FIRST GRADING UNIT TEST IN MUSIC

Score:
9
Name: Date:    
Gr.& Sec: Teacher:  

I. MULTIPLE CHOICE: Choose the letter that correspo!s to the "est as#er. Use
CAPITAL letters.
1. Baroque music is known for its grandiose and elaorate ornamentation. !hich of
the following Baroque music forms was de"elo#ed through imitati"e
counter#oint$
a. %oncerto Grosso . ugue c. 'ratorio d. ()rie
*. The #eriod when the %hristian %hurch highl) in+uenced culture and #olitical a,airs in
-uro#e was the:
a.  edie"al /eriod . 0enaissance /eriod c. Baroque /eriod d. %lassical
/eriod
. 2t refers to the e3tended musical setting of sacred music.
a. ugue . %horale c. 'ratorio d. Gloria
4. 5 st)le of chant te3t setting with man) notes #er s)llale of te3t:
a. melismatic . #salmodic c. neumatic d. s)llaic
6. 5 through7com#osed "ocal music com#osition written and e3#ressed in a #oetic te3t.
a. T rouadour usic . ass c. adrigal d. regorian
   G
%hants
8. !hich statement is T09- aout the Baroque /eriod$
a. (nown for the sim#licit) of the musicians c. -arl) com#osers fa"ored
homo#honic te3ture
. usic com#ositions are accessile d. elodies are less d)namic
. ost of mass music;s te3t were set to mellismatic. ellismatic means<
a. 'ne note set to one s)llale c. 'ne note set to man) s)llales
. ew notes set to one s)llale d. an) notes set to one s)llale
=. 0efers to the #rimar) form of Sacred "ocal #ol)#hon).
a.  otet .  ass c.  adrigal d.
 Trouadour
>. The e"ent that #a"ed the wa) for a wide distriution of 0enaissance /eriod;s com#ositions.
a. The in"ention of #rinting
. artin ?uther;s #rotestant reformation
c. The disco"er) of earth;s actual #osition in the solar
s)stem d. The in"ention of com#ass that enhanced
na"igation
1@. The following statements are characteristics of a Gregorian %hantA -%-/TC
a. /lainsong . ree in Tem#o c. 9sed Neumes d. /ol)#honic
 Te3ture
11. /o#ular music during the latter #art of edie"al /eriod which is not ound ) %atholic
traditions.
a. Sacred usic . Secular usic c. 2nstrumental usic d. Solo
usic
1*. The #eriod also known as the iddle 5ges.
a. edie"al #eriod . 0enaissance /eriod c. Baroque /eriod d. /rimiti"e
/eriod
1. Belie"ed to ha"e marked the 0enaissance usic.
a. The use of ?ute instrument
. The irth of Gregorian %hants
c. Start of secular music com#ositions
d. -stalishment of %oncertos
14. 5 music consisting of a single melodic line without chordal accom#animentC it is the oldest
t)#e of music.
a. S acred  usic .  ono#hon) c. / ol)#hon) d.
Secular usic
16. 2t is the #eriod of looking ack to the Golden 5ge of Greece and 0ome.
a. edie"al #eriod . 0enaissance /eriod c. Baroque /eriod d. /rimiti"e
/eriod
II. ANALOG$: Co%plete each aalo&' "' #r(t(& the correct #or! o the "la) l(e.
-3am#le: 0enaissance: reirth
  : #earl of irregular sha#e As#er: Baroque

18. George riedrich andel : essiah 1>. 0enaissance : ass

   : our Seasons : Trouadour usic
 
1. /o#e arcellus ass : Gio"anni da /alestrina *@. Gloria : Glor) to God in the
ighest
  : Thomas orle) : 2 Belie"e in 'ne God

1=. ()rie : ?ord a"e erc) *1. /o#e arcellus ass: Gio"anni
/ierluigi da /alestrina
  5gnus Dei : ireA ireA ) eart :
   

III. IDENTIFICATION: I!et(*' the co%posers !escr("e! "elo#. +r(te ol' the letter. The,
"es(!e the letter o* 'o-r as#er, #r(te M (* the co%poser "elo&s to Me!(eal per(o!, R
(* ( Rea(ssace a! / (* ( /aro0-e per(o!. 1 2 pts. each3

  a. G(oa( P(erl-(&( !a Palestr(a !. Ato(o

4(al!(
". 7oha Se"ast(a /ach e. Geor&e

  **. 'ne of the oldest secular com#osers whose literar) and musical works include
chansons #oetic deates.
  *. is #ersonal and dee# faith is shown in his sacred music. e was known for
his com#ositions for organA orchestra and oratorio.
  *4. e is well known for gi"ing the strings a maEor role in his com#ositions.
  *6. e is rememered for his o#eras and oratorios. is famous creation was the
essiah.
  *8. The greatest master of 0oman %atholic %hurch music and was known for his
/o#e arcellus ass.
  *. ost of his madrigals are light and eas) to sing with some as#ects of 2talian

 st)le. *=. e nicknamed il Prete Rosso FThe 0ed /riestHI ecause of his red hair. e
was
an 2talian Baroque com#oserA %atholic #riest and a "irtuoso "iolinist.

I4. ENUMERATION
*>7 i"e ain Sections of ass Fin orderI
47 = usic Genres of Baroque music
>74@ %haracteristics of edie"al usic 4174*
%haracteristics of 0enaissance usic 4744
%haracteristics of Baroque usic

4. L(ste to the so&s that #(ll "e pla'e! "' 'o-r teacher. Class(*' the %-s(c (* (t (s a e5a
%ple o* a Me!(eal, Rea(ssace or /aro0-e %-s(c. +r(te the t(tle o* the so& ( CAPITAL
LETTERS.

SongJ 17 5??-?9K5 %'09S

SongJ *7 T0'9B5D'90 ?'L-
S'NG
SongJ 7 T- '90 S-5S'NS
SongJ 47 /'/- 50%-??9S 5SS M 5GN9S D-2
SongJ 67 ?'!  T-50S
SongJ 87 G0-G'025N %5NT

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