You are on page 1of 22

1

BOOK TWO

V
Mw>wUr

A.BLU NSTEN m.
:
L

SCALE AND
ARPEGGIO
STUDIES
FOR VIOLIN
PUBLISHED IN TWO BOOKS
r>

S.. Book One-In the First Position


04852 $1.00

Book Two-In the First Three Positions


04854 $1.00

BRIGHAM YOUNG UNIVERSITY


MUSIC DEPARTMENT
PROVO, UTAH
Carl Fischer
Inc.

AYNES MUSIC COMPAQ


145 South State Street
h 841
^ =*s

Brigham Young University

Harold II. Lee Library

Gift of

John R. Hal 1 iday

^
Mr

116!

A. BLUMENSTEMEL
Scale and Arpeggio

Studies

for

VIOLIN

Published in two books

Carl Fischer, inc.


62 COOPER SQUARE. NEW YORK 10003 • BOSTON
CHICAGO • DALLAS • LOS ANGELES • SAN FRANCISCO
SCALES IN ALL THE MAJOR KEYS.
L auferiibungen Etudes de Gammes
in alien Dur-Tonarten. dans tous les tons majeurs. « , „

\wffi^ $s\ \£p $'


f

6776-14 Published 1901 by Carl Fischer ^NY.


HAROLD B. L£E LIBRARY
BfMQHAM YOUNG UNIVERSITY
PROVO, UTAH
^^^gassa^^ ^hg
ife
$
6770-14
j i 'c ^^W^f^i

6776-14
SCALES IN ALL TEE MINOR SETS.
Lauferiibungen Etudes de Gammes
in alien Moll -Tonarten. dans tous les tons mineurs,

6776-14
6

6776-14
w&m
#*

6776-14
8
ARPEGGIOS IN ALL THE MAJOR KEYS.
Aecordubungen Etudes d'Arpeges
in alien Dur-Tonarten. dans tous les tons majeurs.

677«*14
ARPEGGIOS IN ALL THE MINOR KEYS.
Aceordlibungen Etudes d'Arpeges
in alien Moll-Tonarten. dans tous les tons mineurs.

3 ^

r
iff* 1 j JTt^jTiJi r

697f-14
f

10
STUDIES WITH THE SPRINGING BOW
in all the major keys.

Ubungen mit springendem Bogen Etudes avec Arehet sautille


in alien Dur Tonarten. dans tous lestons majeurs.
In the middle of the bow. In der Mitte des Bogens. Au Milieu de I'archet.
. o o.

.
.
• •

f efeef *k

6776" 14
> A ~ •

6776- 14
12

ji * jit t [

6 * T" • • 4

6776-14
18
STUDIES WITH THE SPRINGING BOW
in all the minor keys.
Ubungen mit springendem Bogen. Etudes avec Arohet sautille
in alien Moll Tonarten. dans tous les tons mineurs.

fr* -i
ffiEffrf

6776-14
14

|/.
'

ijfl ^fr

*k&
jgrfa-^jfficlfr tfi'.^^jjij i
f

6776-14
15

m * f¥t%MitrH *

r^n jp^fl
6-776-14
) ) )

JASCHA HEIFETZ Arrangements -Transcriptions


VIOLIN CADENZAS FOSTER, S. RIMSKY-KORSAKOFF, N.
Jeanie with the Light Brown Hair * The Bumble-Bee(from the Opera,
(Unaccompanied) (B2491) "The Legend of Tsar Saltan ')
BRAHMS, J. Old Folks at Home (1)2492)
SAINT-SAENS, C. (B2258)
• Cadenza for the Violin Concerto, The Swan
GLUCK, C. (B2798)
MOZART, W. A. °P- 77 <B2747) Sonata (B2653) SCARLATTI, D.
• Cadenzas (Concerto Xo. 4 in I) Sonatina (B2316)
Major) (B2414) GODOWSKY, L.
12 Selected Pieces in 2 Volumes:
Alt-Wien (B2257)
VIOLIN and PIANO Volume One (03222)
ACHRON, J.
HALFFTER, E. Volume Two (03297)
Danza de la Gitana (B2249) SCHUBERT,
From the Children's Suite (B2361 F.
Contents: Jumping with Tongue HAYDN, J.
* Impromptu (B2317)
out — Sleep my Puppy— Birdies- Adagio and Presto, Op. 54, No. 2 TURINA, J.
March of Toys — .Mamma, tella HUMMEL, J.N. (B2507) La Oracion del Torero ... (B2618)
Fairy Tale — The Top — The Cara- Rondo (in E flat) (B2250) VALE, F.
van — Parade with Presents.
KREIN, A. Ao pe da fogueira (Preludio XV)
AGUIRRE, J.
Dance (B2702) B2 609)
Huella. .! (B2608)
(No. 4) VIVALDI, A. (

MEDTNER, N. Larghetto (from the Concerto for


ALBENIZ, I.
Siring Orchestra) (B2186)
• El puerto (from '"Iberia") (B2360)
* Fairy Tale, Op. 20, No. 1 (B3254)
Navarra (B2248) MENDELSSOHN, F. WEBER, CM. von
• Sevilla (B2234) * Scherzo (from Piano Trio) (B2626) Rondo (from Third Sonata) (B2314)
ARENSKY, A. Scherzo (Midsummer Night's WIENIAWSKI, H.
• Tempo di valse Dream) (B2612) Caprice (B2505)
( H2222)
BACH, J. S.
Sweet Remembrance (from "Songs
Air (from Suite No. 3) without Words" Op. 19, No. 1) VIOLA and PIANO
(B2737)
Prelude (Partita III) MOZART, W. A. (B3255)
(B2478) (Arr. by William Primrose)
Prelude No. 8 (from 'The Well- Allegro Molto (from the String
icmpered Clavichord"). (B2689) . Quartet in C Major, No. 465) AGUIRRE, J.
Sarabande (from English Suite No. (B2739) Huella (B2672)
3).' (B2310) * Divertimento No. 15 in Bb Major DINICU-HEIFETZ
Gavotte and Musette (from K287 .(03262) Hora staccato (B2671)
English Suite No. 3) (B231I) Divertimento No. 17 in 1) Major FOSTER, S.
• Sarabande (from Knglish Suite K334 (03263) Jeanie with the Light Brown Hair
No. 6) (B240I) Menuetto (B2738) B2674 >
• 2 Gavottes (from Knglish Suite Menuetto (from the String Quartet VALE, F. (

NO. 6) (B2402) in Bb Major, No. 458). (B2740) .


Ao pe da fogueira (Preludio XV)
(B2673)
BAX, A. PARADIES, P«
• Mediterranean (B2298) * Toccata (B2455) HORA STACCATO (Dinicu>Heifetz)
BEETHOVEN, L. v. PONCE. M. A. Miscellaneous Arrangements
• Folk Dance (B2649) * Estrelita (Mv Little Star) Mexican
Minuet (in I) major) (B2688) •Violin and Piano (B2224)
Serenade...' (1)2141 )
Contra-Dance (B2704) Viola and Piano (B2671)
POULtiNC, F.
Violoncello and Piano
BORODIN, A.
Movements perpetuels (B2242)
(B2288)
Serenade (from Piano Suite) Presto (in B flat) (B2513) Piano (P2380)
BRAHMS, J. (B2687) Simplified Piano Version. . (P2438)
Contemplation
PROKOFIEFF, S.
(Arr. bv Maxwell Eckstein)
(B2432) Gavotta, Op. 32 (B2431)
CASTELNUOYO-TEDESCO, M. Two Pianos- Four Hands (P2281)
Larghetto and Gavotta (from Piano Accordion (PA34)
Ritmo di Tango (B3252) "Classical Symphony").... (B2481
• Sea -Murmurs Two Piano- Accordions (PA37)
(B2303) March (from the Opera, "Love for Bb Clarinet (Bb Tenor Saxophone)
• Tango IB2304) Three Oranges") (B2480) and Piano (W1596)
CHOPIN, F. March, Op. 12, No. 1 (B2651)
Eb Alto Saxophone and Piano
Nocturne, Op. 55, No. 2. . . I B2662) * Masks (from "Romeo and Juliet")
(W1597)
DEBUSSY, (B2616)
C. RACHMANINOFF, S. Trumpet and Piano (W1866)
• Beau soir (B2334 I
Prelude (in K flat minor) (B2423) Xylophone and Piano (W221 1
• L'Apres-midi d'un faune (Kxtrak Etude-Tableau (No. 2)...(B2800) Orchestra (arr. bv A. Schmid, ed. by
du Prelude) (B224I) Prelude (No. 5) (B2801) J. Heifetz) (C90) Small Orchestra
• La Chevelure (.2799) • Daisies (B2819) Full Orchestra
• Golliwogg's Cake-Walk (B2610) • Oriental Sketch (B2820) Symphonic Orchestra
DEEP RIVER RAMEAU, J. P. Dance Orchestration (Arr. by Paul
Traditional Negro (B2479) Rigaudon (B2185) Weirick)
DINICU-HEIFETZ RAVEL, M. Band (Arr. by David Bennett) (J 454)
• Hora staccato (Roumanian)(B2224) Full Band 4.50, Symphonic Band
Forlane (from "Le tombeau de Cou-
DVORAK, A. perin") (B2611) 7.50
• Humoreske (B2406) * Valses nobles et sentimentales Violin Solo with Symphony Orchestra Accom-
(Nos. 6& 7) (P2613) paniment Available on Rental
•Recorded by Jascha Heifetz

S 47
IHGTHODS MID STUDIES V*
««« FOR THE >>> •I

UIOLIHIST 4
SAMUEL GARDNER VIOLIN METHODS
on
OF VIOLIN STUDY POSITION PLAYING
Based on Compiled, Newly Arranged and Revised by
HARMONIC THINKING ALBERT H. McCONNELL
Intermediate to Fairly Advanced The New Dancla-Beriot Position Method
in the First Position only Simple and fundamentally sound exercising material for

Book —Harmonic Thinking


I
the specialized study of the second to fifth positions as es-
tablished by these great masters of the French School of

II — Harmonic and Rhythmic Thinking.


violin playing.
Book
A consistent and systematically graded plan of study, based
Advanced Method for Specialized Study of the
on a habitually felt tonal and rhythmical relationship, as a
means of acquiring the subtle, mental and musical control Sixth and Seventh Positions
of the necessary elements of violin playing. These books Contains not only ,an adequate treatment of the advanced
especially bridge the gap in violinistic study needs between positions, but also an exceptionally thorough review of begin-
the elementary studies and the point at which the Kreutzer ning and intermediate material.
Etudes are normally begun.

PAUL STOEVING PAVEL L. BYTOVETZSKI


RIGHT ARM GYMNASTICS SCALE TECHNIC
Selected and Annotated
How Acquired, Developed
BOWING STYLES and Mastered
for Daily Use
From First to Intermediate Stages
A musical supplement to Paul Stoeving's textbook, "The
Mastery of the Bow and Bowing Subtleties" (Price, $1.75).
Serves the double purpose of illustrating this text and of Specially designed to establish systematic scale practice from
supplying the student with an effectual means of acquiring the earliest stages of instruction and to supply thoroughly
bowing technique and keeping up a systematized daily tested material for the mastery of all the problems involved
practice. in scale playing.

SIEGFRIED EBERHARDT SAMUEL L. CHESLAR


STACCATO
VIOLIN VIRRATO The Solution of the
Its Mastery and STACCATO PROBLEM
Artistic Uses on the

Practical suggestions for correct technical development and


Violin and Kindred
soulful violin tone production. Bowed Instruments
Edited by Eddy Brown

Carl Fischer, inc.


62 COOPER SQUARE NEW YORK 10003 • BOSTON
CHICAGO • DALLAS • LOS ANGELES • SAN FRANCISCO

S 21
BRIGHAM YOUNG UNIVERSITY

3 1197 20818 5030

DATE DUE

U&14
4Kt ? 3 »-

FFR 1 1 1997

Off

n
--'''>
18 '^1§
4(18
*g m :

*m o 2 mi
\M

II" '
ofifi/

In •' >
"
OCT 2 6 2005
n9
OCT 9 20 12

fie-
El K DEMCO, INC. 38-2971

*:.'?.•:.'•- £fe

IP SS&Sff

---'
-..•-

^.-.

"•if
JeTi

.*'.--

sKfteg

""'"

EBE^K«

"ir?*

HHMHHk
."•?-

Hi
ivr

V
,''.' '<*£/'

UJ3 *»W« m—tW^T^

You might also like