭▵7

   

  
E♭9/B♭ F-69/A♭


E♭9sus/B♭ F-▵13/A♭ D11/A D♭▵9 D♭▵13

   
         
   
El. Pno.

 
   

5
  
60
G (stagger breathing)

        
Vo.

     
   
Change Instr: Harm.

             
B♭2 D♭▵13 B♭2 D♭▵13 C9sus




 
El. Pno.

          


    

   
        
C9sus 3

    


   
3


Pno.

6
 

66

  
Vo.


  
   
 



Synth.


  


  

        

         

    
            
Pno.

   

7
 
69

  
Vo.

   

    


Synth.


  


  

      
        
B♭/D D♭ 3 D-7

 
3

            
         
Pno.

8
 
 
 
72
H

  
Vo.

      

     


  
Synth.

 
  


  

Fsus2 


                
  
3

    
   
            
Pno. 

 


   


3

 



77



Pno.


