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F A M I L Y
LETTER FROM THE EDITOR
F A M I L Y
SOMETIMES WHEN I’M DRAWING
WITH MY DAUGHTER, I THINK ABOUT
HOW OUR COUNTRY THROWS
CHILDREN INTO CAGES.
Last year, the Trump There is a war on families right We’re for families being
administration’s decision to now. Immigrants and refugees defined broadly and including
start separating asylum seekers are caged and torn apart in an nontraditional arrangements.
at the border sparked a level effort to dissuade others from We’re for abortions and
of public outrage that the following them. Abortion rights— healthcare, for parental leave,
president’s violations of other the ability to decide when and for kids to be raised the same
norms had not. Hurting families, with whom to start a family— regardless of gender and to
it seemed, was something we are set to be overturned at the not be caged. Just basic family
simply wouldn’t tolerate. Supreme Court level. The rights values stuff.
of gay, queer, and trans people
When my wife and I had our are under renewed assault. We’re all part of families, large
first kid in 2017, I started to The grim economic outlook and small. Family is whom we
understand how people become for younger people makes it provide and care for above all
pro-family nuts—obsessed a sensible option to delay or else—and whom we admit to that
with schools, neighborhoods, abandon plans to start a family. inner circle. If our society extends
parenting strategies, and above that concept to all women,
all else, “protecting the children.” All of these problems are queer people, the unmarried,
exacerbated or ignored by the to immigrants and refugees,
Children become an extension very people who claim the we might have to treat them
of yourself and radically realign mantle of “family values” for like family. Which is to say,
your priorities. They can political gain. Their motivations fully human beings.
infinitely expand your love and aren’t about helping families
empathy but also draw your so much as they are about Politicians who are against these
sense of priority into a tight limiting the word’s definition things? No thank you. I’m a
circle—you must care for them in a society that affords privilege family man. Can’t have my child
above all else. You might even and preference to being growing up in such a world.
travel thousands of miles and considered part of one.
submit yourself to detention
in order for them to have a In this issue, we talk all things
better life. Or, if you feel that family. Family is that fundamental
your family is threatened by social unit that—for better or
others, you might be willing to worse—has shaped most of
tolerate any moral obscenity us into who we are. We’re
to protect them. pro-family at The Nib.
Contents
DEPARTMENTS
1 Editor’s Note
4 The Nib Bureau of Statistics 12
by Olivia Walch
25 The Response: How Are Queer
Artists Building Families? BOUND
Featuring L. Nichols, Luke Healy, TOGETHER
Robyn Jordan, and BY A FAMILY
Archie Bongiovanni THREAD
30 The Nib Interview with
Alison Bechdel by Nicole Georges
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OUT
PLUS
Covers and section illustrations by Jillian Tamaki
Inside cover art by Mike Dawson
THE NIB BUREAU OF STATISTICS
The Nib Bureau
of Statistics
Births, adoptions, maternity leave, and Neanderthals.
By Olivia Walch
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THE NIB BUREAU OF STATISTICS
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EXPLORE MORE
AT TOPIC.COM
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HOW ARE
QUEER ARTISTS
BUILDING
FAMILY?
L. Nichols
Luke
Healy
THE RESPONSE
THE RESPONSE
THE RESPONSE
Robyn Archie
Jordan Bongiovanni
THE NIB INTERVIEW
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THE ARCHIVE
Divorce
In the years following the Civil
War, divorce rates rose quickly,
and many state laws became
more lenient to couples seeking
separation. In this centerfold for
the December 17, 1884 issue of
Puck, cartoonist Frederick Burr
Opper imagines a chaotic, crass
scene resulting from Illinois’s
lax divorce laws. One state over,
people were flocking to the
“divorce mill state” of Indiana,
where new provisions meant
they could divorce quickly and
without humiliation. Critics saw
this trend as a threat to families
and values, and portrayed
hopeful divorcees as impulsive,
reckless, and morally corrupt.
Amy Chalmers
Amy Chalmers was the program
assistant for the Billy Ireland
Cartoon Library & Museum.
She is now art curator for the
South Carolina State Museum.
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Illustration by Erlend Sandøy
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Migrant families came here for a better life.
We gave them a lifetime of trauma.
CROSSED
Reporting by Ryan Devereaux
Illustrations by Katie Wheeler
Interviews translated by Bruna de Lara
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Nomi Kane
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Matt Lubchansky Jon Rosenberg
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Ben Passmore Advertisements
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LETTERS TO THE EDITOR
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MASTHEAD
CONTRIBUTORS
Illustration by Erlend Sandøy
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