POLYPHONIC ENSEMBLEEHR MAJOR FEATURES ORME NET HOT Vey FE ALYY. MATANAY, TIA, LVREP Y.-F ya-k 79€3-F e@ammoxauar ba—ne SHAR ERIFLT, BECHER ESMTS= LATEST SRT SRUMIRE TROT Ge BIB LFW NWF. RLY, ABA~FARE. FIRIF 7 ~ hEDSMC HED, emaruts RTA TROBE GOA BMY I= ITY YLT, LORD) AAG ERTS ENCE ET, 031788019 <9—8m OR OM AERTS I-7HTF— © Refined 7 preset tones. String, Pipe organ, Brass, Electric piano, Piano, Harpsi- chord, Clavichord, © Controls with a wide range of freedom. ‘Tones can be synthesized freely by means of control knobs, Almost an infinite range of tones can be syn- thesized. Example: Koto (Japanese harp), sitar, harp, horn, human chorus, etc, See the attached chart, © Chords can be produced. ‘AS the name indicates, the Polyphonic Ensemble-an ‘embodiment of synthesizer technology—can produce perfect chords © Korg’s exclusive traveler mechanism, © Octave coupler for richer sound. BROCH SME BEFORE USE OAT ETT ORRUAMLEROVE DTT. ME. Al YIP, N-FYa— KELOBC UMA (IOKHILE) 9° BEST YTRE-A- DAT LEMANS LEBTID Lat. ORMMHOMLOULMMEMYUTLATL, RADY B4K, CHREBOFA-=YTOLHOLOTH, DEH HREM TOS TOT, URAIEHE LOC SOE BSI. BRCM GED, Fa —= YOR UF = ERA CML T CIEE OS. ORFAROUCS. WHEAOSKSESS, HM HCY BHO SWIM CO EMILE TORE RAY. BAM. HOUR, E-¥- BENE TRMT BE HECGI ENR YSTOT, SEMEL, OMS GRETHOT, RELY. MBEMALY LAVES TORE, © Selecting suitable amplifier is one of the most im- portant steps. We recommend you to select an ampli- fier speaker system which can reproduce the treble sounds (over 10kHz) of String and Harpsichord, ‘© The control knobs are exposed when the front black panel is removed, They are tuning controls for each kind of tone. Do not turn them except when absolutely necessary bbecause they are adjusted to the temperament equally divided into 12. If retuning is necessary, have it done by 8 tuner or do it by using © KORG Tuning standard © Protect the unit from heaters, sunshine, humidity, dust and vibrations, ‘© Keep neon tube lamps, fluorescent tubes, transformers and electric motors away from the unit in order 10 avoid noises, © Be careful not to give it @ heavy shock or a drop since it is @ precise instrument,BOSADBME HAE CONTROLS AND THEIR FUNCTIONS @OCTAVE COUPLER Turn it clockwise to ode a sound octave higher Turn it clockwise 10 in @ATTACK eDecay fed give sounds depth, The QO | crest ne ettect of the be 4 eines anes me is tured ck upper travel Cua ae eoe Eee ‘wise, the larger will bo the Volume of the. sound Turn the ATTACK knob clockwise to lengihan the ee clockavite £0 lengthen the decay time, TRAVELER elias: : eSUSTAIN @VIBRATO DEPTH esorr MenoRORME MET 5— hake emer Bt EROS EUS Turn the SUSTAIN knob : evoLUME |] | the sound witt get roune: clockwise to make. the Turn it clockwise 10 in : fr at this tone control is Sourd linger owile. after crease the depth ofthe ri i erune emove evIBRATO SPEED ‘@PoweER swiTCH vibrato effect, a For producing somewhat sharp hao] ePiLoT LAMP sounds eGLIDE (= | aE For producing 2 foot saiteh string and wind @EXPAND | * olfects oe : 7 CHORUS wae A fi “For producing @CONTROL most 2 chons effect bowen | Gy | turn it ctocknise to round ‘ourds depth, ® ave This instrument is tuned the tone color when it i Depress this button when to the temperament. The decayed or sharpen the cas creating Your — favorite pitch” canbe raised oF Impression whon keys ore (@7 PRESETS Sounds. by” operating. the Fowred. by turning the oprossed, Fit bTH controls PITCH EXPAND knob,TVR ROBE DRM YT 4 ~ FOB Characteristics of preset tones and examples of effective setting @STRING (XY > 7) ETS— bE ET. RY a-LAT ERR CRED TREO. PY TORAMIEE REO BS EAKDTS, @PIPE ORGAN 4 74 wv) ADB -TATD— MET EMEA OBEY BF. E75 — ham LRT CaN, earass (75%) hIND RSET 5 LABOR LR CMBS ET. EFS hebLMASLSOTL EF @ELECTRIC PIANO( ZL ET /) bIND-IYhO- OSA ERBIIMELT. BEM LEAT ES @PIANO(E ZZ) AOP-IATI-~ EVENS E, AMDEP OEIC AOHSBERY ET. @HARPSICHORD(\— 73 3— F) FRYADE LHR SRBOBR UT. 499 -TATS— EAMSERRERIRN ET. AY UTR, EMT SP YO RMAD E CHES EOEMAT EEO. @CLAVICHORD( 95 3— F) HORBACHRERK(BEMLET HET I ERY REL comes at. [CONTROU)= LTH OBB e>< y ERE] emoe n> AD-AWARE BE. DICKY NET 7 EMBL EBL owest. Ty to hee CNET AS nese ERRFOIY HONS Hid, COMI KERNS Fi. {00784 VOLUME. TUNE, TRAVELER. OCTAVE COUPLER. VIRATO DEPTH, VARATO SPEED. GLOE. PTTCH EXPAND OBIE CS EF. ALL. PANOIZ#Y FLT 2.479 -7N7F-EARBL BCH ADH, RE FERRY FEARSLTYA-FYIEEUET. th PA9-OMMELSLMOOEEL. MOB ORELET. SOE ST REALE CURE OMY T—2 37 0RL st ore © STRING Use vibrato, More expression can be obtained by Using the volume pedal. It is important to be cautious about the treble characteristics of the amplifier. ‘© PIPE ORGAN Heavy pipe sounds can be produced by means of the octave coupler. Do not use the vibrato, © BRASS The use of the traveler pedal will further emphasize brass. A little vibrato will help, © ELECTRIC PIANO ‘Adjust the tone color by moving the traveler control knob to the right or left * PIANO A slight addition of the octave coupler will give depth to the sound like that of a real piano, © HARPSICHORD The tones of the harpsichord otherwise called the cembalo can be produced, The tones can be made richer by use of the octave coupler. As in the case of STRING, select ‘an amplifier having excellent treble reproduction charac: teristics © CLAVICHORD ‘This can be used in place of the clavinet because sounds resembling strings being hit will be produced particular- ly in the bass range, The clavinet can be combined with wah by producing similar tones at [CONTROL] using [PEAK HJand the traveler pedal, When playing by using preset tones, the control knobs having black letters on a white background will be auto: matically set inside as in the case of[ATTACK] but other control_knobs — VOLUME, TUNE, TRAVELER, OC: TAVE COUPLER, VIBRATO DEPTH, VIBRATO SPEED, GLIDE and PITCH EXPAND — can be freely operated. For example, the sounds will be given depth by setting the PIANO button and using the octéve coupler. When the PITCH EXPAND control is used, @ honky-tonk effect will be obtained, The sounds will become light or heavy depending on the position of the traveler. Thus the preset tones can be varied in a great many ways. AY hod ——BReES CY CDEROLA BORE RY D4 = oP PLOY TIA THOTY 2 hHLIA. > SOMEROTSLCE), OMCBESRT SCL ACES +. E49 CONG OKs eMC (KaL. Se FSC FAI PO-ACABRBCRY AT, REEAOM OM LET. CONTROLS — The functions of the control knobs necessary for freely producing sounds ‘The Polyphonic Ensemble can not only produce 7 kinds of preset tones but freely synthesize other_tones_by ‘means of the control knobs. First, depress the [CONTROL] pushbutton. All the knobs can now be controlled. The characteristics of each of the control knobs are explained as follows, >@TRAVELER( F<: RSE GMICMIONY 3 too CF. O-ARI ANE sBect (ae I OmiRNHO—6 CRIGL, E8023 AOE EI RUEBE. TROIS W amr yenemen, banat. comm. Tee LM OAM ABB SDHC EMMI BSH. 25078 AL BSL OME Tyo 1 FCRBOB BEY hCRET BEDI BOL MBH CHEM HL THLE HLTH ES SY, HNMR LUTE CRETIOR. f— hORAHONET. © TRAVELER ‘Tho combination of harmonies is an important factor in the creation of any tone color. The Traveler is the tone control especially developed to permit free harmonic combination. Incorporating paired low pass and high pass filters, it permits the creation of any tone color. The two controls work in opposition, to regulate the ‘re: quencies of the harmonics. The upper lever cuts the higher frequency harmonics, and the lower lever those of lower frequencies. The result is that a group of harmo- nics is crested corresponding to the area between the positions of the levers, When the Traveler is used as a pre-set, one touch will permit the player to find a tone color spontaneously, ‘once he is familiar with the operation of the two levers When the Traveler is used dynamically a fine back and forth movement will create a tremolo, A wider left-right sweep will rise to a curved tone which, when IT BOE to T ove J © freaca] a | © men PED I ! PERRA 972 420 Pate anes “The tone peak i crested as PEAK Li turned clockwise, AAMARBROTMERETS Sets the lower limit of passed frequencies, esorT(y7 F) - kevavhann, @EXPAND(Z 42/87 F) BAHTEE, EOLHHAYOMRAAILET. & 1, BRAKS BEE. TEAY FRANKEL ANE Booz AERA TT @ENVELOPE GENERATOR(ty~*« eT The base section GREENE CTS Dimi @OCTAVE COUPLER(4 29-7079 Braye itoe ve @VIBRATO DEPTH(E73— 1 72) EDTIEE, C79 - bien @VIBRATO SPEED(E 7 BAS4 @SLIDE( 754 F) Note 2: This instrument is designed to produce decay sounds like those of the piano especially well so that even if the DECAY knob is set to position 10, the sound will decay gradually © MODE IL. — For producing sharp, stimulating sounds. IL — For producing somewhat sharp sounds. ML — For producing round sounds, A — For producing string and wind effects, CHORUS — For producing @ chorus effect and giving sounds depth, © OCTAVE COUPLER Turn it clockwise to add @ sound 1 octave higher and ive sounds depth, The more it is turned clockwise, the larger will be the volume of the sound 1 octave higher. No coupler effect on the 1 octave in the highest range. © VIBRATO DEPTH Turn it clockwise 10 increase the depth of the vibrato effect. © VIBRATO SPEED Turn it clockwise to increase the speed of the vibrato effec © GLIDE The glide raises or lowers the pitch of sounds with a foot switch ‘At Position ©, sound pitch will not change even if the foot switch is ON, When the knob is turned clockwise, sound pitch will rise with the foot switch ON; and when the knob is turned counter-clockwise, sound pitch will fall Time the playing of the keys with the operation of the foot switch. You can obtain the effect of the sitar, koto, shamisen | threestringed Japanese instrument) or the bagpipes. OMT. Dy KAA YF EONIEL TEOMA RIEL A ft LONMIB OBS ALE SYFESDETT y bAA oF EMIT BL Bm IL. SMM NY TAA TRE DBE EMTS LA at st tie = ine i)© PITCH EXPAND This instrument is tuned to the temperament. The pitch can be raised or lowered by turning the PITCH EXPAND knab, @PITCH EXPAND ORE PEI e EWES BL BORS EST ILA ET & 2 en ucold Position © indicates the temperament. Turning it clock: ‘wise raises the treble pitch, and lowers the bass pitch. It is useful for honky-tonk and outof-tune effects. PITCH EXPAND may be used together with OCTAVE COUPLER to produce an interesting howling effect, CONNECTIONS Connect to the amplifier The foot switch for GLIDE crea Ft b> The changeover witch for foot control {nd manual TRAVELER control ng, 79AmCaRT Loe REATLERIT 8 E PDR LEY ET Depressing the pedal wil produce the same tonal change ; ‘a: when the upper TRAVELER knob is moved tO the ightHighly effective for brass sounds A wide range of wah effects can be obtoired by operating the pedal ‘with BEAK Hat its highest poston. amt RANGE &tt SPECIFICATIONS ne FHE coat KEY BOARD. Tyo be Rhye PRESET RATAUAY JOR IUREP/ ers CONTROL KNOB: ayba-ns7 EXTERNAL JACK. HI-AA YF SA BY hI MBA ORE? DIMENSIONS: co Ciclo WEIGHT IAD AF POWER SOURCE om POWER CONSUMPTION: aee $8 982mm ‘OPTION BZ 2lamm RTE 372mm me 18.56 az 100¥ 50/0H2 ae 15w hOND- RL DybAdyF x2 KY 2 LAP OF YR ABvE F~E 60 Keys STRING PIPE ORGAN BRASS ELECTRIC PIANO PIANO HARPSICHORD. CLAVICHORD VOLUME TUNE TRAVELER x 2 PEAK H PEAK L SOFT EXPAND, ATTACK DECAY SUSTAIN MODE LILfLA CHORUS OCTAVE COUPLER VIBRATO DEPTH VIBRATO SPEED GLIDE PITCH EXPAND POWER SWITCH PILOT LAMP DAMPER GLIDE TRAVELER PEDAL output WIDTH = 942 mm HEIGHT 212 mm. DEPTH = 372 mm. 18.5 Kg 100V~240V 50/60Hz 18W TRAVELER PEDAL FOOT SWITCH x2 VOLUME PEDAL (2 CHANNELS) STAND RERHL MARR SH a RRM REEEAA IZ 190 F160 mc08—T801(") HIM RRMERERE LAS —6—18 F155 SHIM AHURA LEAN AT les F258 KEIO ELECTRONIC LABORATORY CORPORATION Head Office: Maison Yutaka Bldg. No.190, Nishiohkubo 2-Chome, Shinjuku-ku, Tokye, Japan Factories: No. 19.6, Sakurajosuh 5:Chome, Setagaya-ky, Tokyo ,Jepan No. 1825 Onimachs, Ashigavakamigun, Kanagawa Pret, Japan