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Posted on June 10, 2012 by Phillip Lindsay
I have now replaced my video equipment for the HHH documentary with more lightweight and adaptable
gear that allows me a whole array of lenses – with broadcast ‘cinematic’ quality. After being an amateur
photographer since the age of 14, I am still learning the art of videography – its a bit like doing Tai Chi
when filming, panning and focusing. I am glad that in film editing, the sound track can be removed
easily, you would not want to hear some of the epithets borne from technical mistakes!
The HHH video proceeds slowly but surely – the script and narration were recently completed (after one
year) en route through L.A., professionally recorded in a studio. (Many thanks to Francis, Justin, James,
Gustavo and Sharon!) The 18′ preview is now available, but the video as a whole make take another few
years to complete, due to the time it will take to visit many places and obtain footage.
Another factor that governs this process is that a somewhat intricate and esoteric video needs to be
carefully planned in order to be evocative and understood. As I have said to my co-workers, ‘I am not in
a hurry, it took 20 million years for human consciousness to unfold, a couple more years will not hurt!’
I may have mentioned in other blogs, that besides the fact that ‘stock footage’ from various companies
is very expensive, it is imperative in this project to visit and connect with all the locations. Just in the
recent several weeks in Peru, I obtained a pile of information about various sites that I would not have
gotten otherwise, really quite extraordinary connections and insights were made. I hope to somehow
communicate and incorporate it all in the HHH documentary.
One of the fruits of my labours in Greece was an essay, “Greek Mythology, The Secret Doctrine and the
Rootraces”. (It is published here The Destiny of the Races and Nations II.)
In that essay I discuss the roots of ancient Greece and its ‘Pelasgian’ origins in one of the latter
subraces of Atlantis, held in common with the nearby Egyptians – a bridge between the Atlantean and
the Aryan rootraces. When the Ancient Egyptians and Mayans migrated from India 860,000 years ago
during the second major flooding of Atlantis, parts of the Mediterranean Sea may have well been land.
This geographical situation may account for the scattered remnants of the Pelasgians throughout
mainland Greece, its islands and surrounds.
In exoteric archeology, Mycenae belongs to the ‘later’ Bronze Age, also known as the Dvapara Yuga in
the Hindu system. This Dvapara Yuga for the Fifth Rootrace started about 860,000 years ago at the
second major flooding of the Atlantean continents. Mycenae is known as an ‘Cyclopean’ structure,
meaning that giants built it – not figuratively or
metaphorically, but literally- and many others like it
around the world – from Saqsaywaman in Peru to
Stonehenge in Britain. They also had some help from
(now lost) sonic technologies possessed in those times,
but their brute force was a probably a prime factor in
construction.
Technically, the Cyclopes are the giants with one eye and
belong to the third rootrace or Lemurian period. It is not
known if ‘Cyclopes’ referred to in Mycenaean times is a
generic reference to giants or to actual surviving Lemurian
giants; either way, according to esoteric chronology there
were still plenty of giants around in those days. Blavatsky
comments:
Homer says that Mycenae was set, “in a nook of Argos” (as in Argo-nauts, Jason
etc.), a natural citadel created from plunging ravines; its co-creators were the
Cyclopes, probably much larger than the following description, possibly 15ft [5
metres]:
The four yugas or the gold, silver, bronze and iron ages in the Greek
Under the walls of Mycenae tradition, are also allegories for the rootraces. Hence the Third
(Author’s pic)
Rootrace or third age of bronze is depicted,
“The men of the age of Bronze are robust and violent (the third race); their strength is extreme. They
had arms made of bronze, habitations of bronze; used nought but bronze. Iron, the black metal, was yet
unknown. The fourth generation (race) is, with Hesiod, that of the heroes who fell before Thebes … or
under the walls of Troy.”3
‘Arms made of bronze’ is most likely some poetic licence! Yet likewise, the third subraces of subsequent
rootraces would exhibit this strength. The ‘fourth generation’ is of course the Atlanteans, a further proof
(esoterically at least), of the antiquity of both Troy and Mycenae.
“A Pythia, upon the authority of Plutarch, Iamblichus, Lamprias, and others, was a
nervous sensitive; she was chosen from among the poorest class, young and pure.
Attached to the temple, within whose precincts she had a room, secluded from every
other, and to which no one but the priest, or seer, had admittance, she had no
communications with the outside world, and her life was more strict and ascetic than
that of a Catholic nun.
Sitting on a tripod of brass placed over a fissure in the ground, through which arose
intoxicating vapors, these subterranean exhalations penetrating her whole system
produced the prophetic mania. In this abnormal state she delivered oracles. She was
sometimes called ventriloqua vates, the ventriloquist-prophetess.4
Delphi means ‘dolphin’ and tradition has it that Apollo arrived in the guise of a
dolphin swimming into the Corinthian Gulf, bringing with him
priests from Crete. Amphibious gods as teachers of humanity
are universal stories repeated in other traditions such as the
Babylonian Oannes.
Donations in $ US $.
($$$ – Check exchange rates – $$$)
Origins Odyssey: Travel Diary#6 – Greece & Crete 3. 2010 (Spanish Version)
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