Professional Documents
Culture Documents
By Sandra Beckwith
Table of Contents
Sample Message................................................................................................................... 7
This workbook contains nearly all the forms and templates you’ll need to generate exciting
buzz in the press for your book, whether you’ve produced a work of fiction or nonfiction.
STARTING OUT: Before working with these media relations tools, take a minute to print the
workbook and review everything offered here. Read the introductory text before each tool to
determine if it’s the right resource for your current goal. The instructions for each tool and
the samples I’ve included should help you decide which ones will suit your purposes.
(Thanks to author friends Jen Singer, Susan Finn, and Robbie Kaplan and publicist Patti
Danos for allowing me to reprint their tools. I appreciate their generosity.)
PLANNING: I’ve included information on how to write a book publicity plan for those of you
who haven’t done that yet. A publicity plan gives you the essential blueprint you need to
make things happen. It’s not a media relations tool like everything else in this workbook – it’s
a planning tool. It helps you figure out where you want to go and how you’re going to get
there. You should create your book publicity plan before doing anything else, but I wanted
you to see what tools were at your disposal before you determined how – or if – they would
fit into your publicity plan. That’s why I’ve included the plan-writing form at the end of the
workbook.
USABILITY: Please note that while most e-books are sold as PDF files, this one is a Word
file because it’s more useful to you that way. I want you to be able to copy and paste each
template into a new Word file so you can literally fill in the blanks on your computer screen.
You might even want to copy and paste each tool into a permanent Word file that you save
and protect as your master document – your master press release form, tip sheet form,
author bio form, and so on.
QUESTIONS?: Finally, please let me know if you have questions, comments or feedback. Is
there something missing? Could I explain something more clearly? I’d love to hear from you.
Contact me at sb@buildbookbuzz.com.
Learn more about Book Publicity 101: How to Build Book Buzz courses at
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Build Book Buzz Publicity Forms and Templates
If you aren’t clear on your message each time you communicate with the media, your
publicity efforts will be less effective. Giving careful attention to your communication
messages allows you to get a little more control over the unpredictable – and generally
uncontrollable – publicity process. Anything you can do to exert some control is good.
Your message development focuses around determing the point you want to make – the
“headline” in the template below – and bolstering it with “supporting information.” When
creating and finetuning messages for the media and other communication efforts, supporting
information is often in the form of statistics, compelling facts, and anecdotes that illustrate
the message point.
Use this template to develop one to three messages – all you’ll need for the typical media
encounter – and to organize the information that supports your messages.
Message Point 1
Message Point 2
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Build Book Buzz Publicity Forms and Templates
Message Point 3
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Sample Message
Here’s an example. Let’s say the author of a book on how to shop at flea markets wants to
communicate that doing research is essential to paying the right price for your treasures.
Headline:
Research the products you want to buy before going to flea markets so you know how much
you should expect to pay for them.
Supporting information:
When I was starting out, I paid three times as much as I should have for some vintage
Fiestaware pieces that I thought I could re-sell on e-Bay. I still own them.
Once I began researching the value of items that always caught my eye and became a
better price negotiator, my resale income on eBay increased 125 percent.
My survey of 500 of my e-zine subscribers revealed that 73 percent of them believe they
overpaid for a flea market item at least once.
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Build Book Buzz Publicity Forms and Templates
Use this form to help you begin writing a press release announcing publication of your new
book. Answer the questions below first. Then use your answers to create a compelling
release that explains what makes your book interesting and different. Use the sample book
announcement press release following this template to guide and inspire you. (Get more tips
for how to write a good announcement release at http://tinyurl.com/lmfkyr.) I’ve assigned
each step in the process a red letter – A, B, C, etc. – and added that letter to the sample
release so you can match the step with the end result. Make sure you don’t use the colored
letters in your final product!
In addition to using this release to announce your book to the press, give it a home on your
Web site in your online press room (see page 27).
A. What’s the release date? Most press releases can be used immediately. If that’s the
case, write FOR IMMEDIATE RELEASE. If the information can’t be used before a specific
date or time, it’s FOR RELEASE (INSERT DATE AND TIME). What’s your situation?
B. Who should get inquiries from reporters? (Most often, it’s you.) Include the name,
phone number and e-mail address.
Name:
Phone number:
E-mail:
C. Write an attention-getting headline. Announce the release subject with active verbs
and colorful words. Focus on the book, not yourself. Start here with a list of words that
describe the book.
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Now use some of those words to craft an attention-getting, yet accurate, headline.
Subheads are acceptable but not required.
D. What’s your lead? A lead is the opening statement that tells what the release is about.
Start out broad; get more specific later in your release. What are the key facts about your
book to include in the one or two sentences that comprise the first paragraph of your
release? Write the most important one or two facts here.
Use those facts to write your lead – your compelling opening statement offering a preview of
what else is to come in the release – here.
E. In the second paragraph, expand on the lead by offering more details. This is a good
place to introduce the book title and author’s name. What else do we need to know?
F. Give us more details about the book in bullet points. Get even more specific here,
after that second paragraph. What’s unique or special about the book? What differentiates it
from other books in your category? List key facts below to guide you when you write this
section of the release.
G. Include a quote after you’ve presented specifics on the book. Why did you write the
book? Why do you think it’s useful? This is where you can share your opinion. Focus on
information not presented elsewhere in the release.
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H. Give us your credentials. Who are you? What’s your connection to the topic? Write a
paragraph that explains why you’re the author of this book.
I. Conclude with a paragraph that repeats the book title and price and tells people
where they can buy it. You will use this concluding paragraph in all your press releases
and tip sheets for the book, so it is referred to as a “boilerplate” paragraph.
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Here’s a sample book announcement press release. Print it and match the red-
lettered release components with the steps in the template. Remember not to use
those letters in your own release!
C. New Guide Helps Nonprofits Stretch Marketing Dollars for Maximum Publicity
Nonprofits Can Finally Capture Essential Media Attention
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G. “When I speak to nonprofit groups about publicity, they are never interested in
theory,” says Beckwith. “They want to know how to do it – what tools and tactics will get
them the farthest? Which approach will have the greatest impact with the least amount of
expense? When is a press conference a good idea and when is not the best choice for
communicating information? I wrote this book to give them the answers and information they
need to succeed in a highly-competitive, increasingly complex media world.”
H. Sandra Beckwith has more than 25 years of award-winning public relations
experience. A recipient of the coveted Silver Anvil Award from the Public Relations Society of
America, her public relations background includes assignments at one of the world’s largest
public relations firms and a large national consumer products company. Now a consultant
who helps others learn how to generate their own publicity, her clients include several
nonprofit organizations.
I. Publicity for Nonprofits: Generating Media Exposure that Leads to
Awareness, Growth, and Contributions ($23.95, 256 pages, 7 ¼ x 9, paperback, ISBN: 1-
4195-2299-X) is available at neighborhood and online booksellers or by calling 800-245-
BOOK.
Kaplan Publishing is one of the nation’s leading education, career and business
publishers. Kaplan Publishing, with offices in New York and Chicago, produces more than
150 books a year on test preparation, admissions, academic and professional development,
general business, management, sales, marketing, real estate, finance and investing. Kaplan
Publishing is a unit of Kaplan, Inc., a wholly owned subsidiary of The Washington Post
Company (NYSE: WPO). For more information, please visit www.kaplanpublishing.com
###
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Your author bio helps a journalist determine if you’re an appropriate expert resource for a
story or segment and is often the basis of your speaker introduction when you’ve been
invited to give a presentation on your book topic. Provide it when pitching yourself as an
expert and make it available on your Web site along with a professional author photo.
Don’t include your entire professional history or your life story. Emphasize your credentials
for this book and leave out those that have no connection to it. Novelists might include
personal facts that contributed to the book and writing accolades while nonfiction authors
will want to include professional employment or experience that establishes expertise in the
book’s topic.
Keep it to two or three short paragraphs. We don’t need your life story. We just need to know
why you’re the perfect author for this book.
Key facts include some – but not necessarily all – of the following:
Name
Current employment
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Sandra Beckwith
While she now writes full time, recovering publicist Sandra Beckwith has more than 25 years
of award-winning publicity experience. She has received two national publicity awards,
including the coveted national Silver Anvil award from the Public Relations Society of
America (PRSA) and several regional PRSA awards. Her journalism and public relations
degree is from Utica College of Syracuse University.
Today, Beckwith concentrates on helping companies learn how to generate their own
publicity. She is the author of Publicity for Nonprofits: Generating Media Exposure That
Leads to Awareness, Growth, and Contributions (Kaplan Publishing, June 2006) and
Streetwise Complete Publicity Plans: How to Create Publicity That Will Spark Media
Exposure and Excitement (Adams Media 2003). She is a frequent presenter on publicity
topics.
Self-employed since 1985, Beckwith’s earlier experience includes editorial and marketing
positions at an educational publishing firm near Madison, Wisc.; Burson-Marsteller/Chicago,
one of the world’s largest public relations firms; and the product publicity department of the
former Heublein Inc. in Hartford, Conn., a beverage alcohol distiller/marketer. A member of
the American Society of Journalists and Authors, the American Society of Business
Publication Editors and the Public Relations Society of America, she owns Beckwith
Communications in Fairport, N.Y.
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A sample Q&A – question and answer – sheet is especially useful when you’re working to
schedule radio interviews. When sent ahead of time, it helps a busy talk show host or radio
personality prepare for an interview with you. Some will even work completely from this list
of questions. But it’s not just for radio publicity – most journalists planning to interview you
about your book will benefit from this type of background information.
Use six to 10 questions, focusing on those you hear the most when you tell people you’re
writing or have written a book. Include a few of the questions you’d want answered if you
were a journalist scheduled to interview you.
Because Q&As are based on the individual book’s content, each will be unique. Pull out key
topics or themes and ask questions about them. Nonfiction Q&As might focus on advice and
lessons from a book while fiction Q&As might address inspiration, research, whether the
novel is a reflection of the author’s life or world, or anything unique or unexpected about the
book.
Type your question in boldface; type your answer under it in regular type.
Here are some of the typical questions included in an author Q&A, but be sure to add
those that you hear the most from people. Create a document that works for your
book.
What’s the most important lesson or message readers will get from it?
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Let this sample inspire your own author question and answer sheet.
Why does it matter that much of the existing health information is based on the
studies of men, not women?
Findings from research conducted only on men does not necessarily apply to women’s
unique health needs and vulnerabilities. Disease prevention, diagnosis and treatment can
vary greatly between men and women. For example, low HDL cholesterol is a far greater
risk factor for heart disease in women than it is in men. And although calcium is critical for
bone health in both men and women, only women are vulnerable to the type of early
osteoporosis that results from estrogen loss and low calcium intake.
What can I do for my daughters while they are young to make sure they are
nutritionally healthy adults?
Talk with them about the lifelong impact of nutrition on health – and lead by example. We
should reinforce the fact that calcum and weight-bearing exercise are essential to bone
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health tomorrow, and that maintaining a healthy weight can prevent diabetes, heart disease
and certain cancers.
I’m always reading or hearing news stories telling me that just about everything
imaginable is bad for me. How do I know what to eat to be healthy?
If you eat too much or too little of something, you are likely to have an excess or a deficiency
in some nutrients. That’s why a balanced diet, filled with variety and eaten in moderation, is
key to nutritional health. If you have questions, ask your physician or a nutrition professional,
or call the American Dietetic Association’s consumer nutrition line at 900-225-5267.
Your book devotes a chapter to the stages of a woman’s life. Are our nutritional needs
different during various stages?
Yes. Adolescence, the childbearing years, the older years – each stage comes with its own
set of priorities and its own physiological demands. The teenage years are a time of
significant growth and extraordinary nutritional needs. In addition, much can be done during
this time to prevent the incidence of diseases such as osteoporosis, heart disease and
diabetes in later life. During the childbearing years, nutritional health is critical to fertility and
successful pregnancy. Later, menopause influences bone, heart and breast health and
creates a new set of nutritional needs.
Are there nutritional antidotes for common female problems such as PMS?
Yes. Some of the most popular involve vitamin B6, magnesium, calcium, vitamin E and
phytoestrogens found in plants such as soy. The bottom line is we don’t yet know enough
about PMS to recommend a definitive nutritional therapy. But we do know that megadosing
on any nutrient is never a good idea. Try cutting back on caffeine, salt and alcohol to relieve
PMS symptoms. Exercise also can help because it helps relieve anxiety by stimulating the
release of endorphins.
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Although these strategies are simple, they might not be easy for everyone. So pick one just
to get started, and when you feel you have integrated it into your lifestyle, pick another.
Soon you will see how closely interrelated all four are. These strategies work because they
are based on three key principles of nutritional health: balance, variety and moderation.
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Tip sheets are the most powerful – yet probably the least used – book publicity tools.
A tip sheet is a specific type of press release that offers advice or tips in a bulleted or
numbered format. The biggest difference between a tip sheet and a press release is that the
body of a tip sheet-type release will include tips or advice in a numbered or bulleted format.
(The tips can come from your book, which makes this an easy tool for you to create.)
Use a tip sheet to generate news briefs in a newspaper or magazine. You can also use it as
background information when working to interest a reporter, editor, or producer in a feature
article or talk show interview on the tip sheet topic.
Generate tip sheet topics by thinking about the advice people ask for most often about the
topic, or the information you think is most needed from your book. What do you know that
can help others when packaged as bulleted bits of advice?
This valuable tool is as useful for novelists and memoirists as it is nonfiction authors, but it
does take more effort to generate fiction tip sheet topics. Think in terms of good, useful
advice your protagonist (or villain) can offer or advice based on the book’s geography. For
example, a historical novel based in the Hudson River Valley of New York can generate a tip
sheet about the region’s top historical sites. The author of a memoir about his experiences
with alcoholism can present tips on the common but rarely recognized signs of that disease.
Study the sample tip sheet after this template so you understand the format and flow. I’ve
assigned each step in the process a red letter – A, B, C, etc. – and added that letter to the
sample tip sheet so you can match the step with the end result. Remember not to use those
letters in your actual tip sheet!
Then use this template to help you organize your thoughts. After you fill in the blanks, write
the tip sheet, making certain it reads smoothly.
A. What’s the release date? Most tip sheets can be used immediately. If that’s the case,
write FOR IMMEDIATE RELEASE. If the information can’t be used before a specific date or
time, it’s FOR RELEASE (INSERT DATE AND TIME). What’s your situation?
B. Who should get inquiries from reporters? (Most often, it’s you.) Include the name,
phone number and e-mail address.
Name:
Phone number:
E-mail:
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D. What’s your lead? Because a tip sheet offers advice, it’s important to start this type of
release with a statement of the problem your advice will help solve. Statistics are often
helpful here. For example, if you’re the author of a book on how to use iPods, the lead for a
tip sheet promoting this book might be something like this: Apple Inc. reports that iPod sales
increased 25% in 2008 over the previous year, but while the company is enjoying that sales
boost, more older iPod buyers are stymied by the electronic devices. The author of a book
designed to demystify the popular portable music players says older users will get the
maximum use and enjoyment from their investment if they understand a few iPod
essentials. Write your lead here.
E. Who are you? Include your name, book title, and any other necessary or relevant
credentials as you set yourself up as the topic expert.
F. What do you, as the expert offering the tips, have to say about the tip sheet
subject? This is your quote. It helps set the stage for your wise advice and preceeds your
tips.
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G. List your tips with bullets or numbers. Use punchy, pithy, how-to language. Do not list
reasons to buy your book. This is not a sales piece. Offer advice. Keep your list of tips
between five and nine.
Tip:
Tip:
Tip:
Tip:
Tip:
Tip:
Tip:
Tip:
H. Conclude with a boilerplate paragraph that summarizes your book in one or two
sentences and tells people where they can buy it. You will use this concluding paragraph
in all your press releases and tip sheets for the book, so it is referred to as a “boilerplate”
paragraph.
Learn more about Book Publicity 101: How to Build Book Buzz courses at
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Learn more about Book Publicity 101: How to Build Book Buzz courses at
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Build Book Buzz Publicity Forms and Templates
Learn more about Book Publicity 101: How to Build Book Buzz courses at
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Use a press release when you want to announce news. When promoting a book, you might
use a press release to announce a newsworthy contest, survey results, or a holiday you’ve
created.
Check out press release distribution sites such as www.prnewswire.com or www.prweb.com
for press release samples. Then use this form to help you organize your thoughts. After you
fill in the blanks, write the release, making sure your news appears in the beginning and that
information and paragraphs flow in a logical progression. The most important information
comes first and is followed by the least important information.
I’ve assigned each step in the process a red letter – A, B, C, etc. – and added that letter to
the sample release so you can match the step with the end result. Make sure you don’t use
the colored letters in your final product!
A. What’s the release date? Most press releases can be used immediately. If that’s the
case, write FOR IMMEDIATE RELEASE. If the information can’t be used before a specific
date or time, it’s FOR RELEASE (INSERT DATE AND TIME). What’s your situation?
B. Who should get inquiries from reporters? (Most often, it’s you.) Include the name,
phone number and e-mail address.
Name:
Phone number:
E-mail:
C. Write an attention-getting headline. Announce the release subject with active verbs
and colorful words. Start here with a list of words that decribe the book.
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Now use those words to craft an attention-getting, yet accurate, headline. Subheads are
acceptable but not required.
Identify the five Ws and one H — who, what, when, where, why, and how. These details
should be in the first one to three paragraphs.
Who:
What:
When:
Where:
Why:
How:
D. What’s your lead? Summarize your news in one sentence. Add a second sentence with
a few more details. Read them over – do they say what they should? Make sure the
sentences aren’t too long. Incorporate the five Ws and one H (above) into the first paragraph
or the first and second paragraph.
E. Does this release warrant a quote? As the author/expert, what do you want to say
about the subject of the release? This is where you can share your opinion. Focus on
information not presented elsewhere in the release.
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F. After you’ve written the most important information (the first one or two
paragraphs) and the quote (if used), provide other important and relevant information
or details. This information supports what’s already offered by is not as important.
G. Conclude with a boilerplate paragraph that summarizes your book in one or two
sentences and tells people where they can buy it. You will use this concluding paragraph
in all your press releases and tip sheets for the book, so it is referred to as a “boilerplate”
paragraph.
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Here’s a sample press release illustrating how one author announces an event she
created to call attention to her book. Print it and match the red-lettered release
components with the steps in the template. Remember not to use those letters in your
own release!
Singer plans to spend “Please Take My Children to Work Day” with just grown-ups,
never refilling anyone’s sippy cup.
G. “Please Take My Children to Work Day,” a holiday held annually in June, has been
officially proclaimed by several governors across the country. Jen Singer is the creator of
MommaSaid.Net, a Forbes Best of the Web community for at-home mothers, and the author
of 14 Hours ‘Til Bedtime, which has been excerpted in Parents and American Baby and
featured in Parenting and The New York Times. She has appeared on the CBS “Early
Show,” ABC “World News Now” and NBC “Nightly News.”
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A quiz based on your book’s content teases people by giving them just enough information
about the book to intrigue them. It can entice those who are interested in the topic to
purchase the book so they can learn more.
Newspapers and magazines use quizzes as sidebars to articles on your book’s topic, radio
stations read from them as filler content, and bloggers often copy and paste them into their
blogs. They are also effective “did you know?” devices when pitching broadcast media on an
interview or segment.
A book press kit quiz is typically designed to test an individual’s knowledge, aptitude, ability,
readiness, personality traits, and so on. A quiz for a specialized cookbook might determine
whether the reader has the right ingredients or tools for this type of cooking; a business
book quiz might help the test taker identify leadership skills; one for a mystery might help the
reader assess powers of perception. Before crafting your quiz, flip through several
magazines at the library to see how the quizzes are written and used. Then, when creating
yours, be clear on what you want the quiz taker to learn from the experience while making
certain that there’s an obvious and relevant connection to your book’s content.
In addition to posting your press kit in the “For the Press” section of your Web site as part of
your press kit, post it in the “public” content area, as well, so that your site’s visitors can
learn from this tool.
The template below contains your press kit quiz elements.
Title in the form of a question. “How ready is your child for kindergarten?” or “How much
do you know about common over-the-counter drugs?”
The title is followed by a simple sentence: Take this quiz to find out.
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Write a short paragraph to introduce the quiz and provide instructions. This can be
one or two sentences that explain the quiz. (“Research shows that one of the most common
worries among mothers of young children is whether they are ready for school. This quiz will
help you answer that question and decide if there’s more you can do to help prepare your
child for kindergarten.”)
Include one sentence with quiz-taking instructions. (“If you answered yes to three or
more of the questions below, it’s time to seek help.”)
The quiz. Avoid making it too short or too long – eight to 14 questions is a good length. List
the questions, using 1.5 or double-spacing between each to add visually-appealing white
space. Include the appropriate answer device – boxes to check off, lines where users write
the answer, multiple choice options to circle, and so on.
Scoring (optional). If you’ve elected to create a more complicated quiz that includes
scoring, provide instructions on how people should calculate their scores. It might be as
simple as “If you answered ‘yes’ to three of these questions, you . . .” or it might be points
assigned to the number of “True” and “False” answers, and so on. What’s the best approach
for your topic and your quiz?
Score assessment (optiona). If you decide to include a scoring system, conclude your quiz
with a score key that explains what the score means – “If you scored 1-3, you are . . . , if you
scored 4-6, you are . . . ,” and so on.
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Book publicist Patti Danos creates quizzes for many of the books she represents because
she’s found them to be effective tools for generating media attention. Danos created this one
for the authors of The Hamster Revolution: How to Manage Your E-Mail Before It Manages
You.
Put your e-mail efficiency and etiquette to the test with help from The Hamster Revolution:
How to Manage Your E-Mail Before It Manages You by Mike Song, Vicki Halsey, and Tim
Burress.
How’s your e-mail efficiency and etiquette? If you check three or more of these statements,
you probably need help—now.
www.hamsterrevolution.com
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Some media outlets are willing to use a pre-written review of your new book as long as it is
written in a way that appears to be balanced and unbiased. This is most likely to happen
with smaller publications that don’t have large editorial staffs or budgets and with
newsletters of all types. Some bloggers will run it “as is” but many will use your document as
a starting point for their own personalized commentary. Journalists who are considering
interviewing you, but not writing a review, will also read a review for background information
on the book.
The need for the appearance of objectivity in a review, though, means that you have to find
some minor flaws to include in the review. If you can’t be objective enough to do this, either
don’t use this tool or ask a friend or colleague to read your book and write the review for
you. In fact, you will need to have a byline on your review and a short description of the
reviewer, so it might be wise to ask a friend or colleague to help you by writing the review for
promotional purposes. Your publisher’s publicist is another resource for the byline.
What does objective mean? It can’t read as if it was written by the president of your fan club.
Sure, it can be a positive review – in fact, it should be a positive review – but it can’t be over
the top with its enthusiasm. Avoid using hyperbole and absolutes – don’t refer to it as “the
best ever,” for example. An objective review will always include a negative or two but the
good news is that it’s easy to turn a negative into a positive while still looking like you’ve got
an unbiased perspective. For example, it’s possible to write, “While the book doesn’t go into
topic XYZ in any great depth, that doesn’t undermine the overall message, which is
that . . . .” or “I would have preferred an East Coast setting for the story but the unique
qualities of the Southwest seemed to work just fine too.”
Before using the form here to write your own review, study other book reviews to see how
they’re written. There are also many professionally-written reviews available online that work
as good examples. For example, AARP reviews books for a wide audience at
http://www.aarpmagazine.org/books/. There are many sites offering amateur reviews, but
those by reviewers who are paid for their commentary offer better benchmarks.
Include your review in your online and paper press kits.
A book review has an introduction, a discussion, and a conclusion. Keep this in mind as you
write it. Your word count goal is 700 to 1,000 words (shorter is better than longer).
Here’s the format to follow. It will provide the necessary structure for your review. Note that
there are specific tips for fiction and nonfiction.
Heading. Include the book title, author, publisher, publication date, and the number of
pages.
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Title. Give your review a summary title just as you would a magazine or newsletter article.
(Here are some from The New York Times: “Far From the Madding Crowd,” “Grrr,Sniff, Arf,”
“Urban Is Good.”)
Byline. Who wrote the review for your press kit? It can’t be you, even if you’re the
ghostwriter for someone else.
Introduction. Write a short summary of the book. Include the title and author in the
summary. This should be factual – no opinions here. Let the reader know what the book is
about so that the reader can decide if it’s a book she’d like to know more about.
Discussion. This is where we will find the real substance in the review – your thoughts on
the highs and lows, what intrigued you, what worked and what didn’t, whether the book did
what it set out to do, etc. Some topics to consider covering include:
For Fiction:
The book’s setting – where, when
Narrative style, tone
Pacing
The central conflict
Character likeability or believability
What viewpoint is used to tell the story
How it compares to other books in the genre or to other books by the author
Whether the ending felt satisfying
What worked for you, what didn’t
How readable is it
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For Nonfiction:
Whether the author has the right credentials for writing the book
How it compares with other books on the subject
What might be missing
Whether the author achieved the book’s stated goal
How readable is it
Other possibilities or conclusions not mentioned in the book
Which points are more convincing, which are less convincing
Conclusion. Write a strong, solid, final paragraph or two telling the reader what you thought
of the book. Because it’s your review, your opinion will be positive, but don’t go overboard.
Remember that some people skip to the last paragraph for a “buy” or “don’t buy” opinion, so
communicate why reading this book won’t be a waste of time.
Reviewer credit. Add one sentence about the reviewer – “Jennifer Nelson is the fiction
publicist at Acme Publishing” or “Jared Brown teaches college English in Madison, Ky.”
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I wrote this review of one of my books at the request of a small business columnist at a
weekly city business journal. He tweaked it a bit, and, as Randy Jackson would say on
“American Idol,” he made it his own. The key point here is that he asked me to submit a pre-
written review. I have changed the names of the reviewer and the publication to prevent
putting the columnist in an awkward position.
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The next step is to get your news into the right hands. Sometimes it's as easy as checking
the masthead of the city business journal or skimming through a week's worth of daily
newspapers to find out who covers your topic area. The book offers guidelines on who you
will want to contact at each type of media outlet and which resources to use to find the
names and contact information.
While Streetwise Complete Publicity Plans teaches readers how to do it themselves, the
author realizes that there are situations when outside help is needed, so she includes a
chapter on how to hire an agency. She is clearly biased in favor of small agencies
specializing in public relations rather than advertising agencies offering publicity services as
a side business. Regardless, she says, the goal is to select the organization that has the
most relevant experience and can prove it has been successful with other similar publicity
campaigns.
This is not a book for individuals looking for public relations theory, but it will become an
evergreen resource for small business owners of all types, whether their goal is to launch a
new product nationwide, secure local radio talk show coverage, or use trade media to
promote a service. As their publicity needs change, they will pull this book off the bookshelf
and flip to the section that serves their current business situation. It won’t surprise me if it
gets picked up by college professors looking for a publicity course textbook, as well.
Drew Philpot is the small business columnist for the Valley Business Journal.
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Always post your book’s media relations materials on your Web site (or the book’s Web site
if you have a dedicated book site) so that they can be found by journalists and others. You
might be surprised at the number of media opportunities that present themselves –
opportunities you wouldn’t otherwise have – when you make these materials available
online.
Identify a specific section of your Web site for your press materials. Most authors and others
use these “labels” on their toolbars:
Press Room
For the Press
For the Media
Press Kit
While many publishers and publicists use a PDF file format for their Web-based press
materials, PDF files are often harder to work with than text files made available on the Web
page or as downloadable Word files. With some versions of Adobe Acrobat, we lose the
formatting when copying and pasting the content into a Word file, which forces us to take
extra time to reformat the text. Why make it harder than necessary for a journalist to copy
and paste your book’s description or a few sentences from your bio to insert into an article,
or to copy and paste your author Q&A into a blog template? You always want to make it as
easy as possible to disseminate your information. In short, don’t use PDF files.
Here’s an outline of the material you will want to include in the “For the Press” section of
your Web site. You might not be able, want, or need to include all of these elements, but you
definitely want to share an announcement press release, your bio, and the book cover.
Book cover graphic. Ask your publisher to provide this in high and low resolution formats, if
possible, so that journalists who want to use it as an illustration have options.
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Author head shot. You want this to be as good as possible, so if you don’t have a
professional head shot, get one. Make sure the photographer knows you will be using it for
publicity purposes so there are no usage rights issues. Request high and low resolution
formats.
Book-related press releases (other than the publication announcement release). (The
template is on page 25.)
Links to media interviews, articles quoting you, or positive book reviews. Been
interviewed in an article that’s available online, on a blog, or on a podcast? Reporters like to
know that you have media experience so provide that reassurance when you can. List the
article or segment title followed by the media outlet.
Here’s an example:
“Evaluate Your Expert Position,” Advance for Audiologists
As you can see, when you click on the link, you go directly to the article.
Your book trailer and podcasts if you have any. While these are not media relations tools
per se, a good (and short!) book trailer can provide a reporter with an overview of the book
while your podcasts can help reinforce your expert positioning. They should be positioned
on the page below your media relations tools.
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There are many ways to set up your online Press Room. Jen Singer, the author of Stop
Second Guessing Yourself -- The Toddler Years (HCI April 2009) and You're a Good Mom
(and Your Kids Aren't So Bad Either) (Sourcebooks, 2008), uses a clean format to provide
the press with helpful information at http://www.mommasaid.net/mediakit.aspx.
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Your name, book title, and any special, relevant expertise. Put this in the first two or
three sentences.
Your proposal. Are you proposing a book review? An author Q&A with the blogger? An
author Q&A with blog readers? Author postings on the blog? Something else?
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Other information that will influence the blogger. This might include links to favorable
book reviews or an upcoming event that makes your proposal timely. Think in terms of what
might influence the blogger to accept your proposal.
Your book’s announcement press release. Paste this into the body of the e-mail below
your signature. It’s important background information that will answer many of the bloggers’
questions about your book.
Next steps. Will you send a book if they write back saying they’d like to see it? Send a
follow-up note in a few days? Make it clear who should do what next.
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Here’s an e-mail message pitching a virtual book tour “appearance” for my book, Publicity
for Nonprofits: Generating Media Exposure That Leads to Awareness, Growth, and
Contributions. My target audience is smaller nonprofits where the person responsible for
media relations might not have much formal PR training and has other unrelated job
responsibilities, too.
Hi Tom,
I’ve enjoyed reading your blog, especially your comments about how nonprofit organizations
need to be more proactive in their communications with constituents. I’m the author of
Publicity for Nonprofits: Generating Media Exposure That Leads to Awareness, Growth, and
Contributions, which has been well-reviewed by the media, including the influential
Chronicle of Philanthropy (http://tinyurl.com/ljzhhj).
I’m scheduling a virtual book tour for the week of October 22 and would like to make a “stop”
at Charity Matters if you’re interested. I think an author Q&A might work best with the format
you’ve been using, but I’m open to other possibilities, too. I’m also willing to respond to
reader inquiries if you think that’s appropriate.
I’ve pasted a press release describing my book below my signature, but would be happy to
send you a copy of the book to help you decide if this is a good fit for you.
I hope you’ll be interested – I’d love to help your readers learn more about this topic. I look
forward to your response.
Sandra Beckwith
585-377-2768
sb@nonprofitpublicity.com
www.nonprofitpublicity.com
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It’s easier to get radio publicity than most authors think. All it really takes is a timely publicity
“hook” or angle and a short e-mail message that summarizes that angle in a way that makes
a talk show host or producer think, “I’ve got to have this person on my show!”
The most important part of your pitch to a talk show host or producer (that’s who you want to
contact) is that news hook or angle. It’s not enough to be the author of a book – you need to
have something timely, interesting, entertaining, and informative to say to the show’s
listeners. Find the controversy in your topic…present a view that is counter-intuitive…look
for ways to link your book to current headlines. Take people behind the scenes and
introduce them to a world they won’t have access to without you.
To get started, decide which radio station format is best for your topic (I’m affiliated with
Mark Kaye’s “Radio Publicity Star” audio program and companion PDF guide, which have
great information about this), where you want to do the interviews (which cities/markets),
and build your database of contacts. Then schedule a two-week block of time for the
interviews. Two weeks before then, write your pitch using the template here and send it out
to the contacts in your database. Take the time to personalize the note for each station.
While personalization takes more time, it is more effective than a mass mailing.
Where do you find the radio talk show hosts and producers to pitch? You can find excellent
and popular resources for this in the “Book Publicity Resources” section at the end of this
workbook. Your brief e-mail message should include the following information.
Casual greeting.
Complimentary opener. Compliment the host or producer (“great show!”) while indicating
that you’re familiar with the show and its format. (You can listen to many radio shows
online.)
Summarize the angle you’re using to promote your book on radio talk shows. This
should be a more broad, overview statement (“People are worried about healthcare these
days and I’ve got the solution.”).
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Provide more detailed information about your angle. Focus on your topic’s most
controversial, entertaining, unusual or unexpected aspects. (“Most people don’t realize that
manufactured pet food could actually be making their pets sick. I can explain 3 things they
can do to make sure they aren’t hurting their beloved animals.”)
Provide your preferred timeframe and ask for the interview. Offer a two-week window
and ask which day is best for them.
Next steps. Will you follow up or do you want the producer or host to contact you?
Signature. Always include a professional signature with your book’s title, your Web site
URL, and your contact information (office phone, mobile phone, e-mail). Include your time
zone to make scheduling easier for everyone.
Your book’s announcement press release. Paste this into the body of the e-mail below
your signature. It’s important background information that will answer many of the
producer’s questions about your book.
Your book’s sample question and answer list. Paste this below the book’s press release.
Talk show hosts rarely have time to read guest’s books and the questions you provide help
them appear knowledgeable.
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Here’s an e-mail message pitching an interview to promote my humor book that explains
male behavior to women, WHY CAN’T A MAN BE MORE LIKE A WOMAN? The topic – a
woman discussing why men do what they do or say what they say – make it ideal for radio
talk shows. My target audience, women in relationships, listens to radio, so it’s a great fit.
Hi Joe,
Thanks for hosting such a great show – I’m entertained every time I listen in!
You always have such interesting guests – and I’d like to be one of them. My topic – the
lighter side of gender differences – is really popular with radio talk show audiences, and I
know you’ll want your listeners to join the fun. I’m currently scheduling interviews during the
next two weeks to talk about some of the entertaining topics in my popular humor book,
WHY CAN’T A MAN BE MORE LIKE A WOMAN?, and I want to make sure I set aside time
to talk to you.
“Stupid Men Tricks” (these are incredibly goofy things that men do but women would
never do – think of them as “Hints from Heloise” for guys)
Things that annoy women the most about men
What men want women to know about them
The funniest things men shared with me about their behavior as I researched the book
I usually get lots of phone calls from men when I do radio interviews, so if that works for you,
it works for me.
What morning is best for you the week of the 16th? Let’s pin something down now before
the calendar fills up! You can reply via e-mail or call me at 585-377-2768. Also, to help
provide you with as much information as possible, I’ve pasted a press release describing the
book and a list of suggested questions beneath my signature here.
Cheers,
Sandra Beckwith
Author, WHY CAN’T A MAN BE MORE LIKE A WOMAN?
Fairport, NY (Eastern time zone)
585-377-2768
sb@sandrabeckwith.com
www.sandrabeckwith.com
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Many authors forget that they can be quoted in articles or interviewed on TV talk shows as
an expert long after their book has been launched.
It’s not hard to do this – but it does take time to brainstorm article ideas, to identify the right
media contacts, and to consistently put yourself out there as a possible resource. You can
use a tool most writers are already familiar with – a pitch letter – to generate articles or
segments that use you as a source.
Your goal with a pitch letter when you’re the expert is similar to your goal when you’re the
writer looking for an article assignment. You want an article or TV segment to appear, but
when you’re the expert/author, you want the media outlet – not you – to write an article or
produce a segment that quotes you as an expert resource. The ultimate goal is to have your
book title included as your credential.
Send your pitch to a specific person, not a job title. You can get the right name by studying
the publication to determine where your idea fits in, then calling to get the name and e-mail
address of the appropriate editor if it’s not obvious. You can get much of this information
online, too, from the media outlet’s Web site, or from media directories in the reference
section of your library. Follow this format.
Dear Mr. or Ms. (insert name of specific editor, not a generic title):
Write an attention-getting opening paragraph. Start your letter in a way that captures the
reader’s attention, or take a very direct and straightforward approach – “Here is an article
idea for (section name).”
Explain the idea in greater detail. Make a case for the article or segment idea – why will
readers, viewers or listeners be interested? Include supporting information, facts or statistics
that help show the importance or relevance of the proposed idea.
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Indicate you know the publication or broadcast media outlet you’re targeting. If you’re
pitching a magazine or newspaper, where should this article appear in that publication? If
you’re targeting a TV talk show, how or where does this fit with the format? Say so: “This
article would fit well in your XYZ section.” Write the section name here.
Offer yourself as an interview source. Include your credentials – your book title and other
relevant information.
Suggest other possible article sources. The easier you make it for the journalist to
research and write this story, the more likely it is to happen (as long as it’s a good idea).
Think in terms of the sources you would use if you were writing this article yourself. They
might include other experts, a national trade association, your customers, etc. List them
here. (This is not necessary for TV interviews.)
If you’re pitching a TV talk show, tell the producer about the visuals that would be
part of your segment. Do you have props that will illustrate the segment? Would they need
to shoot “man on the street” interviews to go with your segment? Do you have appropriate
video footage they could use? List your visuals here.
Include the next steps before your e-mail signature. For example: “I will contact you in a
week to determine your interest and answer any questions.”
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Here’s a sample letter designed to capitalize on an upcoming news event. It’s written for a
local newspaper but could be modified for a different media outlet, including television news.
I’d like to discuss this important topic for a very relevant article timed to coincide with Dr.
Kevorkian’s release. I’m the local author of Death without Dignity: What’s Wrong with How
We Die in America and I’m well-versed on local as well as national end-of-life issues and
concerns. I can also put you in touch with local residents who have had both good and bad
experiences with the deaths of loved ones, as well as the executive director of the National
Hospice and Palliative Care Organization, who can talk about this topic on a national level.
I have attached a press release that describes my book, a tip sheet on what we can do as
consumers to make sure our end-of-life care wishes are met, and a copy of a national report
card that ranks states on their end-of-life care.
I will call you in two days to determine your interest. In the meantime, please don’t hesitate
to call me at 555-1234 with questions or to send me an e-mail at
DrSmith@deathwithoutdignity.com. I look forward to talking with you soon.
Cordially,
Mary Smith, MD
Author, Death Without Dignity: What’s Wrong With How We Die in America
234-555-1234, DrSmith@deathwithoutdignity.com
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Content syndication sites on the Internet allow authors and others to submit by-lined articles
that include an “author credit” at the end of the article. These sites present us with a great
way to spread the word about our books. Articles posted on these sites are popular with
editors of electronic publications – e-zines and e-newsletters – and with bloggers, who use
them for free content.
To find the sites, type “article syndication sites” into your favorite search engine and follow
the links. Go to each site and read some of the articles. You’ll see pretty quickly which ones
are useful and which ones aren’t – and the common denominators of both. Short articles are
best because most of us don’t have the patience for longer ones. Bullets and numbers help
us grasp information quickly. Tell us what we need to know quickly, efficiently, and
knowledgeably.
Some syndicators offer author guidelines; check for those first, read them, and follow the
directions. All sites want your article to be loaded with useful or thought-provoking
information and not self-promotional. Those that read like advertisements instead of
unbiased articles get rejected quickly.
Spend time writing a key-word rich title that will help search engine users find your article
quickly. Here’s a great article on the importance of this along with good and bad title
examples. How do you know which words people are searching for? Google’s Keyword Tool
helps.
The instructions below will help you write a short, information-packed article that will tell
readers what they need to know about a very specific topic. Most sites use templates that
generate required information – the title, author name and e-mail address, article category,
the body of the article, and the resource box (author credit) – so these are included in the
template below.
Write a keyword-rich title. This is counter-intuitive for me, so it might be for you, too.
Here’s an example: Using the title-writing instructions above, I changed one of my article
titles from, “6 reasons you should be writing for trade magazines” to “Make money writing for
trade magazines.”
Who’s the author of the article? That’s you. Type it here so you can copy and paste it into
each site’s form.
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What’s your e-mail address? If you have a Web site, use your address with your Web site
URL (author@authorname.com) rather than your generic address (author123@aol.com).
What keywords will help people find your article? List five or six.
Keyword:
Keyword:
Keyword:
Keyword:
Keyword:
Select a category or categories from the options on the content syndication sites.
Each site has its own list of category topics such as business, food, technology, health, etc.,
and while some get more specific than others, the categories tend to be similar from site to
site. Start by becoming familiar with the options, then list one to three preferred choices.
Category:
Category:
Category:
Write your article. While most sites let you contribute articles as long as 2,500 words, that
is just too long for use in e-zines and blogs, so keep it short. Recommended length is 400 to
750 words.
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Write your author credit – often referred to as the “resource box” – for the end of the
article. Keep it to two or three sentences and include your book title and URL. Search
engine optimization experts recommend that you avoid using the same resource box each
time you submit an article.
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Here’s what your finished article might look like when it’s completed. You can find many
article samples in your category by spending time on a few article syndication sites. Note
that while the title is awkward, the words used receive high search volumes.
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8. Offer your solution to the problem and explain why it’s the best option.
9. Conclude on a strong note by repeating your message or stating a call to action.
10. Add one or two sentences at the end that describe your credentials as they relate
to the topic.
When your issue is suddenly making headlines, write an introduction that connects the news
to your essay and e-mail it to the editor quickly.
Resource box:
Sandra Beckwith presents publicity workshops for nonprofits, small businesses, and
authors. She is the author of two publicity books, including Publicity for Nonprofits:
Generating Media Exposure that Leads to Awareness, Growth, and Contributions, available
at http://tinyurl.com/ysppgl. Learn more at www.sandrabeckwith.com.
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When your choice of words is memorable, clever, or unexpected, almost guaranteeing that it
will be used, you’re talking in “sound bites.” A sound bite is a short, catchy snippet of speech
that captures the essence of your message in a way that stands out in your audience’s
memory. Journalists love them. Politicians are famous for them.
Mastering the art of the sound bite ensures that your comment will make it into an article or
onto the air. And when that comment gets included, so does the title of your book – because
it’s your credential. Your book is what gives the journalist a reason to interview you. Still,
talking in sound bites isn’t easy. For some of us, it takes thought, scripting and practice. Use
these guidelines to write memorable sound bites you’ll memorize and use when talking
about your book. (Here’s a link to my blog Q&A on this topic, too: http://tinyurl.com/kkayry.)
Watch the network morning talk shows to hear what the media-trained guests are
saying that catches your attention. These guests are more likely to be the lawyers, CEOs,
authors, and industry leaders you’ll see on the shows, not the “something bad or unusual
happened to me so I’m on the Today Show” types of guests. Write down the phrases that
catch your ear. Study them. Why do they work?
Identify patterns. What do the sound bites you hear have in common? You might notice:
Alliteration
Repetition
Clever turn of a cliché or common phrase
Use of contrasting images
What are the patterns in the sound bites you’ve noted above – those phrases that caught
your ear?
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Play with the language to make it more memorable. Use one of the patterns identified
above – alliteration, repetition, clever turn of a cliché or common phrase, or use of
contrasting images – to rewrite your message into a soundbite.
Rewrite your message again, using one of the other patterns to see if one approach
works better than another.
Test your sound bites with a friend or colleague whose judgement you trust. Do they
understand your message? Does your language choice resonate with them? Or does it
confuse them? Pay attention to the feedback and make any necessary adjustments. Rewrite
it here if necessary.
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Mark Twain:
“The lack of money is the root of all evil.”
Biloxi, Miss. Mayor A.J. Holloway after hurricane Katrina destroyed the Gulf Coast
region:
“This is our tsunami.”
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A publicity plan is your blueprint for success. It will guide your book promotion activities. The
plan writing process helps you decide what you want to achieve and the strategies and
tactics you’ll use to reach your goals.
Your publicity plan will be influenced by whether your book is yet-to-be published, has just
been released, or has been available for some time.
To keep your plan simple to write and easy to use, write it in a format that combines prose
with bulleted points. The prose allows you to explain complicated situations while the bullets
make it easier to list “things to do” in a way that makes them easy to understand and act
upon. Most publicity plans contain most or all of these elements:
Situation or overview
Review of audiences being targeted by the publicity effort
Goals
Objectives
Strategies
Tactics
Budget
Timeline
Using all of these elements forces you to ask the right questions as you develop the plan.
Situation/Overview. In one or two paragraphs, describe your book and what makes it
different from the competition. What makes it marketable? And what makes you marketable
as its author? Do you have unique credentials? Have you done lots of media interviews
already?
Audiences. Who will buy the book? What media outlets do they read, watch, or listen to? If
you want to reach “married women with no children and a household income greater than
$50,000,” say so. The more focused you are, the more likely you are to reach the right
audience efficiently. List as many as you need:
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Audience
Audience
Audience
Goals: With good goals in place, you can look at each publicity tactic and ask, “Does this
step help me achieve my goals?” If the answer isn’t “yes,” the tactic should be removed from
the plan. Goals are well-defined, but are not specific or measurable. They tell you which
direction you want to go in, while your subsequent objectives will tell you how you’re going
to get there.
Sample book publicity program goals might include: To generate book sales through
increased visibility in city business journals coast-to-coast, to secure a monthly column with
special interest magazine XYZ because it is read by the majority of the target audience for
my book, or to use book publicity to generate paid speaking engagements. List as many as
you need:
Goal
Goal
Goal
Objectives: Objectives are measurable targets with deadlines. They grow from goals; they
help determine whether you’re reaching those goals. Put in different terms, goals tell you
where you want to go; objectives tell you how you’re going to get there. Publicity objectives
must be stated in very specific terms if they are to be meaningful and useful.
Objectives outline:
The expected accomplishment
Who will do the work to make sure you succeed with that accomplishment
When it will be finished
How you will know the accomplishment has been achieved
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To establish your plan’s objectives, review your goals, then ask, “How am I going to make
this happen?” If your goal is the first one listed above, “To generate book sales through
increased visibility in city business journals coast-to-coast,” then a sample objective for this
goal might be:
By March 1, I will have done enough research to know the most effective tactics
for getting exposure for my book in city business journals.
Using measurable words allows you to monitor the progress of your activities as you work to
achieve your goals. Adding deadlines helps you prioritize this work with your other
responsibilities.
Objective
Objective
Objective
Strategy: What, exactly, is your strategy for getting publicity for your book? Put it in a
bulleted point or two. It might be to mine your own intellectual property for trade magazine
articles. It might be to leverage your relationship with the daily newspaper’s business section
editor, who lives across the street from you. Or, it might be to build your entire plan around a
series of press releases because that’s what you are best suited to handle. Your publicity
plan strategy will reflect your big picture thinking and set the stage for your selection of
tactics.
Strategy
Strategy
Strategy
Tactics: Tactics are the “meat and potatoes” of your plan. The tactics are the things you’re
going to do to get publicity. They’re press releases, by-lined articles, virtual book tours, press
kits, newsworthy surveys, and so on. Tactics are the tangibles. And the tactics you select are
those that will help you achieve your goals. To select the right tactics, go back to your goals
and ask yourself, “What do I need to do to make this happen?” Think in terms of specific
activities, such as “Write a New Year’s resolution tip sheet providing advice on how to
organize your office for greater efficiency and productivity,” or “Identify freelance writers who
write magazine articles on my book’s topic, and send them copies of the book with a list of
suggested article ideas.” List as many as you need:
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Tactic
Tactic
Tactic
Tactic
Tactic
Tactic
Budget: After you create a list of tactics you believe will work, pull out the calculator to
determine which or how many of them you can afford. If your budget is limited, select those
you believe will have the most impact for the least amount of money.
$ _______________________________
Timeline: A timeline will help you manage the tasks and tactics included in your plan. If you
want your by-lined article to appear in the June issue of a trade magazine, for example, then
note both your start date – at least December – and your targeted publication date on your
timeline. If you plan to mail one press release a month, let your timeline reflect not only that
schedule, but when you need to start writing each release. Once you’ve created your
publicity plan, incorporate the tasks and deadlines into your daily calendar so that you make
certain you follow through on your assignments. Remember to reward yourself when you
complete a task, particularly if it’s one you dislike.
Use the form on the next page to create your timeline. If this format doesn’t work for you,
create one that does.
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Here’s a sample book publicity plan that author Robbie Kaplan wrote while participating in
the “Book Publicity 101: How to Build Book Buzz” e-course.
Situation/Overview
How to Say It When You Don’t Know What to Say: The Right Words for Difficult Times was
published in 2004. I have written eight job search books, including How to Say It In Your Job
Search in 2002, and this book topic, a passion of mine, easily fit the series format. There are
two competitive titles but those books are more narrative. My book is user friendly, covering
an overview of grief, helpful communications, and 25 difficult experiences/losses. If
someone you know is grieving the loss of a pet, miscarriage, suicide, job layoff, divorce, or
devastation from a hurricane, you can turn to the appropriate chapter, read an overview of
the situation, learn what to say, what not to say, steps to help, what’s not helpful, along with
concrete suggestions and sample letters that will provide comfort.
Marketability
I devoted six months to book publicity and generated amazing publicity with some radio, a
TV production company who contacted me and produced a 2-minute segment that aired in
nationwide markets, and a quote and recommendation in “Ask Amy.” The books were
reviewed in large and small publications (but not the long lead major ones), many
newspapers, professional journals, and I got lots of expert quotes in niche magazines and
newspapers. I got great results pitching my career markets with articles on “when bad things
happen to your colleagues,” and newspaper columnists around Christmas with “no holiday s
from grief”. Recently, the PR firm with the Hallmark account found me and asked me to be a
spokesperson for their new line of “Journey” cards - but they decided to cancel the media
tour with lagging card sales. My book sales are as low as the card sales – everyone needs
to know how to help but I believe people are uncomfortable with the topic.
When queried on how I got interested in this topic I shared my 20+ years of experience
working with job loss and how many of my clients confided other losses as well. I then
launched into how isolating loss is and the importance of supporting individuals facing loss.
But the introduction to my book details the deaths of my two children in infancy and how my
experience taught me the importance of supporting others through difficult times and how
even the smallest gesture can truly help someone heal. Some media focused on the
introduction and I did interviews based on my experience. But I tried to work around this
loss, not wanting to capitalize on the deaths of my children.
I found the media was most receptive to the topic when facing loss themselves, for example:
their mom was diagnosed with breast cancer, a father was facing declining health, an ex-
boyfriend asked for support when facing a parent’s terminal illness.
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I’ve also worked hard on my Amazon and B&N presence, learning how to edit and enhance
their content, add newspaper reviews, and get readers to write reviews.
Audiences
Everyone needs my book. I have targeted individual buyers, nationwide libraries, and
specific markets, such as: funeral directors, financial planners, educational administrators,
doctors, trust attorneys, nurses, counselors, my religious community and other religious
communities – I obviously have not found my reader.
I do write a syndicated online “Ask the expert” column on careers and the workplace and my
book titles appears in my byline. I have tried my hand at personal essays on experiences
that provide comfort with no success.
I had difficulty with my publisher from the beginning with poor support from the in-house
publicist and a lack of inventory when publicity hits (for example, they agreed to reprint
before “Ask Amy” but didn’t and ran out of books in three days).
Goals
To create a plan to be implemented over 12 months to better reach my audience
To generate book sales through increased visibility on blogs and the Internet
To identify direct ways to reach my readers
Objectives
By December 31, will have an online presence through blogs and Web sites using tip
sheets, press releases, and personal entries
By December 31, will gain greater visibility with buyers by booking speeches through
community organizations such as the local library and Rotary
By December 31, will have explored interest in pursuing radio and television interviews
By December 31, will have detailed plan for magazines, journals, and newspapers for
tips sheets and targeted short articles
Strategy
To identify existing media and publicity relationships to exploit book publicity
Maximize networks to identify organizations and Web sites whose members are my
buyers
Utilize tips sheets and media packages to gain book exposure
Tactics
By August 10th, distribute miscarriage tip sheet to over 200 media outlets through Cision
(Bacons)
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By September 15, create tips sheets for several difficult experiences and research best
distribution outlets
By September 15, create a focused plan, based on the tips sheets, for radio interviews
By September 15, create a tip sheet for those dealing with loss on what and how to ask
for help
By October 1, explore blogs and Web sites to post the prior tip sheet
By October 1, create a media plan for blogs and Internet sites for tips sheets and Q&As
By October 1, identify contacts through SHRM (Society of Human Resources Managers)
to reach the HR market
By October 15, meet with a group of colleagues to review and evaluate objectives and
successes of publicity plan
By November 1, create a follow up plan to build on successes
By November 1, explore and detail the options for speaking engagements that directly
result in book sales
Budget
$2,500
Timeline
Media and publicity blitz through September to December. Will prepare weekly goals and
assessments.
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I’ve included resources I think will be most useful and relevant to you. I have opinions on
most of them, so I’ve included them in the descriptions in an effort to help you decide which
ones will help you reach your goals. I’m affiliated with a couple of the products mentioned,
which means I get a commission on sales. I only affiliate with products I use and believe in,
so please be assured that I’m not recommending just anything to make change for my tall
extra hot skinny vanilla lattes at Starbucks. If I’m affiliated with the product, I’ve included (aff)
after the product link/URL so that you’ll know. If you’ve got questions about any of the
products here, shoot me an e-mail to sb@buildbookbuzz.com and I’ll do my best to help!
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PitchEngine, http://www.pitchengine.com/index.php
PitchEngine.com distributes social media releases, with links, video, etc. to social media
sites. It’s an excellent resource for a wide-scale campaign but with an annual fee of $550,
it’s a better tool for PR firms that are constantly sending out releases. You can try it free for
30 days – meaning, you can send a release through the service and have it hosted on the
PitchEngine system (which is how this works) for 30 days at no charge. After that, you pay
for it to remain visible or it disappears.
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Sometimes it makes sense to create and maintain your own media database, especially if
it’s a small, targeted list. Media contact information is available from a number of print and
online resources. The reference desks at most libraries carry a set of my favorites, the
Bacon’s Media Directories (one each for magazines, newspapers, radio and TV/cable).
Others include Burrelle’s Media Directory, Gale Directory of Publications and Broadcast
Media, and Gebbie Press All-In-One Media Directory. Here are other resources for media
lists:
Expert Identification
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Getting on Radio
Other
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Sandra Beckwith spent the first 20+ years of her career as a publicist, winning several
national and local awards for consumer product publicity programs she created and
executed. She has helped launch and sustain books, beverages and a wide range of other
products using media relations tools that include press tours, special events and online
marketing.
Sandra now uses her experience to help others discover how to generate publicity for their
books, products or services. She teaches the popular e-course, “Book Publicity 101: How to
Build Book Buzz,” and publishes the free book publicity e-zine, Build Book Buzz.
She is also the author of Publicity for Nonprofits: Generating Media Exposure That Leads to
Awareness, Growth, and Contributions (Kaplan Publishing, 2006) and Streetwise Complete
Publicity Plans: How to Create Publicity That Will Spark Media Exposure and Excitement
(Adams Media 2003). Sandra’s “Build Buzz” blog at http://buildbuzz.blogspot.com provides
authors, nonprofits, and small businesses with publicity-generating tips and ideas.
A popular speaker on publicity topics, Sandra has presented workshops on book promotion
at the annual conference of the American Society of Journalists and Authors and the Writers’
Institute at the University of Wisconsin, Madison. She also leads workshops on publicity for
nonprofits and small business publicity.
Sandra is a recipient of the coveted Silver Anvil award – the public relations industry’s
equivalent of the Oscar – for the international publicity she generated for a subscription
newsletter she created. (The priceless media exposure garnered during the newsletter
launch led to a book contract for WHY CAN’T A MAN BE MORE LIKE A WOMAN?
published by Kensington in 1995.) In addition to a second national publicity award and
several regional awards, she received a career achievement award from her local Public
Relations Society of America chapter when she was just 42, making her the youngest – and
first female – recipient of the award.
Sandra uses her degree in public relations and journalism from Utica College of Syracuse
University to write articles on small business and other topics that interest her for a wide
range of consumer, trade, corporate, and custom publications.
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“Book Publicity 101: How to Build Book Buzz for Self-Published Authors” is a
specialized course for self-published authors. It features all of the instruction and
assignments from the original course as well as specific instructional materials and
assignments on how to introduce your book when it's published. Extra materials are
essential for self-published authors because unlike writers using traditional publishers, you
need to build your own media lists, write your own media materials, and send review copies
yourself. This course teaches you how, but it also teaches so much more!
(http://buildbookbuzz.com/self-published-how-to-build-book-buzz-workshop/.)
Create a book publicity blueprint that makes the most of your available resources
Craft the most compelling media materials needed to generate results
Conduct a virtual book tour with bloggers who can help you build buzz quickly
Employ the media relations tools that will take you the farthest fastest
Discover how to use social networking to publicize your book
Prepare for media interviews – print, broadcast, online
Generate high-impact radio interviews
Build an author Web site that supports book sales and other goals
And much, much more
Students in the course for self-published authors will also learn how to announce
your book professionally and successfully to the media and other key
communities
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A free-for-all Q&A corner lets students get answers to questions not covered in the
course materials, making this a highly-personalized learning experience for
nonfiction and fiction authors.
“For me, writing my book was the easy part – promoting it was a whole different ball game. Fortunately, Sandra
Beckwith is the ideal coach. Her book publicity course offers a perfect mix of practical tools, creative ideas and unfailing
encouragement and support to help authors learn to make the most of each and every opportunity to get their books
known. I highly recommend it to any author – first time or veteran.”
Dara Chadwick, author, You’d Be So Pretty If…: Teaching Our Daughters to Love Their Bodies – Even When
We Don’t Love Our Own
“There is so much information out there about what authors ought to do to promote their books, it can feel
overwhelming! Sandra Beckwith’s Build Book Buzz course can help you cut through the noise and figure out what
makes sense for you. Sandra’s students learn by doing and benefit from her excellent judgment and in-depth
experience. You’ll come out of the course with a do-able promotion plan that fits your skills, resources, and needs.”
Eileen Kennedy-Moore, PhD, author, SMART PARENTING FOR SMART KIDS: Nurturing Your Child’s True
Potential and WHAT ABOUT ME? 12 Ways to Get Your Parents’ Attention Without Hitting Your Sister
“Taking Sandra’s workshop was the most important step I took in my book journey, second only to the writing of the
book. ‘Book Publicity 101: How To Build Book Buzz’ is a must for every new author as well as for those with a dozen
books to their credit. These days, authors whose books are being carried by major houses as well as those who are
self-publishing, need to know how to promote and market their books. With her background and expertise in both
writing and publishing, Beckwith is an instructor extraordinaire, giving her students hands-on experience in generating
media exposure for their books. When you add to this the personal attention and wise counsel she gives to each
student and the generous sharing of information and ideas from the other members of the workshop, you get an online
experience that is an incredible value and one that definitely should not be missed by any author!”
Vivian Kirkfield, author, SHOW ME HOW! BUILD YOUR CHILD’S SELF-ESTEEM THROUGH READING,
CRAFTING AND COOKING
“This has been fantastic! I am now a follower and a believer. Thank you taking the time to personally work with each of
us. I am very happy – you have me thinking like a marketer.”
Karen McCullough, author, The Seven Women Project: Your Personal Guide to Success in Work, Play and
Dress
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Don’t miss this opportunity to learn with other authors in a fun, supportive environment.
You’ll discover valuable strategies, tools and tactics while you connect with others who will
enhance your career.
Got questions? Need a referral to a good publicist? E-mail me at
sb@buildbookbuzz.com!
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