A Memoir of Yours during COVID 19 Pandemic

Indelible Obscurity
For many of us, life in a COVID-19 environment feels like we've been transported
to another universe. We live within the same walls at all hours of the day and night. We
are afraid of handling groceries delivered to our door. We wear masks when we go into
town, and we become nervous if we see someone who isn't. We have difficulty
distinguishing between people's faces. It's as though I'm living in a dream.
There have been anxious evenings since the emergence of covid 19. These
thoughts remain with me. It's as if a great weight has been placed on me, and I'm
fighting to get out from beneath it. I suddenly have a strong want to end it all, and the
ideas might become overwhelming. Even if the problem is just momentary, it might
appear to persist indefinitely. But, through time, I've grown more conscious of these
ideas and discovered strategies to cope when things get tough. It's taken some effort,
but merely being conscious of the falsehoods my brain tells me when I'm suicidal helps
me battle them. It's as if a creature within your brain takes over. The saddest part was
knowing that my family and friends were trying everything they could to help me, yet I
still felt so alone. Whatever was spoken to me, I managed to make into a negative thing.
My deadliest adversary was actually me. I'd come home weary from all of the noises in
my brain, so I'd simply sleep to drown them out. I didn't want to wake up since life had
become a nightmare. I was ill with terror of the night time since that's when the voices
were more louder. I'd become so irritated because it felt impossible to sleep, as if
sleeplessness and despair were inextricably linked. I knew I needed assistance, but
seeking it made me feel like a burden. I felt as though I'd lost my identity and would
never be the same. Because I couldn't envision a future for myself, I had no drive to
achieve anything. Anxiety led me to feel that everyone was pretending to love me.
My life had been a rollercoaster ride, with far more lows than highs. I feel like I've
gone to hell and back, but would I alter anything about my life? To be really honest, I
don't believe I would. That isn't to say it's a nice thing; it certainly isn't, but I believe you
should try to transform your unpleasant experiences into positive ones if at all possible.

If I had one bit of advise for those who are going through difficult times, it would be
to not suffer in quiet. There are those out there who have gone through exactly what
you are going through and come out the other side. Their experiences, in fact, have
shaped who they are now. It may appear difficult to overcome, but believe me when I
say that you will.
Yoiur Life Story
(Autobiography)

Long Tramp
If someone asked me to characterize my life in two terms, I would say it has been
one of struggle and persistence. I've never been naive; I understand how difficult it is to
grow up in this day and age. However, I have never flinched away from any task that
has been placed in front of me. I welcomed it instead; I aspired to be better than I was,
to comprehend people around me as well as myself. In many respects, I've been
successful.
A young lady named Hanna Shiella Frigo, is a senior high school student studying
Humanities and Social Sciences. On July 1, 2003, I was born in Bauan Doctors General
Hospital. My father works as a construction driver, while my mother works as a
housekeeper. They both like what they do. That is how I learnt the importance of time,
honesty, hard work, and dedication to a goal from my parents. My parents' counsel had
a significant impact on my habits. I believe in telling the truth and do my best to avoid
lying. My parents taught me that if I make a mistake, I should own up to it. I make every
effort to do so. I know how to be content in any situation. Because I think that
“happiness is not found outside of you; it is found within you.” I, too, am an adventurous
person who enjoys taking risks. Apart from doing the same old thing over and over, I
enjoy creating something innovative. One of my favorite things to do is to learn new
stuff. I keep up with the news on a regular basis. In addition, I enjoy reading a few
children's publications that have various inspiring stories. They instilled in me a strong
moral code. I am a self-assured individual who knows how to communicate. I attempt to
speak to everyone according to their needs so that I can understand them. I've come to
feel that success is determined by two primary things.
The first is a person's drive and will to achieve. Are you willing to make
compromises in order to attain your objective, such as working and studying
simultaneously? Are you ready to bounce back after a setback and keep working toward
your goal? It is virtually difficult to achieve success without strong internal motivation.
The support of others around you is also crucial. To be driven to succeed does not
imply that you must alienate everyone and tread on others to attain your objective.
Success, on the other hand, is about acknowledging your flaws and accepting aid from
those who really want to assist you.
 Parasite
Mark Kermode
(A Film Critique)
Parasite is the type of unforgettable experience that makes going to the movies so
enjoyable nowadays. I saw it for the fourth time last week and am now eager to see Bong's
black-and-white version, which he recently debuted at the Rotterdam Film Festival.
Parasite is more Shakespearean than Hitchcockian, a tale of two families from opposing
ends of the socioeconomic spectrum, presented with the typical genre-fluidity that has seen
Bong's back catalogue slip effortlessly from murder mystery to monster thriller to dystopian
future-fantasy and beyond. We first encounter the Kim family in their run-down semi-basement
house, where father Ki-taek (Song Kang-ho) and mother Chung-sook (Chang Hyae-jin) are
looking for stray WIFI and keeping their windows open to benefit from bug-killing street
fumigation. They have nothing but one other and a common sense of grit and hard work. So
when Ki-woo (Choi Woo-shikbrilliant )'s artist sister, Ki-jung (Park So-dam), is presented with an
unexpected chance to home-tutor an affluent schoolgirl, he has her fabricate a college diploma,
faking his way into the position and into the Park family's house. This rich mansion is everything
the Kims' pokey domicile is not: beautiful, angular, and strangely secluded. It is located far
above the slums of Seoul, with views not of urinating drunks but of lush lawns and starlit sky.
While arrogant businessman Mr Park (Lee Sun-kyun) is at work, Yeon-kyo (Cho Yeo-jeong), his
nervous, uptight wife, looks after their coquettish daughter and hyperactive little son. It's a
lifestyle that relies on hired help: tutors, a driver, and, most significantly, Moon-gwang (Lee
Jung-eun), the building's loyal housekeeper who stayed after the building's original architect
owner went out. After spotting an opportunity, Ki-woo (now known as "Kevin") realizes that his
own family could easily fill similar positions, and devises a scheme to bring the Kims into the
Parks' affluent life and house. Beyond the title's deliberate ambiguity (which, like Jordan Peele's
oddly similar Us, cuts both ways), Bong once again emphasizes a distrust of wealth and
authority that has been a recurring feature of his work since his 2003 breakout Memories of
Murder, continuing through films as diverse as The Host, Mother, Okja, and, of course,
Snowpiercer, to which Parasite contains several knowing nods). The Kims may live in sewage-
saturated filth, but they are obviously every bit as clever as, and far more unified than, the
Parks, who scoff at the stench of "those who take the subway." Similarly, while Mr. Park is
frequently seen ascending the stairs of his ultra-modern mansion, the Kims are frequently
depicted scurrying down the steps to their own subterranean flat, it's apparent who has the
dramatic upper hand. When it comes to deceit, individuals at the top of the social ladder are just
as skilled as those who look down on them. Parasite discovers gasp-inducing depths
underneath even the most seemingly calm surfaces in a world of vertical non-integration. Bong,
on the other hand, is careful to balance his conflicting energies, producing a cinematic version
of a Rorschach inkblot test in which the spectator is asked to deduce the precise meaning of
these oddly symmetrical apparitions for themselves. Jung Jae-wonderfully il's modulated music
perfectly complements the film's tone variations, moving from melancholy piano patterns in the
curtain-raiser to the tiny symphony of The Belt of Faith to the cracked insanity of cues in which
choric singers struggle with a musical saw. Jung plays things straight even as lunacy looms,
ensuring that the underlying components of tragedy are emphasized rather than undercut by
parody, just as the action may transition from comedy to horror and back — often within the
span of a single scene.
For me, Parasite is best described as a melancholy ghost story, albeit one disguised
beneath umpteen layers of superbly designed (and impeccably photographed) generic
mutations. Thrillingly played by a flawless ensemble cast who hit every note and harmonic
resonance of Bong and co-writer Han Jin-won’s multizonal script, it’s a tragicomic masterclass
that will get under your skin and eat away at your cinematic soul. We think that everyone has a
right to knowledge based on science and truth, as well as analysis based on authority and
honesty. That's why we took a different approach: we made the decision to make our reporting
accessible to all readers, regardless of where they reside or how much they can afford to pay.
More people will be better educated, unified, and motivated to take real action as a result of this.