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The 50 best metal albums of 2020


By Metal Hammer
First Published 11 hours ago

2020 might have been a write o on most fronts, but it least it had an epic soundtrack

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2020: what the hell was that all about? If it was a music festival, it would be that one you
went to where it pissed down with rain all weekend, you dropped your phone down a
portaloo, then found that somebody had nicked your tent and shat in your wellies. We
were going to say we're glad to see the back of it, until we realised the absolute ball of
twatknackery that 2021 has gotten o to.

Still, while the world might have stopped in 2020, metal certainly didn’t. Once the initial
shock of the COVID pandemic wore o , bands swiftly realised that people needed music
more than ever. A trickle of great albums the spring became an absolute avalanche once
bands cottoned on to the fact that people were hungrier than ever for brand new noise.
The result was 12 months of music that proved the metal scene is stronger, bolder and
more exciting that it’s even been.

With many of metal’s old warriors sitting the year out - the notable exception being Ozzy
Osbourne, who released a knockout late-career zinger in Ordinary Man – 2020 belong
rmly to today’s bands. From 21st century titans such as Deftones, Trivium and Lamb Of
God to next-gen heroes like Code Orange, Oceans Of Slumber and Loathe, metal spread
its black wings far and wide.

We polled our entire team of critics, and spent hours totting up the results (listen, there
are no 'stolen' votes here, buddy). And here are the results: 50 albums that have gone
some way to shing 2020 out of the dumpster.
01:25 / 03:48

50. Myrkur – Folkesange

Amalie Bruun’s early black metal proved bitterly divisive among the
genre’s elitist gatekeepers, but Folkesange instantly proved that her
instinct for a gorgeous Nordic folk ditty is unwaveringly sharp. Be it
jaunty camp re dances or hauntingly atmospheric mood pieces,
Myrkur breathed new life into ancient folk standards whilst also
beautifully nailing the art of writing songs that sounded 1,000 years
older than they were.

49. Hellripper – The A air Of The Poisons

This year, Hellripper’s sole Venom-ous Motörheadbanger, James


McBain, joined Midnight and Rebel Wizard at the forefront of modern
black-thrash. A rabid, raucous crossbreed of Kill ’Em All, Overkill,
Welcome To Hell, Bathory and Filth Hounds Of Hades, The A air Of
The Poisons, with the same force as a bucking kick from the gnarled
hooves of Lucifer, knocked out every backpatched and bullet belt-
sporting heathen who heard it.

48. Lik – Misanthropic Breed

With Misanthropic Breed, Lik o ered up a potent display of proper


Swedes playing proper Swedish death metal. The Stockholm band’s
third album oozed HM-powered ri ng, punk energy and the raging
brutality of their forefathers (when they were teenagers, mind).
Adding a ne-tuned nesse inspired by Maiden-esque melodies and
harmonies, these new-school purveyors delivered a high watermark
to the genre’s nation of origin.
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47. Triptykon – Requiem (Live At Roadburn 2019)

Completing an orchestral project more than three decades in the


making – begun by Thomas G Fischer’s legendary previous band,
Celtic Frost, in 1987 – this document of Triptykon’s one-o Roadburn
performance balanced its immense heft with moments of
tremendous grace and beauty. More than a live album, Requiem
demonstrated Fischer’s lifelong commitment to heavy
experimentation.

46. All Them Witches – Nothing As The Ideal

Listening to the sixth album from Nashville’s All Them Witches felt like
falling down a rabbit hole into a psychedelic backwoods America.
Nothing As The Ideal was a post-stoner fever dream populated by
homicidal twins and plants with teeth, set to a backdrop of lava lamp
ri s that billowed and ebbed rather than thumped and bludgeoned.
A monumentally surreal year’s monumentally surreal soundtrack.

45. Greg Puciato – Child Soldier: Creator Of God

No one would have expected anything standard from the former


Dillinger Escape Plan frontman’s rst solo e ort, but no one could
have imagined the breadth of Child Soldier. It encapsulated
everything from lo- singer/songwriting, to shimmering electro-pop,
to some of the most scabrous metallic material Greg Puciato has put
his name to. It might sound disjointed on paper, but he lovingly
stirred his sonic pot and it congealed into a work of eclectic brilliance.
44.  Ingested – Where Only Gods May Tread

The UK’s kings of brutal, slam-inclined death metal, Ingested


surpassed even the cudgelling majesty of 2018.’s The Level Above
Human on their fth full-length. From the opening seconds of Follow
The Deceiver onwards, Where Only Gods May Tread sounds
imperious and unstoppable: state-of-the-art death metal with big
hooks, colossal grooves and balls the size of Jupiter. When gigs
return, these tunes will level venues.

43. Crippled Black Phoenix – Ellengaest

An epic but intimate eruption of dark, post- everything melodrama,


Ellengaest was full of stunning moments. With vocal cameos from
Gaahl, Tribulation’s Jonathan Hultén and Anathema’s Vincent
Cavanagh amongst others, these spacious, sprawling and subtly
inventive songs were among the most fascinating and memorable
that Crippled Black Phoenix have released. A career highlight from
one of the UK’s most consistent but underrated bands.

42. Intronaut – Fluid Existential Inversions

Prog metallers Intronaut always had the potential to reach


Mastodon-ian heights but lacked the requisite songwriting
memorability to truly break out. Fluid Existential Inversions –
produced by Converge’s Kurt Ballou and with Alex Rudinger (The
Faceless/Whitechapel) on drums – distinguished itself from past LPs
by ramping up the vocal and instrumental melodicism. The
Baroness/Ghost-worthy hooks and dazzling, synth-laden prog
grandstanding entwined in prodigious ways to constitute a welcome, mainstream-baiting
evolution.

41. Cirith Ungol – Forever Black

For decades a byword for true cult epic metal madness, these
Tolkien-obsessed Californians resurfaced from the arcane depths
after nearly 30 years with a gloriously bonkers monster LP. As well as
honouring the band’s 80s legacy, Forever Black found this unique
band vigorously revitalised and hungry for fresh blood, with Tim
Baker’s rasping holler still sounding like Axl Rose being roasted by
dragon’s breath.

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