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The 50 Best Metal Albums of 2020 - Louder
The 50 Best Metal Albums of 2020 - Louder
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2020 might have been a write o on most fronts, but it least it had an epic soundtrack
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2020: what the hell was that all about? If it was a music festival, it would be that one you
went to where it pissed down with rain all weekend, you dropped your phone down a
portaloo, then found that somebody had nicked your tent and shat in your wellies. We
were going to say we're glad to see the back of it, until we realised the absolute ball of
twatknackery that 2021 has gotten o to.
Still, while the world might have stopped in 2020, metal certainly didn’t. Once the initial
shock of the COVID pandemic wore o , bands swiftly realised that people needed music
more than ever. A trickle of great albums the spring became an absolute avalanche once
bands cottoned on to the fact that people were hungrier than ever for brand new noise.
The result was 12 months of music that proved the metal scene is stronger, bolder and
more exciting that it’s even been.
With many of metal’s old warriors sitting the year out - the notable exception being Ozzy
Osbourne, who released a knockout late-career zinger in Ordinary Man – 2020 belong
rmly to today’s bands. From 21st century titans such as Deftones, Trivium and Lamb Of
God to next-gen heroes like Code Orange, Oceans Of Slumber and Loathe, metal spread
its black wings far and wide.
We polled our entire team of critics, and spent hours totting up the results (listen, there
are no 'stolen' votes here, buddy). And here are the results: 50 albums that have gone
some way to shing 2020 out of the dumpster.
01:25 / 03:48
Amalie Bruun’s early black metal proved bitterly divisive among the
genre’s elitist gatekeepers, but Folkesange instantly proved that her
instinct for a gorgeous Nordic folk ditty is unwaveringly sharp. Be it
jaunty camp re dances or hauntingly atmospheric mood pieces,
Myrkur breathed new life into ancient folk standards whilst also
beautifully nailing the art of writing songs that sounded 1,000 years
older than they were.
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Listening to the sixth album from Nashville’s All Them Witches felt like
falling down a rabbit hole into a psychedelic backwoods America.
Nothing As The Ideal was a post-stoner fever dream populated by
homicidal twins and plants with teeth, set to a backdrop of lava lamp
ri s that billowed and ebbed rather than thumped and bludgeoned.
A monumentally surreal year’s monumentally surreal soundtrack.
For decades a byword for true cult epic metal madness, these
Tolkien-obsessed Californians resurfaced from the arcane depths
after nearly 30 years with a gloriously bonkers monster LP. As well as
honouring the band’s 80s legacy, Forever Black found this unique
band vigorously revitalised and hungry for fresh blood, with Tim
Baker’s rasping holler still sounding like Axl Rose being roasted by
dragon’s breath.
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