OCSK5N COPVU'OMTCO t»o» •» O SCMIItMC»

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 XING UNIVERSITY
PROVO, UTAH

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i

Schirmer's Library of Musical

Classics

Vol. no

JULIUS SCHNEIDER
Op. 48

FORTY-FOUR
STUDIES FOR THE ORGAN
WITH ESPECIAL REGARD
TO

OBBLIGATO PEDAL PLAYING

EDITED BY
SAMUEL P. WARREN

G. SCHIRMER, INC., NEW YORK

Copyright, 1881, by G. Schirmer

Printed in the U. S. A.
 1

%g[Q UNIVERSITY
O. UTAH
General Rules for Pedal-Playing

The position of the body should be easy and unconstrained before the
middle of the keyboard. Avoid leaning on the organ-desk or holding on

by the bench. The control of the feet in playing should be such as to

render in general any support from the hands unnecessary.

In crossing, and to prevent obstruction from the heels, the feet should

take a lateral position, the toe of the crossing-foot pointing sideways over

the other. The right foot passes in front of the left, from the middle of
the pedal-board downward, and back of it from the middle of the pedal-

board upward. Exceptions occur, of course, when playing on the

over-pedals (sharps).

When passing (heel to toe of the same foot) from an under- to an

over-pedal (natural to a sharp), let the toe cover the latter no more than

may be necessary for a firm touch. In using the same foot for two
contiguous pedals (naturals), let the heel take the one nearest the middle

of the pedal-board; and in playing skips, guard against touching the

intermediate pedals.

When sliding from one pedal to the next, the sole of the foot must

take a slanting position sideways, thus I or \, according as the passages

ascend or descend.

The marks A n indicate Right toe and heel, and V u Left toe and
heel, respectively.

2767
 FORTY - FOUR STUDIES
by
Revised and edited
SAMUEL P.WAHBEN.
FOR THE ORGAN
by JULIUS SCHNEIDER
1. All egTO.^L Olid Stops. (Gt. Diapasons, 8 ft. Ped. Bourdon <fc Prin. 16 <fc 8 ft.)

Manual/

Pedal

/\ V A V

2. Allegro moderate Loud Stops. (sam easN°i.)

*) The registration to each study is recommended— not insisted on _ by the Editor, the idea being to avoid embarrassing the student at the
1 1

outset with the choice of his stops. It is advised however that the studies for full organ be practiced with but few stops, "on a light oigan-
untiJ the technical difficulties are thoroughly overcome. For simply technical work though, the pedal piano and not the organ should be used.

Printed in the U. S.A.

Copyright, J88f,by G. Schirmrr
i7?>7
Copyright renewed, 1909, by S.P.Warren
 3. Allegro. Loud Stops. (Gr. Diapasons with Doable Flute 8 ft. _ Ped. 16 <fc 8 ft. with Gt Coupler.)

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 4 .Allegro moderate Loud Stops. (Gt. Dia's. with Flutes 8<fc4 ft. Ped. Same as preceding.)

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 5. AllegTO. Loud Stops. (Diapasons 8 ft. <fc Principal 4 ft. _ Ped. Same as preceding.)

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2757
 9. Andante. Soft Stops. (Dulciana 8 ft. alone. Repeat adding St. Dia. Ped. same as preceding.)

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2757
10

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 11

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2757
12

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14

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18

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2757
20

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 21

23. Andante. Soft Siops^.

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2757
33
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22
24. AllegTO maestoSO. Loud Stops. (Diapasons.Prin. 4 ft. Fifteenth 2 ft. Twelfth <fc Mixtures. Ped. W balance.)
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2757
24
25. Andante SOStenUtO. Soft Stops. (Sw. St.Dia.or F1.8ft.&Salicional 8 ft(or Vlol.da Gamba.) Ped. Flute
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^757
 25

26. Adagio. Med.Stops.(Gt.Flute 8 Sw. Oboe 8

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 27

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 29
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2757
 33

34. Andante. Soft Stops. (Flutes 8 <* 4 ft. with light Gamha _ Ped. 8ft.(16 ft. ad lib.))

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2757
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 35
36. Moderate Soft Stops. (Sw. FI.DuI., & Oboe 8 ft. _ Ped.Sft.)

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36
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Important Organ Work,
contained in

ichirmer's Library Edition

and
iCHiRMER's Scholastic Series

Studies
BUCK, DUDLEY. Studies in Pedal Phrasing. Op. 28 (S. S. S., Vol. 11)
KOCH, CASPAR P. Book of Scales (S. S. S., Vol. 34)
MACDOUGALL, HAMILTON G. Dramatic Pedal Studies (S. S. S., Vol. 134)
NILSON, L. A System of Technical Studies in Pedal-Playing (S. S. S., Vol.29)
PFITZNER, HEINRICH. The Art of Pedalling (S. S. S., Vol. 21)
REYNOLDS, WALTER G. Preparatory Studies for Motion-Picture Organists (S. S. S., Vol. 211) .

SCHNEIDER, J. Op. 48. Forty-four Studies, with especial regard to obbligato pedal-playing.
(Library Vol. 210)

ALBUMS AND COLLECTIONS

ALKAN, C. V. Preludes and Prieres. Ten pieces selected from Op. 64 and 66.
(Arranged by C. Franck. Edited by Chas. N. Boyd) (Library Vol. 1469)
BACH, J. S. Eight Little Preludes and Fugues, of the First Master- Period.
(Edited by C.-M. Widor and A. Schweitzer) (Library Vol. 1456)
BATISTE, E. Quatre Grandes OfTertoires de Saint-Cecile, Op. 7, 8, 9, 10. (J. H. Rogers.)
(Library Vol. 891)
CLARK, S. Marches (with pedal obbligato),
Fifteen revised, with added pedal and finger-marking
by Dr. Gerrit Smith (Library Vol. 474)
DUBOIS, THEO. Ten Pieces. Newly arranged with pedal obbligato and modern registration by
F. F. Harker (Library Vol. 1479)
Twelve Edited for American organs by C. H. Morse
Pieces. (Library Vol. 649)
EYKEN, J. A. van. Three Sonatas (C m., D m., A m.). (John White) (Library Vol. 252)
FRANCK, C. Selected Works. (Edited by E. S. Barnes) (Library Vol. 1491)
HARKER'S ORGAN COLLECTION. Two Volumes (Library Vols. 1243-44)
LEFfcBURE-WELY, L. J. A. Six Offertories. (F. F. Harker) (Library Vol. 904)
LEMAIGRE, E. Twelve Pieces. (Edited for American organs by C. H. Morse). . . (Library Vol. 650)
MENDELSSOHN, F. Three Preludes and Fugues, Op. 37, and Six Sonatas, Op. 65.
(S. P. Warren) (Library Vol. 227)
The same. (Lemare.)
(Paper or cloth binding) (Library Vol. 976)
MERKEL, G. Album for Organ. (Edited by Boyd) (Library Vol. 1488)
RHEINBERGER, J. Op. 88. Pastoral Sonata, G. (E. H. Lemare) (Library Vol. 960)
Op. 98. Sonata, No. 4, A m (Library Vol. 961)
Op. 154. Sonata, No. 12, Db (Library Vol. 962)

Complete Catalog of ORQAN MUSIC, Sent On Request

Also list of seventy-three Organ Transcriptions in the "Recital Series"

ATM
G. SCHIRMER. INC,
M ^°5> *9 * NEW YORK
 BRIGHAM YOUNG UNIVERSITY

3 1197 21120 0909

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