Alone

Edgar Allan Poe Michelangelo Mattoli

    
  
 = 62 

  
Soprano Solo

     

 
      
From

   
   
      
 
 

Piano 





   

     
          
4


S. Solo

     
  
chil ood's hour I have not been as oth ers

      
  
   
    
 
 
Pno. 

   

  
      
   


 
6


S. Solo

      
 
where I have not seen as o thers

 
         
 

 
   
3


 
 

      




Pno. 


   

Copyright ©
    
      
8  mezzavoce

 
S. Solo

  
   
saw I could not bri ing my

     
        
 

 


   


 

 
  
Pno.


 

 
          

  
10

S. Solo

      
pass ions from a comm on spring

         
      
   
  



    
  
Pno.







 
   

     
       
12 


S. Solo

   
     
From the same source I have not

           

   


  
  

Pno.




 


   

2 Copyright ©
   
        
14

     
S. Solo

   
 
       


ta ken my so

    

7

  


   
 
     
cresc. 3


Pno.

   
3

  

 


Rallentando molto

    
     


 
16


S. Solo

rrow I could not a

   
Rallentando molto

      
    
rall.

   
3

   
      
Pno.

    
    
3 3

  
7



  sottovoce
()

      
       
A tempo

   
17  

 
S. Solo


3

 
wa ken my heart to joy and all Iloved Iloved a

   
  
   
 
 
  

A tempo

  





  
       


 


 
Pno.


dim.

   



 


     
 

Copyright © 3
      
              
Più mosso  = 72  cresc.

 
20

S. Solo

    
 
lone Then in my child hood in the dawn of a

   
   



   





  
 cupo, pesante cresc.

  
Pno.

            
              

      
      

  
        
    
 
24 (cresc.) 

S. Solo

 
          
      
most stor my life was drawn from eve ry de

  

       
        
(cresc.) 

 
Pno.

    
    
          
  

   

    
 
27

S. Solo

     
pth of good and ill the

     
        
 

 

 
        
Pno.

 
     
 

4 Copyright ©
     
 
Rall Molto


29

S. Solo

        
my ste ry which

        
    
Rall Molto

   
   
    
 
3
3

      
    
  
Pno. 3 3
3

3
 

   
 
         


  
a tempo 6 5
30


S. Solo

    
   
binds me still from from

         
    
a tempo

 


       
    
Pno.

  

              
 
3


4 2


1


34

S. Solo

     
          
 
from from from form

    
    
Pno.

Copyright © 5