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LABORATORY: START MEASURING 0.00 LABORATORY: 0.00 AT START MARK


AT START MARK
11-15 17.10 = 1ST SCENE END

SCENE 1 - INT. PERSEUS' TENT - NIGHT -


MCS - HIGH ANGLE - PERSEUS, LYING
ON HIS SIDE, A LARGE WOUND ON HIS
ARM. CAMERA TILTS UP TO INCLUDE HIS
FACE AS HE WINCES IN PAIN.

PERSEUS 4-1.
(face off) (in strained voice) (coughs) (on) THROUGH (OUT)
4-7.
(coughs, grunts, pants and wheezes -

continues under following scenes and

dialogue)
17-10

SCENE 2 - MCS - LOW ANGLE - IO,


TENDING TO O.S. PERSEUS.
19-14

SCENE 3 - MCS - HIGH ANGLE - PAST IO,


L.FG., TO PERSEUS, WINCING AS IO
STROKES HIS FOREHEAD.
22-00

SCENE 4 - MCS - LOW ANGLE - IO,


REACTING.

IO 4-8 22.08 24.11/ 2.03 IO TO PERSEUS)


(exhales) Ah, you're burning. You're burning.
24-13 (i.e., 'Your skin is very hot.' - 'You are
feverish and your body has a very high
SCENE 5 - MFS - OVER PERSEUS, FG., TO temperature.')
IO, PICKING UP A JUG OF WATER.
26-09

SCENE 6 - MS - IO, RAISING THE JUG.


28-13

SCENE 7 - MCS - HIGH ANGLE - PAST IO,


L.FG., TO PERSEUS.

IO 4-9 30.11 32.14 2.03 IO TO PERSEUS)


Drink this. Drink this.

IO BRINGS THE WATER TO PERSEUS'S


LIPS AND HE DRINKS. CAMERA TILTS UP
SLIGHTLY.

PERSEUS
(in strained voice) (grunting) (drinks -

continues under following scenes and

dialogue)
34-15

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SCENE 8 - MCS - LOW ANGLE - IO.

IO
(exhales)
37-02

SCENE 9 - MCS - HIGH ANGLE - PAST IO,


L.FG., TO PERSEUS, WINCING.

IO
(grunts softly)
38-15

SCENE 10 - MCS - LOW ANGLE - IO,


REACTING.

IO
(exhales)

PERSEUS
(off) (in strained voice) (grunts and pants -

continues under following scenes and

dialogue)
42-01

SCENE 11 - MCS - HIGH ANGLE - PAST IO


(TORSO), L.FG., TO PERSEUS AS SHE
STROKES HIS FOREHEAD.

IO 4-10 42.13 44.08/ 1.11 IO TO PERSEUS)


(face off) I'll get more water. I'll get more water.
44-09

SCENE 12 - MFS - OVER PERSEUS, FG.,


TO IO, RISING AND WALKING L.BG. OUT
OF THE TENT, OFF HER FACE.

IO
(grunts softly)
50-13

SCENE 13 - EXT. ROCKY


OUTCROP/BIVOUAC - NIGHT - FS - PAST
THE TENT, R.FG., TO IO, WALKING L.BG.
AS CAMERA DOLLIES L. WITH HER TO
INCLUDE SHEIKH SULIEMAN IN L.FG.
CAMERA DOLLIES AROUND HIM, OFF IO.

SHEIKH SULIEMAN
(in altered voice) (breathes heavily -

continues under following scenes and

dialogue)

SHEIKH SULIEMAN TURNS AND WALKS


BG. TOWARD THE TENT.
64-07

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SCENE 14 - INT. PERSEUS' TENT - NIGHT


- MCS - LOW ANGLE - SHEIKH SULIEMAN,
STEPPING L.FG. INTO THE TENT.
69-11

SCENE 15 - MCS - HIGH ANGLE -


PERSEUS.

PERSEUS
(panting) (grunts)
73-10

SCENE 16 - MCS - LOW ANGLE - SHEIKH


SULIEMAN, AS HIS SPEAR ALIGHTS WITH
BLUE FLAMES. HE RUNS HIS HAND OVER
THE FLAMES.

PERSEUS
(off) (pants)
77-12

SCENE 17 - CS - SHEIKH SULIEMAN


(HAND), OPENING TO REVEAL BLUE
FLAMES IN HIS PALM. HE LOWERS HIS
HAND AS CAMERA TILTS DOWN
SLIGHTLY WITH HIM.

SHEIKH SULIEMAN
(face off) (in altered voice) (in Djinn

language - continues under following

scenes)
80-04

SCENE 18 - MCS - LOW ANGLE - SHEIKH


SULIEMAN, REACHING DOWN.
83-00

SCENE 19 - MCS - HIGH ANGLE - PAST


SHEIKH SULIEMAN (HAND), L.FG., TO
PERSEUS, REACTING AS SHEIKH
SULIEMAN RUNS HIS HAND, ALIGHT
WITH BLUE FLAME, OVER PERSEUS'S
WOUNDED ARM.

PERSEUS
(screams - continues under following

scenes and dialogue)


85-11

SCENE 20 - MS - TILTED ANGLE - SHEIKH


SULIEMAN AND PERSEUS, REACTING.
89-02

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SCENE 21 - MCS - SHEIKH SULIEMAN, AS


DRACO AND SOLON ENTER BG.,
GRABBING HOLD OF THE SHEIKH AND
PULLING HIM BG.

SOLON
(grunting) (cries out)

SHEIKH SULIEMAN
(in altered voice) (roars - continues under

following scenes and dialogue)


91-11

SCENE 22 - MS - DRACO, SHEIKH


SULIEMAN AND SOLON, AS SHEIKH
SULIEMAN PUSHES THEM BG. THROUGH
THE TENT OPENING.

DRACO
(grunts - continues under following scene)
92-05

SCENE 23 - EXT. ROCKY


OUTCROP/BIVOUAC - NIGHT - FS - HIGH
ANGLE - PAST THE TENT, FG., TO DRACO,
SHEIKH SULIEMAN AND SOLON,
STEPPING BG. AS CAMERA DOLLIES
WITH THEM. SHEIKH SULIEMAN SHOVES
DRACO AND SOLON TO THE GROUND
AND TURNS BG.

SOLON AND DRACO


(overlapping grunts - continues under

following scenes and dialogue)

SHEIKH SULIEMAN
(in altered voice) (laughs - continues under

following scenes)
94-11

SCENE 24 - MS - PAST A CAMPFIRE,


R.FG., TO DRACO, FALLING TO THE
GROUND AND REACTING.
96-01

SCENE 25 - MS - SHEIKH SULIEMAN,


SWINGING HIS SPEAR R.FG.
97-07

SCENE 26 - FS - PAST SHEIKH SULIEMAN,


FG., TO SOLON, DRAWING HIS SWORD.
98-06

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SCENE 27 - MS - SHEIKH SULIEMAN AND


SOLON, SWINGING HIS SWORD L. AS
SHEIKH SULIEMAN BLOCKS THE BLOW
WITH HIS SPEAR.
99-02

SCENE 28 - MS - DRACO, RISING AND


DRAWING HIS SWORD.
100-09

SCENE 29 - MS - SHEIKH SULIEMAN,


THRUSTING THE BASE OF HIS SPEAR R.
INTO SOLON'S ABDOMEN, KNOCKING
HIM R. OUT OF FRAME. SHEIKH
SULIEMAN TURNS L.
102-02

SCENE 30 - MS - DRACO, RUNNING R.


AND SWINGING HIS SWORD AS CAMERA
PANS WITH HIM TO INCLUDE SHEIKH
SULIEMAN. THEY FIGHT EACH OTHER.

DRACO *4-10A /102.03 103.07/ 1.04 DRACO TO SOLON)


Come on! (pants and grunts - continues Come on!
(Idiomatic expression of urging)
under following scenes and dialogue)
103-10

SCENE 31 - MS - PAST DRACO, FG., TO


SHEIKH SULIEMAN. DRACO STEPS R.FG.
AS CAMERA PANS WITH HIM.

SOLON *4-10B /103.11 104.14/ 1.03 SOLON TO DRACO)


(off) Watch out! Watch out!
104-14 (Idiomatic expression of warning)

SCENE 32 - MS - SOLON, SWINGING HIS


SWORD AND CHARGING L.FG.

SHEIKH SULIEMAN
(off) (in altered voice) (grunts and growls -

continues under following scenes and

dialogue)
106-07

SCENE 33 - MS - PAST SOLON, R.FG., TO


SHEIKH SULIEMAN. SOLON RUNS L.,
EXITING, AS SHEIKH SULIEMAN SWINGS
HIS SPEAR.
107-08

SCENE 34 - FS - PAST DRACO, FG., TO IO,


SHEIKH SULIEMAN AND IXAS, CIRCLING
SHEIKH SULIEMAN.
108-09

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SCENE 35 - MS - DRACO, STEPPING


R.FG. AND SWINGING HIS SWORD AS
CAMERA PANS WITH HIM TO INCLUDE
SHEIKH SULIEMAN.
109-10

SCENE 36 - MS - PAST DRACO, L.FG., TO


SHEIKH SULIEMAN.
110-12

SCENE 37 - MS - DRACO AND SHEIK


SULIEMAN (TORSO), KICKING DRACO L.
HE FALLS TO THE GROUND AS CAMERA
PANS WITH HIM, OFF SHEIKH SULIEMAN.

IXAS 4-10C /110.13 112.05/ 1.08 IXAS TO DRACO)


(off) Look out! Look out!
(Idiomatic expression of warning)
DRACO
(grunts)
112-06

SCENE 38 - MCS - SHEIKH SULIEMAN,


SWINGING HIS SPEAR L.

IXAS
(off) (grunts)
113-02

SCENE 39 - MS - SOLON, SWINGING HIS


SWORD R. AS CAMERA PANS WITH HIM
TO INCLUDE THE SHEIKH'S SPEAR,
FLARING WITH BLUE LIGHT AS IT MAKES
CONTACT WITH SOLON'S SWORD.
114-00

SCENE 40 - MS - SHEIKH SULIEMAN,


SWINGING HIS SPEAR.
114-12

SCENE 41 - MS - PAST SHEIKH


SULIEMAN, R.FG., TO SOLON, STEPPING
R. HE IS OBSCURED BEHIND THE
SHEIKH.

SOLON
(grunts and pants - continues under

following scenes and dialogue)


115-11

SCENE 42 - MS - SHEIKH SULIEMAN,


SWINGING HIS SPEAR.
117-02

SCENE 43 - MCS - HIGH ANGLE - SOLON,


FALLING TO THE GROUND.
118-00

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SCENE 44 - MS - DRACO (TORSO),


FACING BG. HE DRAWS TWO DAGGERS
AS CAMERA TILTS UP TO INCLUDE HIS
HEAD.

DRACO
(grunts - continues under following

scenes)
119-06

SCENE 45 - MS - PAST SHEIKH


SULIEMAN, R.FG., TO DRACO, RUNNING
FG. AS THE SHEIKH SWINGS HIS SPEAR.
120-07

SCENE 46 - MCS - DRACO, STEPPING R.


AS CAMERA PANS WITH HIM TO INCLUDE
THE SHEIKH'S SPEAR, SWINGING L. AND
STRIKING DRACO.
121-00

SCENE 47 - FS - HIGH ANGLE - PAST


EUSEBIOS, R.FG., TO DRACO, FALLING
TO THE GROUND, SHEIKH SULIEMAN,
SWINGING HIS SPEAR, SOLON, LYING ON
THE GROUND, IO, AND IXAS. CAMERA
CRANES DOWN.
122-01

SCENE 48 - MS - PAST SHEIK SULIEMAN


AND DRACO (TORSO), L.FG., TO IO.
CAMERA TILTS DOWN, OFF SHEIKH
SULIEMAN'S FACE AND IO, TO INCLUDE
SOLON, LYING ON THE GROUND.

SHEIKH SULIEMAN
(face off) (in altered voice) (in Djinn

language - continues under following

scenes and dialogue)


123-05

SCENE 49 - MCS - HIGH ANGLE - PAST


THE SPEAR, FG., TO SOLON.

SOLON
(pants - continues under following scenes)
124-03

SCENE 50 - MCS - SHEIKH SULIEMAN.


125-06

SCENE 51 - MCS - THE SPEAR AND


SOLON, REACTING.
128-00

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SCENE 52 - FS - PAST DRACO, L.FG., AND


EUSEBIOS, R.FG., TO SHEIKH SULIEMAN,
SOLON, IO, AND IXAS. CAMERA DOLLIES
R. AROUND THEM.

DRACO 4-11 /128.02 129.10 1.08 DRACO TO IO)


What? What?
131-08 (i.e., 'What is the Djinn saying?')

SCENE 53 - MS - PAST SHEIKH SULIEMAN


(TORSO), L.FG., TO DRACO.

DRACO 4-12 /131.09 132.15/ 1.06 DRACO TO IO)


(panting) What's he saying? (pants - What's he saying?

continues under following scenes and

dialogue)
132-15

SCENE 54 - MCS - SHEIKH SULIEMAN,


GLANCING ABOUT.
134-13

SCENE 55 - MCS - IO.

IO 4-13 /134.15 140.10/ 5.11 IO TO MEN)


The Djinn have waited many years for the (over scene end) The Djinn have waited many years for the
one who will free them from the gods.
one who will free them from the... (the one...gods : referring to
138-11 Perseus)

SCENE 56 - MCS - PAST SHEIKH


SULIEMAN (TORSO), L.FG., TO EUSEBIOS,
HOLDING A SHIELD AND GLANCING
ABOUT.

IO
(off) ...gods.

SHEIKH SULIEMAN
(in altered voice) (in Djinn language -

continues under following scenes and

dialogue)
140-12

SCENE 57 - MCS - PAST SHEIKH


SULIEMAN (TORSO), L.FG., TO DRACO.

IO 4-14 141.11 144.08 2.13 IO TO MEN)


(off) He says he is no friend of... (over scene end) He says he is no friend of the humans.
143-08 (he : Sheikh Sulieman)
(is no friend of the humans : i.e.,
'does not like humans' - 'considers all
humans potential [or real] enemies')

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SCENE 58 - MCS - HIGH ANGLE - PAST


THE SPEAR, FG., TO SOLON, REACTING.

IO
(off) ...the humans.

SOLON 4-15 144.12 146.06/ 1.10 SOLON TO IO)


You don't say. You don't say.
(Idiomatic expression of mild surprise
SHEIKH SULIEMAN - Note wry tone - i.e., 'That seems
(off) (in altered voice) (in Djinn language - obvious.')

continues under following scene and

dialogue)
146-07

SCENE 59 - MCS - SHEIKH SULIEMAN.

IO 4-16 148.11 152.06/ 3.11 IO TO MEN)


(off) But the only way... (over scene end) But the only way we can help Perseus is
149-13 together.
(Note that Io is still translating for
Sheikh Sulieman)
SCENE 60 - MCS - IO.

IO
...we can help Perseus is together. (pants -

continues under following scene)


152-07

SCENE 61 - MCS - HIGH ANGLE - PAST


THE SPEAR, FG., TO SOLON, REACTING.
155-01

SCENE 62 - INT. PERSEUS' TENT - NIGHT


- FS - THROUGH THE TENT TO SHEIKH
SULIEMAN AND IO. PERSEUS ENTERS
R.FG. AND STEPS BG. THROUGH THE
TENT.

PERSEUS
(pants - continues under following scenes

and dialogue)
158-07

SCENE 63 - EXT. ROCKY


OUTCROP/BIVOUAC - NIGHT - MCS -
PERSEUS, STEPPING FG.
162-02

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SCENE 64 - MFS - PAST DRACO, L.FG., TO


SHEIKH SULIEMAN, IO AND IXAS. DRACO
GLANCES R.FG. AS CAMERA MOVES IN,
OFF IXAS.

IXAS 4-17 163.14 165.10 1.12 IXAS TO DRACO)


Draco. (off) Look. Draco.
168-11

4-18 167.00 168.10/ 1.10 IXAS TO DRACO)


SCENE 65 - MCS - PERSEUS (TORSO), AS Look.
THE WOUND ON HIS ARM SUDDENLY (i.e., 'Look at Perseus' arm [which has
HEALS. CAMERA TILTS UP TO INCLUDE healed].')
HIS FACE.

SHEIKH SULIEMAN
(off) (in altered voice) (in Djinn language)
179-04

SCENE 66 - FS - DRACO, SHEIKH


SULIEMAN, IO, AND IXAS. SHEIKH
SULIEMAN RAISES HIS SPEAR,
EXTINGUISHING THE BLUE FLAME, AS
CAMERA DOLLIES IN.

SHEIK SULIEMAN
(in altered voice) (low hiss - continues

under following scene)


181-05

SCENE 67 - MCS - SHEIKH SULIEMAN.

SHEIK SULIEMAN 4-19 183.07 185.07/ 2.00 SHEIKH SULIEMAN TO GROUP)


(in altered voice) Together. Together.
185-09 (i.e., 'We will fight the gods together.' -
'We will kill the Kraken together.')

SCENE 68 - MCS - PERSEUS, NODDING.

PERSEUS
(exhales through nose)
190-04

SCENE 69 - EXT. ROCKY


OUTCROP/BIVOUAC - DAY - LS - AERIAL
SEQUENCE - THE ROCKY OUTCROP, AS
CAMERA TRAVELS BG. TOWARD THE
CAMPSITE.

AERIAL SEQUENCE ENDS.


197-11

SCENE 70 - MS - PAST IO, FASTENING


THE CAP ON HER WATER SACK IN L.FG.,
TO PERSEUS.
204-03

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SCENE 71 - MS - DRACO, WALKING R. AS


CAMERA PANS WITH HIM AND DOLLIES
IN TO A MCS.
211-04

SCENE 72 - MS - IO, STEPPING L. AS


CAMERA PANS WITH HER.

IO 4-20 212.04 214.14/ 2.10 IO TO DRACO)


He's not ready to travel yet. He's not ready to travel yet.
(Referring to Perseus)
DRACO ENTERS L.

DRACO 4-21 /215.02 218.06 3.04 DRACO TO IO, THEN IO TO DRACO)


Time is... -Time is slipping away, Io.
215-00 -He may be a demigod, but he's still mortal.
(slipping away : i.e., 'steadily
passing')
SCENE 73 - MS - DRACO AND IO. DRACO (Time is slipping away : i.e., 'We
WALKS FG. AS CAMERA DOLLIES BACK have a limited amount of time to find
WITH HIM. and defeat the Kraken')
(mortal : i.e., 'subject to death' -
DRACO 'vulnerable to ordinary human
...slipping away, Io. frailties')

IO
He may be a demigod, but he's still mortal.

DRACO 4-22 218.10 219.11/ 1.01 DRACO TO PERSEUS)


Feeling better? Feeling better?
219-11

SCENE 74 - MS - PAST DRACO, FG., TO


PERSEUS. DRACO WALKS BG. AS
CAMERA DOLLIES IN BEHIND HIM.

PERSEUS 4-23 220.05 222.05/ 2.00 PERSEUS TO DRACO,


Yeah, a bit. (pants and grunts - continues (over scene end) THEN DRACO TO PERSEUS)
-Yeah, a bit.
under following scenes and dialogue) -Good.
221-03 (Yeah, a bit : i.e., 'Somewhat' -
'Slightly')
(Good : Note double implication - [1]
SCENE 75 - MCS - PAST PERSEUS, R.FG., Implying 'Good, I'm glad for the sake
TO DRACO, STEPPING FG. AND of your health' and [2] Implying 'Good,
GRABBING PERSEUS. now I can assault you for your
behavior')
DRACO (Note that Draco throws Perseus into
Good. the side of a tent, knocking it down as
222-10 he tosses Perseus to the ground)

SCENE 76 - FS - LOW ANGLE - PAST IO,


L.FG., TO DRACO AND PERSEUS. DRACO
THROWS PERSEUS L. INTO A TENT AS
CAMERA PANS WITH PERSEUS, OFF
DRACO. IO RUNS R., EXITING.

DRACO
(grunts)

THE TENT COLLAPSES AROUND


PERSEUS.
224-09

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SCENE 77 - MS - PERSEUS, LYING ON


THE GROUND.
226-00

SCENE 78 - FS - PAST PERSEUS, RISING


IN L.FG., TO DRACO, GESTURING, AND
IO.

DRACO 4-24 /226.02 228.12/ 2.10 DRACO TO PERSEUS)


Your pride is killing my men! Your pride is killing my men!
228-14 (i.e., 'Your refusal to use your powers
as a demigod, out of pride, is causing
my men to be killed.')
SCENE 79 - MS - DRACO, POINTING.
PERSEUS RISES INTO FRAME AND
HOBBLES R. AS CAMERA PANS WITH HIM.

DRACO 4-25 /229.00 233.01/ 4.01 DRACO TO PERSEUS,


You were given gifts, use them. (over scene end) THEN PERSEUS TO DRACO)
-You were given gifts, use them.
PERSEUS -Those gifts are a trap!
(face off) Those... (given gifts : i.e., 'born with unique
231-15 powers and given a powerful weapon'
- referring to the baton sword)
(Those gifts are a trap : Implying any
SCENE 80 - MS - PERSEUS, WALKING BG. weapons provided by the gods are a
AS CAMERA MOVES IN BEHIND HIM. trick that will work against Perseus
and the soldiers if they are employed)
PERSEUS
...gifts are a trap!
233-02

SCENE 81 - MS - DRACO, GESTURING


AND WALKING R. AS CAMERA MOVES
WITH HIM TO INCLUDE PERSEUS
(TORSO).

DRACO 4-26 /233.05 236.11/ 3.06 DRACO TO PERSEUS,


I don't care what they are. (over scene end) THEN PERSEUS TO DRACO)
234-12 -I don't care what they are. Use them.
-No!

SCENE 82 - MS - PAST DRACO, L.FG., TO


PERSEUS, REACTING AS DRACO
TOSSES THE HILT OF A SWORD BG. AT
PERSEUS.

DRACO
Use them.

PERSEUS
No!
236-12

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SCENE 83 - FS - PAST DRACO, L.FG., AND


PERSEUS, R.FG., TO IO. SOLON AND
EUSEBIOS ENTER L.FG., STEPPING BG.
PERSEUS GESTURES EMPHATICALLY.

PERSEUS 4-27 237.05 241.07/ 4.02 PERSEUS TO DRACO)


I will not use that sword or anything that I will not use that sword or anything that they
give me!
they give me!
241-08

SCENE 84 - MCS - PAST PERSEUS, R.FG.,


TO DRACO.

DRACO 4-28 /241.11 244.13/ 3.02 DRACO TO PERSEUS)


So we'll just continue to die. So we'll just continue to die.
245-00

SCENE 85 - MS - PAST DRACO, L.FG., TO


PERSEUS, REACTING.

PERSEUS
(scoffs)
249-13

SCENE 86 - MFS - KUCUK AND OZAL,


SEATED ON A NEARBY ROCK.
251-14

SCENE 87 - FS - PAST SOLON, L.FG.,


EUSEBIOS, FG., AND IXAS, R.FG., TO
DRACO, IO, AND PERSEUS.

PERSEUS
(pants)
256-08

SCENE 88 - MCS - PAST DRACO, L.FG.,


TO PERSEUS.

PERSEUS 4-29 256.15 259.08 2.09 PERSEUS TO DRACO)


I can't become like them. I can't become like them.

HE STEPS FG.

PERSEUS (cont'd) 4-30 264.10 269.12/ 5.02 PERSEUS TO DRACO)


If I do this, I do it as a man. If I do this, I do it as a man.
269-14 (i.e., 'If I kill the Kraken, I will do it
without help from the gods.')

SCENE 89 - MCS - PAST PERSEUS, R.FG.,


TO DRACO, STEPPING FG.

DRACO 4-31 272.10 276.02/ 3.08 DRACO TO PERSEUS)


(breathes through nose) But you are not But you are not just a man.

just a man.
276-04

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SCENE 90 - MCS - PAST DRACO, L.FG.,


TO PERSEUS.

PERSEUS 4-32 277.10 279.15 2.05 PERSEUS TO DRACO)


I choose to be. I choose to be.
281-03

SCENE 91 - MCS - PAST PERSEUS, R.FG.,


TO DRACO.

DRACO 4-33 282.01 285.10/ 3.09 DRACO TO PERSEUS)


A man cannot do this, Perseus. A man cannot do this, Perseus.
285-12 (do this : i.e., 'succeed in killing the
Kraken')

SCENE 92 - MCS - PAST DRACO, L.FG.,


TO PERSEUS.

PERSEUS 4-34 286.12 288.14 2.02 PERSEUS TO DRACO)


According to who? The gods? According to who?
291-11

4-35 289.02 291.01 1.15 PERSEUS TO DRACO)


SCENE 93 - MCS - PAST PERSEUS, R.FG., The gods?
TO DRACO, GLANCING L.
294-10

SCENE 94 - FS - PAST SOLON, L.FG.,


EUSEBIOS, FG., AND IXAS, R.FG., TO
DRACO, IO, AND PERSEUS. DRACO
REACHES DOWN AND PICKS UP THE
HILT OF PERSEUS'S SWORD.
301-07

SCENE 95 - MCS - PAST PERSEUS, R.FG.,


TO DRACO.

DRACO 4-36 310.08 313.04/ 2.12 DRACO TO PERSEUS)


(grunts) (inhales) If I had your gifts.... If I had your gifts....
313-06 (Implying 'If I had your powers as a
demigod, and that sword, I would not
hesitate to use them')
SCENE 96 - MCS - PAST DRACO, L.FG.,
TO PERSEUS.

DRACO 4-37 315.06 317.15/ 2.09 DRACO TO PERSEUS)


When you... (over scene end) When you need your sword, it's in my bag.
316-01

SCENE 97 - MCS - PAST PERSEUS, R.FG.,


TO DRACO.

DRACO
...need your sword, it's in my bag.
318-00

SCENE 98 - MCS - PAST DRACO, L.FG.,


TO PERSEUS. DRACO STEPS R., EXITING.
PERSEUS GLANCES R.
321-11

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SCENE 99 - MFS - KUCUK AND OZAL,


REACTING.

DJINN
(off) (in Djinn) (overlapping, low and

indistinct chatter - continues under

following scenes and dialogue)


325-01

SCENE 100 - MS - PAST PERSEUS, R.FG.,


TO IO. A SCORPIOCH APPEARS IN BG.,
BEING RIDDEN BY A DJINN WITH A
PALANQUIN MOUNTED ATOP IT. THE
SCORPIOCH MOVES L.FG. AS CAMERA
PANS WITH IT, OFF IO, TO INCLUDE
SOLON IN L.FG.
333-08

SCENE 101 - MFS - PAST IO, L.FG., TO


PERSEUS AND THE REST OF THE
SOLDIERS, STEPPING R.FG.

EUSEBIOS 4-37A 335.15 337.12/ 1.13 EUSEBIOS TO GROUP)


They're riding them. They're riding them.
337-13 (i.e., 'The Djinn are riding the
Scorpiochs.')

SCENE 102 - FS - PAST PERSEUS, TO


SEVERAL SCORPIOCH, RIDDEN FG. BY
DJINN. CAMERA DOLLIES IN, OFF
PERSEUS.
345-07

SCENE 103 - FS - A DJINN, SEATED IN A


PALANQUIN ATOP A SCORPIOCH.
CAMERA CRANES UP OVER TO THE
PALANQUIN, OFF THE DJINN, AND TILTS
DOWN TO INCLUDE PERSEUS AND THE
SOLDIERS WALKING FG. BEHIND THE
SCORPIOCH.
357-13

SCENE 104 - FS - PAST THE


SCORPIOCH'S LEGS, L.FG., TO PERSEUS
AND THE SOLDIERS, STEPPING FG. A
LADDER DROPS INTO FRAME.
361-00

SCENE 105 - MCS - PAST SOLON, L.FG.,


TO DRACO AND IO. SOLON GESTURES R.

SOLON 4-38 /361.06 364.09/ 3.03 SOLON TO GROUP)


They just tried to kill us. I'm not getting on it. They just tried to kill us. I'm not getting on it.
364-10 (They : The Scorpiochs)
(getting on it : i.e., 'going to ride on
one')

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SCENE 106 - MS - LOW ANGLE - PAST


PERSEUS, FG., TO THE SOLDIERS.
KUCUK AND OZAL RUN EXCITEDLY R.FG.

KUCUK 4-39 365.00 366.12 1.12 KUCUK) (exclaiming) (OPTIONAL)


Whee! (grunts) Whee!
(Interjection of enthusiasm)
KUCUK BRUSHES PAST PERSEUS,
EXITING R.FG.
367-15

SCENE 107 - MFS - PAST KUCUK, L.FG.,


TO PERSEUS, SOLON, DRACO, AND IO.
KUCUK EXITS R.FG., TO REVEAL OZAL,
SMILING.

OZAL 4-40 /368.01 370.07 2.06 OZAL TO GROUP)


Magnificent. (pants) What are you waiting Magnificent.
(Idiomatic interjection of approval and
for? (grunting) (pants) enthusiasm - i.e., 'It will be great to
ride on the Scorpioch.')
OZAL JOGS R.FG.
374-01
4-41 370.11 373.13/ 3.02 OZAL TO GROUP)
What are you waiting for?
SCENE 108 - MS - LOW ANGLE - PAST (i.e., 'Why are you hesitating?')
PERSEUS, SOLON AND DRACO, FG., TO
IXAS, EUSEBIOS AND IO.

DRACO 4-42 374.13 378.13/ 4.00 DRACO TO GROUP)


Well, we need to make up for lost time. Well, we need to make up for lost time.
378-14 (make up for lost time : i.e., 'travel
quickly to compensate for the time
we've already wasted')
SCENE 109 - MCS - PAST SOLON, (Implying they should accept the ride
REACTING IN L.FG., TO DRACO AND IO. on the Scorpiochs)

SOLON
(exhales) 4-43.
384-07 THROUGH (OUT)
4-48.

SCENE 110 - EXT. DESERT TERRAIN -


DAY - LS - THE TERRAIN, AS CAMERA
TRAVELS L. PAST THREE SCORPIOCHS,
MOVING R.
394-05

SCENE 111 - LS - HIGH ANGLE - AERIAL


SEQUENCE - THE SCORPIOCHS MOVE
FG. AS CAMERA TRAVELS R.BG.

AERIAL SEQUENCE ENDS.


404-07

SCENE 112 - LS - A PRISTINE


LANDSCAPE OF SAND DUNES, AS
CAMERA PANS R. OVER SEVERAL
SCORPIOCHS MOVING R.FG.
419-09

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SCENE 113 - INT. PALANQUIN - DAY -


MCS - SHEIKH SULIEMAN (TORSO),
SEATED IN THE PALANQUIN AS CAMERA
TILTS UP TO INCLUDE HIS FACE.
PERSEUS AND DRACO (TORSOS) STAND
IN BG.

SHEIKH SULIEMAN
(in altered voice) (low grunt - continues

under following scene)


427-03

SCENE 114 - MS - PERSEUS AND DRACO.

PERSEUS 4-49 429.05 431.12 2.07 PERSEUS TO DRACO)


We're making good time. We're making good time.
(Idiomatic for 'We're traveling at an
DRACO efficient, expeditious pace.')
Not good enough. The eclipse is drawing

near. 4-50 432.00 436.07/ 4.07 DRACO TO PERSEUS)


Not good enough. The eclipse is drawing
DRACO STEPS BG. INTO THE PALANQUIN near.
TENT. (is drawing near : i.e., 'will occur
436-08 soon')

SCENE 115 - MCS - PAST DRACO, FG.,


AND THROUGH THE TENT OPENING TO
PERSEUS. DRACO STEPS L.FG. AS
CAMERA DOLLIES BACK WITH HIM AND
PERSEUS STEPS FG. THROUGH THE
TENT.

IXAS 4-51 437.12 441.11 3.15 IXAS TO DRACO)


(off) How close are we to the Norn How close are we to the Norn Mountains?
(Norn Mountains : In Norse
Mountains? mythology, the dwelling on the Norns,
an ancient female triad who
DRACO SITS DOWN AS CAMERA collectively wrote the ongoing book of
CONTINUES BACK TO A MS., INCLUDING Destiny, in which they revealed the
EUSEBIOS AND IXAS, SEATED ON deep secrets of the universe - note
OPPOSITE SIDES OF THE PALANQUIN. that the Norns are Norse analogues
to the Graeae in Greek mythology)
DRACO
(grunts) It'll be two days before we reach
4-52 442.06 446.08 4.02 DRACO TO IXAS)
the witches. It'll be two days before we reach the witches.
(witches : see Title #2-166)
SHEIKH SULIEMAN
(off) (in altered voice) (in Djinn language -

continues under following scenes and

dialogue)
447-15

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SCENE 116 - MCS - PAST PERSEUS


(TORSO), L.FG., TO IXAS, AS PERSEUS
CROSSES R. THROUGH FRAME.

IXAS
(blows)
452-01

SCENE 117 - MCS - PERSEUS, TURNING


FG.

IXAS
(off) (groans)
455-00

SCENE 118 - MCS - IXAS, REACTING AS


THE TENT SWAYS.

IXAS 4-53 /455.02 457.12/ 2.10 IXAS TO GROUP)


This thing is making me feel sick. This thing is making me feel sick.
457-14 (This thing : i.e., 'Traveling on top of
this Scorpioch' - Implying that Ixas is
getting motion sickness)
SCENE 119 - MCS - PERSEUS.

PERSEUS 4-54 /458.00 461.04/ 3.04 PERSEUS TO IXAS)


Yeah, well, trust me, it's better to be on one Yeah, well, trust me, it's better to be on one
than in one.
than in one. (trust me : idiomatic expression of
461-05 assurance, implying one has direct
experience - i.e., 'I assure you')
(Note wry humor)
SCENE 120 - MCS - IXAS, REACTING.

IXAS
(chuckles - continues under following

scenes and dialogue)


464-14

SCENE 121 - MCS - EUSEBIOS,


LAUGHING.

EUSEBIOS
(chuckles - continues under following

scenes and dialogue)


466-14

SCENE 122 - MCS - PERSEUS,


REACTING.

PERSEUS
(chuckles - continues under following

scenes)
469-00

SCENE 123 - MCS - DRACO, SEATED IN


THE PALANQUIN. HE GLANCES L.FG.
471-03

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SCENE 124 - MCS - PERSEUS.

PERSEUS 4-55 472.14 475.10 2.12 PERSEUS TO DRACO)


What, don't you ever smile? (over scene end) What, don't you ever smile?
474-01 (What : Rhetorical interjection
informally used parenthetically in
conversation, often to solicit
SCENE 125 - MCS - DRACO. agreement)

DRACO
When I spit in the eyes of the gods, then I'll 4-56 475.14 479.10 3.12 DRACO TO PERSEUS)
When I spit in the eyes of the gods...
smile. (spit...gods : metaphor for 'defiantly
484-13 conquer the gods')

SCENE 126 - MCS - PERSEUS. 4-57 482.01 484.06 2.05 DRACO TO PERSEUS)
488-09 ...then I'll smile.

SCENE 127 - EXT. STYGIAN


MOUNTAIN/LANDING - DAY - LS - AERIAL
SEQUENCE - THE SCORPIOCHS, MOVING
R. ALONG THE MOUNTAIN LANDING AS
CAMERA TRAVELS R.

AERIAL SEQUENCE ENDS.


501-09

SCENE 128 - FS - THE DJINN, RIDING


CAMELS AND SCORPIOCHS R.FG. AS
CAMERA CRANES UP. SHEIKH
SULIEMAN'S SCORPIOCH ENTERS L.BG.
AND FOLLOWS THE PROCESSION R.,
WITH DRACO AND PERSEUS STANDING
ON THE PALANQUIN BEHIND SHEIKH
SULIEMAN. CAMERA PANS R. WITH THE
SCORPIOCH AS IT CROSSES R.
THROUGH FRAME, OFF DRACO,
PERSEUS AND SHEIKH SULIEMAN,
REVEAL TWO SCORPIOCHS CLIMBING
BG. UP A HILL.
534-03

SCENE 129 - FS - THE SCORPIOCHS,


LYING DOWN AS PERSEUS AND THE
SOLDIERS WALK BG. AND CAMERA
DOLLIES IN SLOWLY BEHIND THEM.
543-06

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SCENE 130 - MS - PAST EUSEBIOS, R.FG.,


TO IXAS, STEPPING R. AS CAMERA PANS
WITH HIM TO INCLUDE OZAL AND KUCUK
IN R.BG.

EUSEBIOS 4-58 /543.11 545.13 2.02 EUSEBIOS TO GROUP)


What is this place? What is this place?

IXAS
The Garden of Stygia. This is where the 4-59 546.01 548.10 2.09 IXAS TO EUSEBIOS)
The Garden of Stygia.
Kraken defeated the Titans. (Garden of Stygia : note allusion to
'Stygian', an adjective which usually
SOLON ENTERS R.FG. AND TAKES A refers to the River Styx of the
SPEAR FROM IXAS. underworld Hades in Greek
mythology)
SOLON
It's what Argos will look like when we fail.
4-60 550.10 554.09 3.15 IXAS TO EUSEBIOS)
SOLON WALKS R.BG. AS CAMERA PANS This is where the Kraken defeated the
SLIGHTLY WITH HIM. Titans.
558-11

4-61 555.03 558.10/ 3.07 SOLON TO EUSEBIOS)


SCENE 131 - MS - PAST SOLON, L.FG., TO It's what Argos will look like when we fail.
EUSEBIOS AND IXAS. SOLON WALKS (Note cynical humor)
L.FG., EXITING, AS PERSEUS ENTERS L.
AND STEPS FG.

EUSEBIOS 4-62 560.02 562.14 2.12 EUSEBIOS TO GROUP)


Every step we take is an insult to the gods. Every step we take is an insult to the gods.
(Every step we take : i.e., 'Every
PERSEUS moment we continue on this mission'
Good. - Also note possible allusion to the
564-03 group walking on hallowed grounds,
on their way to seek guidance from
the Stygian Witches)
SCENE 132 - MCS - IO, STEPPING L.BG.
AS PERSEUS ENTERS L.FG.
4-63 563.02 564.02/ 1.00 PERSEUS TO EUSEBIOS)
IO Good.
Perseus. Only ask what you need to know.

Nothing more. 4-64 /564.06 566.05 1.15 IO TO PERSEUS)


Perseus.
PERSEUS
Of course.
4-65 568.06 574.02 5.12 IO TO PERSEUS)
PERSEUS WALKS BG. AS CAMERA Only ask what you need to know. Nothing
MOVES L. DRACO ENTERS R.FG. AND more.
WALKS BG. (Note veiled allusion to asking
580-14 questions of the Stygian witches,
whom Perseus is about to meet, and
who are capable of seeing the future)
SCENE 133 - LS - THE GROUP, HIKING L.
UP A MOUNTAIN AS CAMERA TRAVELS
BG. 4-66 575.13 577.12 1.15 PERSEUS TO IO)
586-14 Of course.
(Idiomatic assent - i.e., 'Certainly.' -
'That's what I intended to do.')
SCENE 134 - EXT. STYGIAN
MOUNTAIN/SUMMIT - NIGHT - LS - LOW
ANGLE - THE SUMMIT, AS LIGHTNING
FLASHES.
592-08

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SCENE 135 - FS - HIGH ANGLE - A CAVE,


AS SOLON ENTERS R.FG. CARRYING A
TORCH TO LIGHT THE WAY. PERSEUS
ENTERS R.FG. AND WALKS BG. AS
CAMERA CRANES UP AND THE REST OF
THE SOLDIERS FOLLOW BEHIND
PERSEUS.
607-10

SCENE 136 - MCS - PERSEUS,


CAUTIOUSLY WALKING FG. AS CAMERA
DOLLIES BACK SLIGHTLY WITH HIM.
612-11

SCENE 137 - FS - THE GROUP, STEPPING


FG. INTO THE CAVE AS CAMERA DOLLIES
R.
616-08

SCENE 138 - MFS - PAST IO AND DRACO,


R.FG., TO SOLON, EUSEBIOS AND
SHEIKH SULIEMAN. DRACO STEPS L. AS
CAMERA SLOWLY DOLLIES L. AND IO
GLANCES ABOUT.
619-10

SCENE 139 - MS - PAST PERSEUS, L.FG.,


TO SOLON. PERSEUS REACHES BG. AND
TAKES A TORCH FROM SOLON,
STEPPING L.FG. INTO A MCS. WITH IT AS
CAMERA PANS WITH HIM, OFF SOLON.
626-14

SCENE 140 - FS - PAST THE TORCH,


L.FG., TO THE CAVE. CAMERA PANS R.,
OFF THE TORCH, THEN L.
632-13

SCENE 141 - FS - PERSEUS, TOSSING


THE TORCH FG. INTO A PIT AS CAMERA
TILTS DOWN, OFF PERSEUS, AND PIT
IGNITES WITH FIRE.
636-02

SCENE 142 - FS - WITCHES' EYE POV -


HIGH ANGLE - LOOKING DOWN AT THE
FIRE, AS CAMERA TILTS UP TO REVEAL
PERSEUS AND THE REST OF THE
GROUP.
638-08

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SCENE 143 - CS - ENYO (HAND),


HOLDING THE SINGLE WITCH'S EYE
THAT ALL THREE WITCH'S SHARE. THE
EYE GLANCES ABOUT.

ENYO 4-67 639.04 641.02/ 1.14 ENYO TO PEMPHREDO & DEINO)


(face off) Visitors! Visitors!
641-04

SCENE 144 - FS - THROUGH THE SMOKE


OF THE FIRE TO THE THREE WITCHES:
PEMPHREDO, ENYO (HOLDING THE EYE)
AND DEINO. THEY ARE PARTIALLY
OBSCURED BY THE RISING SMOKE.

DEINO
(makes nonsensical noise - continues

under following scene and dialogue)

PEMPHREDO 4-68 /641.06 643.09/ 2.03 PEMPHREDO TO ENYO & DEINO,


Who is it? THEN DEINO TO PEMPHREDO & ENYO)
-Who is it?
DEINO -Visitors!
Visitors!

ENYO
(overlapping) (in foreign language) Haaah!
643-10

SCENE 145 - FS - WITCHES' EYE POV -


PERSEUS AND THE GROUP, IN
DEFENSIVE STANCE. CAMERA MOVES
BG.

ENYO
(off) (in foreign language) (echoing) Ga

tanai!

PEMPHREDO
(off) (in foreign language) (echoing) Tawa

adzueh.
646-12

SCENE 146 - MCS - ENYO, STEPPING FG.


THROUGH THE SMOKE, EYE
OUTSTRETCHED AS CAMERA DOLLIES
BACK WITH HER.

DEINO 4-69 /646.14 649.04 2.06 DEINO TO ENYO,


(off) (overlapping) Give it to me. THEN PEMPHREDO TO ENYO & DEINO)
-Give it to me.
ENYO -Who is it?
(in foreign language) Adzueh. (Give it to me : Referring to a shared,
disembodied eye that Enyo holds in
PEMPHREDO her hand to be able to see the
(off) (overlapping) Who is it? surroundings, and that they also use
to see the future)
ENYO
(in foreign language) Tawa
649-05

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SCENE 147 - MCS - PERSEUS, AS


CAMERA DOLLIES L. AROUND HIM.

ENYO
(off) (in foreign language) ...adzueh ta! Han
tul...
651-10

SCENE 148 - MCS - PAST ENYO, R.FG., TO


PEMPHREDO, STEPPING FG. THROUGH
THE SMOKE. ENYO WALKS FG., MOVING
THE EYE ABOUT AS CAMERA DOLLIES
BACK WITH HER.

ENYO
(in foreign language) ...dormi han tul. Haaa!

PEMPHREDO 4-70 655.07 658.05/ 2.14 PEMPHREDO TO ENYO & DEINO)


(overlapping) (grunts) Who is it? (over scene end) Who is it? Who is it?
656-11

SCENE 149 - MS - WITCHES' EYE POV -


PAST PERSEUS, FG., TO THE REST OF
THE GROUP AS CAMERA MOVES BG.

PEMPHREDO
(off) (echoing) Who is it? (grunting) (makes

nonsensical noise)
658-07

SCENE 150 - MS - PAST PERSEUS, R.FG.,


TO PEMPHREDO AND ENYO. CAMERA
PANS SLIGHTLY R.

ENYO
(cries out) (in foreign language) Han tul.

PEMPHREDO
(overlapping) (in foreign language) Han...
660-10

SCENE 151 - MCS - PERSEUS, GLANCING


ABOUT AS CAMERA DOLLIES BACK.

PEMPHREDO
(off) (in foreign language) ...tul.

DEINO 4-70A 661.07 663.11/ 2.04 DEINO TO ENYO)


(off) The eye. Give it to me. The eye. Give it to me.

ENYO
(off) (overlapping) (in foreign language)

Haaah! Ga!

(23)
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SCENE 151 - (CONTINUED)

ENYO, DEINO AND PEMPHREDO


(off) (overlapping grunts, growls and

cackles - continues under following scenes

and dialogue)
663-12

SCENE 152 - MCS - IO, SHAKING HER


HEAD.

IO 4-71 /664.01 665.14/ 1.13 IO TO PERSEUS)


Perseus, no. Perseus, no.
665-15 (i.e., 'Don't harm them.'' - Said here in
response to Perseus grasping his
sword, then glancing questioningly at
SCENE 153 - MCS - PERSEUS, Io)
SHEATHING HIS SWORD AS CAMERA
DOLLIES BACK.

PERSEUS 4-72 /667.04 669.05/ 2.01 PERSEUS TO WITCHES)


We didn't come here to fight. We didn't come here to fight.
669-06

SCENE 154 - MS - PAST SOLON, SPEAR


AT THE READY IN FG., TO EUSEBIOS AND
SHEIKH SULIEMAN.
671-06

SCENE 155 - MCS - PAST PEMPHREDO,


L.FG., TO PERSEUS. DRACO STANDS IN
L.BG.

PERSEUS 4-73 672.04 674.00/ 1.12 PERSEUS TO WITCHES)


We just have one question. We just have one question.
674-02

SCENE 156 - MCS - PAST PEMPHREDO


(TORSO), L.FG., TO ENYO AND DEINO.

PEMPHREDO 4-74 /674.04 675.12/ 1.08 PEMPHREDO TO PERSEUS)


(face off) Young Perseus. Young Perseus.
675-15

SCENE 157 - MFS - HIGH ANGLE - PAST


THE WITCHES, FG., TO DRACO,
PERSEUS AND EUSEBIOS.

DEINO 4-74A /676.00 677.08/ 1.08 DEINO TO PERSEUS)


Son of Zeus. Son of Zeus.
677-08

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SCENE 158 - MS - PAST PEMPHREDO


(TORSO), L.FG., TO ENYO AND DEINO.
CAMERA PANS SLIGHTLY R., OFF
PEMPHREDO, TO INCLUDE PERSEUS
(TORSO).

DEINO 4-75 /677.12 679.09 1.13 DEINO TO PERSEUS)


So fresh. So fresh.
(fresh : i.e., 'healthy' - 'vigorous' -
ENYO implying Perseus' flesh would be
(in foreign language) So fask, Perseus. tasty and that the Stygian witches
would like to eat him)
ENYO AND PEMPHREDO
(overlapping growls - continues under
4-76 679.13 681.06/ 1.09 ENYO TO PERSEUS,
following scenes and dialogue) THEN DEINO TO PERSEUS)
-Perseus.
DEINO -Closer.
Closer.
681-07

SCENE 159 - MS - PAST ENYO, L.FG., AND


PEMPHREDO, R.FG., TO PERSEUS, AS
PEMPHREDO STROKES HIS HEAD.

PEMPHREDO 4-77 /681.10 683.04/ 1.10 PEMPHREDO TO ENYO & DEINO)


(overlapping) (overlapping) A little nibble. A little nibble.
(Idiomatic for 'A small bite.' - i.e., 'I
(in foreign language) Dyuk! would like to take a small bite.')
683-05

SCENE 160 - MCS - PAST PEMPHREDO


(TORSO), L.FG., AND PERSEUS (TORSO),
R.FG., TO ENYO. PEMPHREDO REACHES
R., GRASPING PERSEUS AS CAMERA
CRANES UP TO INCLUDE THEIR FACES.

PEMPHREDO 4-78 /685.10 688.13/ 3.03 PEMPHREDO TO ENYO & DEINO,


(face off) (in foreign language) Vira! (on) THEN ENYO TO PEMPHREDO & DEINO)
-Flesh of a god.
Flesh... -Flesh of a god.
685-08

SCENE 161 - MCS - PAST ENYO, FG., TO


PERSEUS AND PEMPHREDO. CAMERA
DOLLIES R.

PEMPHREDO
...of a god. (grunts - continues under

following scenes and dialogue)

ENYO
Flesh of a god. (smacks lips - continues

under following scenes and dialogue)


688-14

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COMBINED CONTINUITY & DIALOGUE NO. START END TOTAL TITLE

SCENE 162 - MCS - EUSEBIOS AND


SOLON, AS CAMERA DOLLIES IN.

SOLON 4-79 689.03 690.03/ 1.00 SOLON TO PEMPHREDO)


Witch! Witch!
690-03

SCENE 163 - MCS - PAST PEMPHREDO,


R.FG., TO ENYO AND PERSEUS.
PEMPHREDO TURNS AND LUNGES R.FG.
INTO A CS.

PEMPHREDO
(growling) (cries out - continues under

following scene and dialogue)


691-01

SCENE 164 - MS - WITCHES' EYE POV -


SOLON, HOLDING HIS SPEAR OUT AS
CAMERA MOVES BG. INTO A MCS.

SOLON 4-80 /691.03 692.04/ 1.01 SOLON TO PEMPHREDO)


(grunts) Don't! Don't!
692-06

SCENE 165 - MCS - PAST PEMPHREDO,


R.FG., TO PERSEUS, OUT OF FOCUS.

PEMPHREDO
(low growl - continues under following

scenes and dialogue)

PERSEUS 4-81 /692.08 694.00/ 1.08 PERSEUS TO SOLON)


Easy. Easy.
694-00 (Idiomatic for 'Calm down' - 'Don't get
aggressive')

SCENE 166 - MS - PEMPHREDO,


EUSEBIOS AND SOLON.
695-15

SCENE 167 - MCS - PAST PERSEUS AND


ENYO, L.FG., TO PEMPHREDO AND
SOLON, FACING EACH OTHER.

PERSEUS 4-82 697.01 699.11/ 2.10 PERSEUS TO WITCHES)


Stale meat, ladies. Stale meat, ladies.
(Stale meat : Implying Solon would
PERSEUS SMILES AND GLANCES L. AS not be tasty to eat, as he is older, so
CAMERA DOLLIES R. TO REVEAL his flesh is 'stale' - Note humorous
EUSEBIOS IN BG. allusion to the witches calling
699-14 Perseus "fresh" earlier in Title #4-75)

(26)
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SCENE 168 - MS - EUSEBIOS AND SOLON


AS CAMERA SLOWLY DOLLIES IN.

ENYO, DEINO AND PEMPHREDO


(off) (overlapping chuckles - continues

under following scenes and dialogue)


702-14

SCENE 169 - MS - WITCHES' EYE POV -


PAST PEMPHREDO, L.FG., TO PERSEUS
AND SOLON. PEMPHREDO STEPS R.
706-09

SCENE 170 - MCS - IO, REACTING.

IO
(gasps) (pants)

PERSEUS 4-83 707.09 710.12/ 3.03 PERSEUS TO WITCHES)


(off) So which... (over scene end) So which one's gonna answer my question?
708-06

SCENE 171 - MCS - PAST PEMPHREDO


(HAND), L.FG., TO PERSEUS.

PERSEUS
...one's gonna answer my question?
710-13

SCENE 172 - FS - HIGH ANGLE - PAST A


ROCK OUTCROPPING, R.FG., TO THE
WITCHES, PERSEUS, DRACO, EUSEBIOS,
SOLON, AND IO. CAMERA CRANES UP AS
LIGHTNING ILLUMINATES THE FRAME.

ENYO 4-84 /711.00 714.09/ 3.09 ENYO TO PERSEUS)


You want to know about the Kraken. You want to know about the Kraken.

DEINO
(overlapping) The Kraken.
714-11

SCENE 173 - MS - PAST PEMPHREDO,


GESTURING IN L.FG., AND PERSEUS
(TORSO), R.FG., TO ENYO. CAMERA TILTS
UP SLIGHTLY TO INCLUDE HIS FACE AS
PEMPHREDO STEPS BG.

PEMPHREDO 4-85 715.14 717.01/ 1.03 PEMPHREDO TO PERSEUS)


(in foreign language) Han duras. Kill it. Kill it.
717-03 (i.e., 'You want to know how to kill the
Kraken.')

(27)
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SCENE 174 - MCS - PAST PEMPHREDO,


GESTURING IN L.FG., TO PERSEUS.
EUSEBIOS LOOKS ON IN R.BG.

DEINO
(off) Kill it.

PERSEUS 4-86 /717.05 718.07/ 1.02 PERSEUS TO WITCHES)


(overlapping) (in low tones) That's right. That's right.
717-08

SCENE 175 - MS - PAST PERSEUS


(TORSO), R.FG., TO PEMPHREDO, ENYO
AND DEINO. CAMERA DOLLIES SLIGHTLY
L.

DEINO 4-87 /718.11 720.09 1.14 DEINO TO PERSEUS)


A wasted journey. A wasted journey.
(i.e., 'Your journey to find and kill the
ENYO Kraken is a waste of time.')
The Kraken fears...
721-13
4-88 720.13 723.11/ 2.14 ENYO TO PERSEUS)
(over scene end) The Kraken fears no weapon.
SCENE 176 - MCS - PAST ENYO, L.FG., TO
DEINO.

ENYO
...no weapon. (chuckles - continues under

following scenes)
723-12

SCENE 177 - MCS - PAST SOLON, R.FG.,


TO EUSEBIOS, AS CAMERA DOLLIES IN,
OFF SOLON.

EUSEBIOS 4-89 724.12 726.10/ 1.14 EUSEBIOS TO WITCHES)


It must have a weakness. It must have a weakness.
726-11

SCENE 178 - MS - PAST PERSEUS, R.FG.,


TO PEMPHREDO, ENYO AND DEINO.
CAMERA DOLLIES R. AS PERSEUS
TURNS FG.

ENYO
(grunts - continues under following

dialogue)

PEMPHREDO 4-90 728.06 730.08/ 2.02 PEMPHREDO TO EUSEBIOS)


Maybe. Maybe.
730-09

(28)
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SCENE 179 - MCS - WITCHES' EYE POV -


EUSEBIOS.

ENYO 4-91 /732.00 734.09/ 2.09 ENYO TO EUSEBIOS)


(off) (echoing) But... But knowledge demands payment!
731-14 (Implying the witches will only answer
the question if they are offered
something in trade, such as one or
SCENE 180 - MCS - PEMPHREDO, ENYO more of the soldiers to eat)
AND DEINO, AS CAMERA DOLLIES BACK
TO INCLUDE PERSEUS (TORSO).

ENYO
...knowledge demands payment!
734-10

SCENE 181 - MCS - PAST DEINO, L.FG.,


TO DRACO (TORSO), AS DEINO STEPS R.
AND CAMERA PANS WITH HER.

DEINO 4-92 /734.13 736.08/ 1.11 DEINO TO EUSEBIOS)


Sacrifice! (over scene end) Sacrifice!
735-14

SCENE 182 - MCS - PAST PERSEUS,


R.FG., TO ENYO. PERSEUS GLANCES FG.

ENYO 4-92A /736.12 738.04 1.08 ENYO TO EUSEBIOS)


Sacrifice! (over scene end) Sacrifice!
736-10

SCENE 183 - MCS - DEINO (TORSO) AND


EUSEBIOS (TORSO), AS DEINO STEPS
AND GRABS EUSEBIOS.
737-07

SCENE 184 - MS - PAST EUSEBIOS, FG.,


TO SHEIKH SULIEMAN (TORSO).
EUSEBIOS IS THROWN TO THE GROUND
AS CAMERA TILTS DOWN WITH HIM TO
INCLUDE DEINO.

EUSEBIOS
(grunts - continues under following scene)

SOLON
(off) Eusebios! 4-92B 738.08 740.00/ 1.08 SOLON TO EUSEBIOS,
738-13 THEN DRACO TO EUSEBIOS)
-Eusebios!
SCENE 185 - MCS - PAST PERSEUS, -Watch out!
REACTING IN FG., AS ENYO GRABS HIM
FROM BEHIND AND CAMERA MOVES IN.

DRACO
(off) Watch out!

ENYO
(cries out - continues under following

scenes and dialogue)


740-01

(29)
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SCENE 186 - MS - PEMPHREDO AND


DRACO (TORSO), AS PEMPHREDO
CHARGES R.
740-05

SCENE 187 - MCS - PEMPHREDO,


CHARGING R. AS CAMERA PANS WITH
HER.
740-11

SCENE 188 - MCS - PAST DRACO


(TORSO), L.FG., TO PEMPHREDO
(TORSO), AS SHE GRABS DRACO.
741-01

SCENE 189 - MCS - PAST PEMPHREDO,


R.FG., TO DRACO, AS PEMPHREDO
THROWS HIM BG. AND CAMERA TILTS UP
SLIGHTLY.

DRACO
(cries out - continues under following

scenes)
741-12

SCENE 190 - MS - LOW ANGLE - PAST


PERSEUS, R.FG., TO DRACO AND
PEMPHREDO (TORSO), AS DRACO FALLS
BG.
742-07

SCENE 191 - MCS - PEMPHREDO,


TURNING R. AS CAMERA PANS WITH
HER.
743-03

SCENE 192 - MCS - IO, REACTING AS


PEMPHREDO ENTERS R.FG., SWINGING
HER ARM.

SOLON 4-92C /743.05 744.08/ 1.03 SOLON TO IO)


(off) Look out! (over scene end) Look out!
744-01

SCENE 193 - MS - PAST IO, R.FG., TO


PEMPHREDO, STRIKING IO.
744-04

SCENE 194 - MCS - IO, AS PEMPHREDO


(HAND) ENTERS L.FG., STRIKING HER.

IO
(cries out - continues under following

scenes and dialogue)


744-09

(30)
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SCENE 195 - MCS - PAST PEMPHREDO,


L.FG., TO IO, FALLING BG.

DRACO 4-92D /744.12 746.08/ 1.12 DRACO TO IXAS)


(off) Ixas... (over scene end) Ixas, shoot!
745-06

SCENE 196 - MS - LOW ANGLE - IXAS,


AIMING HIS BOW AND ARROW AND
STEPPING R. AS CAMERA PANS WITH HIM
TO INCLUDE SHEIKH SULIEMAN
(TORSO). A WITCH (TORSO) ENTERS L.,
PARTIALLY OBSCURING FRAME.

DRACO
(off) ...shoot!
746-09

SCENE 197 - MCS - IO (TORSO), AS


CAMERA PANS R., OFF HER, TO REVEAL
SOLON, PLUNGING HIS SPEAR
DOWNWARD.

SOLON
(grunts - continues under following

scenes)
748-03

SCENE 198 - MCS - PAST EUSEBIOS


(TORSO) AND DEINO, FG., TO SOLON
(TORSO). DEINO TURNS BG. AS SOLON
PLUNGES HIS SPEAR DOWN AT HER
AND CAMERA TILTS UP, OFF EUSEBIOS,
TO INCLUDE SOLON'S FACE.
749-03

SCENE 199 - MCS - SOLON, AS CAMERA


TILTS DOWN, OFF HIS FACE, TO REVEAL
DEINO.
750-03

SCENE 200 - MCS - PERSEUS,


STRUGGLING AS ENYO CHOKES HIM
FROM BEHIND. PERSEUS RAISES HIS
SWORD AND PLUNGES IT L.BG.

PERSEUS
(grunts)

EUSEBIOS
(off) (overlapping) (cries out - continues

under following scene)


751-12

SCENE 201 - CS - ENYO (TORSO), AS


PERSEUS (HAND) ENTERS TOP FRAME,
HOLDING HIS SWORD.
752-10

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SCENE 202 - MCS - HIGH ANGLE -


LOOKING DOWN TO EUSEBIOS, AS
DEINO ATTACKS HIM.

EUSEBIOS 4-93 /752.12 754.04/ 1.08 EUSEBIOS) (exclaiming)


Help! Help!
754-05

SCENE 203 - MCS - ENYO (TORSO) AND


PERSEUS, GLANCING R.FG. ENYO
REACHES R.FG.

ENYO *4-93AA /754.08 755.13/ 1.05 ENYO TO PEMPHREDO)


(face off) The eye! (over scene end) The eye!
755-03 (i.e., 'Throw the eye to me!)
(Note that Pemphredo throws the eye
to Enyo but it is intercepted by
SCENE 204 - MS - PEMPHREDO, Perseus)
TOSSING THE EYE L.FG. AS CAMERA
PANS WITH IT.
755-13

SCENE 205 - MS - ENYO AND PERSEUS.


THE EYE ENTERS R.FG. AND FLIES BG.
TOWARD THEM. PERSEUS REACHES
OUT, INTERCEPTING IT AND GRABBING
THE EYE.

PERSEUS
(grunts)

ENYO *4-93AB /757.00 758.03/ 1.03 ENYO TO DEINO & PEMPHREDO)


The... The eye!
756-14 (i.e., 'Perseus has the eye now!')

SCENE 206 - MS - HIGH ANGLE - THE


THREE WITCHES, STANDING IN A
CIRCLE, REACTING AS CAMERA TILTS
UP, OFF ENYO AND DEINO, AND
PEMPHREDO REACTS. SHEIKH
SULIEMAN IS REVEALED IN R.BG.

ENYO
(off) ...eye!

PEMPHREDO
(overlapping) (cries - continues under

following scene)
758-04

SCENE 207 - MCS - ENYO AND PERSEUS,


THRUSTING HIS O.S. SWORD L. AND
DUCKING OUT OF FRAME.

ENYO
(cries out - continues under following

scene)
759-00

(32)
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SCENE 208 - MS - ENYO, REACTING AS


PERSEUS RISES INTO FRAME. HE STEPS
L.FG. AS CAMERA TILTS DOWN, OFF
BOTH THEIR FACES. ENYO DROPS TO
THE GROUND AS PERSEUS (TORSO)
EXITS L.FG.

ENYO
(grunts) (face off) (in foreign language)

Wa...
761-10

SCENE 209 - MCS - PAST PERSEUS


(TORSO), L.FG., TO ENYO, AS PERSEUS
RUNS L.FG., REVEALING PEMPHREDO IN
L.BG.

ENYO
(off) (in foreign language) ...hulach.

PEMPHREDO 4-93A /761.12 763.06/ 1.10 PEMPHREDO TO PERSEUS)


(off) (overlapping) The (on) eye! The eye!
(i.e., 'Give the eye back to us!')
PERSEUS
(face off) (grunts) Let (off) him...
763-07 4-94 /763.10 766.09 2.15 PERSEUS TO WITCHES)
Let him go! Do it!
(him : Eusebios)
SCENE 210 - FS - HIGH ANGLE -
LOOKING DOWN TO PERSEUS, HOLDING
THE EYE OVER THE FIRE PIT.

PERSEUS
...go!

ENYO
(off) No!

PERSEUS
Do it!

CAMERA CRANES DOWN AND TILTS UP


TO AN EYE-LEVEL MFS. PAST PERSEUS,
HOLDING THE EYE IN L.FG., TO THE
WITCHES AND THE REST OF THE
GROUP.

PEMPHREDO 4-94A 766.13 768.13 2.00 DEINO TO PERSEUS)


(off) You wouldn't dare. (grunts and groans You wouldn't dare.
(Idiomatic expression of disbelief said
- continues under following scene) in response to a threat someone
makes or to the intended action itself)
ENYO
(in foreign language) Ju-ohj-gabba!
770-11

SCENE 211 - MCS - ENYO.

ENYO *4-95 /770.13 773.13/ 3.00 ENYO TO PERSEUS)


We cannot see the answers without the We cannot see the answers without the eye!
(see : i.e., 'perceive')
eye!
773-14

(33)
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SCENE 212 - MCS - PERSEUS, HOLDING


THE EYE.

PERSEUS 4-96 /774.01 775.11/ 1.10 PERSEUS TO WITCHES)


Let him go! Let him go!
775-12

SCENE 213 - MS - PAST ENYO, FG., TO


THE WITCHES AND EUSEBIOS, AS ENYO
GLANCES BG.

ENYO
(in foreign language) Haaah.
777-05

SCENE 214 - MCS - ENYO, GLANCING FG.


AND GESTURING.

ENYO
(in foreign language) Ga! (pants and grunts

- continues under following scenes and

dialogue)

PERSEUS 4-97 /779.04 781.09 2.05 PERSEUS TO WITCHES)


(off) (echoing) Now... Now answer the question!
779-02

SCENE 215 - MS - PERSEUS.

PERSEUS 4-98 782.13 785.07/ 2.10 PERSEUS TO WITCHES)


(echoing) ...answer the question! (pants) How do we kill the Kraken?

How do we kill the Kraken?


785-08

SCENE 216 - MCS - PAST ENYO,


GESTURING IN FG., TO PEMPHREDO
(TORSO).

ENYO 4-99 787.05 791.14/ 4.09 ENYO TO PERSEUS)


(low growl) There is a solution. There is a solution. But it is an impossible
one.
DEINO (one : i.e., 'one to accomplish')
(off) A solution.

ENYO
But it is an impossible one.
791-15

(34)
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SCENE 217 - FS - PAST PERSEUS, L.FG.,


TO THE WITCHES AND THE REST OF
PERSEUS'S GROUP.

PERSEUS
(echoing) (cries out - continues under

following dialogue)

PERSEUS STEPS FG.

PEMPHREDO 4-100 793.01 796.02/ 3.01 PEMPHREDO TO PERSEUS)


The Gorgon, Medusa. The Gorgon, Medusa.
(In Greek mythology, a female
DEINO monster of the underworld with hair of
Medusa. venomous snakes and whose gaze
796-04 would turn onlookers to stone - Note
that the term 'Gorgon' refers to
Medusa and her two sisters, Stheno
SCENE 218 - MCS - PERSEUS, GAZING and Euryale, who have similar
FG. features and powers. However,
Stheno and Euryale are immortal,
DEINO whereas Medusa is mortal)
(off) (groans - continues under following

scene and dialogue) 4-100A /796.06 798.02/ 1.12 DEINO TO PERSEUS)


Medusa.
PERSEUS
(pants)
798-03

SCENE 219 - MS - PAST PEMPHREDO,


GESTURING, ENYO AND DEINO, FG., TO
DRACO (TORSO).

PEMPHREDO 4-101 /798.06 804.00/ 5.10 PEMPHREDO TO PERSEUS)


Anything of flesh... (over scene end) Anything of flesh is killed by her gaze.
800-08

SCENE 220 - MCS - PAST PEMPHREDO,


L.FG., TO DRACO AND SHEIKH
SULIEMAN, PARTIALLY OBSCURED.

PEMPHREDO
...is killed by her gaze.

ENYO
(off) Killed by...
804-01

(35)
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SCENE 221 - MCS - PAST ENYO AND


DEINO, R.FG., TO PEMPHREDO (TORSO).

ENYO
...her gaze. (grunts - continues under

following dialogue)

DEINO *4-102 804.14 809.03 4.05 DEINO TO PERSEUS)


(overlapping) Her prison lies across the (over scene end) Her prison lies across the River Styx...
(fetid : having an offensive odor)
River... (the River Styx : a river in Greek
808-00 mythology which forms the boundary
between earth and the underworld)

SCENE 222 - FS - HIGH ANGLE - PAST


PERSEUS, L.FG., TO THE WITCHES AND
HIS GROUP.

DEINO 4-103 809.07 812.01 2.10 DEINO TO PERSEUS)


...Styx, at the edge of the underworld. (over scene end) ...at the edge of the underworld.
811-04

SCENE 223 - MCS - PERSEUS.

ENYO 4-103A 812.05 814.01 1.12 ENYO TO PERSEUS)


(off) (overlapping) A Titan against a Titan. A Titan against a Titan.
(Implying that one must use the
(grunts - continues under the following power of a Titan in order to kill another
Titan - Note that according to Greek
scenes and dialogue) mythology, Medusa is not a Titan, but
the daughter of one)
DRACO
(off) She's no use...
815-04 4-104 814.05 818.05/ 4.00 DRACO TO GROUP)
(over scene end) She's no use against the Kraken. We can't
control her.
SCENE 224 - FS - HIGH ANGLE - PSAT
PERSEUS, L.FG., TO THE WITCHES AND
HIS GROUP.

DRACO
...against the Kraken. We can't control her.
818-06

SCENE 225 - MCS - PERSEUS, GAZING


R.FG.

PERSEUS 4-105 820.13 822.15/ 2.02 PERSEUS TO DRACO)


Then we take her head. Then we take her head.
(we take : i.e., 'we will take')
DEINO
(off) (in foreign language) E...
823-01

(36)
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SCENE 226 - FS - HIGH ANGLE - PAST


PERSEUS, L.FG., TO THE WITCHES THE
HIS GROUP.

DEINO
...balla.
ENYO 4-105A 823.08 825.03/ 1.11 ENYO TO PERSEUS)
Clever boy. Clever boy.
825-04

SCENE 227 - MCS - PAST ENYO, FG., TO


PEMPHREDO, GESTURING L.

PEMPHREDO 4-106 /825.09 828.15 3.06 PEMPHREDO TO PERSEUS)


Now the eye. Give... (over scene end) Now the eye. Give us the eye!
827-04

SCENE 228 - MCS - PERSEUS, GLANCING


DOWN.

PEMPHREDO
(off) ...us the eye!

ENYO
(off) (in foreign language) Dormi han tul.

DEINO 4-106AA /829.10 831.03/ 1.09 DEINO TO PERSEUS,


(off) (overlapping) The eye. THEN PEMPHREDO TO PERSEUS)
829-08 -The eye.
-The eye.

SCENE 229 - MS - HIGH ANGLE - PAST


PERSEUS (TORSO), L.FG., TO THE
WITCHES. DRACO AND SHEIKH
SULIEMAN (TORSOS) STAND IN BG.

ENYO
(in foreign language) Han tul.

PEMPHREDO
(overlapping) The eye.

PERSEUS (TORSO) RAISES THE EYE AS


CAMERA TILTS UP WITH HIM.
831-04

SCENE 230 - MCS - PERSEUS.

ENYO
(off) (in foreign language) Luka da gastian.

PERSEUS
(overlapping) (pants - continues under

following scenes and dialogue)


832-12

(37)
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SCENE 231 - FS - PAST PERSEUS, L.FG.,


TO THE WITCHES AND HIS GROUP AS HE
TOSSES THE EYE BG.

ENYO, DEINO AND PEMPHREDO


(overlapping grunts and cries - continues

under following scenes and dialogue)


833-12

SCENE 232 - MS - PAST PEMPHREDO,


L.FG., TO SOLON, SHEIK SULIEMAN
(TORSO), ENYO (PARTIALLY OBSCURED),
DEINO AND IO. THE EYE FLIES L.
THROUGH FRAME AS THE WITCHES
REACT.
834-10

SCENE 233 - MCS - THE EYE, ROLLING


BG. TOWARD THE FIRE PIT AS CAMERA
DOLLIES IN BEHIND IT.
836-14

SCENE 234 - MS - PAST THE WITCHES,


REACTING IN FG., TO DRACO, SOLON
AND IO, AS CAMERA DOLLIES IN.

DEINO
(in foreign language) Ooh lak.

ENYO
(in foreign language) Ha, han...
838-13

SCENE 235 - MCS - THROUGH THE


FLAMES OF THE FIRE PIT, FG., TO ENYO
(TORSO), REACHING FG., FLANKED BY
PEMPHREDO AND DEINO (TORSOS).
CAMERA TILTS UP.

ENYO
(in foreign language) ...sheen. (continues

indistinct under following scenes and

dialogue)

PEMPHREDO 4-106A 839.06 840.11/ 1.05 PEMPHREDO TO ENYO & DEINO)


(face off) (grunts) Where is it? (grunts and Where is it?

pants - continues under following scene)

DEINO
(in foreign language) Ooh...
840-12

(38)
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SCENE 236 - FS - HIGH ANGLE -


LOOKING DOWN TO THE WITCHES,
SCRAMBLING ON HANDS AND KNEES
TOWARD THE FIRE PIT AS CAMERA
ROTATES R. AND CRANES DOWN.

DEINO
(in foreign language) ...lak. (continues
indistinct under following scenes and

dialogue)

ENYO
(off) (in foreign language) Heh nye.
843-09

SCENE 237 - FS - PAST PERSEUS


(TORSO), L.FG., TO SOLON, DRACO,
SHEIKH SULIEMAN, AND IO. PERSEUS
WALKS BG.

ENYO
(off) (in foreign language) Tet on jula han
tul.
846-09

SCENE 238 - MS - DEINO, ENYO AND


PEMPHREDO, FACING BG. ENYO TURNS
FG., HOLDING THE EYE, AS CAMERA
PANS SLIGHTLY R., OFF DEINO.

ENYO *4-106B 847.02 849.02/ 2.00 ENYO TO PERSEUS)


But wait. There's... But wait.
849-04

SCENE 239 - MCS - PAST PERSEUS, FG.,


TO PEMPHREDO, OUT OF FOCUS.
PERSEUS STEPS R. AS CAMERA PANS
SLIGHTLY WITH HIM, REVEALING DEINO
IN L.BG.

ENYO 4-107 /849.06 852.06/ 3.00 ENYO TO PERSEUS)


(off) ...more. Don't you want to know more? There's more. Don't you want to know more?
852-07 (There's more : i.e., 'I have more to
tell you')

SCENE 240 - MCS - IO, SHAKING HER


HEAD AS CAMERA DOLLIES SLOWLY L.

IO 4-108 852.15 854.08/ 1.09 IO TO PERSEUS)


Perseus, no. Perseus, no.
854-09 (i.e., 'Perseus, do not get any more
information from them.')

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SCENE 241 - FS - PAST PERSEUS, L.FG.,


TO SOLON, DRACO, SHEIKH SULIEMAN,
AND IO. CAMERA DOLLIES SLOWLY L. AS
PERSEUS TURNS L.FG.

PEMPHREDO
(off) (in foreign language) A shum tulach.
DEINO 4-109 856.12 859.03 2.07 DEINO TO ENYO,
(off) Tell him. THEN PEMPHREDO TO ENYO)
-Tell him.
PEMPHREDO -Tell him.
(off) Tell him.

PERSEUS 4-110 859.07 861.00/ 1.09 PERSEUS TO ENYO)


What? What?

ENYO
(off) Your... 4-111 /861.04 864.10 3.06 ENYO TO PERSEUS)
861-02 Your journey does not end well.

SCENE 242 - FS - HIGH ANGLE - PAST


THE WITCHES, FG., TO SOLON AND
PERSEUS (TORSOS), AS CAMERA
CRANES DOWN TO INCLUDE THEIR
FACES AND IO, R.BG.

ENYO
...journey does not end well.

PEMPHREDO
(chuckles - continues under following

scenes and dialogue)

DEINO
(in foreign language) Stuwe garvik!
866-09

SCENE 243 - MS - PAST PERSEUS


(SHOULDER), R.FG., TO THE WITCHES.

DEINO
(in foreign language) A kala ta.

ENYO 4-112 867.00 869.09/ 2.09 ENYO TO PERSEUS)


(overlapping) Fate has spoken. Fate has spoken.
(i.e., 'Your fate has already been
DEINO determined, and has been revealed to
(overlapping) (stammers) Has spoken. us.')

(grunts and growls - continues under

following scenes and dialogue)


869-11

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SCENE 244 - MS - PAST PEMPHREDO


AND ENYO, L.FG., AND DEINO, R.FG., TO
PERSEUS AND IO, LOOKING ON IN BG.

ENYO
(in foreign language) Infar sayon.
Turkkshen.
874-05

SCENE 245 - MS - PAST PERSEUS, R.FG.,


TO THE WITCHES, AS CAMERA SLOWLY
DOLLIES IN.

ENYO 4-113 /874.08 879.04/ 4.12 ENYO TO PERSEUS)


You will die... (over scene end) You will die, son of Zeus!
876-13

SCENE 246 - MCS - PERSEUS.

ENYO
(off) ...son of Zeus!
879-06

SCENE 247 - MCS - PAST DRACO, R.FG.,


TO IXAS AND EUSEBIOS, OUT OF FOCUS.

ENYO, DEINO AND PEMPHREDO


(off) (overlapping) (chuckles - continues

under following scenes and dialogue)


882-03

SCENE 248 - MCS - PAST SOLON, L.FG.,


TO EUSEBIOS AND DRACO (OUT OF
FOCUS).

SOLON 4-114 883.02 885.07/ 2.05 SOLON TO PERSEUS)


It's a lie. Come! It's a lie. Come!
885-08

SCENE 249 - MS - PAST PERSEUS, R.FG.,


TO THE WITCHES.

ENYO 4-115 886.13 888.09/ 1.12 ENYO TO PERSEUS)


(in foreign language) Va gay scriven. Written as history.
(i.e., 'It has already been determined,
Written as history. and is as certain as any aspect of
888-10 past history.')

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SCENE 250 - MCS - PERSEUS.

ENYO
(off) (chuckles - continues under following

scenes)

PEMPHREDO AND DEINO


(off) (overlapping chuckles - continues

under following scenes)

PERSEUS
(pants)
891-03

SCENE 251 - MCS - IO, GLANCING ABOUT


AS CAMERA SLOWLY DOLLIES L.

IO
(sighs)

ENYO 4-116 893.03 894.15 1.12 ENYO TO PERSEUS)


(off) Perseus... Perseus.
894-01

SCENE 252 - MS - PAST PERSEUS, R.FG.,


TO THE WITCHES. PERSEUS TURNS
R.FG.

ENYO 4-117 895.03 897.04/ 2.01 ENYO TO PERSEUS)


...you will die. You will die.
897-05

SCENE 253 - MCS - IO, AS CAMERA


DOLLIES L.

ENYO, DEINO AND PEMPHREDO 4-118.


(off) (overlapping laughter and cackles - THROUGH (OUT)
4-131.
continues under following scenes)
899-12

SCENE 254 - MCS - PAST PERSEUS,


R.FG., TO THE WITCHES.

PERSEUS
(exhales)

PERSEUS EXITS R.FG. AS CAMERA


DOLLIES IN ON THE WITCHES. ENYO
HOLDS OUT THE EYE.
913-02

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SCENE 255 - EXT. STYGIAN


MOUNTAIN/STAIRS - DAY - FS - LOW
ANGLE - SEVERAL DJINN AND THE
SCORPIOCH, MOVING R.FG. DOWN THE
STAIRS AS CAMERA DOLLIES BG. AND
CRANES UP TO REVEAL EUSEBIOS, IXAS,
SHEIKH SULIEMAN, AND THE REST OF
THE ASSEMBLED MEN STANDING ATOP
THE MOUNTAIN.

EUSEBIOS *4-132 929.02 931.05 2.03 EUSEBIOS TO GROUP)


Why are the Djinn leaving us? Why are the Djinn leaving us?
(Note that all the Djinn are leaving,
IXAS except for Sheikh Sulieman)
They believe we will all die. It's the

prophecy. *4-133 931.09 935.14/ 4.05 IXAS TO EUSEBIOS)


935-15 They believe we will all die. It's the prophecy.
(It's the prophecy : i.e., 'Because of
the witches' prophecy')
SCENE 256 - MS - PAST IXAS, L.FG., TO
EUSEBIOS, SOLON, AND DRACO. 4-134.
EUSEBIOS TURNS AND WALKS R. THROUGH (OUT)
939-14 4-136.

SCENE 257 - FS - SHEIKH SULIEMAN,


IXAS, EUSEBIOS, SOLON, AND DRACO,
AS EUSEBIOS WALKS L.FG.
944-15

SCENE 258 - EXT. STYGIAN


MOUNTAIN/QUARRY - DAY - FS - HIGH
ANGLE - THE QUARRY, OBSCURED BY
STEAM, AS CAMERA DOLLIES BG. AND
CRANES DOWN TO REVEAL PERSEUS,
WALKING FG.
953-13

SCENE 259 - MFS - PAST A ROCK


OUTCROPPING, R.FG., TO ZEUS,
DISGUISED UNDER A CLOAK AND HOOD,
WALKING L. AS CAMERA DOLLIES WITH
HIM.
958-07

SCENE 260 - MS - HIGH ANGLE - PAST


PERSEUS, R.FG., TO ZEUS, FOLLOWING
PERSEUS DOWN BELOW AS BOTH MEN
WALK FG. AND CAMERA DOLLIES BACK
WITH THEM.
961-12

SCENE 261 - FS - LOW ANGLE - PAST


ZEUS, L.FG., TO PERSEUS, AS THE MEN
WALK R. AND CAMERA DOLLIES WITH
THEM.
966-11

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SCENE 262 - MCS - PERSEUS, STEPPING


L. AND DRAWING HIS SWORD AS
CAMERA PANS WITH HIM TO REVEAL
ZEUS IN A MS.

PERSEUS 4-137 968.14 970.09/ 1.11 PERSEUS TO ZEUS)


Who are you?! (breathes heavily - Who are you?!

continues under following scenes and

dialogue)
970-10

SCENE 263 - MCS - PERSEUS, SWORD


EXTENDED R.FG.
973-01

SCENE 264 - MCS - ZEUS, PARTIALLY


OBSCURED BENEATH THE HOOD OF HIS
CLOAK.
975-08

SCENE 265 - MS - PAST ZEUS, R.FG., TO


PERSEUS.
978-00

SCENE 266 - MCS - ZEUS, REMOVING HIS


HOOD TO REVEAL HIS FACE.
981-04

SCENE 267 - MCS - PERSEUS,


REACTING.

ZEUS 4-138 983.07 984.07/ 1.00 ZEUS TO PERSEUS)


(off) Well... Well...
984-08

SCENE 268 - MCS - ZEUS.

ZEUS 4-139 985.10 989.06 3.12 ZEUS TO PERSEUS)


...you can call me Father...if you wish. ...you can call me Father...
992-14

4-140 990.15 992.13/ 1.14 ZEUS TO PERSEUS)


SCENE 269 - MS - PAST ZEUS, R.FG., TO ...if you wish.
PERSEUS.

PERSEUS 4-141 /993.02 995.04/ 2.02 PERSEUS TO ZEUS)


My father's dead. My father's dead.
995-05 (Referring to Spyros)

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SCENE 270 - MS - PAST PERSEUS, L.FG.,


TO ZEUS.

PERSEUS 4-142 996.00 998.06 2.06 PERSEUS TO ZEUS)


He was killed by a god. He was killed by a god.

ZEUS
An unfortunate casualty in a war men 4-143 998.10 1003.01/ 4.07 ZEUS TO PERSEUS)
An unfortunate casualty in a war men
brought on themselves. brought on themselves.
1003-02 (brought on themselves : i.e.,
'caused by their own actions')

SCENE 271 - MCS - PERSEUS.

PERSEUS 4-144 1003.15 1009.10/ 5.11 PERSEUS TO ZEUS)


Men didn't murder my family, your brother Men didn't murder my family, your brother
did.
did.
1009-12

SCENE 272 - MCS - ZEUS.

ZEUS 4-145 1011.00 1013.08 2.08 ZEUS TO PERSEUS)


You heard the witches' prophesy. You will You heard the witches' prophesy.

not defeat the Kraken...


1015-05 4-146 1013.12 1017.10 3.14 ZEUS TO PERSEUS)
(over scene end) You will not defeat the Kraken, much less
Hades.
SCENE 273 - MCS - PERSEUS. (much less : i.e., 'and have even less
of a chance to defeat')
ZEUS
(off) ...much less Hades. If you continue
4-147 1017.14 1024.01/ 6.03 ZEUS TO PERSEUS)
this... (over scene end) If you continue this journey, you will die, and
1019-05 Argos will still fall.
(fall : i.e., 'be destroyed')

SCENE 274 - MCS - ZEUS.

ZEUS
...journey, you will die, and Argos will still

fall.
1024-02

SCENE 275 - MCS - PAST ZEUS, R.FG., TO


PERSEUS.

PERSEUS 4-148 /1024.06 1026.13/ 2.07 PERSEUS TO ZEUS)


If you're so sure, why are you here? If you're so sure, why are you here?
1026-14

SCENE 276 - MCS - ZEUS.

ZEUS 4-149 /1027.02 1029.12/ 2.10 ZEUS TO PERSEUS)


To offer you sanctuary. To offer you sanctuary.
1029-13

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SCENE 277 - MCS - PERSEUS,


REACTING.

ZEUS 4-150 1030.05 1035.14 5.09 ZEUS TO PERSEUS)


(off) Your blood is mine, Perseus, and... (over scene end) Your blood is mine, Perseus, and that
1033-11 makes you a god.
(Your blood is mine : i.e., 'We are
genetically related')
SCENE 278 - MCS - ZEUS. (makes you a god : i.e., 'means you
are a god' - 'defines you as a god')
ZEUS
...that makes you a god. It's time you came
4-151 1036.02 1039.15/ 3.13 ZEUS TO PERSEUS)
to Olympus and started living like one. It's time you came to Olympus and started
1040-00 living like one.

SCENE 279 - MCS - PERSEUS.

PERSEUS 4-152 /1040.03 1044.15 4.12 PERSEUS TO ZEUS)


I'd rather die in the mud with those men I'd rather die in the mud with those men than
live forever as a god.
than live forever as a god.

ZEUS 4-153 1045.03 1046.15/ 1.12 ZEUS TO PERSEUS)


(off) You foolish boy. You foolish boy.
1047-00

SCENE 280 - MCS - ZEUS, GLANCING R.

ZEUS 4-154 /1047.03 1051.13 4.10 ZEUS TO PERSEUS)


Man's entire existence is a gift of my grace. Man's entire existence is a gift of my grace.
(a gift of my grace : i.e., 'an unmerited
PERSEUS favor bestowed by me')
(off) For someone who created man...
1054-02
4-155 1052.01 1054.01/ 2.00 PERSEUS TO ZEUS)
For someone who created man...
SCENE 281 - MS - PAST ZEUS, R.FG., TO
PERSEUS.

PERSEUS 4-155A 1054.09 1057.08 2.15 PERSEUS TO ZEUS)


...you don't know much about us. We live, ...you don't know much about us.

we fight...
1063-10 4-156 1059.01 1066.00/ 6.15 PERSEUS TO ZEUS)
(over scene end) We live, we fight, and we die...

SCENE 282 - MCS - ZEUS.

PERSEUS
(off) ...and we die...
1066-04

SCENE 283 - MCS - PERSEUS.

PERSEUS 4-157 /1066.06 1070.07/ 4.01 PERSEUS TO ZEUS)


...for each other, not for you. ...for each other, not for you.
1070-09

SCENE 284 - MCS - ZEUS.


1072-14

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SCENE 285 - MCS - PAST ZEUS, R.FG., TO


PERSEUS, SHEATHING HIS SWORD.

PERSEUS 4-158 /1073.00 1075.09/ 2.09 PERSEUS TO ZEUS)


Tell Hades I'll see him soon. Tell Hades I'll see him soon.
1075-10 (I'll see him soon : note implied
threat)

SCENE 286 - MCS - ZEUS, GAZING L.FG.

ZEUS 4-159 1077.06 1080.03 2.13 ZEUS TO PERSEUS)


I will not make this offer again. I will not make this offer again.
(offer : i.e., 'offer of sanctuary')
PERSEUS
(off) Good.
1082-00 4-160 1080.07 1081.15/ 1.08 PERSEUS TO ZEUS)
Good.

SCENE 287 - MCS - PERSEUS, GAZING R.

PERSEUS 4-160A /1082.03 1085.01/ 2.14 PERSEUS TO ZEUS)


'Cause I'd hate to refuse you twice. 'Cause I'd hate to refuse you twice.
1085-02 (i.e., 'Because I would dislike having
to have this conversation again, as
the outcome would be the same.')
SCENE 288 - MFS - PAST PERSEUS,
L.FG., TO ZEUS. PERSEUS TURNS AND
STEPS L.FG.

ZEUS 4-161 /1085.08 1087.08 2.00 ZEUS TO PERSEUS)


Perseus. Perseus.
1088-07

SCENE 289 - MCS - ZEUS.

ZEUS 4-162 1088.14 1090.09 1.11 ZEUS TO PERSEUS)


Wait. Wait.
1091-01

SCENE 290 - MCS - PERSEUS, TURNING


FG.
1095-01

SCENE 291 - MCS - ZEUS, HOLDING UP A


GOLD COIN.
1100-01

SCENE 292 - MS - ZEUS.

ZEUS 4-163 1100.15 1103.04/ 2.05 ZEUS TO PERSEUS)


It's expensive where you're going. It's expensive, where you're going.
(Note allusion to paying the ferryman
ZEUS TOSSES THE GOLD COIN L.FG. Charon to cross the River Styx into the
1103-05 underworld Hades - See Title #3-77)
(Note that Zeus tosses Perseus a
gold coin)
SCENE 293 - MCS - PERSEUS, CATCHING
THE COIN. HE GLANCES DOWN AT IT.
1107-05

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SCENE 294 - CS - HIGH ANGLE - PAST


PERSEUS, L.FG., TO THE GOLD COIN IN
HIS PALM.
1111-01

SCENE 295 - MCS - PERSEUS, GLANCING


UP.
1113-03

SCENE 296 - MS - PERSEUS, FACING BG.


CAMERA DOLLIES BG., OFF HIM, AS AN
EAGLE SWOOPS DOWN INTO FRAME AND
FLIES BG. TOWARD THE SUN.
1120-12

SCENE 297 - MCS - PERSEUS, TURNING


AND STEPPING L.BG.
1125-02

SCENE 298 - EXT. STYGIAN


MOUNTAIN/LANDING - DAY - FS -
EUSEBIOS, SEATED ON A ROCK, SHEIKH
SULIEMAN, IXAS, SOLON, AND DRACO,
FACING BG.
1130-01

SCENE 299 - FS - PERSEUS, WALKING


FG. INTO A MFS.
1133-14

SCENE 300 - MFS - PAST KUCUK AND


OZAL, L.FG., TO EUSEBIOS, SHEIKH
SULIEMAN, IXAS, AND SOLON. KUCUK
AND OZAL STEP L.FG., PULLING AWAY A
CLOTH TO REVEAL A SHIELD THEY HAVE
FASHIONED OUT OF THE EXOSKELETON
OF A SCORPIOCH. CAMERA PANS L.
WITH THEM, OFF IXAS AND SOLON.
1138-05

SCENE 301 - MCS - PERSEUS, STEPPING


FG. AS OZAL ENTERS R.FG.

OZAL 4-164 1140.13 1144.10/ 3.13 OZAL TO PERSEUS)


(exhales) Kucuk... (over scene end) Kucuk fashioned this shield from the
1141-12 Scorpioch.

SCENE 302 - MS - PAST PERSEUS, L.FG.,


TO KUCUK AND OZAL.

OZAL
...fashioned this shield from the Scorpioch.
1144-11

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SCENE 303 - MCS - PAST OZAL, R.FG., TO


PERSEUS, SMILING.

PERSEUS
(chuckles softly)

OZAL 4-165 1146.11 1150.14/ 4.03 OZAL TO PERSEUS)


Stronger and lighter than any metal. Stronger and lighter than any metal.
1151-00

SCENE 304 - MCS - PAST PERSEUS,


L.FG., TO OZAL.

OZAL 4-166 1151.09 1154.11/ 3.02 OZAL TO PERSEUS)


Very rare and high-quality item. Very rare and high-quality item.
1154-12

SCENE 305 - MS - PAST PERSEUS, L.FG.,


TO KUCUK AND OZAL, AS PERSEUS
REACHES BG. FOR THE SHIELD.
1157-04

SCENE 306 - MCS - PAST OZAL, R.FG., TO


PERSEUS, NODDING.

PERSEUS
(exhales)

OZAL 4-167 1161.07 1164.02/ 2.11 OZAL TO PERSEUS)


We can fight anywhere... We can fight anywhere...
1164-04 (We : Referring to himself and
Kucuk)

SCENE 307 - MCS - PAST PERSEUS,


L.FG., TO KUCUK AND OZAL.

OZAL 4-168 1167.02 1170.01 2.15 OZAL TO PERSEUS)


...but not in the underworld. ...but not in the underworld.
1170-14

SCENE 308 - MCS - PAST OZAL, R.FG., TO


PERSEUS.

PERSEUS 4-168A 1172.07 1174.04 1.13 PERSEUS TO OZAL)


(in low tones) Yeah. Yeah.
1174-15 (Here used to mean, 'I understand.')

SCENE 309 - MCS - PAST PERSEUS,


L.FG., TO KUCUK AND OZAL, WHO
TURNS AND WALKS L.BG. KUCUK STEPS
R.

KUCUK 4-169 1181.12 1183.15/ 2.03 KUCUK TO PERSEUS)


(sniffs) Good luck, fisherman. Good luck, fisherman.
1184-01

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SCENE 310 - MCS - PAST KUCUK


(TORSO), R.FG., TO PERSEUS,
REACTING.

PERSEUS
(chuckles) (sighs)

KUCUK EXITS R.FG.


1187-01

SCENE 311 - FS - PAST OZAL, L.FG., TO


EUSEBIOS, SHEIKH SULIEMAN, IXAS,
SOLON, AND DRACO. OZAL WALKS R.BG.
AS KUCUK ENTERS L.FG., FOLLOWING
BEHIND HIM.
1191-04

SCENE 312 - FS - PAST SOLON, L.FG.,


AND KUCUK, R.FG., TO PERSEUS,
PARTIALLY OBSCURED. KUCUK EXITS
R.FG., FULLY REVEALING PERSEUS,
WHO WALKS FG. SHEIKH SULIEMAN
(TORSO) ENTERS R.FG. AND IXAS
ENTERS L.FG., OBSCURING SOLON.
1196-08

SCENE 313 - FS - PAST PERSEUS, L.FG.,


TO EUSEBIOS, SHEIKH SULIEMAN, IXAS,
SOLON, AND DRACO. PERSEUS STEPS
R.BG.
1204-13

SCENE 314 - MS - PAST SOLON, L.FG.,


AND SHEIKH SULIEMAN (TORSO), R.FG.,
TO PERSEUS.

PERSEUS 4-170 1205.14 1208.15/ 3.01 PERSEUS TO GROUP)


We all heard what the witches said. We all heard what the witches said.
1209-00

SCENE 315 - MS - PAST PERSEUS


(TORSO), L.FG., TO EUSEBIOS AND
SHEIKH SULIEMAN (TORSO).

PERSEUS 4-171 1210.13 1213.10 2.13 PERSEUS TO GROUP)


(face off) But we can... (over scene end) But we can prove them wrong.
1211-10 (them : i.e., 'the witches and their
prophecy')

SCENE 316 - MS - PAST SOLON, R.FG., TO


SHEIKH SULIEMAN AND IXAS.

PERSEUS
(off) ...prove them wrong.
1214-08

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SCENE 317 - MCS - PERSEUS.

PERSEUS 4-172 1216.13 1218.14/ 2.01 PERSEUS TO GROUP)


I need your help. I need your help.
1219-00

SCENE 318 - FS - PAST PERSEUS, L.FG.,


TO EUSEBIOS, SHEIKH SULIEMAN, IXAS,
SOLON, AND DRACO.
1223-08

SCENE 319 - MCS - DRACO, TURNING


L.FG.
1227-10

SCENE 320 - MCS - PAST PERSEUS


(TORSO), L.FG., TO EUSEBIOS AND
SHEIKH SULIEMAN (TORSO).
1231-00

SCENE 321 - MFS - PAST PERSEUS


(TORSO), L.FG., TO EUSEBIOS, RISING,
SHEIKH SULIEMAN, IXAS, AND SOLON.

EUSEBIOS 4-173 1235.11 1238.06/ 2.11 EUSEBIOS TO PERSEUS)


It wasn't the gods that saved me up there. It wasn't the gods that saved me up there.
1238-07 (up there : i.e., 'earlier' - 'with the
witches')
(Implying that Eusebios will stay and
SCENE 322 - MCS - PERSEUS. help Perseus)

PERSEUS
(sighs)
1241-10

SCENE 323 - MS - PAST SOLON, R.FG., TO


SHEIK SULIEMAN AND IXAS.

IXAS 4-174 /1241.15 1245.10/ 3.11 IXAS TO PERSEUS)


If you believe that we have a chance. If you believe that we have a chance.
1245-12 (Implying that Ixas will stay and help
Perseus)

SCENE 324 - MCS - PERSEUS.


1249-03

SCENE 325 - MCS - IXAS AND SOLON.

SOLON 4-175 1251.10 1254.12/ 3.02 SOLON TO PERSEUS)


I never liked Argos much anyway. I never liked Argos much anyway.
(Wryly implying that Solon will stay
EUSEBIOS with Perseus, rather than abandon
(off) (chuckles - continues under following him, though he thinks their mission
will fail and Argos will be destroyed)
scene and dialogue)
1255-00

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TITLE
COMBINED CONTINUITY & DIALOGUE NO. START END TOTAL TITLE

SCENE 326 - MCS - PERSEUS.

PERSEUS
(inhales sharply through nose)
1258-09

SCENE 327 - MS - DRACO, NODDING.


1261-13

SCENE 328 - MCS - PERSEUS.

IO 4-176 1262.08 1264.00/ 1.08 IO TO PERSEUS)


(off) I know the way. I know the way.

PERSEUS GLANCES R.BG.


1264-01

SCENE 329 - MCS - PAST PERSEUS,


R.FG., TO IXAS, DRACO AND SOLON, AS
PERSEUS TURNS FG.
1266-13

SCENE 330 - MCS - IO.

PERSEUS
(off) (sniffs)
1269-08

SCENE 331 - MCS - PAST PERSEUS,


R.FG., TO IXAS, DRACO AND SOLON, AS
PERSEUS TURNS BG.
1271-06

SCENE 332 - FS - PAST PERSEUS, L.FG.,


TO EUSEBIOS, SHEIKH SULIEMAN, IXAS,
SOLON, AND DRACO.

PERSEUS 4-177 1272.10 1275.02/ 2.08 PERSEUS TO GROUP)


Then we go to the underworld... Then we go to the underworld.
1275-03 (we go : i.e., 'we will go')

SCENE 333 - MCS - PERSEUS.

PERSEUS 4-178 1275.11 1277.09/ 1.14 PERSEUS TO GROUP)


...we kill Medusa. We kill Medusa.
1277-10 (We : i.e., 'We will')

SCENE 334 - MCS - SHEIK SULIEMAN, 4-179.


REACTING AS CAMERA DOLLIES IN. THROUGH (OUT)
4-180.
SHEIKH SULIEMAN
(in altered voice) (growls - continues under

following scene)
1280-00

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SCENE 335 - LS - THE GROUP,


JOURNEYING R.FG. ALONG THE
MOUNTAIN RIDGE AS CAMERA DOLLIES
R.
1290-11

SCENE 336 - FS - THE GROUP, LEAD BY


DRACO AND PERSEUS, MARCHING R.FG.
DOWN THE RIDGE.
1294-14

SCENE 337 - LS - AERIAL SEQUENCE -


CALIBOS, STANDING ATOP A MOUNTAIN
PEAK AS CAMERA TRAVELS BG., OFF HIM.
1306-04

SCENE 338 - LS - HIGH ANGLE - TWO


LARGE CRATERS IN THE BARREN
EARTH, AS CAMERA TRAVELS BG.
1310-13

SCENE 339 - LS - HIGH ANGLE - A LARGE


CRATER AS CAMERA TRAVELS L.
AROUND IT.
1315-05

SCENE 340 - LS - THE BARREN EARTH,


AS CAMERA MOVES BG. TO REVEAL
PERSEUS AND THE GROUP TRAVELING
L.
1320-12

SCENE 341 - EXT. BANKS OF THE RIVER


STYX - DAY - LS - THE BARREN EARTH,
AS CAMERA TRAVELS L. TO REVEAL THE
BANKS OF THE RIVER STYX BELOW. A
WOODEN PIER LIT BY TORCHES
EXTENDS INTO IT.

AERIAL SEQUENCE ENDS.


1331-04

SCENE 342 - FS - IO, LEADING THE


GROUP BG. ALONG THE PIER TO THE
EDGE OF THE RIVER.

SOULS OF THE DEAD


(off) (overlapping gasps and cries -

continues under following scenes and

dialogue)
1338-04

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SCENE 343 - MFS - PAST IO, L.FG., TO


PERSEUS, DRACO, AND THE REST OF
THE GROUP, WALKING L. AS CAMERA
DOLLIES L. WITH THEM TO THE EDGE OF
THE PIER.
1348-12

SCENE 344 - FS - PAST SHEIKH


SULIEMAN, R.FG., TO THE REST OF THE
GROUP AS SOLON STEPS BG. AHEAD OF
EVERYONE TO THE EDGE OF THE PIER.
SHEIKH SULIEMAN WALKS L.BG. AS
CAMERA DOLLIES IN BEHIND HIM.

SOLON 4-181 1352.09 1353.12/ 1.03 SOLON TO GROUP)


Now what? Now what?
1353-13

SCENE 345 - MS - PAST SOLON (SHIELD


AND TORSO), R.FG., TO PERSEUS,
DRACO, IXAS, IO, AND EUSEBIOS.
CAMERA DOLLIES L., OFF SOLON.

IO 4-182 1354.13 1357.10 2.13 IO TO SOLON)


We wait for Charon. We wait for Charon.
(See the annotation for 'Another bribe
IXAS for the ferryman' in Title #3-77)
Charon only ferries the dead.
1362-08
4-183 1359.15 1362.07/ 2.08 IXAS TO IO)
Charon only ferries the dead.
SCENE 346 - MS - PAST SOLON (TORSO),
R.FG., TO PERSEUS, SHEIKH SULIEMAN,
AND DRACO. SOLON DRAWS HIS
SWORD.
1363-13

SCENE 347 - MS - SOLON, GLANCING


ABOUT.

SOLON 4-184 /1363.15 1366.02/ 2.03 SOLON TO GROUP)


(echoing) Any volunteers? Any volunteers?
1366-06 (i.e., 'Does anyone want to volunteer
to die, so we can summon Charon?' -
Note humor)
SCENE 348 - MS - PAST SOLON, R.FG., TO
PERSEUS, SHEIKH SULIEMAN, DRACO,
AND IXAS. 4-185 (OUT)
1368-08

SCENE 349 - MS - SOLON, SHEATHING


HIS SWORD AND STEPPING L.FG.
1370-05

SCENE 350 - LS - THE GROUP,


STANDING ON THE PIER.
1373-12

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SCENE 351 - MS - PERSEUS, SHEIKH


SULIEMAN, DRACO, AND IXAS (PARTIALLY
OBSCURED). CAMERA DOLLIES BACK.

PERSEUS 4-186 1381.08 1383.06/ 1.14 PERSEUS TO GROUP)


Heads we swim. Heads we swim.
(i.e., 'If this coin lands with the front of
PERSEUS TOSSES THE GOLD COIN INTO the coin facing upwards, we will swim
THE AIR. across the river.')
1383-07 (Note that Perseus flips the coin Zeus
gave him. Sheikh Sulieman catches it
in mid-air and skips it across the river
SCENE 352 - CS - HIGH ANGLE - toward the ferry)
LOOKING DOWN AT THE COIN, RISING
INTO THE AIR AS CAMERA CRANES UP
WITH IT, PERSEUS DRACO AND IO
BELOW. THE COIN FALLS BACK DOWN
AS CAMERA CRANES DOWN WITH IT, OFF
IO. SHEIKH SULIEMAN (ARM) ENTERS BG.
1388-12

SCENE 353 - MCS - PAST PERSEUS,


L.FG., AND DRACO, R.FG., TO SHEIKH
SULIEMAN, CATCHING THE COIN.
CAMERA DOLLIES BACK.

SHEIKH SULIEMAN
(in altered voice) (in low tones) (grunts) (in

Djinn language - continues under following

scenes)
1394-11

SCENE 354 - MS - PAST DRACO AND IO,


R.FG., TO PERSEUS AND SHEIKH
SULIEMAN, WHO STEPS L. PAST
PERSEUS.
1397-14

SCENE 355 - MS - PAST SHEIKH


SULIEMAN, FG., TO PERSEUS AND
DRACO, AS THE SHEIKH STEPS R.FG.,
OFF HIS FACE, OBSCURING DRACO
BEHIND HIM.
1403-02

SCENE 356 - FS - THE GROUP,


STANDING ON THE PIER.

FEMALE SINGER
(voice over) (sings - continues under

following scenes and dialogue)


1406-01

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SCENE 357 - MFS - SLOW MOTION - PAST


SHEIKH SULIEMAN, FG., TO THE REST OF
THE GROUP, AS THE SHEIKH TOSSES
THE COIN FG. AND CAMERA TRAVELS
BACK WITH IT, CRANING DOWN WITH IT
INTO A CS. AS IT LANDS IN THE RIVER
AND SKIPS FG., OFF SHEIKH SULIEMAN
AND THE REST OF THE GROUP.

SHEIKH SULIEMAN
(in altered voice) (growls)

THE COIN SKIPS FG., EXITING FRAME.

SLOW MOTION SEQUENCE ENDS.


1419-12

SCENE 358 - MS - PERSEUS, DRACO,


IXAS, EUSEBIOS, AND IO, AS CAMERA
DOLLIES R., OFF PERSEUS, TO INCLUDE
SOLON.

EUSEBIOS 4-187 1421.15 1424.09 2.10 EUSEBIOS TO GROUP)


A bribe for the ferryman. A bribe for the ferryman.
1425-15 (See Title #3-77)

SCENE 359 - FS - OVER THE GROUP, FG.,


TO SHEIKH SULIEMAN, STANDING AT
THE EDGE OF THE PIER AND GAZING BG.
OUT AT THE RIVER. CAMERA DOLLIES
BG. OVER THEM AS THE LIGHT FROM
CHARON'S FERRY BECOMES VISIBLE IN
BG., APPEARING THROUGH THE DENSE
FOG.
1434-02

SCENE 360 - FS - CHARON'S FERRY,


MOVING FG. THROUGH THE FOG AS TWO
DEAD SOULS PULL THE FERRY WITH
CHAINS ATTACHED TO THEIR NECKS.
1441-02

SCENE 361 - FS - HIGH ANGLE - PAST


SHEIKH SULIEMAN, R.FG., TO PERSEUS
AND THE REST OF THE GROUP, AS
CAMERA DOLLIES R. AND CRANES
DOWN, OFF SHEIKH SULIEMAN'S FACE.
1447-11

SCENE 362 - FS - THE DEAD SOULS,


PULLING THE FERRY FG. THROUGH THE
FOG. CAMERA CRANES UP, OFF THE
SOULS.
1457-09

SCENE 363 - LS - PAST THE BOW OF


CHARON'S FERRY, L.FG., TO THE GROUP
STANDING ON THE PIER. THE FERRY
TRAVELS R.BG. TOWARD THEM.
1465-07

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SCENE 364 - FS - PAST SHEIKH


SULIEMAN, R.FG., TO THE FERRY, AS THE
SHEIKH GLANCES FG. AND CAMERA
DOLLIES BACK INTO A MS.

SHEIKH SULIEMAN
(in altered voice) (in Djinn language)
1476-03

SCENE 365 - FS - CHARON, A TALL


SKELETAL FIGURE, PILOTING HIS FERRY
R. AS CAMERA DOLLIES WITH IT.
1479-09

SCENE 366 - LS - HIGH ANGLE - THE


FERRY STOPPING AT THE PIER.
1485-13

SCENE 367 - FS - LOW ANGLE - CHARON.


1489-10

SCENE 368 - MCS - PAST A BEAM ON THE


PIER, R.FG., TO PERSEUS, IXAS,
EUSEBIOS, AND DRACO (PARTIALLY
OBSCURED). CAMERA DOLLIES L. FROM
BEHIND THE BEAM TO FULLY REVEAL
DRACO.
1495-10

SCENE 369 - EXT. FERRY/RIVER STYX -


DAY - FS - A FRAME OBSCURED BY FOG.
CAMERA CRANES UP TO REVEAL THE
GROUP NOW ABOARD THE FERRY AS IT
TRAVELS L.FG.
1508-09

SCENE 370 - MS - IXAS, GAZING L.

IXAS 4-188 1509.01 1511.05/ 2.04 IXAS TO GROUP)


So, what happens when we get there? So, what happens when we get there?
1511-06

SCENE 371 - MS - PAST DRACO, L.FG.,


AND EUSEBIOS, R.FG., TO IO, FACING BG.

EUSEBIOS 4-189 1512.07 1514.10/ 2.03 EUSEBIOS TO IXAS)


Just another beast to kill. Just another beast to kill.
(i.e., 'We will kill Medusa, and it will be
EUSEBIOS TURNS BG. just like killing any other beast.')
1514-11

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SCENE 372 - MS - PAST IO, L.FG., TO


SHEIKH SULIEMAN.

SHEIKH SULIEMAN
(in altered voice) (growls)

IO 4-190 1515.13 1517.12 1.15 IO TO MEN)


A beast? A beast?
1518-05 (For this Title through Title #4-200 :
Note that this is a retelling of the
Greek myth of Medusa's
SCENE 373 - MFS - PAST IO AND SHEIKH transformation)
SULIEMAN, R.FG., TO SOLON, PERSEUS,
AND DRACO, AS CAMERA CRANES UP.

IO 4-191 1519.04 1522.07 3.03 IO TO MEN)


Medusa was beautiful once. Medusa was beautiful once.
1523-04

SCENE 374 - MS - SOLON AND PERSEUS,


GAZING FG.

IO 4-192 1523.12 1527.10/ 3.14 IO TO MEN)


(off) So beautiful as to tempt Poseidon. So beautiful as to tempt Poseidon.
1527-12 (tempt : here meaning, 'attract' -
'unwisely allure')

SCENE 375 - MS - PAST IO, L.FG., TO


SHEIKH SULIEMAN.

IO 4-193 1528.04 1531.02 2.14 IO TO MEN)


When he came for her, she ran to Athena's When he came for her...

temple thinking that the goddess would


4-194 1531.06 1537.13/ 6.07 IO TO MEN)
protect her. ...she ran to Athena's temple thinking that the
1537-14 goddess would protect her.
(Athena : in Greek mythology, the
goddess of wisdom, war, love,
SCENE 376 - MS - SOLON AND PERSEUS. strategy, industry, justice and skill)

IO
(off) She didn't. 4-195 1538.13 1541.01/ 2.04 IO TO MEN)
1541-03 She didn't.

SCENE 377 - FS - PAST SOLON AND


PERSEUS, L.FG., TO DRACO, IXAS,
EUSEBIOS, IO, AND SHEIKH SULIEMAN.

IO 4-196 1543.01 1546.05/ 3.04 IO TO MEN)


Poseidon took her on the cold floor. Poseidon took her on the cold floor.
1546-07 (took her : i.e., 'had sexual
intercourse with her' - note that some
versions of this myth suggest Medusa
SCENE 378 - MS - SOLON AND PERSEUS. was a willing partner to Poseidon,
while others suggest she was raped,
IO and the phrase 'took her' implies the
(off) She prayed to Athena for comfort... rape interpretation)
1551-03

4-197 1547.08 1551.01/ 3.09 IO TO MEN)


She prayed to Athena for comfort...

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SCENE 379 - MS - IO.

IO 4-198 /1551.05 1554.14/ 3.09 IO TO MEN)


...but the goddess felt nothing but disgust. ...but the goddess felt nothing but disgust.
1555-00

SCENE 380 - MS - DRACO, GAZING R.FG.

IO 4-199 /1555.06 1560.10/ 5.04 IO TO MEN)


(off) She made sure no one would ever... (over scene end) She made sure no one would ever want
1557-14 Medusa again.
(made sure : idiomatic for 'ensured' -
note that Athena caused Medusa's
SCENE 381 - MS - PAST IO (TORSO), transformation from a beautiful
R.FG., TO EUSEBIOS. woman into a hideous monster)
(want : i.e., 'sexually desire')
IO
(face off) ...want Medusa again.
1560-12

SCENE 382 - MCS - IO.

IO 4-200 1561.09 1567.06/ 5.13 IO TO MEN)


One look at the creature she has become One look at the creature she has become
will turn any living thing to stone.
will turn any living thing to stone.
1567-07

SCENE 383 - MS - DRACO, GAZING R.FG.

IO 4-201 1568.09 1571.08 2.15 IO TO MEN)


(off) I cannot assist you... (over scene end) I cannot assist you there.
1570-07 (there : i.e., 'in the temple')

SCENE 384 - MCS - IO, AS CAMERA


SLOWLY DOLLIES IN.

IO 4-202 1571.12 1574.02/ 2.06 IO TO MEN)


...there. A curse prevents me. A curse prevents me.
1574-03

SCENE 385 - MCS - PAST SOLON


(TORSO), L.FG., TO PERSEUS.

IO 4-203 1575.10 1581.13/ 6.03 IO TO MEN)


(off) It was Athena's one bit of solace... (over scene end) It was Athena's one bit of solace to Medusa
1578-03 so that Medusa would never harm a woman.

SCENE 386 - MCS - IO, AS CAMERA


SLOWLY DOLLIES IN.

IO
...to Medusa so that Medusa would never

harm a woman.
1581-14

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SCENE 387 - MS - PAST IO (HAND), R.FG.,


TO EUSEBIOS.

IO 4-204 1583.09 1587.05/ 3.12 IO TO MEN)


(face off) Only men... (over scene end) Only men are allowed in the temple.
1584-10

SCENE 388 - MS - DRACO.

IO
(off) ...are allowed in the temple.
1587-07

SCENE 389 - MCS - IO.

IO 4-205 1588.09 1592.07 3.14 IO TO MEN)


Though no man has ever made it out. Though no man has ever made it out.
1592-14 (has ever made it out : i.e., 'has ever
survived to subsequently leave the
temple')
SCENE 390 - MCS - CHARON, AS CAMERA
DOLLIES IN.
1596-13

SCENE 391 - FS - PAST CHARON, L.FG.,


TO THE GROUP ABOARD THE FERRY, AS
IT TRAVELS FG. AND CAMERA CRANES
UP.
1601-12

SCENE 392 - MCS - PAST SOLON


(TORSO), L.FG., TO PERSEUS, STEPPING
R. AND EXITING FRAME.
1606-04

EXHIBITION REEL FOOTAGE: 1594-05 LAST FRAME OF PICTURE IS 1606.04

END OF REEL 4AB END OF REEL 4AB

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