Professional Documents
Culture Documents
Kevin Henriques
997735018
November 25th 2010
Shay Gibson
Extreme Climates:
KPMB and Manitoba Hydro Place
Architects and Manitoba Hydro Place is installed at the University Of Toronto’s Eric
exhibition is of the design and design process of Manitoba’s new Manitoba Hydro
Place. The exhibition consists of two detailed models, a film excerpt, an installation,
and large informational graphics with accompanying readings. The works are
presented in a manner that presents the content of the design clearly despite the
The gallery is committed to the presentation of the main design features and
practical applications of the project. On the gallery’s eastern wall a large graphic
consumes a majority of wall space, inserted into the flow of the arrangement is a
monitor that hosts interviews with those involved with the project. The design that
covers the wall is indicative of contemporary graphics, which is a result of its layout
and form. The text is composed in a variety of sizes and boldness, encompassing
bubbles with bright highlights emphasize headings and contribute to the visual
drawings, diagrams, illustrations, and charts; this helps to ease the understanding of
the graphics content. The graphic strays from the traditional presentation of
Hydro Place’s Building Management System or BMS. The chart does well to further
informational graphic. Aside from informational aides, the exhibition also includes
three scaled installations pertaining to the Manitoba Hydro Place. One being a scaled
representation of a six story Wintergarden with its waterfall detail, constructed with
MDF, styrene, stainless steel, and wood. The model is presented in high detail and
complements the daylight testing model that accompanies. The use of simple
materials and emphasis on detail gives the impression of the modernist design that
they represent. The major detail in the gallery is the testing model of the waterfall
detail. In Manitoba Hydro Place the waterfall will stretch six stories, as a result
testing was needed to achieve the long string like flows that form the waterfall. The
monotony of the presented information with the dynamics and intrigue of its
combination of nature and structure, a theme consistent with that of the project.
However, the waterfall also ties in nicely with the presentation of the Building
Management System and theme of the ideas presented, contributing to the balance
of the exhibition.
The design of Manitoba Hydro Place was executed by KPMB who were
and concept considering it came to fruition in 2002, just before the increase in
structure. With a renewed building cost plan, the building’s planners were able to
generate goals for cost and energy consumption. The Building Management System
is the outcome of these goals and the contrasting theme of the highly technical being
used to embrace the natural. Undoubtedly the a central goal, the designers wanted
and wind energy became a critical piece of the design, combined they account for
savings in heating and lighting as well as energy consumption. The double façade
scheme allows for light to provide heat and replace artificial light sources. The
façade also includes an integrated ventilation system that provides fresh air
constantly; this is in addition to the Wintergardens that provides filtrated clean air.
Also considered in the exhibition is the population and employees who are expected
to work in the building. The integration with nature is meant to also serve as a
pleasing experience for those that the building accommodates. They consider deeply
the opinion of the public and the experience within in the building, which in part
The Manitoba Hydro Places is a very inspiring project, as its features and
structure are unique and all encompassing. The consideration for the environment
highlights trends that may become evident in the future. The exhibition does a good
job of presenting the project with its strong points, and providing an educated
insight on the workings behind a project of this scale. It takes a considerable amount
appealing. Both the project and exhibition are contemporary in style and idea, and