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To cite this article: Barbara A. Biesecker & William Trapani (2014) Escaping the Voice of the
Mass/ter: Late Neoliberalism, Object-Voice, and the Prospects for a Radical Democratic Future,
Advances in the History of Rhetoric, 17:1, 25-33, DOI: 10.1080/15362426.2014.886926
Download by: [Universitara M Emineescu Iasi] Date: 06 November 2016, At: 01:19
Advances in the History of Rhetoric, 17:25–33, 2014
Copyright © American Society for the History of Rhetoric
ISSN: 1536-2426 print/1936-0835 online
DOI: 10.1080/15362426.2014.886926
BARBARA A. BIESECKER
University of Georgia
WILLIAM TRAPANI
Florida Atlantic University
The intellectual labor necessary to produce this work has been shared and, therefore, the
authors wish to underscore their relation as coauthors, equal collaborators.
Address correspondence to Dr. Barbara A. Biesecker, Department of Communication
Studies, University of Georgia, Athens, GA 30602, USA. E-mail: bbieseck@uga.edu
25
26 B. A. Biesecker and W. Trapani
of making sense. Hence, this is the politics of the grand negation or the call
to the complete inversion of the status quo that redoubles the force of the
logics underwriting the late neoliberal democratic regime by lending it an
oppositional figure—all in all, then, a political triptych that, foreshadowing
our argument to come, triangulates in advance a politics of the impossible
or the radically democratic act.
The urgent question before us is then: On what grounds, other than an
uninformed choice, a fanatical attachment, or a naive leap of faith, would
anyone act otherwise or, put more precisely, risk the radical act? In Did
Somebody Say Totalitarianism? Five Interventions in the (Mis)Use of a Notion,
Slavoj Žižek (2001) issues a caution that, albeit far too abstract to stand in as a
full-bodied answer to our question, nonetheless signals the general direction
in which we intend to move:
“Naïve” people are not those who think that we can break out of our
ordinary reality; “naïve” people are those who presuppose this reality as
an ontologically self-sufficient given.
To not only not be taken in by the existent order of things but, moreover, to
take exception to it in such a way that the operative coordinates of political
sense making (what Foucault will call the matrices of popular reasoning) will
not apply: an act that is not simply opposed to the status quo but one that
works at redefining it. This is precisely what we find revolutionary, in all
senses, about the Lacanian theory of desire, jouissance, and/as the drive(s):
left to its own devices, the proper function of the drives is to redirect a sub-
ject’s rapacious attachment to a given object of desire by way of a sublimation
through which both the subject and its object are productively transformed.
The object of the drive, this object around which the drive repeatedly turns,
is, of course, what Lacanians call the object (petit) a. Notably, the sublimated
object is not to be understood as a stand-in for an absent fullness or as “the
representation of the Thing, of a noumenal beyond” (Copjec 2004, 38). The
object a is not the idealized or cathected delegate of a jouissance that is
inaccessible but, instead, is satisfying in “itself.”
How so? How might the drive fulfill the subject without achieving
its goal? It is because, as Mladen Dolar (2006) has argued, on the way
to that inhibited end a certain by-product emerges: the voice—or, more
specifically—the “object-voice” of the drive, a “side-satisfaction, but one
which suffices to fuel all the machinery” (74). Dolar’s attention to voice,
Escaping the Voice of the Mass/ter 29
The words that strike the subject as odd are the result of a dispossession, an
“ex-appropriation” due to the introduction of the object-voice into his or her
speech. Gunn (2007) has called this type of speech the voice abject, a form
of “glossolalia” that inflects the “‘something more’ of speech” (361).
While the drives may indeed be mute, the subject-cum-political agent
that operates under their influence is anything but silent, as the persistent
pressure exerted by the drive compels him or her to act and, even more
importantly, to speak (see Dolar 2006, 156). As Jacques-Alain Miller (2007)
explains, the invocatory drive provokes the subject into speech of her or his
own:
The analyst has to keep silent, at least in principle, and the great majority
of the time. But here a curious reversal takes place: it is the analyst,
with his silence, which is the embodiment of the voice, the voice as the
object. He is the personification, the incarnation of the voice, he is the
voice incarnate, the aphonic silent voice. His is not his Master’s voice,
not the voice of a command or of superego, but rather the impossible
unbearable voice to which one has to respond. It is the voice which
doesn’t say anything and the voice which cannot be said, the voice of
radical silence and of an unbearable appeal, a call to respond, to assume
one’s stance of the subject. One is called upon to speak, one would say
anything that happens to fall into one’s mind to interrupt the silence, to
silence this voice, to silence the silence.
democratic politics, then, as the politics neither of the necessary nor the con-
tingent nor the possible but of the impossible with respect to the state of our
situation. Or radical democratic politics as both giving the lie to the dictator-
ship of positivities or the tyranny of structured appearances and exposing the
poverty of individual and collective thought that, in taking the given as “all,”
imagines the future exclusively in managerial terms by lending a subjective
figure to the late neoliberal void.
From all of this follows two additional consequences, the very brief elab-
oration of which will bring this article to its end. First, we can now specify
the radical democratic agent’s rhetorical mode as always already polemical,
which is to say as always untimely and already inappropriate with respect
to the state of the situation within which that agent issues an utterance or
acts (Poulakos 1983). Indeed, to productively use Kathyrn Thomas Flannery’s
(2001) work on the form and force of the polemic against its spirit or grain,
the discourses and practices of the radically democratic agent by definition
always will “exceed the bounds of good sense and good taste” (116) and
seem, from the perspective of the state of the situation, already “to rely on
[mere] persuasion at the expense of verifiable evidence” (Rand 2006).6 In
other words, the radical political agent’s utterances are those to which the
usual protocols of communicative exchange and deliberative reasoning—
from dialogue and debate to arguing both or, better yet, all sides—simply
do not apply insofar as they are predicated in the first and last instance on
the “common world view” or “shared experience” (Greene and Hicks 2005).
Hence, irreverent with respect to the existing order of things, radically demo-
cratic utterances find no resource in the usual forms of political speech—be
it the petition, the claim, or even the demand.7 Instead, they declare! Indeed
if, as Benjamin Arditi and Jeremy Valentine (1999) have astutely argued,
the polemic “puts the space of the habitual—the habitus—in question” (2),
it does so not by appealing to others but, quite to the contrary, by boldly
declaring and embodying something other—namely, the noncorrespondence
of actually existing democracy with itself. Finally, then, polemicization is the
rhetorical performance of the ethical injunction to “imagine there is no pub-
lic(s),” a flagrant act of disobedience on which a different kind of future of
our being and our being together depends.
NOTES
1. What is being suggested here, of course, is that the move from theorizing the Public to theorizing
publics, etc., can be mapped cognitively as a shift from antidescriptivism to descriptivism, both of which,
as Slavoj Žižek (1999, 90) has summarily pointed out, “aim at a general theory of referring function. For
descriptivism, proper names themselves are merely abbreviated or disguised definite descriptions, while
for anti-descriptivism the external causal chain determines reference even in the case of generic notions.”
Our aim over the course of this article is not to split this (non)difference but to deconstruct it.
2. See, for example, Asen and Brouwer (2001, 1) who suggest, “For ‘public’ seems at once both a
necessary and a fragile notion for democratic orders.” We are aware, of course, that a number of scholars
argue that publics, by whatever name they may be given, do not “exist” as such, but these scholars
32 B. A. Biesecker and W. Trapani
continue to maintain that they “matter” in the sense of their having effect. See, for example, Michael
Warner (2002, 8) who has argued that publics are a “kind of fiction that has taken on life” and indeed that
“if we did not have a practical sense of what publics are . . . we could not conduct elections or indeed
imagine ourselves as members of nations or movements.” Also, see Jodi Dean (2002, 11), who has argued
that “[t]he public is symbolic, it doesn’t exist, but it still has effects.” The arguments that follow in our
article do not depend on the “reality” of the public (or various versions of “publics”) but instead on the
“effect” of their imagined role.
3. In designating the late neoliberal subject’s disposition as belonging or inclusion through recog-
nition, we are wanting to account for both “the presented” or that which “is counted as one in a situation,”
what Alain Badiou (2005) terms a “consistent multiple,” and “the represented” or that which “is counted
as one by the metastructure” (what Badiou (2005a) terms a “part”).
4. Our analysis of the count finds its beginning in but aims to distinguish itself from the prior and
competing theorizations tendered by Alain Badiou (2005b) and Jacques Rancière (1999).
5. Miller (1997, 24) writes, “Put otherwise, giving privilege to a schema of communication, giving
a place to the symbolic relationship the Other, the drive is defined—I barely accentuate these terms—as
an enunciation of the unconscious. As [Lacan] explains—it is not very clear if it is the location or the
concept of the drive—‘it is all the further from speaking the more it speaks.’ I think I faithfully simplify
the slightly entangled formula in this phrase, by saying, finally, the lesson is that the drive is speech.”
6. It is worth noting Foucault’s distaste for the polemicist as well. Where Foucault faults the polemi-
cist for not engaging the dialogic process, or at least by not playing fair in that process, we, on the other
hand, find that unwillingness to succumb to the given’s rules of the game precisely the wellspring of
radical, interruptive, political possibilities. Foucault (1997) argues:
The polemicist . . . proceeds encased in privileges that he possesses in advance and will
never agree to question. On principle, he possesses rights authorizing him to wage war
and making that struggle a just undertaking; the person he confronts is not a partner in
search for the truth but an adversary, an enemy who is wrong, who is armful, and whose
very existence constitutes a threat. For him, then the game consists not of recognizing this
person as a subject having the right to speak but of abolishing him as interlocutor, from
any possible dialogue; and his final objective will be not to come as close as possible to
a difficult truth but to bring about the triumph of the just cause he has been manifestly
upholding from the beginning. The polemicist relies on a legitimacy that his adversary is
by definition denied. (112)
7. Here, we feel compelled to highlight a problematic, and symptomatic, insistence on the dis-
course of the demand in the recent and celebrated On Populist Reason by Ernesto Laclau (2005). While
he is to be credited for attending to the role affect plays in manufacturing the universal requisite to
the production of hegemony, and for being—as far as we are aware—the first major theorist to take
seriously the political implications of Copjec’s work on sublimation, he seems to us to have imported a
domesticated account of her theorization of sublimation, the consequences of which are disastrous for
radical democracy. He seemingly ignores, for example, any mention of jouissance or of the ways in which
sublimation shatters the subject’s previous sense of self and the object. As a result, “desire” in Laclau’s
work is much more akin to “need,” in the sense that it has long been understood by modernist political
theory. It is not surprising, then, that his understanding is “radical” about sublimation is the “contingent
character” of the cathected objects rather than its effecting a fundamental break from the order of things.
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