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  • LA CULPABLE - Cueca

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    Augusto Mallcu
    159 views2 pages
    1. The document is a poem written in Spanish that describes a guilty woman. 2. The poem uses imagery of nature and animals to represent the woman's feelings of guilt and shame. 3. It refers to her "culpable cueca", meaning her guilty conscience, that torments her like animals in the forest.

    Original Description:

    partitura de música nacional de Bolivia tradicional cueca

    Original Title

    LA CULPABLE- cueca

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    1. The document is a poem written in Spanish that describes a guilty woman. 2. The poem uses imagery of nature and animals to represent the woman's feelings of guilt and shame. 3. It refers to her "culpable cueca", meaning her guilty conscience, that torments her like animals in the forest.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    159 views2 pages

    LA CULPABLE - Cueca

    Uploaded by

    Augusto Mallcu
    1. The document is a poem written in Spanish that describes a guilty woman. 2. The poem uses imagery of nature and animals to represent the woman's feelings of guilt and shame. 3. It refers to her "culpable cueca", meaning her guilty conscience, that torments her like animals in the forest.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    LA

    CULPABLE


    CUECA

                  1.    2.
    Luis Acha M.

                               


             
            
                
       
         


                            
         
    6

                            
         
         


                         
         
     
    11

               
       
                    
      


            1.   
                     

    16

     
    2.

     
                  

                    
     
       


            
                   

    22

              
     
              
          
     


             
                       
    27

             
        
    

                   


           
    2

                
      
    32

                          
        
         


        
                             

    37

       
                
                    


          
     
    42


          

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