Professional Documents
Culture Documents
PED 223
MODULE 1- INTRODUCTION TO DANCE
PHILIPPINE FOLK DANCES
LEARNING COMPETENCIES
1. to acquire basic knowledge on the fundamentals Philippine Traditional dances –
origin, influence, dance steps, movements & style;
2. to value folk dances of the country as part of the cultural heritage among Filipinos.
LEARNING OUTCOMES
The following are the learning outcomes that this module aims to achieve in the students:
1. Discuss the origin and development of dance;
2. Demonstrate the fundamental arm and feet position of dance;
3. Explain the concept of Philippine folk dances;
4. Identify the different types of Philippine folk dances;
5. Demonstrate the fundamental Philippine folk dance steps;
6. Perform a Philippine folk dance;
7. Identify ways to preserve the heritage of Philippine folk dances;
8. Strengthen the Filipino spirit and sense of nationalism; and
9. Answer all the activities and assessments with honesty and integrity.
PRE-TEST
Directions: Read each item carefully. Choose and encircle the letter of the best answer.
1. Which among the following is not a physical benefit of dance?
A. Develops cardiovascular endurance
B. Improves coordination and flexibility
C. Increase self-esteem
D. Improves lipid metabolism
2. It is the force at which we express our body motions.
A. Energy
B. Flexibility
C. Coordination
3. These are indigenous dances of the common people of “folks”.
A. Folk Dances
B. National Dances
C. Ethnic Dances
D. Rhythm
E. Cultural Dances
4. These are dances that are being performed by those in primitive tribes.
A. Folk Dances
B. National Dances
C. Ethnic Dances
D. Cultural Dances
5. These are dances that depict birthing, courtship, wedding, and funeral.
A. National Dances
B. Life-cycle Dances
C. Ritual Dances
D. Folk Dances
6. These are non-Christian dances from the Cordilleras.
A. Muslim Dances
B. Occupational Dances
C. Tribal Dances
D. Cultural Dances
7. These are dances of the people from the Southern Island of the Philippines.
A. Muslim Dances
B. Folk Dances
C. Occupational Dances
D. Cultural Dances
8. Which of the following folk-dance step has a step pattern of “Stem R sideward, step L close
to R, step R in place?
A. Change Step
B. Waltz
C. Close Step
D. Step Brush
9. Which of the following step has a 3 time signature?
A. Waltz
B. Change Step
C. Slide Step
10. Who is the National Artist for Dance?
A. Francisca Reyes Aquino
B. Levi Celerio
C. Bleking Step
D. Lucrecia Kasilag
LET’S REVIEW!
There are five fundamental or basic positions in dance
POSITION ARM FEET
1st position Both arms raised in a circle in front Heels close together, toes apart with
of the chest with the fingertips an angle of about 45 degrees.
about an inch apart.
2ND position Both raised sideward with a Feet apart sideward of about a pace
graceful curve at the shoulder level. distance.
3RD position One arm as in 2nd position; other Heel of one foot close to in-step of
arm raised upward. other foot.
4th position One arm raised in front as in 1st One foot in front of other foot of a
position; other arm raised. pace distance.
5th position Both arms raised overhead. Heel of front foot close to big toe of
rear foot.
1st position
2nd position
Arms Feet Together
3rd position
4th position
5th position
DANCE: Definition, History, Benefits, Elements,
What is Dance?
Dancing is the movement of the body in a rhythmic way, usually to music and within a given
space, for the purpose of expressing an idea or emotion, releasing energy, or simply taking
delight in the movement itself. “Dance is an activity which can take many forms and fill many
different needs. It can be recreation, entertainment, education, therapy, and religion. In its purest
and most basic form, dance is art, the art of body movement.” (Barbara Mettler, 1980)
Mental/Emotional.
Helps keep the brain sharp
Decreases incidence of dementia and Alzheimer’s disease
Decrease depressive symptoms
Increase self-esteem
Aids in releasing emotional and physical tension
Social
Gives sense of togetherness within a group
Encourages positive social interaction
Contributes to the individual’s potential for self-actualization in society
Cultural
Promotes cultural values
1. Motivation & Determination. Finding your motivation allows you to tap into your
determination for pursuing the success and life that you want as a dancer. Any dancer can
become a great dancer once they become crystal clear on their motivation and determination.
2. Discipline Practice makes perfect and there’s really no way around it. If you want to hone in
on your craft, the trait of discipline needs to be by your side at all times.
3. Ability to Focus. Another essential trait that makes a great dancer is the ability to really focus.
Dancing is a crafted skill that comes through much dedication, discipline, motivation,
determination, and above all – focus.
4. Spatial Awareness. With the world as your stage, dancers must have the ability to be spatially
aware of both their body and their surroundings. Being spatially aware means that you can flutter
about the stage knowing precisely how to use your space, how to avoid bumping into other
dancers, or how to simply not be in the way.
5. Enthusiasm .When you think of dance, does it excite you? Do you enjoy practicing it,
learning it and watching great dancers perform on your free time? Dancing will always require
hard work, but if you aren’t feeling enthusiasm towards it then hard work may only take you so
far. If you love to dance and you possess some of these key traits, rest assured that you just
might have what it takes to become a great dancer.
ACTIVITY:
TEST I.
Directions: Fill in the missing word to complete the statement.
1) Dancing is the movement of the body in a rhythmic _ way.
2) The following are the main reasons why people dance:
To please the God________
To please others_____
To please themselves or self-expression_____
To build community_____within an ethnic group or social interaction
3) A good dance displays a significant Meaning___ or conveys Message____.
4) Timing______is key to any dance. We follow the rhythm or beat to match our actions with the
sound of the music.
5) Energy____is the force at which we express our body motions. *
TEST II.
Were you able to capture or trace the historicity of dance? How about the reasons why people
dance, are they still being applied to our current generation? For some provinces, they were able
to keep the sacredness of their culture particularly dancing. The ritual dances used as a form of
thanksgiving for a bountiful harvest, the Muslim dances being performed in different occasions,
and dances that depicts different life ceremonies are still evident to them. I’m sure you were
curious about these dances. Find out more about these below as this module brings you the next
lesson: Philippine Folk Dances. Philippine Folk Dance All countries in the world have rich
cultures made vibrant and colorful by their dances that truly reflects their identity. In the
Philippines, we are very rich in terms of our culture and dances as well. Each region in the
country has a diverse culture and traditional dances.
Quick view of how beautiful the Philippine dances are, watch the video attached in this module.
Link: https://www.youtube.com/watch?v=VVI1FOUsQyE
Philippine Folk
dance
What I Know
Directions: Write TRUE if the statement is correct, and FALSE if the statement is wrong.
Ethnic dances or ethnological dances are those performed in primitive tribes and have retained
their close kinship with religious ritual community custom. In the Philippines, examples of
Ethnic dances mostly originate from Ifugao people from northern Luzon, T’boli tribe from
Southern Mindanao, and Tagbanua tribe from Palawan.
Ethnic dances can be performed in three different categories: ritual, life-cycle, and
occupational.
a. Ritual Dances- dances that depicts ceremony. Examples are” Dugso” from
Bukidnon and “Pagdidiwata” of Palawan.
b. Life-cycle dances- dances relating to the cycle of human life, such as birthing,
courtship, wedding, and funeral. Examples are “Salip” from Apayao and
Binasuan of Pangasinan.
c. Occupational dances- dances that exhibit work and occupation of the dancers.
Examples of occupational dancers are “Mananagat” of Cebu and Mag-Asik
from Cotobato.
All national and ethnic dances are folk dances, but not all folk dances are considered national.
Mindanao Dances
Mindanao and Sulu were never conquered by Spain. Islam was introduced in the Philippines in
the 12th century before the discovery of the islands by Magellan in 1521. The dances in Muslim
however predated the Muslim influence. Like Ipat wich was a dance to appease ancestral spirits.
Before Islam, the Maguindanaons held the view that diseases are caused by tonong (ancestral
spirits). Thus, a folk healer performs the pag-ipat while being possessed by the tinunungan
(spirit). Another is the dance Baluang which creates the illusion of an angry monkey, and is
always performed by male dancers. The popularity of this dance comes naturally, since the
baluang, or monkey, enjoys an affectionate place in Asian folklore. Singkil was introduced after
the 14th century. It was based on the epic legend of Darangan of the Maranao people of
Mindanao. It tells of the story of a Muslim Princess, Gandingan who was caught in the middle of
a forest during an earthquake caused by the diwatas, or fairies of the forest.
Cordillera Dances
These are the dances of mountain tribes in Northern Luzon, such as those of the Kalinga and
Ifugao people. Cordillera, a name given by the Spanish Conquistadors when they first saw the
mountain ranges. Meaning “knotted rope”, the Spanish term refers to the jumbled rolls and dips
of this long-range traversing the northern part of part of Luzon Island. Today, if one is to
generalize one of the six ethno-linguistics tribes as an “Igorot” is considered degrading. Living
amidst the rice terraces that tower over Northern Luzon are a people whose way of life existed
long before any Spaniard or other foreigners stepped foot on the Philippines. The Bontoc, Ifugao,
Benguet, Apayao, and the Kalinga tribes reign over Luzon’s mountain terrain.
Ethnic/Tribal Dances
The cultural minorities that live in the hills and mountains throughout the Philippine Archipelago
considered dances as basic part of their lives. Their Culture and animistic beliefs predated
Christianity and Islam. Dances are performed essentially for the gods. As in most ancient
cultures, unlike the Muslim tribes in their midst, their dances are nonetheless closely intertwined
with ceremonials and rituals. Rinambo and Talbeng are examples of these dances.
3. Muslim Dances- dances from the people of Southern Islands of the Philippines such as in
Mindanao and Sulu. These dances are influenced by Arabic and Indo-Malayan cultures.
Examples are Singkil and Pangalay.
ASSESSMENT
Directions: Identify the following. Write your answer on the blank before the number.
Ethnic Dances 1. These are dances of those in the primitive tribe that is part of their
religious ritual and community custom.
Life-cycle Dances 2. These are dances relating to human life events such as birthing,
courtship, wedding and funeral.
Muslim Dances 3. These are dances of our brothers and sisters in the Southern Island of the
Philippines.
Occupational Dances 4. These are dances that depicts the livelihood of the dancers.
Folk Dances 5. These are traditional dances found in a certain country.
Ritual Dances 6. These are dances that depict ritual ceremonies.
Tribal Dances 7. These are non-Catholic dances from the cordilleras.
National Dances 8. These are popular and widely danced dances within a given country
oftentimes with regional variations.
Lowland Christian Dances 9. These are dances coming from places with western influences.
Francisca Reyes-Aquino 10. She is the national artist of dance and mother of Philippine Folk
Dances.
___________________________________________________________________________
Fundamental Folk Dance Steps 2 Time Signature 4 Counting: 1 2 to a measure Note: R- right foot
Basic Step
Step Close- Step R sideward, step L close to R Step L sideward, step R close to L
Step Point-Step R sideward, points L in front Step L sideward, points R in front
Stem Swing-Step R sideward, swing L in front Step L sideward, swing R in front
Step Brush-Step R sideward, brush L in front Step L sideward, brush R in front
Step Raise-Step R sideward, Raise L in front Step L sideward, Raise R in front
Step Hop- Step R sideward, Raise L in front
Bleking Step-Step R sideward, step L heel in front Step R sideward, step L heel in front
Slide Step-Slide R sideward, step L close to R Slide L sideward, step R close to L
Change Step-Step R in front, step L close to R in rear, step R quickly in front Step L in front,
step R close to R in rear, step R quickly in front
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