Professional Documents
Culture Documents
► any person who is a national or who is domiciled or has a real and effective industrial
establishment in a country which:
a) is a party to any convention, treaty, or agreement relating to intellectual property rights
or the repression of unfair competition to which the Philippines is also a party, or
b) extends reciprocal rights to nationals of the Philippines by law,
Shall be entitled to benefits to the extent necessary to give effect to any provision of such convention,
treaty, or reciprocal law, in addition to the rights to which any owner of an intellectual property right is
otherwise provided by law. (Sec. 3)
REVERSE RECIPROCITY OF FOREIGN LAWS
The patentable invention may be, or may relate to, a product, or process, or an
improvement of any of the foregoing. (Sec. 21)
Requirements:
Prior Arts:
► that which has been made available to the public anywhere in the world before the filing date or the
priority date of the application
► that which forms part of an application whether for patent, utility or industrial design, effective in the
Philippines, provided that:
* the inventors or applicants are not the same
* The contents of the application are published in accordance with the requirements of
patent application rules.
* The filing date of the prior art is earlier.
Non-prejudicial Disclosures
(a) The inventor (includes any person who, at the filing date of
application, had the right to the patent);
(b) A patent office and the information was contained (a) in another
application filed by the inventor and should not have been disclosed
by the office, or (b) in an application filed without the knowledge or
consent of the inventor by a third party which obtained the
information directly or indirectly from the inventor; or
Industrial Applicability
► -an invention that can be produced and used in any
industry. (Sec. 27)
NON-PATENTABLE INVENTIONS
► Industrial Design
-any composition of lines or colors or any three-dimensional form, whether or not
associated with lines or colors provided that such composition or form gives a special
appearance to and can serve as pattern for an industrial product or handicraft.
CANCELLATION OF PATENTS
Grounds
► That the patent is invalid (Sec. 81);
► That what is claimed as the invention is not new or patentable;
► That the patent does not disclose the invention in a manner
sufficiently clear and complete for it to be carried out by any person
skilled in the art; or
► That the patent is contrary to public order or morality. (Sec. 61)
► failure to make payments of annual fees or dues
Who may file?
► any person
► IPO motu proprio
Where to file?
► BLA – if in violation of IPC (administrative)
► RTC – otherwise
INFRINGEMENT
► Trade Dress– involves the total image of a product, including such features
as size, shape, color or color combinations, texture, and/or graphics.
HOW MARKS ARE ACQUIRED
► Under RA 8293, the rights in a mark shall be acquired through registration made validly in
accordance with its provisions. (Sec. 122)
► -This proposition of law, however, may not be converted for it is not true that where there is
no registration, there is no protection.
Grounds:
► Mark becomes generic for goods for which it is registered;
► Abandonment of the mark;
► Registration obtained fraudulently or contrary to provisions of RA
8293;
► Mark used by, or with permission of, registrant;
► Failure to use the mark within the Philippines for 3 uninterrupted years
or longer.
EFFECTS OF NON-USE
Under RA 8293, any person shall, without the consent of the owner of the
registered mark:
► Use in commerce any reproduction, counterfeit, copy, or colorable
imitation of a registered mark or the same container or a dominant feature
thereof in connection with the sale, offering for sale, distribution,
advertising any goods or services including other preparatory steps
necessary to carry out the sale of any goods or services on or in
connection with which such use is likely to cause confusion, or to cause
mistake, or to deceive; or
► Reproduce, counterfeit, copy or colorably imitate a registered mark
or a dominant feature thereof and apply such reproduction,
counterfeit, copy, or colorable imitation to labels, signs, prints,
packages, wrappers, receptacles, or advertisements intended to be
used in commerce upon or in connection with the sale, offering for
sale, distribution, or advertising of goods or services on, or in
connection with which such use is likely to cause confusion, or to
cause mistake, or to deceive, shall be liable for infringement. (Sec.
155)
TEST OF TRADEMARK
INFRINGEMENT
A copyright work is created when the two (2) requirements are met:
► Originality – does not mean novelty or ingenuity, neither
uniqueness nor creativity. It simply means that the work “owes its
origin to the author”
► Expression – there must be “fixation.” To be “fixed”, a work must
be embodied in a medium sufficiently:
* permanent; or
* stable
WORKS PROTECTED BY COPYRIGHT
A. Original Work - Literary and artistic works are original intellectual creations in the
literary and artistic domain protected from the moment of their creation, irrespective of
their mode or form of expression, as well as of their content, quality and purpose, and
shall include in particular:
► Right of attribution or paternity right. To require that the authorship of the works
be attributed to him, in a prominent way on the copies, and with the public use of
the work;
► Right of alteration or non-publication
► Right to preservation of integrity
► To object to any distortion, mutilation or other modification of, or other derogatory
action in relation to, his work which would be prejudicial to his honor or
reputation; and
► Right not to be identified with work of others or with distorted work.
Term of moral right
-lifetime of the author and 50 years after his death
► Under the Berne Convention, the enjoyment and exercise of copyright, including moral
rights, shall not be the subject of any formality.
OWNERSHIP OF COPYRIGHT
► Single creator – copyright belongs to the author of the work, his heirs or assigns.
► Joint creation – copyright belongs to the co-authors jointly as co-owners. But if the work
consists of identifiable parts, the author of each part owns the part that he has created.
► Employee’s creation – copyright belongs to the employee if the creation is not part of his
regular duties even if he uses the time, facilities and materials of the employer; otherwise
it belongs to the employer
► Commissioned work – the work belongs to the person commissioning but the copyright
remains with the creator unless there is a written stipulation to the contrary.
► Cinematographic works – the producer has copyright for purposes of exhibition; for all
other purposes, the producer, the author of the scenario, the composer, the film director,
the author of the work are the creators.
► Anonymous and pseudonymous works – the publishers shall be deemed the
representative of the author unless:
► the contrary appears
► the pseudonyms or adopted name leaves no doubt as to the author’s identity or
► If the author discloses his identity (Sec. 179).
► Collective works – the contributor is deemed to have waived his right unless he expressly
reserves it. (Sec. 196)
► Collective Work – a work created by two or more persons at the initiative and under the
direction of another with the understanding that it will be disclosed by the latter under his
own name and that the contributions of natural persons will not be identified. (Sec. 171.2)
► In case of transfers, the transferee shall own one or more or all the economic rights
transferred provided:
► the assignment, if inter vivos, be in writing (Sec. 180.2)
► The assignment be filed with the National Library upon payment of the prescribed fee.
(Sec. 182)
DURATION OF COPYRIGHT
► Literary artistic works and derivative works of a SINGLE CREATOR - lifetime of the
creator and for 50 years after his death
► Joint creation – lifetime of last surviving co-creator and for 50 years after his death.
► Anonymous or a work under a pseudonym not identifiable with the true name of the
creator – 50 years after the date of their first publication.
► Except where, before the expiration of said period, the author's identity is revealed or is
no longer in doubt, the rule for single and joint creation shall apply
► Photographic works – 50 years from the publication of the work, or from making the
same term is given to audiovisual works produced by photography or analogous
processes.
► Work of Applied Art – 25 years from the date of making
► Newspaper Article – lifetime of the author and 50 years after his death
► A pure news report will no longer find protection under the new law, BUT a column or
published comment will.
► The work of performers not incorporated in RECORDING, PRODUCTS OF SOUND
IMAGE RECORDINGS, and BROADCASTS – protected for periods of 50 years, 50
years, and 20 years, respectively, counted from the end of the year of performance,
recording, or broadcasts, respectively.
► The term of protection shall be counted from the first day of January of the year following
the death of the author or of last publication (Sec. 214)
LIMITATIONS TO THE RIGHTS ON
COPYRIGHT
► Private performance, private and personal use – applicable only “when a work has
been lawfully made accessible to the public.”
► Personal Use
► -making a single reproduction, adaptation, arrangement or other transformation of
another’s work exclusively for one’s own individual use in such cases as personal
research, learning or amusement
► Private Use
► -making a reproduction, adaptation or other transformation of it, in a single person as in
the case of “personal use” but also for a common purpose by a specific circle of persons
only.
► Fair Use of a Copyrighted Work
► Fair Use - a privilege in persons other than the owner of the copyright to use the
copyrighted material in a reasonable manner without its consent, notwithstanding the
monopoly granted to the owner by the copyright.
► -the doctrine of fair use is meant to balance the monopolies enjoyed by the copyright
owner with interests of the public and of society.