Professional Documents
Culture Documents
CANDIDATE NUMBER:1605060035
TERRITORY: TRINIDAD
First and foremost, I’d like to thank God for blessing me with the strength and motivation to
do this IA. As well as both of my communication studies teachers, Mrs. Renasha Ali-
Mohammed and Miss Nisha Mohammed; who not only strengthened me but guided me
INTRODUCTION 1
PREFACE 2
REFLECTIVE 3
ANALYSIS 7
BIBLIOGRAPHY 9
APPENDIX
INTRODUCTION
The chosen theme of this portfolio is ‘The Impact of Anxiety on an Adolescent’s Mental
Wellbeing. The purpose of this portfolio is to educate society on the various ways anxiety
disorders can have negative effects on a student’s productivity and ability to learn.
The theme is evident in the Reflection which is a monologue about an adolescent who
confronts her anxiety and expresses the various emotions and thoughts induced because of it.
The theme is also evident in the Exposition where research was conducted on the impact of
anxiety and the various issues these victims face. Both the Reflection and Exposition highlight
the impact of anxiety, thus effectively interacting with the audience and educating them on the
challenges faced daily. Additionally, reliable and valid data were sourced in order to accurately
Personally, this topic peaked my interest as I have witnessed my peers and family suffer with
these issues and the negative impact it has left on their lives. Additionally, in my CAPE Biology
class, we discussed the effects of diseases on the body and learnt that they do not only affect a
person physically but mentally as well. I noticed that many people are unaware of how ever-
present mental health issues are and how to properly deal with them. Thus, I am considering a
career path in psychology, to assist victims of mental illnesses and to shed light on the issues
they face.
PREFACE
The reflective entitled “The Silent Killer” is a monologue about a student whose mental
wellbeing is negatively affected by anxiety. It also traces the effects of anxiety on one’s physical
and emotional state. The purpose of this reflective aims to highlight how students’ lives can be
affected by a mental illness, precisely anxiety and to neutralize the stigma that mental illnesses
Additionally, the target audience of this reflective are persons who do not struggle with anxiety,
as they would be relatively unaware of the impact anxiety has on a person’s life. This is in hope
that upon reading the reflective these persons are sensitized to the struggles victims of anxiety
face on a daily basis. Furthermore, a monologue was chosen as the type of reflective piece as it
helps to effectively convey the internal conflict that victims of anxiety have with themselves.
Moreover, the monologue will be performed at Mental Health Awareness seminar at Queen’s
Hall, open to the public and will also be recorded and posted on social media sites where persons
can interact, share their stories and so that persons who suffer from anxiety and those who don’t
Dear Anxiety,
Maybe we can take a walk down the garden of my dreams that you set ablaze;
And I can reminisce on all the ways you told me I will never be enough.
Or maybe we can take a swim in the pool of tears I grieve every night
Until all my aspirations are out the window and my mind feels as if it’s stuck in limbo.
Unaware that I was digging my own grave and you were having a rave in my head.
Restrained by your words, I sat and watched as my life went downhill as I never left my bed
“No thank you” you mockingly decline, with piercing eyes that sternly scream “Get back in
I spend all my time daydreaming of a place where this curse could be reversed
I didn’t realize at the time that I was only quenching your thirst
Felling like the weather in my mind is adverse and I just can’t divert from it.
And I can never find the words to express what I feel within
While your torturous words aim at me like missiles, borrowing holes within me like thistles.
“Please stop, I can’t handle this” I cry, but my release you deny,
Until my weary lips beg “O Gad O Gad help meh! Ah cyah take et anymore” (Dialectal
Variation)
Your scornful eyes mock my distressing cries as I lay on the floor (Attitude to Language)
Dear Anxiety,
“I’d…I’d like my life back” I say as I take a step back and brace another attack; hesitantly
reassuring myself that this time I will not crack (Communicative Behaviour)
Still I take a stand saying though I am small I am ready for this brawl!
My mind is not your prized possession and I am not a toy for you to enjoy or destroy!
Language)
I can feel eyes disemboweling me, carving me out until all that is left is myself to blame.
And though I’m on the brink of exploding and my mind feels as if it’s eroding;
I will put on a facade and dream of a day that I can say ‘I’m okay’ and mean it.
But until then, I’ll sit here with a pen, waiting for her to strike again.
ANALYSIS
The reflective piece ‘The Silent Killer’ highlights the internal conflict victims of anxiety face
on a daily basis. In this analysis, dialectal variation and various communicative behaviours found
Dialectal Variation refers to the swapping of languages based on a variety of influences; such
as status and authority, emotional state, educational background and many others evident in the
reflection. The two languages present in the reflective piece are Standard English and
Trinidadian Creole. To begin, both Standard English and Trinidadian Creole is used by the
persona as she converses with her anxiety. The persona initially starts the conversation with the
use of Standard English and formalities; saying “Dear Anxiety, It’s time we talked; Maybe we
However, she lapses into Creole as she has reaches her breaking point and begs for freedom
from her anxiety “Until my weary lips beg “O Gad O Gad help meh! Ah cyah take et anymore”.
The seemingly one-sided conversation takes a turn when her anxiety replies negatively with
The choice of language used can be seen being influenced by the persona’s emotions
throughout the reflective. The persona initially used Standard English as a means of
communicating a serious topic, as also depicted by the use of formalities but lapsed into
Trinidadian Creole, her native language, to reflect her desperate want for freedom from anxiety’s
control. Moreover, the careful selection of languages also indicates the mentally abusive
relationship the persona has with her anxiety as represented by various communicative
behaviours.
Communicative behaviours entail the non-verbal clues to an individual’s emotions which are
evident in the reflection. To begin, this is displayed through facial expressions, “...with piercing
eyes that scream “Get back in line!” and “my words earn me another piercing glance”. The
persona’s anxiety displays eye movement of an authoritative figure indicating that her anxiety is
superior and in control for her actions as well as her life. Additionally, this idea is also suggested
with the use of proxemics as the persona cowers in the presence of her anxiety, shown by the
line, “...as I take a step back and brace another attack”, showing signs of a mentally abusive
relationship as well as how inferior she is to her anxiety. These communicative behaviours imply
that the persona’s anxiety is harsh and cold towards her whilst she has already submitted herself
and sees no way out but to keep on living with her anxiety.
BIBLIOGRAPHY
Abel, Wendell Baboolal, Nelleen Gibson, Roger “The Epidemiology of Mental Health Issues
in the Caribbean”. PAHO: Pan American Health Organization, 2017
Lacey, Krim K et al. “Relationship of social and economic factors to mental disorders among
population-based samples of Jamaicans and Guyanese.” BMJ open vol. 6,12 e012870. 16 Dec.
2016, doi:10.1136/bmjopen-2016-012870