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  • Cumbia EL TELEFONO-Trompeta

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    Jackson blademir Lopez chavez
    17 views1 page
    This document appears to be musical notation for a piece called "El Telefono" (The Telephone). It contains staffs with notes, markings, and directions in Spanish. The notes and markings suggest it is for solo trumpet or cornet with piano accompaniment. The music is divided into labeled sections and utilizes various musical techniques over its duration.

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    Original Title

    cumbia EL TELEFONO-Trompeta

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    This document appears to be musical notation for a piece called "El Telefono" (The Telephone). It contains staffs with notes, markings, and directions in Spanish. The notes and markings suggest it is for solo trumpet or cornet with piano accompaniment. The music is divided into labeled sections and utilizes various musical techniques over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    17 views1 page

    Cumbia EL TELEFONO-Trompeta

    Uploaded by

    Jackson blademir Lopez chavez
    This document appears to be musical notation for a piece called "El Telefono" (The Telephone). It contains staffs with notes, markings, and directions in Spanish. The notes and markings suggest it is for solo trumpet or cornet with piano accompaniment. The music is divided into labeled sections and utilizes various musical techniques over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Trompeta EL

    TELEFONO

      
                                      
    DAVID MEDINA GRUPO 5

       
    Intro
    VOZ

                
                     
           
     
     
    30 3

               

          
                         

    37

                
           
       
                           
     
    44

                 
                    
              


    52 1. 2.
    3 3

         3  
        
                                  
    1. 2.
    60
    3 3  3 3

             
                         

      
    84 3
    D.S. al Coda

                 

                                 
       
    100 3

           
                  
    110

    Fine

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